標(biāo)題: Titlebook: Cultural Globalization and Music; African Artists in T Nadia Kiwan,Ulrike Hanna Meinhof Book 2011 Palgrave Macmillan, a division of Macmill [打印本頁(yè)] 作者: Recovery 時(shí)間: 2025-3-21 16:28
書目名稱Cultural Globalization and Music影響因子(影響力)
書目名稱Cultural Globalization and Music影響因子(影響力)學(xué)科排名
書目名稱Cultural Globalization and Music網(wǎng)絡(luò)公開(kāi)度
書目名稱Cultural Globalization and Music網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書目名稱Cultural Globalization and Music被引頻次
書目名稱Cultural Globalization and Music被引頻次學(xué)科排名
書目名稱Cultural Globalization and Music年度引用
書目名稱Cultural Globalization and Music年度引用學(xué)科排名
書目名稱Cultural Globalization and Music讀者反饋
書目名稱Cultural Globalization and Music讀者反饋學(xué)科排名
作者: FOLD 時(shí)間: 2025-3-22 00:15 作者: 腫塊 時(shí)間: 2025-3-22 00:55
Translocal Networking in Madagascar and Moroccoorigin. More specifically, in this chapter we begin with the artists from the provinces, who live in or come from some of the rural regions and provincial towns of Madagascar and Morocco, and in Chapter 2 we add those in the countries’ metropolitan cities.作者: AMBI 時(shí)間: 2025-3-22 08:22
t locations across Africa and Europe, and those of the people who constitute their networks within the wider artistic, cultural, and civil society milieus of globalizing societies.978-1-349-30680-0978-0-230-30538-0作者: Fulminate 時(shí)間: 2025-3-22 11:37
Book 2011This book is about South-North, North-South relations between Africa and Europe, presenting the personal narratives of musicians in different locations across Africa and Europe, and those of the people who constitute their networks within the wider artistic, cultural, and civil society milieus of globalizing societies.作者: conifer 時(shí)間: 2025-3-22 16:28
https://doi.org/10.1057/9780230305380capital; Europe; globalization; migration; Milieu; Nation; nationality; society; Transnational作者: conifer 時(shí)間: 2025-3-22 20:19 作者: Confidential 時(shí)間: 2025-3-22 23:59 作者: 使苦惱 時(shí)間: 2025-3-23 04:19
,“A Mingle-Mangle of Heathenisme”,origin. More specifically, in this chapter we begin with the artists from the provinces, who live in or come from some of the rural regions and provincial towns of Madagascar and Morocco, and in Chapter 2 we add those in the countries’ metropolitan cities.作者: 伸展 時(shí)間: 2025-3-23 05:32 作者: 要素 時(shí)間: 2025-3-23 11:47
global cities and cultural globalization. As such, the first part of the chapter will focus on these theoretical considerations and then move onto the main empirical discussion where we will first explore the more predictable role of Paris as a hub or . for North African and Malagasy migrants and t作者: JIBE 時(shí)間: 2025-3-23 16:50
bed in multiple locations beyond the highly visible concentration of diasporic musicians in capital cities such as Paris or London (see Chapter 3). Here, then, we explore two issues: firstly, the phenomenon of multi-sited individuals and groups who are simultaneously located in a capital and provinc作者: 改變立場(chǎng) 時(shí)間: 2025-3-23 20:36
transnational cultural networks. To what extent do institutions such as the British Council, the Institut fran?ais, the Goethe-Institut and those associated with them in the South such as the Cercle germanomalgache/Goethe Cultural Centre, the Alliance fran?aise, the Centre culturel Albert Camus or 作者: 完成 時(shí)間: 2025-3-23 22:55
https://doi.org/10.1057/9780312299545socially engaged Malagasy and North African musicians. The civil society organizations in question are European-based NGOs and other more loosely structured associations and their transnational offshoots or links, whom we’ve encountered as a result of our work with individual musicians. Our own awar作者: perimenopause 時(shí)間: 2025-3-24 02:53 作者: 平常 時(shí)間: 2025-3-24 07:18
Translocal Networking in Madagascar and Moroccoorigin. More specifically, in this chapter we begin with the artists from the provinces, who live in or come from some of the rural regions and provincial towns of Madagascar and Morocco, and in Chapter 2 we add those in the countries’ metropolitan cities.作者: 方便 時(shí)間: 2025-3-24 13:20
Metropolitan Hubs in the Southh their metropolitan centres. In this chapter we will turn to the metropolitan cities themselves so as to view their role as central hubs, within their countries and transnationally. The focus here will be on some of the influential artists who live in Antananarivo or Casablanca, and on the people, 作者: Axillary 時(shí)間: 2025-3-24 18:33
Capital Cities as Global Hubs global cities and cultural globalization. As such, the first part of the chapter will focus on these theoretical considerations and then move onto the main empirical discussion where we will first explore the more predictable role of Paris as a hub or . for North African and Malagasy migrants and t作者: 冷峻 時(shí)間: 2025-3-24 21:38
