標(biāo)題: Titlebook: Cultural Economy and Television in Jamaica and Ghana; #decolonization2poin Deborah Hickling Gordon Book 2020 The Editor(s) (if applicable) [打印本頁(yè)] 作者: 變成小松鼠 時(shí)間: 2025-3-21 19:26
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書(shū)目名稱Cultural Economy and Television in Jamaica and Ghana影響因子(影響力)學(xué)科排名
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書(shū)目名稱Cultural Economy and Television in Jamaica and Ghana讀者反饋
書(shū)目名稱Cultural Economy and Television in Jamaica and Ghana讀者反饋學(xué)科排名
作者: 事與愿違 時(shí)間: 2025-3-21 22:05 作者: Harness 時(shí)間: 2025-3-22 03:26
https://doi.org/10.1007/978-3-030-76794-5o address endemic challenges. Seven characteristic changes have been identified across cultural and creative sectors as units of analysis to describe the specific transformational factors from television institution to audiovisual subsector of the cultural economy in Jamaica and Ghana between 1997 a作者: 充滿人 時(shí)間: 2025-3-22 08:16
Jean-Pierre Danthine,John B. Donaldsonork—the creation of content for consumption. Like for Jamaica, understanding these changes in the AV subsector provided insight into the unique characteristics of the subsector itself; thematic clues that assist in addressing endemic challenges. Three of the seven characteristic changes used to desc作者: AVOID 時(shí)間: 2025-3-22 11:52 作者: Radiculopathy 時(shí)間: 2025-3-22 13:25
specific characteristics of CCI is designed to be applicable to the CCI of developing countries including those in Africa and the Caribbean, where interpretations and implementation suited for advanced industr978-3-030-38067-0978-3-030-38065-6作者: Radiculopathy 時(shí)間: 2025-3-22 19:51 作者: Grating 時(shí)間: 2025-3-23 00:15 作者: 叢林 時(shí)間: 2025-3-23 01:34
From TV to AV in Jamaica: Creative Work, Content and Consumption,o address endemic challenges. Seven characteristic changes have been identified across cultural and creative sectors as units of analysis to describe the specific transformational factors from television institution to audiovisual subsector of the cultural economy in Jamaica and Ghana between 1997 a作者: Formidable 時(shí)間: 2025-3-23 05:47 作者: mutineer 時(shí)間: 2025-3-23 12:35
Cultural Economy and Television in Jamaica and Ghana#decolonization2poin作者: Talkative 時(shí)間: 2025-3-23 16:58 作者: 花爭(zhēng)吵 時(shí)間: 2025-3-23 21:11 作者: kindred 時(shí)間: 2025-3-23 22:24 作者: obsession 時(shí)間: 2025-3-24 02:58
From TV to AV in Jamaica: Commerce, Copyright, Convergence and Conduits,en 1997 and 2017. The move from public service to commercial broadcasting resulted in sweeping subsector changes in sensibility, behaviors and practices. Seven characteristic changes are identified across cultural and creative sectors in this volume—commerce, creative work, convergence, conduits, co作者: organism 時(shí)間: 2025-3-24 07:08
From TV to AV in Jamaica: Creative Work, Content and Consumption,Neoliberalism had changed the nature of employment relationships. This chapter traces the trajectory of transition of creative work in the Jamaican audiovisual sector. It examines the processes used, structures established, methods engaged, philosophies that inspired, structures adopted and activiti作者: Mindfulness 時(shí)間: 2025-3-24 11:40 作者: 美食家 時(shí)間: 2025-3-24 16:40
From TV to AV in Ghana: Creative Work, Content and Consumption,While the Jamaican government divested itself of its public service broadcaster, the JBC, Ghana kept the GBC intact but marketized many functions. That cushioned the jolt to the new market change could have brought. Additionally, amid the commercial changes, over time Ghana’s centuries-old cultures 作者: 變化 時(shí)間: 2025-3-24 22:11
#decolonization2point0: Follow the Star,rk. A case is made for a behavioral approach to the examination of the formation of cultures and their economic contexts. Through the “personification” of the CCI sector, “personality” trends and traits in the national media and audiovisual subsector are presented as a central tenet of the South Sta作者: CALL 時(shí)間: 2025-3-25 01:57
