標(biāo)題: Titlebook: Criminals as Heroes in Popular Culture; Roxie J. James,Kathryn E. Lane Book 2020 The Editor(s) (if applicable) and The Author(s), under ex [打印本頁] 作者: Glitch 時間: 2025-3-21 17:30
書目名稱Criminals as Heroes in Popular Culture影響因子(影響力)
書目名稱Criminals as Heroes in Popular Culture影響因子(影響力)學(xué)科排名
書目名稱Criminals as Heroes in Popular Culture網(wǎng)絡(luò)公開度
書目名稱Criminals as Heroes in Popular Culture網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Criminals as Heroes in Popular Culture被引頻次
書目名稱Criminals as Heroes in Popular Culture被引頻次學(xué)科排名
書目名稱Criminals as Heroes in Popular Culture年度引用
書目名稱Criminals as Heroes in Popular Culture年度引用學(xué)科排名
書目名稱Criminals as Heroes in Popular Culture讀者反饋
書目名稱Criminals as Heroes in Popular Culture讀者反饋學(xué)科排名
作者: 煩憂 時間: 2025-3-21 21:06 作者: 使害羞 時間: 2025-3-22 01:32
Mathematik und Grundlagenveranstaltungen,ity in the period and the pairing of Plunkett and Maclaine’s individual skill sets and class backgrounds as the foundation not only of their success, but the performative aspect of the ethos of the Gentleman Highwayman more broadly.作者: Epithelium 時間: 2025-3-22 04:39
Criminality in Perspective and Politics of Legitimization: A Study in Paradox,riminality” touching upon the ideology of “masculinity” and ethos of “celibacy” in the Indian context. It critiques the social conditioning of an ontological category and unfolds the paradoxes, convergences, and overlaps in the inter-categorical crossroads that often render such categorizations ineffectual.作者: heterodox 時間: 2025-3-22 09:30 作者: HEDGE 時間: 2025-3-22 15:06 作者: HEDGE 時間: 2025-3-22 19:17 作者: MIRE 時間: 2025-3-22 23:08
,“Blurred Lines:” Reflections of the Criminal Hero Figure,spectacle of the Martha Stewart insider-trading scandal and her subsequent reinvention allows an examination of the power of the media. The fraught but seemingly symbiotic relationship consumers have with their media and the public perceptions that arise from such a relationship is examined prompting the question of who is really controlling who?作者: Defense 時間: 2025-3-23 03:58 作者: locus-ceruleus 時間: 2025-3-23 05:51
,Ressourcen- und kompetenzbasierte Ans?tze,ing image of the criminal hero, and it provides an in-depth analysis of two films in the Ocean’s Eleven oeuvre (Lewis Milstones’s 1960s production . and the 2001 interpretation starring George Clooney and Brad Pitt) in order to highlight the . of the criminal hero.作者: mortuary 時間: 2025-3-23 10:16
Tunnelerfahrung und Wahlfreiheit,l-world women who suffered the consequences of the legal and gender transgressions which made them so popular in literature. Allowed to be heroes only in the English imagination, fictionalized woman pirates were ultimately a tool of the patriarchal state, which tolerated their popularity in print but punished their bodies in life.作者: modish 時間: 2025-3-23 14:27
Basismodell: Wissen und Handelnmately has origins in the early modern tales of .. Although the criminal heroes of the film do not present a clear moral imperative or viewpoint on history, they present a disruption to modernity that opens the popular imagination to new possibilities of social transformation.作者: transdermal 時間: 2025-3-23 19:43 作者: nascent 時間: 2025-3-24 01:48
Women, Crime, and Piracy in the Early Modern English Popular Imagination,l-world women who suffered the consequences of the legal and gender transgressions which made them so popular in literature. Allowed to be heroes only in the English imagination, fictionalized woman pirates were ultimately a tool of the patriarchal state, which tolerated their popularity in print but punished their bodies in life.作者: headway 時間: 2025-3-24 04:36 作者: 飾帶 時間: 2025-3-24 08:20 作者: 憤慨點吧 時間: 2025-3-24 13:16 作者: 最小 時間: 2025-3-24 17:08
Book 2020ures such as: Robin Hood, .Breaking Bad., .American Gods., .American Vandal., Kabir, Plunkett and Macleane, Martha Stewart, Mary Read, Anne Bonny, .Ocean’s 11.,. Ocean’s Eleven., and .Let The Bullets Fly..?.作者: babble 時間: 2025-3-24 22:48 作者: Explicate 時間: 2025-3-25 01:12
Ideenfindung und Ideenumsetzungp of formerly incarcerated academics known as Convict Criminologists. The fantastic coincidences of the plot, combined with Shadow’s unconventional experiences, pave the way for the former convict to turn pacifist hero in a new presentation of the ex-con in fiction.作者: Heart-Attack 時間: 2025-3-25 07:02
gular protagonists who follow a narrative trajectory from victim through hero to arrive, ultimately, at villainy. Collapsing the characterological triad into single protagonists marks a late modern version of melodrama in which the possibilities for heroism are circumscribed, leaving characters able to opt only for victimization or villainy.作者: 實施生效 時間: 2025-3-25 08:07 作者: FACT 時間: 2025-3-25 14:53
