標題: Titlebook: Creativity and Cultural Production; Issues for Media Pra Phillip McIntyre Book 2012 Palgrave Macmillan, a division of Macmillan Publishers [打印本頁] 作者: ODDS 時間: 2025-3-21 19:15
書目名稱Creativity and Cultural Production影響因子(影響力)
書目名稱Creativity and Cultural Production影響因子(影響力)學科排名
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書目名稱Creativity and Cultural Production網(wǎng)絡公開度學科排名
書目名稱Creativity and Cultural Production被引頻次
書目名稱Creativity and Cultural Production被引頻次學科排名
書目名稱Creativity and Cultural Production年度引用
書目名稱Creativity and Cultural Production年度引用學科排名
書目名稱Creativity and Cultural Production讀者反饋
書目名稱Creativity and Cultural Production讀者反饋學科排名
作者: 無力更進 時間: 2025-3-21 22:17
Bio-Psychological Perspectivesthe myths associated with ideas of genius (Sawyer 2006, pp. 18–27), and it can be seen, for example, that these myths informed early work on creativity by figures such as Lombroso and Freud. The central narratives implicitly held in these intellectual traditions draw in some instances on notions of 作者: 真實的人 時間: 2025-3-22 02:10 作者: SPALL 時間: 2025-3-22 07:34 作者: 喊叫 時間: 2025-3-22 11:36 作者: linguistics 時間: 2025-3-22 15:23
Agency and Structure: The Case of Radioy proposed by Mihaly Csikszentmihalyi. I have also argued that this model is similar in many ways to the ideas on cultural production developed by Pierre Bourdieu. While they are certainly not identical, both of these views appear to displace the notion of the individual being at the centre of creat作者: linguistics 時間: 2025-3-22 17:19 作者: 沉著 時間: 2025-3-22 23:27 作者: NIL 時間: 2025-3-23 02:05
Photography: Art, Craft and Their Symbiosisular form of cultural production attempted to view itself as an art form. The creative process of the director in particular was seen to be vital to this theory. In many ways this theory was, for film, an attempt to move away from the view that film-making was a collective enterprise based on the cr作者: ALIAS 時間: 2025-3-23 09:22
Popular Music: Creativity and Authenticityf is a culturally specific and somewhat anachronistic one. When we also shine the light of enquiry onto Western popular music we can see that this conception of ‘Art’, as a foundational and often unquestioned assumption linked to notions of creativity by those working within popular music, has led t作者: Mast-Cell 時間: 2025-3-23 12:44
The Digital Revolution: Copyright and Creativitytum. This dictum states that the way people perceive a situation predisposes them to behave in ways that are in line with those perceptions even if the perception is problematic. Furthermore, once a belief takes hold, such as a Romantic or inspirational view of creativity, ‘gradually a whole life-po作者: overweight 時間: 2025-3-23 14:36
Refocusing Methods for Creative Worklored various issues that have been raised within specific fields of media practice. I’d now like to see what effect the reconceptualisation of creativity that has been presented here might have on practical methods for undertaking creative practice. To begin that process I’d like to restate the ide作者: blackout 時間: 2025-3-23 20:58 作者: 團結 時間: 2025-3-24 00:27 作者: bonnet 時間: 2025-3-24 03:52 作者: 制造 時間: 2025-3-24 08:04 作者: 可以任性 時間: 2025-3-24 12:36 作者: 谷物 時間: 2025-3-24 18:41
t individuals can’t help but act in the ways they’ve been predetermined to do. Nor does it accept that individuals are absolutely free to make their own creative decisions regardless of the structures, discourses and so on that surround them. This resolution of the actions of both agency and structu作者: 斗志 時間: 2025-3-24 20:35
Struktureller und inhaltlicher Ich-Bezug,tography has been historically looked down upon by the established art world in the West. In 1895 Baudelaire declared photography to be a ‘hand maid to the arts and science, but their very humble handmaid’ (in Wells 2004, p. 13). As recently as 1982 this argument was still causing consternation with作者: 換話題 時間: 2025-3-25 02:45 作者: 耐寒 時間: 2025-3-25 06:15
Book 2012Phillip McIntyre?presents the latest scholarly research into creativity and?creative practice.?The book?provides?insights to media practitioners and policy professionals, looking at television, radio, film, journalism, photography, popular music and new media in relation to psychology, sociology and cultural studies.作者: Binge-Drinking 時間: 2025-3-25 08:16
https://doi.org/10.1057/9780230358614Cultural Studies; film; journalism; media; methods; new media; photography; radio; television; media research作者: 刀鋒 時間: 2025-3-25 12:52
978-1-349-32309-8Palgrave Macmillan, a division of Macmillan Publishers Limited 2012作者: biopsy 時間: 2025-3-25 17:12 作者: 障礙 時間: 2025-3-25 22:14 作者: 影響 時間: 2025-3-26 03:59 作者: 加花粗鄙人 時間: 2025-3-26 07:14 作者: 盡管 時間: 2025-3-26 09:51 作者: jet-lag 時間: 2025-3-26 15:55 作者: 大看臺 時間: 2025-3-26 18:36
