標(biāo)題: Titlebook: Cult Film Stardom; Offbeat Attractions Kate Egan,Sarah Thomas Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 201 [打印本頁] 作者: CULT 時間: 2025-3-21 17:47
書目名稱Cult Film Stardom影響因子(影響力)
書目名稱Cult Film Stardom影響因子(影響力)學(xué)科排名
書目名稱Cult Film Stardom網(wǎng)絡(luò)公開度
書目名稱Cult Film Stardom網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Cult Film Stardom被引頻次
書目名稱Cult Film Stardom被引頻次學(xué)科排名
書目名稱Cult Film Stardom年度引用
書目名稱Cult Film Stardom年度引用學(xué)科排名
書目名稱Cult Film Stardom讀者反饋
書目名稱Cult Film Stardom讀者反饋學(xué)科排名
作者: 柳樹；枯黃 時間: 2025-3-21 21:21
Prisoner of Cool: Chlo? Sevigny, Alternative Stardom and Image Managementwith independent cinema ‘a(chǎn)re not as widely known as blockbuster stars, then distinctions need to be drawn between “popular” stars and “cult” stars’ (1998: 199). While Sevigny has appeared in a few Hollywood movies, the majority of her acting appearances have been within independent films, in both lo作者: 大笑 時間: 2025-3-22 04:27 作者: Defraud 時間: 2025-3-22 04:42 作者: 泥瓦匠 時間: 2025-3-22 09:05 作者: Geyser 時間: 2025-3-22 16:08
Damaged Beauty: Montgomery Clift, Tragedy and the Redefinition of a Star Imageone of a number of cinematic instances ‘where film exploits the decay of celebrity players’, making use of the physical evidence of a star’s biography and deterioration in its depiction of character and narrative (Naremore 1988: 20). Clift’s damaged appearance in his post-crash films becomes a consi作者: Geyser 時間: 2025-3-22 19:44
Forever ,: Sylvia Kristel and Soft-Core Cult Stardomriomphe cinema on the Champ-Elysées, one of the most prestigious avenues in Paris, where it would remain for thirteen years with English subtitles and an enormous billboard featuring a provocative Kristel sitting topless in a cane chair staring at the camera. . was such a social phenomenon at the ti作者: 手術(shù)刀 時間: 2025-3-22 23:52
Well-Being and Employee Engagementlities of those ‘stars’ who appear in such texts (whether, as J. P. Telotte argues (1991), they are conventionally considered as mainstream or marginal films). But the term is also employed away from canonical cult texts to describe other atypical performers who nevertheless have a presence within m作者: 失望昨天 時間: 2025-3-23 05:18 作者: invade 時間: 2025-3-23 07:05 作者: 畏縮 時間: 2025-3-23 11:03 作者: 全神貫注于 時間: 2025-3-23 15:14 作者: COWER 時間: 2025-3-23 18:04 作者: 文字 時間: 2025-3-24 00:56
riomphe cinema on the Champ-Elysées, one of the most prestigious avenues in Paris, where it would remain for thirteen years with English subtitles and an enormous billboard featuring a provocative Kristel sitting topless in a cane chair staring at the camera. . was such a social phenomenon at the ti作者: 未完成 時間: 2025-3-24 05:13 作者: INCUR 時間: 2025-3-24 09:43 作者: Blazon 時間: 2025-3-24 14:18
Building an Organizational Culture of Healthrary to many High Concept blockbusters (Scott, 2009). Within this context, these actors warrant broad awareness in relation to the characters they portray. However, beyond specialist fan conventions and publications, including those for sci-fi fans, wider recognition of these ‘stars’ is tied to these characters.作者: Indebted 時間: 2025-3-24 14:54
‘Marginal moments of spectacle’: Character Actors, Cult Stardom and Hollywood Cinemam and to acquire knowledge of them beyond their screen work; to treat them as a ‘cult star’ is to do this to examples of hitherto marginalized actors who are not actively publicized by employers as conventional star figures.作者: 敲詐 時間: 2025-3-24 19:02 作者: Implicit 時間: 2025-3-25 02:44 作者: 河潭 時間: 2025-3-25 07:23 作者: NOMAD 時間: 2025-3-25 09:46
