標(biāo)題: Titlebook: Cross-Gender Shakespeare and English National Identity; Wearing the Codpiece Elizabeth Klett Book 2009 Elizabeth Klett 2009 English.gender. [打印本頁] 作者: Interpolate 時間: 2025-3-21 18:53
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作者: tariff 時間: 2025-3-21 20:42
,Die (Er-)findung der eigenen Identit?t, According to this autobiographical reading of the play, Prospero’s speech that begins “Our revels now are ended” (4.1.148) articulates Shakespeare’s farewell to the theater, and the association between the author and the magician means that the play represents “Shakespeare’s last and best expression of human reality” (Vaughan 1999, 89).作者: guardianship 時間: 2025-3-22 03:21
,Playing with Contradictions: Kathryn Hunter’s , (1997), production, Kaut-Howson and Hunter created an interpretation of Shakespeare’s tragedy that was rooted in an exploration of the contradictions of . critical and performance history, in which “many voices confront each other” (Rosenberg 1972, 5).作者: CRUMB 時間: 2025-3-22 05:31 作者: 搜尋 時間: 2025-3-22 09:33
,The King’s Many Bodies: Fiona Shaw’s , (1995–96),gow ., June 6, 1995). The “dangerous” element was the casting of Irish actress Fiona Shaw in the title role, and her “daring” performance produced a mixed critical response. While some reviewers responded rapturously, many demonstrated overt hostility to a woman playing a male Shakespearean role. An作者: 設(shè)施 時間: 2025-3-22 15:50 作者: 設(shè)施 時間: 2025-3-22 18:15 作者: Mendacious 時間: 2025-3-23 01:08 作者: Essential 時間: 2025-3-23 04:56
,Vice-Versa: All-Female Shakespeare at the Globe Theatre (2003–04),stic director Mark Rylance unveiled his plans for a brand new all-female company to complement the theater’s long-standing all-male company. The Women’s Company, composed of fifteen actresses, performed ., with Kathryn Hunter in the title role, and ., with Janet McTeer as Petruchio. This experiment 作者: 進(jìn)取心 時間: 2025-3-23 06:57 作者: Incisor 時間: 2025-3-23 11:52 作者: Gudgeon 時間: 2025-3-23 14:35
,The King’s Many Bodies: Fiona Shaw’s , (1995–96),1, 1995), used the production as an opportunity to lampoon what she termed “Third Sexers”: “It has become an acceptable liberal line in recent years that anything which ‘crosses the gender boundary’ is a Good Thing.… This includes transvestites, transsexuals … and now ‘Third Sexers.’ As if two hadn’作者: 簡略 時間: 2025-3-23 19:51
,Staging and Subverting Nostalgia: Dawn French’s Bottom in , (2001),eautifully detailed forest for the fairy world that recalled the spectacular Victorian stagings of the play The result was a production that was far more conventional than those of Warner, Kaut-Howson, and Udovicki.作者: assent 時間: 2025-3-24 00:43
,Vice-Versa: All-Female Shakespeare at the Globe Theatre (2003–04),e told Benedict Nightingale in the . (February 4, 2003), “it’s unjust that men should get many more opportunities than women to show their strengths in classic roles.… ‘Isn’t there an enormous waste when women achieve [Ian] McKellen’s or [Michael] Gambon’s ability yet haven’t a King Lear to play?” L作者: Insubordinate 時間: 2025-3-24 02:45
Weibliche Sexualit?t im Lebenskontext1, 1995), used the production as an opportunity to lampoon what she termed “Third Sexers”: “It has become an acceptable liberal line in recent years that anything which ‘crosses the gender boundary’ is a Good Thing.… This includes transvestites, transsexuals … and now ‘Third Sexers.’ As if two hadn’作者: Macronutrients 時間: 2025-3-24 09:22
https://doi.org/10.1007/978-3-86226-885-6eautifully detailed forest for the fairy world that recalled the spectacular Victorian stagings of the play The result was a production that was far more conventional than those of Warner, Kaut-Howson, and Udovicki.作者: 個阿姨勾引你 時間: 2025-3-24 14:09 作者: 濃縮 時間: 2025-3-24 16:21 作者: 動物 時間: 2025-3-24 21:42
https://doi.org/10.1057/9780230622609English; gender; identity; King Lear; nation; performance; play; theatre; William Shakespeare; British and Ir作者: 委派 時間: 2025-3-24 23:44
http://image.papertrans.cn/d/image/240343.jpg作者: BUMP 時間: 2025-3-25 04:12
,Staatliche Organisierte Kriminalit?t,n ., one of Shakespeare’s earliest plays, the heroine Julia and her maid Lucetta contemplate the best way for a woman to convincingly dress as a man:作者: Repetitions 時間: 2025-3-25 07:38
Introduction: Wearing the Codpiece,n ., one of Shakespeare’s earliest plays, the heroine Julia and her maid Lucetta contemplate the best way for a woman to convincingly dress as a man:作者: dry-eye 時間: 2025-3-25 12:55 作者: Cupidity 時間: 2025-3-25 15:51
,Staatliche Organisierte Kriminalit?t,ut-Howson and Hunter, like their predecessors, denied the relevance of feminism and gender issues to their production; yet the meanings created by Hunter’s performance as Lear surpassed their stated intentions. Like ., this . an experimental production in which the director used cross-gender casting作者: drusen 時間: 2025-3-25 23:51 作者: guardianship 時間: 2025-3-26 01:00
https://doi.org/10.1007/978-3-86226-885-6tre, he was clearly drawing on the recent history of female-to-male cross-gender casting. Yet he also made a number of choices that differentiated his production from its predecessors. First, he changed the gender of French’s character from male to female: Bottom the weaver became Mrs. Bottom the ho作者: 線 時間: 2025-3-26 05:53 作者: Vulvodynia 時間: 2025-3-26 12:15 作者: left-ventricle 時間: 2025-3-26 14:31 作者: 控制 時間: 2025-3-26 19:42
Water Management in Desert Environmentssmallest crystals known to be formed biologically. They are just 20 to 30 ? thick, that is about 5 unit cells, and a few hundred ?ngstroms long and wide [.]. Their surface area is around 250 m./g [.]. Even more perplexing is the fact that their platy shapes do not reflect the hexagonal symmetry of the apatite crystal lattice.作者: 外形 時間: 2025-3-27 00:24 作者: dermatomyositis 時間: 2025-3-27 04:32
Jizhe Xia,Qunying Huang,Zhipeng Gui,Wei Tumatik ist das erste umfassende Handbuch und Nachschlagewerk für Studium, Beruf und Karriere speziell für Mathematiker und eignet sich als Orientierungshilfe und Leitfaden zugleich. Das Buch enth?lt zahlreiche Interviews und Berichte von Mathematikern in der Praxis, ausführliches Adressenmaterial, Fi作者: Corporeal 時間: 2025-3-27 08:55 作者: 切掉 時間: 2025-3-27 10:47 作者: minaret 時間: 2025-3-27 17:34 作者: 座右銘 時間: 2025-3-27 18:46 作者: 我悲傷 時間: 2025-3-27 23:40
