標(biāo)題: Titlebook: Critical Approaches to the Fiction of Thomas Hardy; Dale Kramer (Professor of English) Book 1979 Palgrave Macmillan, a division of Macmill [打印本頁] 作者: SPARK 時(shí)間: 2025-3-21 17:36
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作者: FLIT 時(shí)間: 2025-3-21 21:20 作者: Certainty 時(shí)間: 2025-3-22 01:07 作者: ABYSS 時(shí)間: 2025-3-22 06:37
A New View of Bathsheba Everdene,d suffering from a vain, egotistical girl into a wise, sympathetic woman.. There is something to this view, for apparently at least Bathsheba changes for the better between the beginning and end of the novel. She learns to sympathise with Fanny Robin, seeks to make amends to Farmer Boldwood, and mar作者: 建筑師 時(shí)間: 2025-3-22 10:54
Hardy the Creator: ,,uscript and the various printed versions, and to a great extent this essay is no exception. But there is also another, not less important if less dramatic, element in the development of Hardy’s fiction. This shows Hardy acting in ways that may be duplicated (generally speaking) in all his work. The 作者: 史前 時(shí)間: 2025-3-22 16:58 作者: 史前 時(shí)間: 2025-3-22 20:28
Tree and Machine: ,,thologised and mechanistic world: ‘The “Ma- chine of the Universe,” — alas, do but think of that in contrast!’ The same reduction of myth to machine haunts The Woodlatiders. Hardy laments a lost mythology as well as the rape of the woods by rootless predators from the modem world. The novel is perva作者: 有權(quán)威 時(shí)間: 2025-3-22 23:06 作者: fixed-joint 時(shí)間: 2025-3-23 02:57 作者: 詞匯 時(shí)間: 2025-3-23 09:33 作者: 預(yù)知 時(shí)間: 2025-3-23 11:43
,Hardy’s Absences, for many of us the first prohibition creates no hardship. But there may be a mere ingenuity, heroic or not, in the recurrent attempts to create either a univocal or a muddled Hardy, one who ‘explained’ and formed perfectly or one who offers texts already deconstructed. I think it is possible (and b作者: Perigee 時(shí)間: 2025-3-23 13:54 作者: AVERT 時(shí)間: 2025-3-23 18:09 作者: 知識(shí) 時(shí)間: 2025-3-24 01:02 作者: Indolent 時(shí)間: 2025-3-24 04:15
http://image.papertrans.cn/c/image/239898.jpg作者: 警告 時(shí)間: 2025-3-24 10:26 作者: 花爭(zhēng)吵 時(shí)間: 2025-3-24 13:11 作者: addict 時(shí)間: 2025-3-24 15:36 作者: 暖昧關(guān)系 時(shí)間: 2025-3-24 22:54 作者: 恭維 時(shí)間: 2025-3-25 00:13 作者: 演講 時(shí)間: 2025-3-25 03:50 作者: 為現(xiàn)場(chǎng) 時(shí)間: 2025-3-25 11:33 作者: 全神貫注于 時(shí)間: 2025-3-25 12:35
Alexander Maedche,Viktor Pekar,Steffen StaabWORTHY encompassed by the INEVITABLE.’. Throughout . Hardy invokes several discrete yet interrelated forms of determinism to make his heroine’s fate seem inevitable. Heredity is the most obvious of these. Tess’s ability to see or hear the d’Urberville Coach of the legend and her resemblance to the d作者: aspersion 時(shí)間: 2025-3-25 19:42 作者: Range-Of-Motion 時(shí)間: 2025-3-25 21:04 作者: collateral 時(shí)間: 2025-3-26 00:14
for many of us the first prohibition creates no hardship. But there may be a mere ingenuity, heroic or not, in the recurrent attempts to create either a univocal or a muddled Hardy, one who ‘explained’ and formed perfectly or one who offers texts already deconstructed. I think it is possible (and b作者: 盡忠 時(shí)間: 2025-3-26 07:15 作者: Pigeon 時(shí)間: 2025-3-26 11:26
,: Pessimism and Fictional Form,We can all agree, perhaps, that . is about frustration and failure in two areas of life — sex and education. It is about Jude Fawley’s failure to get to the University, and about his disastrous relationships with women. But as soon as we ask what is the meaning of these themes as presented in the narrative, doubt and disagreement commence.作者: Coterminous 時(shí)間: 2025-3-26 14:56
,Beginnings and Endings in Hardy’s Major Fiction,al world, mimes the process of Creation as the author’s language imposes shape and form upon silence and emptiness. Imperceptibly, as we read the first sentences, our sense of time gives way to the internal imagined time of the novel. The ending is an apocalypse which reorders the significance of al作者: 吸引力 時(shí)間: 2025-3-26 19:13
