標(biāo)題: Titlebook: Creativity — A New Vocabulary; Vlad Petre Gl?veanu,Lene Tanggaard,Charlotte Wegen Book 2023Latest edition The Editor(s) (if applicable) an [打印本頁] 作者: 助手 時(shí)間: 2025-3-21 17:20
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書目名稱Creativity — A New Vocabulary網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Creativity — A New Vocabulary讀者反饋學(xué)科排名
作者: 生命 時(shí)間: 2025-3-21 23:37
Affordance,hat if you had only one brick? You could perhaps break it into little pieces and build a small house or a wall. Moreover, if you have little pieces of brick, you could draw with them on the pavement. And if the brick’s shape can be altered, then why not dig a small hole (if it is not there already) 作者: fatty-acids 時(shí)間: 2025-3-22 00:52
Body,about creativity but also our possibilities for practical action in terms of making creativity more tangible in educational and workplace settings. Expanding contemporary research on embodied creativity, the body is portrayed as a connecting entity for person and environment, and as a vehicle for th作者: Aggrandize 時(shí)間: 2025-3-22 07:05 作者: 易受騙 時(shí)間: 2025-3-22 12:43 作者: 踉蹌 時(shí)間: 2025-3-22 14:20
Digital,es’ (1961) seminal analytical model: person, process, press, and product. While digitalization has enabled vast, new opportunities for creative expression, productivity, collaboration, and global sharing, it has also prompted several challenges for both researchers and practitioners of creativity. M作者: 踉蹌 時(shí)間: 2025-3-22 19:35
Fear,timated part of the way human beings look at the future (Tateo, 2021a). Indeed, hope and fear are two very important and complementary emotions oriented towards the future, which often go hand by hand (Tateo, 2022; Tateo et al., 2022).作者: 死亡 時(shí)間: 2025-3-22 23:26 作者: MAIM 時(shí)間: 2025-3-23 02:26
Lostness,hing, letting go or getting lost. Inspired by Kvale (The social construction of validity. .(1), 19–40, 1995), the following is a practical demonstration of a research process in which everyday experiences of lostness opened up the creative interrogation of scientific concepts. The empirical material作者: ostracize 時(shí)間: 2025-3-23 07:13
Memory,eriences are put into or written on these surfaces as memories and then taken out when remembered in roughly the same form as they were put in. This conception dates back to Plato, who first described memory as a wax tablet in the mind, on which experiences were inscribed. In Plato’s time, literacy 作者: 動(dòng)物 時(shí)間: 2025-3-23 11:17 作者: SAGE 時(shí)間: 2025-3-23 17:02 作者: 高深莫測(cè) 時(shí)間: 2025-3-23 19:50
Pathways,nk for a moment about those most mundane, typical days: A rainy Monday on your way to work or shopping in the supermarket or on the Internet—do these days require any creativity? Or what about those more spectacular days, those days standing out more clearly, such as when you decided to move, asked 作者: 大范圍流行 時(shí)間: 2025-3-24 02:07 作者: 晚間 時(shí)間: 2025-3-24 02:45 作者: Facilities 時(shí)間: 2025-3-24 06:43 作者: Mendicant 時(shí)間: 2025-3-24 11:38
Rhythm,creativity, as I discuss it here, doesn’t refer to the melodic quality of accomplished compositions but, rather, to the rhythmic nature of our creative movement in the world (Gl?veanu, 2020). Did you ever consider the movement and sounds one hears in spaces where creative work is performed—not only 作者: MANIA 時(shí)間: 2025-3-24 17:27 作者: Maximize 時(shí)間: 2025-3-24 20:55 作者: 車床 時(shí)間: 2025-3-24 23:25
H. Winterhat if you had only one brick? You could perhaps break it into little pieces and build a small house or a wall. Moreover, if you have little pieces of brick, you could draw with them on the pavement. And if the brick’s shape can be altered, then why not dig a small hole (if it is not there already) 作者: medium 時(shí)間: 2025-3-25 04:25 作者: 細(xì)微的差異 時(shí)間: 2025-3-25 10:23 作者: placebo-effect 時(shí)間: 2025-3-25 14:47
H. Wintereative it needs to be different from what existed before. Novelty and originality are found in most definitions of creativity (e.g. Runco & Jaeger, 2012), alongside effectiveness; so, in this sense, difference is placed at the core of our thinking about this phenomenon. However, all this suggests is作者: laparoscopy 時(shí)間: 2025-3-25 16:29
H. Winteres’ (1961) seminal analytical model: person, process, press, and product. While digitalization has enabled vast, new opportunities for creative expression, productivity, collaboration, and global sharing, it has also prompted several challenges for both researchers and practitioners of creativity. M作者: cavity 時(shí)間: 2025-3-25 23:03 作者: 鋼筆尖 時(shí)間: 2025-3-26 02:54
H. Winterhow we think about this phenomenon and act in relation to it is obvious (for more reflections on this issue, see the introductory chapter). But there is something more we can learn from language if we look beyond the ‘language of creativity’ and into the phenomenon of language itself (see also the c作者: 擁護(hù) 時(shí)間: 2025-3-26 04:33 作者: Fallibility 時(shí)間: 2025-3-26 10:04
H. Wintereriences are put into or written on these surfaces as memories and then taken out when remembered in roughly the same form as they were put in. This conception dates back to Plato, who first described memory as a wax tablet in the mind, on which experiences were inscribed. In Plato’s time, literacy 作者: immunity 時(shí)間: 2025-3-26 14:58
