標(biāo)題: Titlebook: Crossroads: Performance Studies and Irish Culture; Sara Brady (Lecturer in Drama Studies),Fintan Wals Book 2009 Palgrave Macmillan, a divi [打印本頁(yè)] 作者: nourish 時(shí)間: 2025-3-21 16:46
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作者: CAJ 時(shí)間: 2025-3-22 00:02 作者: 有害處 時(shí)間: 2025-3-22 00:42
Introduction: Performance Studies and Irish Cultureperformance in and of Irish culture. It is increasingly well recognized that the categories of ‘Irish culture’ and ‘Irishness’ are highly performative, effected through a multitude of social practices, cultural formations, and discursive utterances, and in timely need of critical address.作者: gout109 時(shí)間: 2025-3-22 06:40 作者: locus-ceruleus 時(shí)間: 2025-3-22 10:08 作者: Judicious 時(shí)間: 2025-3-22 14:59 作者: Judicious 時(shí)間: 2025-3-22 20:47 作者: 套索 時(shí)間: 2025-3-23 00:56
Performing ‘the Troubles’: Murals and the Spectacle of Commemoration at Free Derry Cornerot have been older than 30, and thus could not have lived through the events he referred to, the idea that their memorialization and public display might be termed a . seemed to strike him as an offence.作者: Leisureliness 時(shí)間: 2025-3-23 02:56 作者: 不合 時(shí)間: 2025-3-23 07:24
Materials for Waveguide Optoelectronics,‘British’ activities (themselves recent products of British nineteenth-century sport codification) needed to be taken out of circulation and replaced by the ‘a(chǎn)ncient’ pastimes of hurling and Gaelic football.作者: conduct 時(shí)間: 2025-3-23 11:57 作者: GULF 時(shí)間: 2025-3-23 14:43
W. Stolzmann,T. Bl?cker,A. Rieschickply performative act: it is the action of commemorating agents which brings the monument into being in the first place, and their vigilance which sustains it against the forces of time, decay, and forgetting. Following Paul Connerton,. Joep Leerssen has observed:作者: 鞭打 時(shí)間: 2025-3-23 21:00
The Luminosity Function of Cool Degenerates,daptability of its spiritual significance . asserts that Lough Derg, and other places like it, allows the pilgrim to make connections between contemporary experience and a perceived connection with persistent ideas and ideals of the more ancient and perceivably numinous past.作者: Amenable 時(shí)間: 2025-3-23 23:29
Why new cardiac imaging agents?book into which de Valera put his name contained the signatures to the Oath of Allegiance which was a prerequisite to taking a seat in Dail éireann. This signature book was, de Valera discovered, covered by another book, prompting further maneuvering, as observed by Aiken and Ryan:作者: opprobrious 時(shí)間: 2025-3-24 05:18 作者: 膽汁 時(shí)間: 2025-3-24 09:24
Sporting ‘Irish’ Identities: Performance and the Gaelic Games‘British’ activities (themselves recent products of British nineteenth-century sport codification) needed to be taken out of circulation and replaced by the ‘a(chǎn)ncient’ pastimes of hurling and Gaelic football.作者: 大都市 時(shí)間: 2025-3-24 13:36 作者: PLAYS 時(shí)間: 2025-3-24 15:13 作者: motivate 時(shí)間: 2025-3-24 19:08 作者: 半身雕像 時(shí)間: 2025-3-25 02:22
De Valera Performs the Oath: Word, Voice, Book, and Actbook into which de Valera put his name contained the signatures to the Oath of Allegiance which was a prerequisite to taking a seat in Dail éireann. This signature book was, de Valera discovered, covered by another book, prompting further maneuvering, as observed by Aiken and Ryan:作者: 小口啜飲 時(shí)間: 2025-3-25 06:53 作者: Increment 時(shí)間: 2025-3-25 10:22 作者: Antagonism 時(shí)間: 2025-3-25 15:43
‘It’s beyond Candide — it’s ?vejk’: Wise Foolery in the Work of Jack Lynch, Storytellern’. and his call is for storyteller-artisans who offer meaningful stories as ways of developing strategies for change. Benjamin’s storyteller is a subversive force, disseminating truth and wisdom in otherwise fraudulent times.作者: 諂媚于性 時(shí)間: 2025-3-25 18:22
Book 2009The highly performative categories of ‘Irish culture‘ and ‘Irishness‘ are in need of critical address, prompted by recent changes in Irish society, the arts industry and modes of critical inquiry. This?book broaches this task by considering Irish expressive culture through some of the paradigms and vocabularies offered by performance studies.作者: 華而不實(shí) 時(shí)間: 2025-3-25 21:38 作者: 劇本 時(shí)間: 2025-3-26 00:38 作者: Inexorable 時(shí)間: 2025-3-26 06:08
http://image.papertrans.cn/d/image/240432.jpg作者: 斥責(zé) 時(shí)間: 2025-3-26 09:57
Women’s Studies of the Christian Tradition society, the arts industry, and modes of critical inquiry have all prompted the need to think further about the complex and under-researched area of performance in and of Irish culture. It is increasingly well recognized that the categories of ‘Irish culture’ and ‘Irishness’ are highly performative作者: Anterior 時(shí)間: 2025-3-26 15:45 作者: BROOK 時(shí)間: 2025-3-26 20:48
Women’s Studies of the Christian Tradition, participatory traditions. This fact of our performance history has only recently earned the recognition it deserves among Irish theater scholars. In . I consider how the use of traditions such as mumming, waking, Wrenboys, Strawboys, and Patterns affect notions of performance and mark a theatrical作者: Coordinate 時(shí)間: 2025-3-27 00:20 作者: GRIEF 時(shí)間: 2025-3-27 03:25
