標題: Titlebook: Creativity and Innovation in the Music Industry; Peter Tschmuck Book 2012Latest edition Springer-Verlag Berlin Heidelberg 2012 Creativity. [打印本頁] 作者: 可怖 時間: 2025-3-21 16:28
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作者: doxazosin 時間: 2025-3-21 22:35
s and structures of the present music industry will be altered by the ongoing digital revolution, which totally changed the value-added network of the production, dissemination and use of music978-3-642-43161-6978-3-642-28430-4作者: 背帶 時間: 2025-3-22 02:38 作者: 阻擋 時間: 2025-3-22 06:40 作者: Scintigraphy 時間: 2025-3-22 11:23
Klimabedingter Feuchteschutz im HochbauA full-fledged music industry boom characterized the immediate post-war years in the United States. From 1945 to 1946, record sales doubled from $109 to $218 million. In 1947, sales reached a new record high at $224 million. In 1948, however, sales declined by 15% to $189 million, and in 1949 by an additional 8% to $173 million.作者: overshadow 時間: 2025-3-22 13:40
Klimabedingter Feuchteschutz im HochbauBased on empirical evidence, the development of the music industry in the twentieth century is characterized by two large structural breaks. The first is that of the Jazz revolution in the 1920s, and the second one is the Rock ‘n’ Roll revolution in the early 1950s.作者: overshadow 時間: 2025-3-22 17:19 作者: 思鄉(xiāng)病 時間: 2025-3-23 01:00
Creativity and Innovation in the Music Industry,Based on empirical evidence, the development of the music industry in the twentieth century is characterized by two large structural breaks. The first is that of the Jazz revolution in the 1920s, and the second one is the Rock ‘n’ Roll revolution in the early 1950s.作者: Brain-Imaging 時間: 2025-3-23 04:34
Kritische Anmerkungen zur Schulmedizin,ntention, however, is not to provide a manual for “creative” or “innovative” work. Rather, I will subject “creative” or “innovative” work to a precise analysis. Nevertheless, I hope the reader will not discard the book out of disappointment and instead accompanies me on a journey through the history作者: 廣口瓶 時間: 2025-3-23 09:01 作者: 全部逛商店 時間: 2025-3-23 13:07 作者: Injunction 時間: 2025-3-23 17:18 作者: Synapse 時間: 2025-3-23 18:08
,Gehirn — Intelligenz — Kommunikation, phonographs became the first prominent victim. On November 1, 1929, the company announced that it would stop the production of phonograms and phonographs. Since 1925, they had desperately tried to find a way back into the market, but Edison’s refusal to make electrical recordings prevented successf作者: 狂亂 時間: 2025-3-23 23:57 作者: 認識 時間: 2025-3-24 02:35 作者: RAG 時間: 2025-3-24 06:35 作者: 強行引入 時間: 2025-3-24 11:17
Klimabedingter Feuchteschutz im Hochbau increase of 6%, which was followed by a more significant increase of 15% in the following year. Sales remained more or less constant at this level for the next 2?years. In 1987, however, another jump in sales occurred (+20%). Subsequent years witnessed additional increases of 12% (1988), 3% (1989),作者: 起皺紋 時間: 2025-3-24 17:15
Klimabedingter Feuchteschutz im Hochbauen music aesthetic, technological, legal, economic, and social processes of change. Up to this point, this book could also be read as presenting a history of the music industry in the twentieth century, even though I do not claim that my account has exhausted the topic. Table?11.1 provides an overvi作者: 疼死我了 時間: 2025-3-24 22:46
Klimabedingter Feuchteschutz im Hochbauonographic industry’s most important processes of action that have been at its core since the Rock ’n‘?Roll revolution. My focus, here, will be the four central processes of the industry’s value-adding chain: (1) the process of talent-scouting by Artist & Repertoire (A & R)management; (2) the proces作者: cylinder 時間: 2025-3-25 02:18
https://doi.org/10.1007/978-3-642-28430-4Creativity; Digital Revolution; Economy; Industry; Innovation; Music作者: fastness 時間: 2025-3-25 06:03 作者: 虛情假意 時間: 2025-3-25 08:29 作者: cataract 時間: 2025-3-25 12:30 作者: 雀斑 時間: 2025-3-25 17:58 作者: 陶瓷 時間: 2025-3-25 23:59
New Technology and the Emergence of Jazz,time period, the phonographic industry experienced a steady sales decline between 1921 and 1925. From 1925 to 1929, sales boomed for a last time before the market crash of 1929 initiated a drastic decline that reached its lowest point in 1933 with only $6 million in sales.作者: Overstate 時間: 2025-3-26 03:40 作者: Obstreperous 時間: 2025-3-26 08:19
