標題: Titlebook: Cross-Cultural Connections in Crime Fictions; Vivien Miller,Helen Oakley Book 2012 Palgrave Macmillan, a division of Macmillan Publishers [打印本頁] 作者: Polk 時間: 2025-3-21 16:27
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作者: 不利 時間: 2025-3-21 20:49
,“You’re not so special, Mr. Ford”: The Quest for Criminal Celebrity,nation they crave. Kooistra, analysing the ways in which criminals become cultural heroes, poses the question of why only some men and not others are elevated to heroic status, and argues that we need to try to account for why “particular kinds of criminals become heroes, while most others do not” (作者: 單片眼鏡 時間: 2025-3-22 01:36 作者: 聚集 時間: 2025-3-22 07:18
Dissecting the Darkness of ,of a patriarchal sense of law and order. However, it may also be argued that the series’ attempts to grapple with the issues of race and gender, particularly in regard to its depiction of the Latino/a community, reveal the ways in which contemporary Miami is riven by political power struggles which 作者: Interstellar 時間: 2025-3-22 11:28 作者: laxative 時間: 2025-3-22 13:50
,“Betty Short and I Go Back”: James Ellroy and the Metanarrative of the Black Dahlia Case,ing the murder of Elizabeth Short. However, Ellroy’s extraneous work on the Dahlia case, his publicity tours, his involvement with true crime authors and the cinematic adaptations of his work, are part, as I will argue, of the metanarrative of. that once conceived by Ellroy could not be controlled.作者: laxative 時間: 2025-3-22 17:58 作者: 歪曲道理 時間: 2025-3-22 21:34
nation they crave. Kooistra, analysing the ways in which criminals become cultural heroes, poses the question of why only some men and not others are elevated to heroic status, and argues that we need to try to account for why “particular kinds of criminals become heroes, while most others do not” (作者: amplitude 時間: 2025-3-23 01:52
g stories about the Purple Gang and other Detroit mobsters that he claims to recall from his youth in the 1920s and early 1930s. When their region becomes the target for a series of daring daylight robberies, some villagers suspect Buster is the culprit, and Buster in turn suspects the doctor. And t作者: 干涉 時間: 2025-3-23 08:18 作者: Rankle 時間: 2025-3-23 11:13
?wall and Wahl??’s interrogation of the function and role of the individual as well as the relationship between individual and collective, both in their approach to the police procedural format, and in devising a collaborative writing voice and sensibility..作者: 鋸齒狀 時間: 2025-3-23 17:21 作者: 暫時休息 時間: 2025-3-23 18:28
American and Canadian contexts. The authors explore representations of race, gender, sexuality and memory, and challenge traditional categorisations of academic and professional crime writing.978-1-349-34614-1978-1-137-01676-8作者: clarify 時間: 2025-3-23 23:01
od musical. Notwithstanding Scorsese’s explicitly musical narrative and documentary films such as . (1977), . (1978), . (1987), . (2003), . (2005) and . (2008), key elements of the musical infuse all of his films well beyond the obvious factor of the use of music itself.作者: MAG 時間: 2025-3-24 04:20 作者: Guaff豪情痛飲 時間: 2025-3-24 09:25 作者: CHASM 時間: 2025-3-24 13:33 作者: 障礙物 時間: 2025-3-24 16:40 作者: Perceive 時間: 2025-3-24 22:50 作者: 過于平凡 時間: 2025-3-25 01:15
The Fact and Fiction of Darwinism: The Representation of Race, Ethnicity and Imperialism in the Sheent decades. Notable examples include Gillian Beer’s . (1983), George Levine’s . (1988) and Joseph Carroll’s (2004) .. Similarly, literary scholars from Dorothy L. Sayers, in the Introduction to . (1929) to Stephen Knight in . (2004) in the early twenty-first century have examined numerous aspects of the roles and lives of fictional detectives.作者: indifferent 時間: 2025-3-25 04:35 作者: gerrymander 時間: 2025-3-25 10:38 作者: Vulnerary 時間: 2025-3-25 15:41 作者: 格子架 時間: 2025-3-25 16:37 作者: synovium 時間: 2025-3-25 20:15
