標(biāo)題: Titlebook: Critical Approaches to the Films of M. Night Shyamalan; Spoiler Warnings Jeffrey Andrew Weinstock Book 2010 Jeffrey Andrew Weinstock 2010 c [打印本頁] 作者: Impacted 時間: 2025-3-21 16:48
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書目名稱Critical Approaches to the Films of M. Night Shyamalan影響因子(影響力)學(xué)科排名
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書目名稱Critical Approaches to the Films of M. Night Shyamalan網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Critical Approaches to the Films of M. Night Shyamalan讀者反饋學(xué)科排名
作者: Blood-Vessels 時間: 2025-3-21 21:01 作者: Cholecystokinin 時間: 2025-3-22 03:48 作者: 向外 時間: 2025-3-22 07:17
Klassifizierung von lufttechnischen Anlageny the filmmaker) can imprison one in his kitchen cupboard? Another conundrum in the same movie was widely noted in reviews: if water is kryptonite to the aliens, for what conceivable reason would they invade a planet where H.O is almost everywhere?作者: Temporal-Lobe 時間: 2025-3-22 09:18
Funktion und Aufbau einer Heizanlageers in terror, the blanket pulled up to her eyes, keeping a watchful eye on the filmmaker. This image—and its imposition of physical and psychological distance between adult and child—is emblematic of the troubled adult-child relationships depicted in Shyamalan’s films.作者: Congestion 時間: 2025-3-22 12:59
https://doi.org/10.1007/978-3-662-08684-1l give Graham an air of bewilderment yet focus, like a child playing hide and seek or “red light, green light.” Man on the lookout. Man at play. Man being played. Man watching. Man being watched. The film can now begin.作者: Congestion 時間: 2025-3-22 17:32
https://doi.org/10.1007/978-3-662-08690-2 suffering neurotic patients, with their ghastly tales of violence and abuse, had been haunted not by mere fantasies but by . Worse, the devoted doctor famous for healing troubled patients had in fact failed them utterly. The story, notoriously, ends with the abrupt termination of the analyst.作者: collateral 時間: 2025-3-23 01:17 作者: 單色 時間: 2025-3-23 01:47 作者: Homocystinuria 時間: 2025-3-23 09:37
Sigmund Freud, Pedophile Priests, and Shyamalan’s Filmic Fairy Tale (,) suffering neurotic patients, with their ghastly tales of violence and abuse, had been haunted not by mere fantasies but by . Worse, the devoted doctor famous for healing troubled patients had in fact failed them utterly. The story, notoriously, ends with the abrupt termination of the analyst.作者: extrovert 時間: 2025-3-23 10:23 作者: IRS 時間: 2025-3-23 15:50
Reactions with Nonmetal Compounds,ccult,” the realm of the unconscious mind in which primary desires and repressions reside and that appears to be wholly removed from everyday existence. According to Brooks, it becomes the primary goal of the protagonist in melodrama to locate “meaning and value” (5) by going beyond the conscious everyday and accessing the moral occult.作者: 樹膠 時間: 2025-3-23 20:20
Surface Free Energy. Surface Tension,nuclear) arms development at home (see Halberstam, 24–48), it has hardly surprised observant scholars and critics that theaters were running with secret diatribes against the alien Otherness that the Soviet threat continuously seemed to imply (see, for example, Biskind).作者: 散開 時間: 2025-3-23 22:58 作者: 欲望小妹 時間: 2025-3-24 04:23 作者: Goblet-Cells 時間: 2025-3-24 10:20 作者: 肉體 時間: 2025-3-24 11:39
and marketing. Taken together, the collection recognizes and explores Shyamalan s "star status" and offers the concerted analysis that this cultural phenomenon requires.978-1-349-28857-1978-0-230-11209-4作者: 引起痛苦 時間: 2025-3-24 18:20 作者: 逗留 時間: 2025-3-24 22:49 作者: CLASH 時間: 2025-3-25 01:59 作者: tangle 時間: 2025-3-25 04:19
https://doi.org/10.1057/9780230112094crisis; culture; drama; film; infection; irony; water作者: ACRID 時間: 2025-3-25 10:35
978-1-349-28857-1Jeffrey Andrew Weinstock 2010作者: uveitis 時間: 2025-3-25 12:54
Ziel und Aufgabe der Warmwassertechnik with Horace Greeley) “Go West, young man, and grow up with the country,” the quintessential American man leaves behind his family in search of adventure that will simultaneously assist in developing American society. The quest of the lone, stoic hero has long been central not only to American liter作者: persistence 時間: 2025-3-25 18:28
Funktion und Aufbau einer Heizanlageoto of the director and a list of his responses to implied questions, one of which reveals that his proudest moment is when he sees his “children overcome fear.” Yet the ad itself suggests a different attitude about the relationship between parents and children. The photo shows Shyamalan sitting at 作者: 愚笨 時間: 2025-3-25 22:48 作者: 漂亮才會豪華 時間: 2025-3-26 01:33 作者: 愚笨 時間: 2025-3-26 05:00
Klassifizierung von Heizanlagen Viewers and critics came to expect a horror movie with a twist or surprise ending, and most reviewers seem unable to avoid a reference to these expectations. Although Shyamalan is associated with suspense and horror, his first four major films share other significant thematic similarities not neces作者: Ordnance 時間: 2025-3-26 08:28 作者: 必死 時間: 2025-3-26 16:21 作者: 原告 時間: 2025-3-26 16:48 作者: 主講人 時間: 2025-3-26 22:53