South Star for Jamaica,ral specificity of the Jamaican subsector?and establish a profile based on its “personality”, are presented. Grounded in principles of behavioral economics, these themes and traits?are used to guide the development of a framework for a culturally specific action plan and the application of the South作者: deficiency 時(shí)間: 2025-3-25 03:57 作者: 銼屑 時(shí)間: 2025-3-25 09:14 作者: Pituitary-Gland 時(shí)間: 2025-3-25 12:09
Deborah Hickling GordonExplains and analyses the transformation of television in Jamaica and Ghana.Represents the first critical examination and comparison of cultural and creative industries and economy concepts in the Car作者: 間接 時(shí)間: 2025-3-25 19:53 作者: BLOT 時(shí)間: 2025-3-25 23:20 作者: burnish 時(shí)間: 2025-3-26 00:56
Georgios Kostopoulos,Sotiris Kotsiantisplaces align in ways that have lasting significance; around which several changes in civilization as we know them seem to coalesce in time and space (Flew, Digital communication, the crisis of trust, and the post- global, Communication Research and Practice, ., 2019: 1). These eras of present period作者: Endearing 時(shí)間: 2025-3-26 07:25
Vasilis Zafeiropoulos,Dimitris Kallesen 1997 and 2017. The move from public service to commercial broadcasting resulted in sweeping subsector changes in sensibility, behaviors and practices. Seven characteristic changes are identified across cultural and creative sectors in this volume—commerce, creative work, convergence, conduits, co作者: Interdict 時(shí)間: 2025-3-26 11:48
https://doi.org/10.1007/978-3-030-76794-5Neoliberalism had changed the nature of employment relationships. This chapter traces the trajectory of transition of creative work in the Jamaican audiovisual sector. It examines the processes used, structures established, methods engaged, philosophies that inspired, structures adopted and activiti作者: Jingoism 時(shí)間: 2025-3-26 14:34 作者: Magnificent 時(shí)間: 2025-3-26 20:16 作者: Fester 時(shí)間: 2025-3-27 00:54
The Getting of Macroeconomic Wisdomrk. A case is made for a behavioral approach to the examination of the formation of cultures and their economic contexts. Through the “personification” of the CCI sector, “personality” trends and traits in the national media and audiovisual subsector are presented as a central tenet of the South Sta作者: 天文臺(tái) 時(shí)間: 2025-3-27 01:17
Advances in Macroeconomic Theoryral specificity of the Jamaican subsector?and establish a profile based on its “personality”, are presented. Grounded in principles of behavioral economics, these themes and traits?are used to guide the development of a framework for a culturally specific action plan and the application of the South作者: BROOK 時(shí)間: 2025-3-27 07:38 作者: 旋轉(zhuǎn)一周 時(shí)間: 2025-3-27 09:26 作者: 水槽 時(shí)間: 2025-3-27 13:38 作者: 你敢命令 時(shí)間: 2025-3-27 19:40
From TV to AV in Jamaica: Commerce, Copyright, Convergence and Conduits,lume to describe the specific transformational factors from television institution to audiovisual subsector of the cultural economy in Jamaica and Ghana between 1997 and 2017. This chapter examines changes in four of those—commerce, copyright, convergence and conduits.作者: RENIN 時(shí)間: 2025-3-27 22:23 作者: BLINK 時(shí)間: 2025-3-28 02:21
Ferdinando Di Martino,Sabrina Senatoren. These are the units of analysis used to explore the specific transformational factors from television as institution to audiovisual subsector of the cultural economy in Ghana between 1997 and 2017 and up to the end of the decade of the millennium. This chapter examines changes in four of those—commerce, copyright, convergence and conduits.作者: 缺乏 時(shí)間: 2025-3-28 08:10
Advances in Macroeconomic Theory Star cultural economy model.?This is with a view to crafting?suggestions for the application of #decolonization2point0 principles to the planning for the growth and development?of Jamaica’s emerging audiovisual sector.作者: 法官 時(shí)間: 2025-3-28 13:51 作者: Increment 時(shí)間: 2025-3-28 15:04 作者: 言外之意 時(shí)間: 2025-3-28 21:55
South Star for Jamaica, Star cultural economy model.?This is with a view to crafting?suggestions for the application of #decolonization2point0 principles to the planning for the growth and development?of Jamaica’s emerging audiovisual sector.