The Digital Music Revolution, increase of 6%, which was followed by a more significant increase of 15% in the following year. Sales remained more or less constant at this level for the next 2?years. In 1987, however, another jump in sales occurred (+20%). Subsequent years witnessed additional increases of 12% (1988), 3% (1989), and 17% (1990).作者: Melanocytes 時間: 2025-3-26 10:45 作者: Arboreal 時間: 2025-3-26 16:12 作者: 拘留 時間: 2025-3-26 18:51
The Music Industry Boom Until 1920,es expanded their business activities into the most remote regions of the world. For instance, in 1910 a sound engineer of the British Gramophone Company gave an account of a recording tour through the Caucasus where he recorded the folk songs of the native Cossacks onto record (Noble 1913, cited in作者: 卜聞 時間: 2025-3-26 21:48 作者: 該得 時間: 2025-3-27 03:49
The Music Industry as Radio Industry, phonographs became the first prominent victim. On November 1, 1929, the company announced that it would stop the production of phonograms and phonographs. Since 1925, they had desperately tried to find a way back into the market, but Edison’s refusal to make electrical recordings prevented successf作者: FECK 時間: 2025-3-27 06:55 作者: MAIM 時間: 2025-3-27 13:29 作者: Ptsd429 時間: 2025-3-27 14:29
The Era of Music Conglomerates,ion. This concentration had the effect that the majors of the early 1970s differed fundamentally from those of the early 1950s, even though some company names of that earlier era continued to exist. Chapple and Garofalo (1977, pp. 82–87) distinguish three types of mergers that could be observed in t作者: adroit 時間: 2025-3-27 19:50
The Digital Music Revolution, increase of 6%, which was followed by a more significant increase of 15% in the following year. Sales remained more or less constant at this level for the next 2?years. In 1987, however, another jump in sales occurred (+20%). Subsequent years witnessed additional increases of 12% (1988), 3% (1989),作者: diathermy 時間: 2025-3-27 23:39 作者: 寬宏大量 時間: 2025-3-28 05:44 作者: 土產(chǎn) 時間: 2025-3-28 07:57
vy metal, punk rock and hiphop find their way from sub-cultures to the established music industry? What are the effects of new communication technologies and the Internet on the creation of music in the early 21st century? These and other questions are answered by Peter Tschmuck through an integrate作者: Circumscribe 時間: 2025-3-28 13:15
Kritische Anmerkungen zur Schulmedizin, analysis. Nevertheless, I hope the reader will not discard the book out of disappointment and instead accompanies me on a journey through the history of the music industry during the twentieth and the early twenty-first century in order to eventually obtain ., though not ., answer to the question of how novelty is created in the music industry.作者: Headstrong 時間: 2025-3-28 18:37 作者: Nonflammable 時間: 2025-3-28 19:00
Klimabedingter Feuchteschutz im Hochbaud their recording activities despite being subjected to an exertion of political influence; yet, they had to reduce their production output, since most foreign markets were no longer available. In Great Britain, EMI-HMV cooperated with the British Council and produced new records despite the ongoing Nazi bomb attacks and the wartime economy.作者: 桶去微染 時間: 2025-3-29 01:08 作者: 膝蓋 時間: 2025-3-29 06:04
Klimabedingter Feuchteschutz im Hochbautory of the music industry in the twentieth century, even though I do not claim that my account has exhausted the topic. Table?11.1 provides an overview of the music industry’s most important novelties in summary form.作者: 模仿 時間: 2025-3-29 08:06 作者: 無可非議 時間: 2025-3-29 15:04
The Emergence of the Phonographic Industry Within the Music Industry,l court and church. Of course, we cannot determine an exact date, since we are talking about a developmental process characterized by a seamless transition from a feudal court culture to that of a bourgeois-capitalistic one.作者: 高深莫測 時間: 2025-3-29 18:49
The Swing Monopoly During the Years of Wartime Economy,d their recording activities despite being subjected to an exertion of political influence; yet, they had to reduce their production output, since most foreign markets were no longer available. In Great Britain, EMI-HMV cooperated with the British Council and produced new records despite the ongoing Nazi bomb attacks and the wartime economy.作者: SAGE 時間: 2025-3-29 23:28
The Recovery of the Phonographic Industry and New Global Players,independent labels. In 1962, the U.S. music industry reached its lowest level of market concentration. The top four companies’ share of hits amounted to only 25%. The largest eight companies controlled 46% of the market.作者: Flounder 時間: 2025-3-30 00:05