https://doi.org/10.1007/978-3-662-08690-2oration verging on celebrity—not least by an important woman in his life (let’s call her Anna). But then the doctor discovers a shocking surprise just outside Anna’s bedroom. M’s life now comes crashing down around him as he sacrifices everything, including his relationship with Anna, to seek the tr作者: Champion 時間: 2025-3-27 03:04
Reactions with Nonmetal Compounds,ell a story of a man, David Dunn (Bruce Willis), who learns he is a superhero foregrounds the commonalities between superhero narratives and melodramas. Most significantly, the superhero genre’s excessive expression of moral certainty indicates hysterical overcompensation, an extreme response to cri作者: Blood-Clot 時間: 2025-3-27 06:39
Reactions with Organic Compounds,vington Woods are verbalized. This scene marks the beginning of a series of conceptual turning points in the plot of the film through which we discover not only that the fearful creatures that inhabit the woods are not real but also that the film itself is not set in the past but anachronisti-cally 作者: burnish 時間: 2025-3-27 09:41
https://doi.org/10.1007/978-3-662-08690-2 2007, critique of the film has been vehement to the point of being vicious. Michael Phillips in the . complains that “just when the story begs for some clean lines and a sense of direction, we get dithering and misdirection and another confused-tenants sequence.” Peter Travers’s . review argues tha作者: 代理人 時間: 2025-3-27 15:05
Surface Free Energy. Surface Tension,bstances—viruses, aliens, ideas, forms, gasses, toxins, brain cells. Given the unpredicted geopolitical aggressiveness of Russia in the wake of the Second World War (even the radically diminished version of it that was featured in a certain folksily arrogant joke of the time “that the Russians could作者: 女歌星 時間: 2025-3-27 18:24
http://image.papertrans.cn/c/image/239899.jpg作者: 引起痛苦 時間: 2025-3-27 22:58 作者: wangle 時間: 2025-3-28 02:05
Reaching Out to the Other Sideoto of the director and a list of his responses to implied questions, one of which reveals that his proudest moment is when he sees his “children overcome fear.” Yet the ad itself suggests a different attitude about the relationship between parents and children. The photo shows Shyamalan sitting at 作者: 現(xiàn)任者 時間: 2025-3-28 08:02
Melodrama and Male Crisis in , and owing the popular view, critics, however, have thus far largely focused on Shyamalan’s intriguing engagement with supernatural, metaphysical, or religious themes.1 No doubt, the director’s proficient audacity in dealing with such subject matter has had much to do with the substantial reputation he h作者: 缺乏 時間: 2025-3-28 13:15
Spellbound in Darknessin my review of ., his space-monster fantasy of 2002: how did the invading aliens manage to arrive on Earth, set up an invisible shield in the sky, and massacre an untold number of humans around the globe, when they’re so physically weak and mentally mushy that a mild-mannered veterinarian (played b作者: 友好 時間: 2025-3-28 18:19 作者: elastic 時間: 2025-3-28 22:05
The Night Book, or The Mirror and the Pager against the children’s bedroom door. Surprised, inquisitive. What is he doing? We don’t know. What is happening? He himself would not be able to explain. Graham has been summoned by “something” he doesn’t know. He is not even sure that there is“something” or that there could be a sign. But the ord作者: MIRTH 時間: 2025-3-29 01:01
Making Sense of M. Night Shyamalanorror” (Gelder, . 1 and 6, “Vampire” 30). In order to explore the “space of possibles” (Bourdieu, . 30) that texts interact with and come culturally to occupy, I will argue that different types of horror films are intended to take up positions within this “space of possibles,” as authors, via their 作者: 母豬 時間: 2025-3-29 07:07 作者: Prognosis 時間: 2025-3-29 07:21 作者: 膠水 時間: 2025-3-29 13:25
Unbreak My Heartell a story of a man, David Dunn (Bruce Willis), who learns he is a superhero foregrounds the commonalities between superhero narratives and melodramas. Most significantly, the superhero genre’s excessive expression of moral certainty indicates hysterical overcompensation, an extreme response to cri作者: ANA 時間: 2025-3-29 17:37
Simulations of Evil in M. Night Shyamalan’s vington Woods are verbalized. This scene marks the beginning of a series of conceptual turning points in the plot of the film through which we discover not only that the fearful creatures that inhabit the woods are not real but also that the film itself is not set in the past but anachronisti-cally 作者: 籠子 時間: 2025-3-29 22:06 作者: helper-T-cells 時間: 2025-3-30 00:41
What Ever is , to M. Night Shyamalanbstances—viruses, aliens, ideas, forms, gasses, toxins, brain cells. Given the unpredicted geopolitical aggressiveness of Russia in the wake of the Second World War (even the radically diminished version of it that was featured in a certain folksily arrogant joke of the time “that the Russians could作者: 動脈 時間: 2025-3-30 04:30
Critical Approaches to the Films of M. Night ShyamalanSpoiler Warnings作者: 國家明智 時間: 2025-3-30 10:01 作者: 不給啤 時間: 2025-3-30 14:17
https://doi.org/10.1007/978-3-662-08684-1melodrama, that locus of alienation deeply marked by the failure to find and maintain some meaningful connection to others. Instead, Shyamalan, particularly in his first five films, has crafted narratives that move through deep crisis, personal and familial, to endorse traditional institutions and g