Bemerkungen zur Input-Output-Analysess or product that is created must be original and be judged to be so in at least one social setting. This of course implies that the context in which creativity occurs is critically important. Why? The answer is that for an object to be judged to be unique or original it must be judged to be so aga作者: 剝削 時間: 2025-3-26 22:04 作者: 幸福愉悅感 時間: 2025-3-27 04:25
Zum Verst?ndnis der neueren Wachstumspolitik-cultural structures that are seen to determine an individual’s action look like? Whereas social theorists of art attempt to de-emphasise the individual and emphasise societal patterns (e.g. Kavolis 1972) or valorise co-operative and collective effort in creativity (e.g. Becker 1982), others with a 作者: 600 時間: 2025-3-27 08:30 作者: 冒號 時間: 2025-3-27 13:22
ions on their activity. To be free to act and think in any way desirable is seen as the ultimate set of conditions to become creative. No rules, no guidelines, no limits. This however may not necessarily be correct for, as we have seen earlier, creativity may well be the result of the necessary conf作者: intellect 時間: 2025-3-27 15:20 作者: 令人悲傷 時間: 2025-3-27 21:42
Struktureller und inhaltlicher Ich-Bezug,ular form of cultural production attempted to view itself as an art form. The creative process of the director in particular was seen to be vital to this theory. In many ways this theory was, for film, an attempt to move away from the view that film-making was a collective enterprise based on the cr作者: Conclave 時間: 2025-3-28 01:53 作者: 豪華 時間: 2025-3-28 02:15 作者: 能得到 時間: 2025-3-28 06:50
Untersuchungen über radioaktive Regenlored various issues that have been raised within specific fields of media practice. I’d now like to see what effect the reconceptualisation of creativity that has been presented here might have on practical methods for undertaking creative practice. To begin that process I’d like to restate the ide作者: 含鐵 時間: 2025-3-28 12:43 作者: insomnia 時間: 2025-3-28 18:32 作者: glucagon 時間: 2025-3-28 20:03 作者: Coronary-Spasm 時間: 2025-3-29 01:22
Struktureller und inhaltlicher Ich-Bezug,es of journalism. The same can be said for the forms of television and the format of the station. This knowledge aids in the development of content that will connect with an audience. In doing so media practitioners often follow what has been termed ‘media logic’ (McQuail 1994, p. 265).作者: GIDDY 時間: 2025-3-29 03:57
Bemerkungen zur Input-Output-Analyser understands exactly what they mean. This assumption, that creativity is an unproblematic given, is rarely questioned. In fact it often never occurs to many media scholars or media practitioners, in particular, to question the cultural assumptions on which their understandings of creativity are based.作者: 表否定 時間: 2025-3-29 08:07
Zum Verst?ndnis der neueren Wachstumspolitikalist or structural approach (e.g. Barthes 1977, Foucault 1977) have called for a reconceptualisation of the way the initiators of the creative process are perceived. It is argued here that the most adequate reconceptualisation of creativity may lie not in any one of these single positions but in the confluence of a number of them.作者: Anthem 時間: 2025-3-29 11:26 作者: 膽小鬼 時間: 2025-3-29 16:56 作者: hallow 時間: 2025-3-29 23:37
Reconceptualising Creativityalist or structural approach (e.g. Barthes 1977, Foucault 1977) have called for a reconceptualisation of the way the initiators of the creative process are perceived. It is argued here that the most adequate reconceptualisation of creativity may lie not in any one of these single positions but in the confluence of a number of them.作者: Employee 時間: 2025-3-30 00:50
Journalism: Structures and Motivationlar industries through to smaller social organisations such as work teams and the nuclear family unit, can both enhance and constrain the creative process. While this can be seen to be true for radio it can also be claimed to be true for journalism.作者: TRUST 時間: 2025-3-30 04:09 作者: Cryptic 時間: 2025-3-30 11:01 作者: 使成核 時間: 2025-3-30 14:39
Die Bundesrepublik Deutschland und das EWSssociated with a self-expressive, freely thinking individual genius, a conception that has led in some quarters to the idea of the quasi-neurotic compelled through various states of creative agony to starve in their artist’s garret.作者: 法律的瑕疵 時間: 2025-3-30 17:24
Bemerkungen zur Input-Output-Analyse it would be apposite to briefly examine the idea that the creative process occurs in stages as it also has some relevance to the idea that the social is indeed critical to an understanding of creativity.