A , Horror Star: Articulating the Extreme Authenticity of Ingrid Pittdios’ . (1970) and . (1971), Amicus studios’ . (1971) and Robin Hardy’s . (1973). However, since at least the early 1980s, she has been considered, by fans and critics, to be one of the most memorable actresses in British horror film history and has consistently been labelled a cult icon of British horror.作者: Aerate 時間: 2025-3-25 14:42 作者: byline 時間: 2025-3-25 15:50
ther film stars has rarely been addressed. This collection explores the processes through which film stars/actors become associated with the cult label, from Bill Murray to Ruth Gordon and Ingrid Pitt.978-1-349-33305-9978-1-137-29177-6作者: 諂媚于性 時間: 2025-3-25 20:42
Gordon Tinline,Nick Hayter,Kim Crowe guys were good and the chance that it might work […] I’ve taken these art movies, I call them, this last year or two, and they’ve been fun.’ To the . he insisted, ‘I realized, after movies like ., that I shouldn’t give up even if the movie didn’t have a ride at Disney World. I realized I don’t need a blockbuster audience’ (Hirschberg 1999).作者: 有法律效應(yīng) 時間: 2025-3-26 03:49 作者: faddish 時間: 2025-3-26 06:04
dios’ . (1970) and . (1971), Amicus studios’ . (1971) and Robin Hardy’s . (1973). However, since at least the early 1980s, she has been considered, by fans and critics, to be one of the most memorable actresses in British horror film history and has consistently been labelled a cult icon of British horror.作者: 分發(fā) 時間: 2025-3-26 08:34 作者: Cubicle 時間: 2025-3-26 15:21 作者: Conflagration 時間: 2025-3-26 19:55
‘Marginal moments of spectacle’: Character Actors, Cult Stardom and Hollywood Cinemamphasized the loss of his supposed anonymity to audiences through noted roles in . (1984), . (1985) and . (1986) and through the circulation of other extratextual knowledge such as friendships with established stars, which raised his public profile. Unacknowledged by the author was the parallel role作者: 索賠 時間: 2025-3-27 00:13
‘You’re Bill Groundhog-Day-Ghostbusting-Ass Murray’: ‘Mainstream’ Success, Star Agency and Cult Reinort of his role in . (1998). On the . in January 1999 he said, ‘This was a movie where I didn’t really get paid, I just did it because I thought these guys were good and the chance that it might work […] I’ve taken these art movies, I call them, this last year or two, and they’ve been fun.’ To the .作者: Confound 時間: 2025-3-27 05:02
Prisoner of Cool: Chlo? Sevigny, Alternative Stardom and Image Managementdepiction of teenagers engaged in sexual activities, drug consumption and violence. Her character in ., Jennie, discovers early in the film that she has caught AIDS from Telly (Leo Fitzpatrick) and — after attempting to track down Telly and confront him — eventually suffers the ignominy of being rap作者: Jejune 時間: 2025-3-27 05:48 作者: 細(xì)節(jié) 時間: 2025-3-27 11:07 作者: Indigence 時間: 2025-3-27 17:41 作者: 潰爛 時間: 2025-3-27 19:19 作者: resilience 時間: 2025-3-27 22:39 作者: 不可救藥 時間: 2025-3-28 03:39
Damaged Beauty: Montgomery Clift, Tragedy and the Redefinition of a Star Imaged the ‘rumours’ of Clift’s disfigurement following the car accident that occurred in May 1956 in the midst of filming for . (1957) as Clift drove away from a dinner party hosted by co-star Elizabeth Taylor. The star attempted to put the record straight, suggesting that, despite the immediate impact 作者: 外面 時間: 2025-3-28 09:32 作者: Maximizer 時間: 2025-3-28 12:35 作者: 健談 時間: 2025-3-28 18:40