4) shared her experience with the reader on how a writing refuge almost turned into a prison. Having spent two days at the refuge, piles of paper with interview transcripts and field notes were a total mess. The themes in the writing she had constructed beforehand in her initial analysis seemed irre作者: 刺耳 時(shí)間: 2025-3-26 17:13 作者: fibroblast 時(shí)間: 2025-3-27 00:26
https://doi.org/10.1007/978-3-642-98951-3nk for a moment about those most mundane, typical days: A rainy Monday on your way to work or shopping in the supermarket or on the Internet—do these days require any creativity? Or what about those more spectacular days, those days standing out more clearly, such as when you decided to move, asked 作者: 花費(fèi) 時(shí)間: 2025-3-27 01:26 作者: 名義上 時(shí)間: 2025-3-27 05:38 作者: 殘忍 時(shí)間: 2025-3-27 12:50
n image deeply rooted in our (frequently) romantic conception of the genius (Montuori & Purser, 1995). Rodin’s well-known sculpture ‘The Thinker’ embodies this association, but it also opens up the question of what the creator is actually reflecting on. Reflexivity, as commonly defined in dictionari作者: Metamorphosis 時(shí)間: 2025-3-27 15:11 作者: TATE 時(shí)間: 2025-3-27 20:05 作者: Ondines-curse 時(shí)間: 2025-3-28 01:34
Vlad Petre Gl?veanu,Lene Tanggaard,Charlotte WegenThe only book to explore concepts adjacent or related to creativity in an accessible yet comprehensive way.Fully revised 2nd edition with 6 new chapters on the concepts of ‘body, digital & impossible‘作者: 象形文字 時(shí)間: 2025-3-28 04:27 作者: 褪色 時(shí)間: 2025-3-28 08:44
Fear,timated part of the way human beings look at the future (Tateo, 2021a). Indeed, hope and fear are two very important and complementary emotions oriented towards the future, which often go hand by hand (Tateo, 2022; Tateo et al., 2022).作者: biopsy 時(shí)間: 2025-3-28 10:48
https://doi.org/10.1007/978-3-031-41907-2Creativity; Innovation; Novelty; Originality; Materiality; Collaboration; Culture; Innovation; Management; Me作者: Intractable 時(shí)間: 2025-3-28 18:06
978-3-031-41909-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 擁護(hù)者 時(shí)間: 2025-3-28 22:02 作者: Lime石灰 時(shí)間: 2025-3-29 02:19 作者: PARA 時(shí)間: 2025-3-29 04:13
Creativity — A New Vocabulary978-3-031-41907-2Series ISSN 2755-4503 Series E-ISSN 2755-4511 作者: Urologist 時(shí)間: 2025-3-29 10:16 作者: Feigned 時(shí)間: 2025-3-29 12:54
No,y creativity fully.” These are just a few random motivational statements that I have found, which establish a connection between creativity and an affirmation of yes. However, this conceals the equally deep relation between creativity and negation—the no. Or so I shall argue.作者: abstemious 時(shí)間: 2025-3-29 17:35 作者: Inclement 時(shí)間: 2025-3-29 21:38
to creativity but rather, are integral components that can bolster it. The absence of a structure or framework within which to channel creative energies could lead to an absence of creativity itself; rules are therefore instrumental in defining these creative boundaries.作者: STERN 時(shí)間: 2025-3-30 02:45 作者: COMMA 時(shí)間: 2025-3-30 05:42 作者: 施舍 時(shí)間: 2025-3-30 09:11
Book 2023Latest editionmmonly associated with creativity that offer us valuable insights and open up new and exciting possibilities for creative action. This second edition includes six new essays which continue to challenge the traditional vocabulary of creativity and its preference for individuals, brains, cognition, pe作者: miniature 時(shí)間: 2025-3-30 13:49 作者: Prostaglandins 時(shí)間: 2025-3-30 19:34
Book 2023Latest editionan embodied, social, material, and cultural process. This book will be useful for a wide range of specialists within the humanities and social sciences, as well as practitioners from applied fields who are looking for novel ways, of thinking about and doing creative work..作者: Harridan 時(shí)間: 2025-3-30 23:40
H. WinterBased on diverse examples, particularly from digital design and HCI (Human-Computer Interaction) research, this entry argues for the necessary development of a new and nuanced sociotechnical understanding of creativity in the digital age.作者: 比喻好 時(shí)間: 2025-3-31 02:49
ry of Narcissus tells us he was so in love with his own image, his own reflection (in the water), that he drowned trying to reach it. Turning towards oneself, in order to foster creative action, needs, on the contrary, to create a . between observer and observed, not collapse these two positions.作者: 自作多情 時(shí)間: 2025-3-31 05:08 作者: sundowning 時(shí)間: 2025-3-31 11:33 作者: 英寸 時(shí)間: 2025-3-31 16:33 作者: ureter 時(shí)間: 2025-3-31 18:35 作者: 代替 時(shí)間: 2025-3-31 22:44
2755-4503 new chapters on the concepts of ‘body, digital & impossible‘.Creativity — A New Vocabulary.?proposes a novel approach to the way in which we talk and think about creativity. It covers a variety of topics not commonly associated with creativity that offer us valuable insights and open up new and exci作者: syring 時(shí)間: 2025-4-1 03:41 作者: 凹室 時(shí)間: 2025-4-1 08:40
employee behaviour and attitudes (Pfeffer, 2010; Thompson & McHugh, 2002; Yukl, 2013). Power can certainly be used in negative ways. At the same time, power is a . for organising individuals to act in a collaborative manner in order to achieve shared goals (Fogsgaard & Elmholdt, 2014).
