標題: Titlebook: Cuba in the Special Period; Culture and Ideology Ariana Hernandez-Reguant (cultural anthropologist Book 2009 Ariana Hernandez-Reguant 2009 [打印本頁] 作者: peak-flow-meter 時間: 2025-3-21 19:52
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書目名稱Cuba in the Special Period影響因子(影響力)學科排名
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書目名稱Cuba in the Special Period讀者反饋
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作者: Psychogenic 時間: 2025-3-21 21:25 作者: esthetician 時間: 2025-3-22 03:56
Filmmaking with Foreignersdition, foreign coproductions, new digital technologies, and the production of foreign films in Cuba, led to new representations of the island and new cinematic genres for both Cuban and foreign consumption.作者: ABOUT 時間: 2025-3-22 08:34
Multicubanidadds to play a video game, while another one listens to music in his headphones, another types at the computer, and two others shout on their respective cell phones. Independently and differentiated from each other, they have found their self-expression. Yet they are alone.作者: Microaneurysm 時間: 2025-3-22 11:29
Preemptive Nostalgia and , for Cuban Identity: Option Zero Theaterint between life and death, regeneration and repression,” and adds that the concept of crisis “represents a suspension, a rupture between two states.” She then defines the accompanying “theater of crisis” as dialectical, exposing “the integrating theatricality of the social setting, the political sh作者: 喚起 時間: 2025-3-22 16:29
Wandering in Russianan was no longer the principal language of international affairs, it did function as a foil in my presence, and for these Cubans who were born in the 1940s and 1950s and had studied in the Soviet Union, that evening at least, Russian, if ever so slightly, continued to defend Cuba against .. Such a r作者: 喚起 時間: 2025-3-22 18:29 作者: 歌唱隊 時間: 2025-3-22 22:37 作者: degradation 時間: 2025-3-23 01:28 作者: 衍生 時間: 2025-3-23 08:48 作者: staging 時間: 2025-3-23 10:27
Russia, China, Africa and Multi-polaritydition, foreign coproductions, new digital technologies, and the production of foreign films in Cuba, led to new representations of the island and new cinematic genres for both Cuban and foreign consumption.作者: 單色 時間: 2025-3-23 13:54
Introduction The Wonders of the Jungle,ds to play a video game, while another one listens to music in his headphones, another types at the computer, and two others shout on their respective cell phones. Independently and differentiated from each other, they have found their self-expression. Yet they are alone.作者: 似少年 時間: 2025-3-23 19:20
Introduction The Wonders of the Jungle,int between life and death, regeneration and repression,” and adds that the concept of crisis “represents a suspension, a rupture between two states.” She then defines the accompanying “theater of crisis” as dialectical, exposing “the integrating theatricality of the social setting, the political sh作者: 易發(fā)怒 時間: 2025-3-24 01:36 作者: 游行 時間: 2025-3-24 06:19
Ideas, Strategy, and Structures,contested political meanings became clear in the CMFP’s 2003 reading. Aside from the usual predictions of natural disasters, social ills, and war, the CMFP’s reading made what some believed was a cryptic reference to Fidel Castro himself with one of the year’s slogans, “The king turns in his crown b作者: Pandemic 時間: 2025-3-24 08:18 作者: COLON 時間: 2025-3-24 13:08 作者: anarchist 時間: 2025-3-24 15:03
1554-4028 butors address the cultural forms; and the associated ethics and practices of labour, leisure, and bureaucratic organization that arose in the transformation of the socialist cultural infrastructure.978-0-230-10479-2978-0-230-61832-9Series ISSN 1554-4028 Series E-ISSN 2634-520X 作者: 粗魯?shù)娜?nbsp; 時間: 2025-3-24 19:17 作者: lethal 時間: 2025-3-25 00:14
Russia, China, Africa and Multi-polaritycentury, or the 1960s, is not only a historical convention, or an analytical construct, but also a defining category of experience. For most people, the invocation of these chronological referents is metonymic of a broad range of events, aesthetics, experiences, emotions, acts, and attitudes. Alain 作者: 規(guī)范要多 時間: 2025-3-25 06:56
