標(biāo)題: Titlebook: Criminal Femmes Fatales in American Hardboiled Crime Fiction; Maysaa Husam Jaber Book 2016 The Editor(s) (if applicable) and The Author(s) [打印本頁] 作者: Ejaculation 時(shí)間: 2025-3-21 17:48
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作者: chalice 時(shí)間: 2025-3-21 21:41
Aufgaben aus der Wirtschaftslehrets were translated in different ways that range from the hard-won gains that the “New Woman” seemed to enjoy in the 1920s; to the rescinding of this freedom during the Depression of the following decade; to women’s subsequent involvement in the wartime economy and an unprecedented rate of women’s em作者: sundowning 時(shí)間: 2025-3-22 04:20 作者: 大漩渦 時(shí)間: 2025-3-22 06:18
with an overpowering presence and we do not see them commit criminal acts. Their agency is located, however, in what I will call (in)visible roles. That is, despite or because of indirect avenues through which female power is mobilized, Chandler’s narratives invite us to see the roles of the crimina作者: 人工制品 時(shí)間: 2025-3-22 09:40
Improving Workflow Modeling Assistance,t world around them. Indeed, Goodis’s characters are disempowered by forces they cannot name; perhaps it is simply fate. Yet they also have inner struggles. In one novel after the other, we find characters who are crushed and destroyed by forces within and outside them. Goodis sustains the interest 作者: 窒息 時(shí)間: 2025-3-22 13:22 作者: 窒息 時(shí)間: 2025-3-22 20:23 作者: 入伍儀式 時(shí)間: 2025-3-22 21:39
The “Mad-Bad” Criminal Womants were translated in different ways that range from the hard-won gains that the “New Woman” seemed to enjoy in the 1920s; to the rescinding of this freedom during the Depression of the following decade; to women’s subsequent involvement in the wartime economy and an unprecedented rate of women’s em作者: 加強(qiáng)防衛(wèi) 時(shí)間: 2025-3-23 01:23 作者: Folklore 時(shí)間: 2025-3-23 08:16 作者: BIPED 時(shí)間: 2025-3-23 10:45 作者: Noisome 時(shí)間: 2025-3-23 17:38
esentations of women as key characters against the male protagonists.. These intersections open up a window through which to read the question of female agency in each author with which this study is concerned, despite the differences between their works.作者: VERT 時(shí)間: 2025-3-23 19:18 作者: Insubordinate 時(shí)間: 2025-3-23 22:18 作者: insomnia 時(shí)間: 2025-3-24 05:37
Narratives of Seductionesentations of women as key characters against the male protagonists.. These intersections open up a window through which to read the question of female agency in each author with which this study is concerned, despite the differences between their works.作者: MOTTO 時(shí)間: 2025-3-24 08:22 作者: 裂隙 時(shí)間: 2025-3-24 10:52 作者: cleaver 時(shí)間: 2025-3-24 18:10
Dritte Vorlesung: Einkommensungleichheitrs to represent extreme features of McCarthyism. He does not shy away from pointing out the Red Scare; his work is full of enemies whose threat extends beyond the confrontations between the detective and gangs to crimes that affect the United States at large. The enemy in Spillane takes the form of communists, foreigners, mafia, and lethal women.作者: 誘惑 時(shí)間: 2025-3-24 21:58
Mickey Spillane’s Criminal Femmes Fatales and the Cold War Vendettars to represent extreme features of McCarthyism. He does not shy away from pointing out the Red Scare; his work is full of enemies whose threat extends beyond the confrontations between the detective and gangs to crimes that affect the United States at large. The enemy in Spillane takes the form of communists, foreigners, mafia, and lethal women.作者: NAUT 時(shí)間: 2025-3-24 23:57
2947-8340 on. Maysaa Jaber shows that the criminal literary figures in the genre open up powerful spaces for imagining female agency in direct opposition to the constraining forces of patriarchy and misogyny.978-1-137-35647-5Series ISSN 2947-8340 Series E-ISSN 2947-8359 作者: 售穴 時(shí)間: 2025-3-25 04:28 作者: ANN 時(shí)間: 2025-3-25 11:11 作者: 別炫耀 時(shí)間: 2025-3-25 12:08 作者: Assemble 時(shí)間: 2025-3-25 19:49
Aufgaben aus der Wirtschaftslehrel, political, and cultural changes. One manifestation of these changes was the redoubled effort to fight crime through a rather draconian policing ideology in response to an increase in urban crime, gangsterism, and corruption.. This trend was intimately related to the emergence of hardboiled crime 作者: 錯(cuò)誤 時(shí)間: 2025-3-25 23:25