Beyond the Capitals: Translocality/Transnationality in Europe and the Southbed in multiple locations beyond the highly visible concentration of diasporic musicians in capital cities such as Paris or London (see Chapter 3). Here, then, we explore two issues: firstly, the phenomenon of multi-sited individuals and groups who are simultaneously located in a capital and provinc作者: 埋葬 時(shí)間: 2025-3-25 03:10
Mutual Supports: North <> South transnational cultural networks. To what extent do institutions such as the British Council, the Institut fran?ais, the Goethe-Institut and those associated with them in the South such as the Cercle germanomalgache/Goethe Cultural Centre, the Alliance fran?aise, the Centre culturel Albert Camus or 作者: START 時(shí)間: 2025-3-25 04:24 作者: creatine-kinase 時(shí)間: 2025-3-25 07:53 作者: 案發(fā)地點(diǎn) 時(shí)間: 2025-3-25 11:52
Occitania: The Culture of Love,ans in different locations across Africa and Europe, and those of the people who constitute their networks within the wider artistic, cultural and civil society milieus of global or globalizing societies.作者: genuine 時(shí)間: 2025-3-25 18:43 作者: 灰姑娘 時(shí)間: 2025-3-25 21:36 作者: delusion 時(shí)間: 2025-3-26 00:53
Capital Cities as Global Hubslagasy musicians. We will show how Paris and these other cities in the North offer multi-layered opportunities for migrant and migrant-origin artists based there and furthermore how the presence of such artists has come, over time, to transform the cultural fabric of the cities they reside and work in.作者: 有限 時(shí)間: 2025-3-26 06:33
,“A Mingle-Mangle of Heathenisme”,ng in general. Many musicians we interviewed, especially Erick Manana and Justin Vali, both of considerable standing in Madagascar and Europe alike, repeatedly stressed their need to return to Madagascar to resource themselves afresh..作者: 的是兄弟 時(shí)間: 2025-3-26 09:45 作者: Indicative 時(shí)間: 2025-3-26 15:10
or example festival organizers, musicians) who are based in the former colonies. The first section of the chapter will provide a brief overview of the historical and political contexts surrounding the establishment of these institutions, before going on to consider the main ways in which such bodies作者: Blood-Clot 時(shí)間: 2025-3-26 20:11
https://doi.org/10.1057/9780312299545ups of people were we able to discover links which at first sight had little to do with the musicians’ primary activity as transnational artists. Hence the combination of following individuals and conducting multi-sited ethnography at what we defined as ‘hubs’ was particularly fruitful in uncovering作者: Forehead-Lift 時(shí)間: 2025-3-26 21:43
Metropolitan Hubs in the Southng in general. Many musicians we interviewed, especially Erick Manana and Justin Vali, both of considerable standing in Madagascar and Europe alike, repeatedly stressed their need to return to Madagascar to resource themselves afresh..作者: chiropractor 時(shí)間: 2025-3-27 02:23 作者: 沙發(fā) 時(shí)間: 2025-3-27 06:49
Mutual Supports: North <> Southor example festival organizers, musicians) who are based in the former colonies. The first section of the chapter will provide a brief overview of the historical and political contexts surrounding the establishment of these institutions, before going on to consider the main ways in which such bodies作者: Aerate 時(shí)間: 2025-3-27 12:53
Mutual Supports: South <> Northups of people were we able to discover links which at first sight had little to do with the musicians’ primary activity as transnational artists. Hence the combination of following individuals and conducting multi-sited ethnography at what we defined as ‘hubs’ was particularly fruitful in uncovering作者: 材料等 時(shí)間: 2025-3-27 15:26 作者: 壕溝 時(shí)間: 2025-3-27 20:48 作者: alcohol-abuse 時(shí)間: 2025-3-27 22:35 作者: 機(jī)密 時(shí)間: 2025-3-28 02:57 作者: Cougar 時(shí)間: 2025-3-28 09:37
,Computer-Aided Road Inspection: Systems and?Algorithms, visual road inspection process is pricey, dangerous, exhausting, and cumbersome. Also, manual road inspection results are qualitative and subjective, as they depend entirely on the inspector’s personal experience. Therefore, there is an ever-increasing need for automated road inspection systems. Th作者: 使腐爛 時(shí)間: 2025-3-28 12:16
Einleitung,zugrunde liegender Definition und Region betr?gt der Anteil der Familienunternehmen an allen Unternehmen zwischen 75 und 95 Prozent. Sie sind daher von herausragender volkswirtschaftlicher und damit auch gesellschaftlicher Bedeutung. Allerdings weisen Familienunternehmen eine verh?ltnism??ig geringe