ly more dynamic, exhilarating notions of narrative and history” (Eagleton 2008: xii). This observation also applies to much criticism of crime fiction, which has tended to treat the genre primarily in terms of narrative structure and temporality, rather than in terms of spatiality, mostly because of作者: Oligarchy 時間: 2025-3-26 02:55
ent decades. Notable examples include Gillian Beer’s . (1983), George Levine’s . (1988) and Joseph Carroll’s (2004) .. Similarly, literary scholars from Dorothy L. Sayers, in the Introduction to . (1929) to Stephen Knight in . (2004) in the early twenty-first century have examined numerous aspects o作者: 政府 時間: 2025-3-26 04:42 作者: Acupressure 時間: 2025-3-26 12:11 作者: flex336 時間: 2025-3-26 16:02
queer fictions that self-consciously play upon the multiple resonances of the outlaw. Making extensive use of the hermeneutic code, the text operates much like detective fiction, accumulating clues for the reader and the protagonist to decipher. Cultural insiders who understand the rules of the gam作者: 能得到 時間: 2025-3-26 17:29
s a close adaptation of the novel . (2004) which is the first in a series written by the Florida-based writer Jeff Lindsay. The TV series was adapted by James Manos Jnr and first shown on the cable station Showtime in 2006. Set in Miami, the series explores the world of Dexter Morgan who leads a dou作者: Subdue 時間: 2025-3-26 22:59 作者: 不自然 時間: 2025-3-27 02:16 作者: 土坯 時間: 2025-3-27 07:53 作者: Connotation 時間: 2025-3-27 10:17
rime” genre.. Truman Capote’s critical reputation may have suffered due to his perceived exploitation of Richard Hickock and Perry Smith during the writing of .; Joseph Wambaugh’s dealings with investigators on the Susan Reinert murder case for his book . led to a serious miscarriage of justice; and作者: 開頭 時間: 2025-3-27 14:46
Book 2012A collection of ten original essays forging new interdisciplinary connections between crime fiction and film, encompassing British, Swedish, American and Canadian contexts. The authors explore representations of race, gender, sexuality and memory, and challenge traditional categorisations of academic and professional crime writing.作者: 壕溝 時間: 2025-3-27 18:04 作者: 啞劇 時間: 2025-3-27 23:36
978-1-349-34614-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2012作者: 口味 時間: 2025-3-28 05:32 作者: 抵押貸款 時間: 2025-3-28 08:06 作者: cutlery 時間: 2025-3-28 11:31
Introduction,ters such as the Swedish Henning Mankel and the Mexican Paco Ignacio Taibo have been translated into many languages and disseminated throughout the world. The growing internationalisation of the book market has contributed not only to a wider global audience but also to increased possibilities for w作者: 蚊子 時間: 2025-3-28 14:47
From the Locked Room to the Globe: Space in Crime Fiction,ly more dynamic, exhilarating notions of narrative and history” (Eagleton 2008: xii). This observation also applies to much criticism of crime fiction, which has tended to treat the genre primarily in terms of narrative structure and temporality, rather than in terms of spatiality, mostly because of作者: 觀點 時間: 2025-3-28 21:50 作者: dithiolethione 時間: 2025-3-29 00:39
,“You’re not so special, Mr. Ford”: The Quest for Criminal Celebrity,ubject of endless fascination. The nature of that phenomenon is also, however, illuminated by those who are unsuccessful in their attempts to attain such celebrity. Many criminals, of course, seek to avoid public attention of any kind, and only receive it, if at all, in a fleeting notice at the time作者: 人類的發(fā)源 時間: 2025-3-29 03:54 作者: GUILE 時間: 2025-3-29 07:34 作者: carotid-bruit 時間: 2025-3-29 13:17 作者: discord 時間: 2025-3-29 18:03
The Machine Gun in the Violin Case: Martin Scorsese, , and the Gangster Musical Art Melodrama,s during the Depression years of the early 1930s. Although . does not provide a detailed explanation of this coincidence, no specialist in the gangster or crime fiction film has done more than Scorsese to bring these genres into a creative union with the seemingly very different world of the Hollywo作者: FOVEA 時間: 2025-3-29 20:17 作者: Free-Radical 時間: 2025-3-30 01:46