Russia, China, Africa and Multi-polarityrature and the unfortunate necessity of selling it that has tormented writers since at least the Romantic period.. But Rafael de Aguila, the article’s author, set his question specifically in the rapidly globalizing literary sphere of Cuba’s “Special Period in Times of Peace,” going on to ask why a 作者: FORGO 時間: 2025-3-25 09:10
Russia, China, Africa and Multi-polaritys of the island nation nor sustained by the industrial model established in 1959. From 1991 onward, Cuban industrial cinema produced through the State’s Instituto Cubano de Arte e Industria Cinematográfica (ICAIC) regularly ventured into the international film market. The extreme scarcity of the per作者: 摘要 時間: 2025-3-25 14:47 作者: Exposition 時間: 2025-3-25 18:24 作者: 秘方藥 時間: 2025-3-25 21:18 作者: 爭議的蘋果 時間: 2025-3-26 03:52 作者: 暗語 時間: 2025-3-26 07:44 作者: Cosmopolitan 時間: 2025-3-26 10:31
https://doi.org/10.1057/9780230277519, an unadorned cane and, above all, a challenging idea he had already shown he could realize: the Rap Festival of Havana.1 It was a strange conversation, during which he filled in the blanks of a world that I had only witnessed a few times out of curiosity and chance during the years I lived in the 作者: Arthropathy 時間: 2025-3-26 12:50 作者: fiction 時間: 2025-3-26 20:01 作者: harrow 時間: 2025-3-27 00:07 作者: arboretum 時間: 2025-3-27 03:59
https://doi.org/10.1057/9780230618329culture; ethics; identity; ideology; mayans; Nation; organization; socialism; theatre; transformation; Transna作者: Kidnap 時間: 2025-3-27 08:07
978-0-230-10479-2Ariana Hernandez-Reguant 2009作者: arthrodesis 時間: 2025-3-27 09:32 作者: 虛弱 時間: 2025-3-27 15:43
Introduction The Wonders of the Jungle, a unique set of drums. In my spare time, I also studied the . the sacred, double-headed drums considered the most powerful in the . religion. Both the Iyesá and certain . drums are considered . That is, they are consecrated drums containing living, spiritually charged objects of the drum deity A?á.作者: CALL 時間: 2025-3-27 18:51
Walter Benjamin and the Aesthetics of Change as Orlando “Puntilla” Rios. He greeted each by name, bragged about the new group, and then admonished them to show they had not forgotten those who remained in Cuba by sending a token or better yet, an invitation to the United States. He finished with stern instructions to show both his diatribe and the rehearsal to everyone named.作者: 臭名昭著 時間: 2025-3-27 23:10
1554-4028 butors address the cultural forms; and the associated ethics and practices of labour, leisure, and bureaucratic organization that arose in the transformation of the socialist cultural infrastructure.978-0-230-10479-2978-0-230-61832-9Series ISSN 1554-4028 Series E-ISSN 2634-520X 作者: 臨時抱佛腳 時間: 2025-3-28 03:14 作者: 得罪人 時間: 2025-3-28 08:13 作者: 粘 時間: 2025-3-28 14:03
Spiritual Capital: Foreign Patronage and the Trafficking of , a unique set of drums. In my spare time, I also studied the . the sacred, double-headed drums considered the most powerful in the . religion. Both the Iyesá and certain . drums are considered . That is, they are consecrated drums containing living, spiritually charged objects of the drum deity A?á.作者: calorie 時間: 2025-3-28 17:59 作者: 馬賽克 時間: 2025-3-28 21:53
Writing the Special Period: An Introductioncentury, or the 1960s, is not only a historical convention, or an analytical construct, but also a defining category of experience. For most people, the invocation of these chronological referents is metonymic of a broad range of events, aesthetics, experiences, emotions, acts, and attitudes. Alain 作者: 國家明智 時間: 2025-3-29 01:51 作者: abysmal 時間: 2025-3-29 04:51 作者: STENT 時間: 2025-3-29 10:10
Spiritual Capital: Foreign Patronage and the Trafficking of ,research focused on the only ritual house in the city that performed sacred Iyesá music, a type of music preserved by the Cuban descendents of the West African íjésá people. For over 150 years, the family of this house has honored their patron deities annually with sacred songs and rhythms played on作者: 托運 時間: 2025-3-29 14:14
Multicubanidad orders from a female officer. At one point, she blows her whistle and shouts, . (“identity”). “What is .” The dancers stand firm yet look confused. “.” asks one. “.” asks another. “What is that thing…identity?” wonders a third. The officer slowly reiterates, “What is identity?” There is a long paus
