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標(biāo)題: Titlebook: Cultural Controversies in the West German Public Sphere; Aesthetic Fiction an Marcela Knapp Book 2020 The Editor(s) (if applicable) and The [打印本頁]

作者: Amalgam    時間: 2025-3-21 16:11
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作者: recede    時間: 2025-3-21 23:19
Cultural Controversies in the West German Public Sphere978-3-030-40086-6
作者: ostracize    時間: 2025-3-22 02:31

作者: Deduct    時間: 2025-3-22 06:11
d on factuality. It also provides a first rough description of the work’s central concept, the “paradigm of interpretation,” which captures the relation critics establish between an artwork and social reality as it develops in a public discourse. The author argues that art becomes socially meaningfu
作者: CLAM    時間: 2025-3-22 09:53
dimension of the social as it has been conceptualized by the social philosopher Cornelius Castoriadis. In order to understand the transformation of the social, this chapter looks at the political as the dimension that makes social alteration possible and thinkable. Central theoretical approaches to
作者: watertight,    時間: 2025-3-22 15:36
s screening. The ensuing conflict was one between a metaphorical and an iconic paradigm of interpretation. For the film’s supporters, the depiction of sexuality in the film formed part of its metaphoric language, while the church representatives read it iconically. The different “readings” gave expr
作者: watertight,    時間: 2025-3-22 18:22
illance. While the novel was traditionally interpreted allegorically, this new paradigm re-conceived the novel as a dystopian vision of West Germany’s future. The novel’s impact for an emerging movement against data surveillance becomes explainable against the backdrop of the communication patterns
作者: 橢圓    時間: 2025-3-22 23:57
ion and reality. By claiming to bring reality on stage, the play proclaimed a new approach to social reality, in which the past is inherently part of the present. The aesthetics of immediacy proposed by documentary theater created a new political imaginary, in which everything is political. It reorg
作者: Affection    時間: 2025-3-23 04:56
lion about to transform West Germany’s social order. This chapter analyzes the discourse about the rebel youth films ., ., ., and . They paradigmatically stand for the genre and together caused a public discourse. Through an aesthetics of physical presence and sensual corporeality, the films develop
作者: 小教堂    時間: 2025-3-23 09:23

作者: ILEUM    時間: 2025-3-23 10:05

作者: BLANK    時間: 2025-3-23 14:57

作者: 拘留    時間: 2025-3-23 19:00
978-3-030-40088-0The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
作者: 凹槽    時間: 2025-3-24 01:26

作者: Thrombolysis    時間: 2025-3-24 03:55

作者: 沐浴    時間: 2025-3-24 08:31
l analysis of aesthetic phenomena in culture.Bridges the dis.This book develops a theory of aesthetic fiction’s impact on?social identities. Throughout five case studies, the author develops the argument that social identities are nurtured by and may even emerge through the conflict between differen
作者: SPECT    時間: 2025-3-24 11:45
Book 2020 society. Social identities emerge in response to aesthetic-sensual patterns of perception..Focusing on five West German public debates in the years 1950 to 1990, this work sheds light upon the transformation of social reality through the discursive adaption of art..
作者: expdient    時間: 2025-3-24 17:21

作者: barium-study    時間: 2025-3-24 21:30

作者: 無聊的人    時間: 2025-3-24 23:24

作者: SIT    時間: 2025-3-25 03:23

作者: Classify    時間: 2025-3-25 09:22
any’s “myth of origin” in the Holocaust. A transformation of the social and political imaginary, this case study suggests, is dependent on a form-language, which organizes a society’s relation with social reality.
作者: Bronchial-Tubes    時間: 2025-3-25 13:04
Scottish Witchcraft Panics Re-examined,re of the “Rich Jew.” The Fassbinder controversy is a striking example of the importance of aesthetic form-languages for the constitution of social identities and the organization of their social space.
作者: LUCY    時間: 2025-3-25 17:15
Scottish Witchcraft in its European Context,hetic controversy becomes explainable only if aesthetics is considered as representing social orders. The arts have institutionalized the aesthetic principle, which makes them a privileged space for the creation of affective structures and a driving force in the creation of social reality.
作者: 斜    時間: 2025-3-25 20:29

作者: 確認(rèn)    時間: 2025-3-26 00:43

作者: inhumane    時間: 2025-3-26 07:30

作者: 庇護(hù)    時間: 2025-3-26 11:15
,A Moving World: George Orwell’s ,form-language created a chain of equivalence (Laclau/Mouffe) between the peace and data surveillance movement. Identity between the movements emerged through the dystopian pattern of communication. The dystopian paradigm actualized this pattern and made it fecund for the data surveillance movement.
作者: FLAG    時間: 2025-3-26 14:14

作者: 善變    時間: 2025-3-26 20:07

作者: 想象    時間: 2025-3-26 22:39

作者: 打包    時間: 2025-3-27 03:16
ncerned with a mediatized reality, in which fiction and reality can no longer be distinguished. Youth becomes the placeholder for the arrival of modernity in West Germany and is represented by style, appearance, performance, and corporeality.?The films mark the birth of youth as a new social identity.
作者: Bereavement    時間: 2025-3-27 07:43
The Social Visibility of Corporeality: The Rebel Youth Films in the Fifties,ncerned with a mediatized reality, in which fiction and reality can no longer be distinguished. Youth becomes the placeholder for the arrival of modernity in West Germany and is represented by style, appearance, performance, and corporeality.?The films mark the birth of youth as a new social identity.
作者: notice    時間: 2025-3-27 10:17

作者: 老巫婆    時間: 2025-3-27 17:16
Introduction,d on factuality. It also provides a first rough description of the work’s central concept, the “paradigm of interpretation,” which captures the relation critics establish between an artwork and social reality as it develops in a public discourse. The author argues that art becomes socially meaningfu
作者: orthodox    時間: 2025-3-27 21:47
Theoretical Considerations,dimension of the social as it has been conceptualized by the social philosopher Cornelius Castoriadis. In order to understand the transformation of the social, this chapter looks at the political as the dimension that makes social alteration possible and thinkable. Central theoretical approaches to
作者: 流浪者    時間: 2025-3-27 22:45





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