Tree and Machine: ,, but his death also signifies the depletion of Nature by an anatomising scientific vision. Subjected to a post-Romantic gaze, Nature reveals the same defects, the same crippling evolutionary struggle, as urban industrial society.作者: 挑剔小責(zé) 時(shí)間: 2025-3-27 00:47 作者: OFF 時(shí)間: 2025-3-27 03:59
Alexander Maedche,Viktor Pekar,Steffen Staabal world, mimes the process of Creation as the author’s language imposes shape and form upon silence and emptiness. Imperceptibly, as we read the first sentences, our sense of time gives way to the internal imagined time of the novel. The ending is an apocalypse which reorders the significance of al作者: Contend 時(shí)間: 2025-3-27 05:56 作者: 調(diào)情 時(shí)間: 2025-3-27 10:03
Alexander Maedche,Viktor Pekar,Steffen Staabhe while’, we are told, ‘they were converging, under an irresistible law, as surely as two streams in one vale’ (xx; p. 165). Tess, with her sensuousncss, is an embodiment of the principle in Nature of irresistible sexual attraction. Her flower-red mouth, her pretty face, her fine figure, and her un作者: 商業(yè)上 時(shí)間: 2025-3-27 15:01
Critical Approaches to the Fiction of Thomas Hardy作者: 瑪瑙 時(shí)間: 2025-3-27 20:43
Critical Approaches to the Fiction of Thomas Hardy978-1-349-03780-3作者: 悲痛 時(shí)間: 2025-3-27 23:05 作者: 一大塊 時(shí)間: 2025-3-28 04:22
Klassifizierung von Heizanlagenries of sketches of quaint personalities valued for their well-aged eccentricities, like a fine old crusted port, turns out to be instead of group of short tales, an interlinked ‘frame-story’ principally built around the ironic mischances of love and ranging from pastoral farce to grim psychological tragedy.作者: Lice692 時(shí)間: 2025-3-28 07:25 作者: 狂熱語言 時(shí)間: 2025-3-28 12:50
Hardy the Creator: ,,t essay. My intention is, however, to draw attention to examples in . of at least some of these kinds of activity and to suggest their significance as a first step towards a synthetic study of all Hardy’s fictional prose.作者: 外觀 時(shí)間: 2025-3-28 17:29
How to Read ,,ries of sketches of quaint personalities valued for their well-aged eccentricities, like a fine old crusted port, turns out to be instead of group of short tales, an interlinked ‘frame-story’ principally built around the ironic mischances of love and ranging from pastoral farce to grim psychological tragedy.作者: Factual 時(shí)間: 2025-3-28 21:47
One Name of Many Shapes: ,,rt essay, ‘Candour in English Fiction’, published in the . in 1890, in which he calls ‘our popular fiction’ ‘a(chǎn) literature of quackery’.. I shall argue that the bitterness one finds in this essay also informs ..作者: ASSET 時(shí)間: 2025-3-28 23:52 作者: Induction 時(shí)間: 2025-3-29 06:28
The Unmanning of the Mayor of Casterbridge,y about the comparisons: ‘As for the supposed affinity to George Eliot, it consists, I think, simply in this that you have both treated rustics of the farming class in a humorous manner — Mrs. Poyser would be home I think, in Weatherbury — but you need not be afraid of such criticisms. You are original and can stand on your own legs.’.作者: ALB 時(shí)間: 2025-3-29 10:22
Bing Liu,Yiming Ma,Philip S. Yun landscape) or else concerned in merely general terms with the rural background. However, the qualities that identify ‘the regional novel’ are much more specific, and it is worth while considering his work in this context since, for students of regionalism in fiction, Hardy is a supremely important witness.作者: 憂傷 時(shí)間: 2025-3-29 14:11 作者: 剛毅 時(shí)間: 2025-3-29 15:51
hat the meaning of the text is indeterminate. We now acknowledge more fully the tentativeness and inconsistency of a typical Hardy narrator and the ambiguity of the action. What is not so clear are the theoretical implications of these facts or, more modestly, the effects they have on our actual reading experience.作者: 散步 時(shí)間: 2025-3-29 22:32 作者: CLAN 時(shí)間: 2025-3-30 00:50 作者: 去世 時(shí)間: 2025-3-30 04:55 作者: 袋鼠 時(shí)間: 2025-3-30 08:13
Bing Liu,Yiming Ma,Philip S. Yuticism. Of course not every change in literary criticism affects every author’s reputation in an even fashion. But understanding one novel in a fresh way often shakes our accustomed perceptions of other novels — especially those by the same author.