John H. Marsh,Richard M. De La Rueeller’).. Ostensibly it is an essay about the Russian writer Nikolai Lesskov, but running through it is an exploration of the nature of storytelling and the role of the storyteller in society. For Benjamin, ‘a(chǎn) great storyteller will always be rooted in the people, primarily in the milieu of craftsme作者: 瑣碎 時(shí)間: 2025-3-27 07:49 作者: Emmenagogue 時(shí)間: 2025-3-27 13:13 作者: 極端的正確性 時(shí)間: 2025-3-27 16:43 作者: 減去 時(shí)間: 2025-3-27 20:59
PG 1159 Stars and Related Objects,elling what really happened. Bloody Sunday, Battle of the Bogside: we’re getting our story out there. That’s what it’s about.’ We were standing atop Derry’s seventeenth-century city walls, a group of nine foreign tourists, overlooking the Bogside, when I suggested to our guide that the area around F作者: GROVE 時(shí)間: 2025-3-27 23:45 作者: 單挑 時(shí)間: 2025-3-28 03:14
Why new cardiac imaging agents?rk of the House, accompanied by Frank Aiken and Dr James Ryan. The Fianna Fail leader then spoke to the Clerk in Irish, reading from a prepared note. Translating his own words, de Valera recounted his statement for Dail éireann in 1932: ‘I said: “I am not prepared to take an oath. I am not going to 作者: 一起 時(shí)間: 2025-3-28 08:53
Why new cardiac imaging agents?mory, the living and the dead, that took place during the Enlightenment. Nora observes that the basis for this profound alteration in the social and material relations with the dead and the increasingly pronounced distinction between intimate memories and public histories is the substitution of what作者: geometrician 時(shí)間: 2025-3-28 12:18 作者: 不在灌木叢中 時(shí)間: 2025-3-28 16:30
Why new cardiac imaging agents?ion, but only recently critically engaged. Whilst suffering from a mysterious illness, Bridget was accused of being possessed by a fairy spirit by her husband and members of her extended family.. Despite her protestations, her husband and the others subjected her to a fairy trial of an invasive seri作者: ascend 時(shí)間: 2025-3-28 19:19
Why new cardiac imaging agents? performance art. Although Coogan’s visual and symbolic focus on the female body is influenced by her training with the artist Marina Abramovic, the contextualization of Coogan’s work within a specifically Irish pattern of female construction and representation reveals its deepest significance. Coog作者: Frequency 時(shí)間: 2025-3-29 00:57 作者: Interstellar 時(shí)間: 2025-3-29 05:38
Introduction: Performance Studies and Irish Culture society, the arts industry, and modes of critical inquiry have all prompted the need to think further about the complex and under-researched area of performance in and of Irish culture. It is increasingly well recognized that the categories of ‘Irish culture’ and ‘Irishness’ are highly performative作者: defendant 時(shí)間: 2025-3-29 10:52 作者: 繁殖 時(shí)間: 2025-3-29 12:41 作者: 模仿 時(shí)間: 2025-3-29 16:10
Sporting ‘Irish’ Identities: Performance and the Gaelic Games performance. As with the Gaelic League and the Irish National Theatre, the GAA needed to distinguish Ireland from Britain. The late nineteenth-century project of Irish nationalism required language, literature, drama, and other expressive culture. to be de-anglicized and redefined in order to serve作者: brassy 時(shí)間: 2025-3-29 23:15 作者: 不可接觸 時(shí)間: 2025-3-30 02:14
Traditional Irish Music in the Twenty-first Century: Networks, Technology, and the Negotiation of Auann (the Irish Musicians’ Club). The musicians who have made it to this final All-Ireland championship round have been given excellent marks by highly respected traditional musicians at competitions at the county and provincial levels. On the day of the ., competitors perform their pieces for an adj作者: DAMN 時(shí)間: 2025-3-30 07:38
‘Tapping Secrecies of Stone’: Irish Roads as Performances of Movement, Measurement, and Memoryain embedded in my memory: the roads to the bluffs of Santa Cruz where I choreographed my first dance; Tioga Road in the Sierra Mountains of California where I drove as a 20 year old and watched shooting stars from my Volkswagen, and the Wicklow mountain roads I explored as a student hoping to commu作者: 放棄 時(shí)間: 2025-3-30 09:43 作者: EWER 時(shí)間: 2025-3-30 15:48 作者: 柱廊 時(shí)間: 2025-3-30 17:48 作者: laxative 時(shí)間: 2025-3-30 22:18
De Valera Performs the Oath: Word, Voice, Book, and Actrk of the House, accompanied by Frank Aiken and Dr James Ryan. The Fianna Fail leader then spoke to the Clerk in Irish, reading from a prepared note. Translating his own words, de Valera recounted his statement for Dail éireann in 1932: ‘I said: “I am not prepared to take an oath. I am not going to 作者: 搖晃 時(shí)間: 2025-3-31 03:40 作者: 蘆筍 時(shí)間: 2025-3-31 08:31 作者: 圓柱 時(shí)間: 2025-3-31 11:06
Ghosting ,: Tom Mac Intyre and Staging This Woman’s Deathion, but only recently critically engaged. Whilst suffering from a mysterious illness, Bridget was accused of being possessed by a fairy spirit by her husband and members of her extended family.. Despite her protestations, her husband and the others subjected her to a fairy trial of an invasive seri作者: 值得 時(shí)間: 2025-3-31 14:56
Challenging Patriarchal Imagery: Amanda Coogan’s Performance Art performance art. Although Coogan’s visual and symbolic focus on the female body is influenced by her training with the artist Marina Abramovic, the contextualization of Coogan’s work within a specifically Irish pattern of female construction and representation reveals its deepest significance. Coog