assical, mostly British,. detective story in which the detective is the main crime solver and the events take place in middle-class suburban houses, libraries, and drawing rooms, to an urban space in the United States where organized crime, gangsters, and corruption pervade the city. Hammett’s work 作者: 失望未來 時(shí)間: 2025-3-26 02:56 作者: Asperity 時(shí)間: 2025-3-26 07:44
tions, to the crimes in his works. Cain thus departs from Dashiell Hammett and Raymond Chandler by creating narratives that are marked by a total absence of the figure of the detective. Cain’s work denotes a shift from the detective story to the crime novel or noir fiction, which places more emphasi作者: 暴行 時(shí)間: 2025-3-26 08:54
Workflow Modeling Assistance Architecture,perback books revolutionized the genre of crime fiction and recreated a new space to disseminate crime stories that were the product of the post-war US scene. After the inception of the Pocket Book, many companies joined the flourishing paperback publishing industry.. Companies such as Avon, Popular作者: Conserve 時(shí)間: 2025-3-26 15:48 作者: vector 時(shí)間: 2025-3-26 20:46
Dritte Vorlesung: Einkommensungleichheita new level. Unlike Goodis’s work, which presents paranoia of an unnamed source, and where characters are destined to fail, Spillane’s fiction crystallizes the failures of the system, the threats of conspiracies, and the doubts about any possibility of peaceful and fair living. Spillane’s work appea作者: Fibrin 時(shí)間: 2025-3-26 22:20 作者: Leaven 時(shí)間: 2025-3-27 02:56 作者: 信任 時(shí)間: 2025-3-27 06:30 作者: amygdala 時(shí)間: 2025-3-27 10:27 作者: amenity 時(shí)間: 2025-3-27 17:34 作者: 粗糙 時(shí)間: 2025-3-27 21:33
Introductionthe femme fatale is deemed to be sexually voracious, irresistible, and dangerous, leading men to their ruination. She is an archetype, one as old as Eve — a figure who has existed in various forms since ancient times, in folklore, myths, and literatures. She comes to life in different guises: the sp作者: ARC 時(shí)間: 2025-3-27 23:28
The “Mad-Bad” Criminal Womanl, political, and cultural changes. One manifestation of these changes was the redoubled effort to fight crime through a rather draconian policing ideology in response to an increase in urban crime, gangsterism, and corruption.. This trend was intimately related to the emergence of hardboiled crime 作者: 紅腫 時(shí)間: 2025-3-28 03:55 作者: COMMA 時(shí)間: 2025-3-28 07:56
Narratives of Detectionsentation of women. While Hammett begins with a formula of sentimentality and medicalization in ., before adopting a criminalization model in ., and finally presenting a model of the female detective in his later works, Chandler consistently depicts lethal women whose representations are nonetheless作者: 的闡明 時(shí)間: 2025-3-28 13:09 作者: Ventilator 時(shí)間: 2025-3-28 15:34
Crime, Sex, and Paranoia in Post-War Hardboiled Paperbacksperback books revolutionized the genre of crime fiction and recreated a new space to disseminate crime stories that were the product of the post-war US scene. After the inception of the Pocket Book, many companies joined the flourishing paperback publishing industry.. Companies such as Avon, Popular作者: 值得贊賞 時(shí)間: 2025-3-28 19:15
The Duality of David Goodis’s Criminal Femmes Fatalesand dangerous women. Goodis’s world is one in which his characters are doomed to fail, as they struggle with fear, paranoia, and hopelessness. Goodis shows another side of the mean streets, one that is full of “paranoid reveries linked to some kind of identity crisis” (Haut 1995: 21). Although we ca作者: 不近人情 時(shí)間: 2025-3-29 01:03
Mickey Spillane’s Criminal Femmes Fatales and the Cold War Vendettaa new level. Unlike Goodis’s work, which presents paranoia of an unnamed source, and where characters are destined to fail, Spillane’s fiction crystallizes the failures of the system, the threats of conspiracies, and the doubts about any possibility of peaceful and fair living. Spillane’s work appea作者: Intractable 時(shí)間: 2025-3-29 04:18
Conclusion Hell for the male character. Cain’s description of his female characters is often read as characteristic of the language that hardboiled crime texts use to sexualize the woman’s body as an “object” of the male gaze. Also, that the male character “had her” in the quotation is an example of how a num作者: 精確 時(shí)間: 2025-3-29 09:36 作者: jeopardize 時(shí)間: 2025-3-29 11:36