,“I Need a Hero:” Representation and Reinvention of the Criminal Hero in Mass Media,ates, or the rise of the Robin Hood-esque folk hero. The criminal hero is a seductive figure, and, in truth, audiences get a rather scopophilic pleasure in watching people behave badly. This introduction offers an analysis of the varied and vexing definitions of hero, criminal, and criminal heroes, 作者: 笨拙處理 時間: 2025-3-25 15:58 作者: Dysarthria 時間: 2025-3-25 22:36
Criminality in Perspective and Politics of Legitimization: A Study in Paradox,outside the ambit of law, for (a) being an avowed renouncer of the societal obligations and (b) embodying the lofty spiritual ideals that presumably yield larger societal good. This chapter probes into the politics of legitimization of this “concession” focusing on two distinct moments of rupture in作者: FEAS 時間: 2025-3-26 03:58
,“Said Some Things I Definitely (Don’t) Regret:” The Rhetorical Silence of ,’s Criminal Heroine,the Peabody-winning and Emmy-nominated . satire of true-crime documentaries. . interacts differently with its male and female “vandals,” almost all of whom, despite varying levels of wickedness, remain heroes to the narrative and the broader cultural conversations prompted. In short, men create assu作者: Entirety 時間: 2025-3-26 06:19 作者: 搖晃 時間: 2025-3-26 09:27 作者: dry-eye 時間: 2025-3-26 13:13
,“Something Feels Weird:” Managing the Identity of “Ex-Con” in , are not reflective of the common fictional ex-convict archetype, but neither do they fully align with the real-life experiences presented by the group of formerly incarcerated academics known as Convict Criminologists. The fantastic coincidences of the plot, combined with Shadow’s unconventional ex作者: 600 時間: 2025-3-26 17:19
Victims, Heroes, and Villains: Imaginary Beings in Contemporary Television Serials,evision serial dramas. Looking in particular at the examples of . and ., the author argues that the characterological trio now often exists within singular protagonists who follow a narrative trajectory from victim through hero to arrive, ultimately, at villainy. Collapsing the characterological tri作者: amputation 時間: 2025-3-26 22:06
,“Blurred Lines:” Reflections of the Criminal Hero Figure, social delinquency. These blurred identity constructs must be considered in tandem with the factors contributing to their development. Utilizing the spectacle of the Martha Stewart insider-trading scandal and her subsequent reinvention allows an examination of the power of the media. The fraught bu作者: Cardiac 時間: 2025-3-27 01:41
Roxie J. James,Kathryn E. LaneOffers a perspective on the growing trend of criminals as heroes in popular media.Examines the current cultural “fascination” with criminals and its broader societal implications.Expands beyond the li作者: 沒血色 時間: 2025-3-27 07:39
http://image.papertrans.cn/c/image/239797.jpg作者: Lipoprotein(A) 時間: 2025-3-27 13:31 作者: Valves 時間: 2025-3-27 17:28
Tunnelerfahrung und Wahlfreiheit,heroes and sources of female empowerment, stories of female pirates in their own time served not to advance the position of women in English society, but to reinforce their subordinate status. By comparing the English fascination with these women in popular material with real-life examples of female作者: 誘使 時間: 2025-3-27 20:22
Theoretische Grundlagen der Innovationoutside the ambit of law, for (a) being an avowed renouncer of the societal obligations and (b) embodying the lofty spiritual ideals that presumably yield larger societal good. This chapter probes into the politics of legitimization of this “concession” focusing on two distinct moments of rupture in作者: lymphedema 時間: 2025-3-27 22:36 作者: 先行 時間: 2025-3-28 05:10 作者: 執(zhí) 時間: 2025-3-28 06:48
Mathematik und Grundlagenveranstaltungen, historical action film . (1999). Paying particular attention to Scott’s use of aesthetic and narrative excess and stricture to highlight not only the jurisdictions or targets of a Gentleman Highwayman, but also the pitfalls he may succumb to such as finery, gambling, and prostitution, this paper ex作者: 歌劇等 時間: 2025-3-28 11:32
Ideenfindung und Ideenumsetzung are not reflective of the common fictional ex-convict archetype, but neither do they fully align with the real-life experiences presented by the group of formerly incarcerated academics known as Convict Criminologists. The fantastic coincidences of the plot, combined with Shadow’s unconventional ex作者: 責(zé)難 時間: 2025-3-28 14:37 作者: grounded 時間: 2025-3-28 19:58 作者: 歌劇等 時間: 2025-3-29 00:29
https://doi.org/10.1007/978-3-030-39585-8Criminals in Popular culture; Criminals as heroes; Criminal hero; Hero in mass media; Crime and piracy; A作者: AGATE 時間: 2025-3-29 06:37