‘You’re Really a Miniature Bond’: Weng Weng and the Transnational Dimensions of Cult Film Stardomino film star Weng Weng. Tracing the life story of the man listed in the Guinness World Records as the shortest adult actor to play a lead role in a feature film, the documentary follows Leavold as he visits the Philippines to speak with family members, co-stars and directors about the brief period 作者: 愛好 時間: 2025-3-28 20:09
Measuring Well-Being and Workplace Factorsess. Stardom, however, has been significantly under-explored in relation to discourses of cult. Just as constructions of cult status can be multiple around a single text, for example taking in novelistic authors and filmic auteurs (Hills 2011), so too might stardom work in a variety of ways in relation to cult discourses.作者: 墊子 時間: 2025-3-28 23:27
http://image.papertrans.cn/d/image/240716.jpg作者: Collision 時間: 2025-3-29 06:43
Book 2013The term ‘cult film star‘ has been employed in popular journalistic writing for the last 25 years, but what makes cult stars distinct from other film stars has rarely been addressed. This collection explores the processes through which film stars/actors become associated with the cult label, from Bill Murray to Ruth Gordon and Ingrid Pitt.作者: 緊張過度 時間: 2025-3-29 11:02 作者: 迷住 時間: 2025-3-29 14:51
978-1-349-33305-9Palgrave Macmillan, a division of Macmillan Publishers Limited 2013作者: Tailor 時間: 2025-3-29 18:59
Well-Being and Employee Engagementeference book . (1991), to .’s obituary for ‘cult movie star’ Edward Woodward in 2009 (Addley 2009), or the official invitation to ‘join cult film star Tommy Wiseau’ on the . YouTube channel throughout 2011, the term has been employed in publicity and popular journalistic writing as a commonsense te作者: 確定的事 時間: 2025-3-29 20:54
Measuring Well-Being and Workplace Factorsess. Stardom, however, has been significantly under-explored in relation to discourses of cult. Just as constructions of cult status can be multiple around a single text, for example taking in novelistic authors and filmic auteurs (Hills 2011), so too might stardom work in a variety of ways in relat作者: Keratin 時間: 2025-3-30 00:54 作者: 亂砍 時間: 2025-3-30 07:34 作者: Concerto 時間: 2025-3-30 11:54
Building an Organizational Culture of Healthdepiction of teenagers engaged in sexual activities, drug consumption and violence. Her character in ., Jennie, discovers early in the film that she has caught AIDS from Telly (Leo Fitzpatrick) and — after attempting to track down Telly and confront him — eventually suffers the ignominy of being rap作者: analogous 時間: 2025-3-30 16:24
Building an Organizational Culture of Health who attained star status with the original trilogy of films, Harrison Ford, Carrie Fisher or Mark Hamill, or established stars cast in the prequel trilogy, I will focus on those cult stars of the series valorized almost exclusively by fans. I will consider actors such as Anthony Daniels (C-3PO), Da作者: Resign 時間: 2025-3-30 16:45
Building an Organizational Culture of Healthurse of reception studies, where it is couched as a floating signifier conferring status through a shared, though seldom well-defined, understanding. Concerns about cult appreciation as subcultural practice have, therefore, tended to overshadow the necessary examination of texts (films, directors, a作者: 停止償付 時間: 2025-3-30 21:59 作者: 剝削 時間: 2025-3-31 01:09
Meeting the Challenges through Networking,ers.. Each of these roles can be defined as a ‘cameo role’, and, in each, Cronenberg utilizes a distinct acting style that contributes to the film’s meaning and, as a consequence, its status. In one of the only discussions of Cronenberg’s acting performances, Adam Lowenstein (2004) has described the
