派博傳思國際中心

標(biāo)題: Titlebook: Creative Writing; Julia Casterton Textbook 1998Latest edition Macmillan Publishers Limited 1998 creative writing.edition.energy.experience [打印本頁]

作者: 分期    時間: 2025-3-21 17:30
書目名稱Creative Writing影響因子(影響力)




書目名稱Creative Writing影響因子(影響力)學(xué)科排名




書目名稱Creative Writing網(wǎng)絡(luò)公開度




書目名稱Creative Writing網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Creative Writing被引頻次




書目名稱Creative Writing被引頻次學(xué)科排名




書目名稱Creative Writing年度引用




書目名稱Creative Writing年度引用學(xué)科排名




書目名稱Creative Writing讀者反饋




書目名稱Creative Writing讀者反饋學(xué)科排名





作者: MOTTO    時間: 2025-3-21 22:58
Wissensbasierte Software-Entwicklung,at omit one or more of these to create a new effect or emphasis. You have worked on all these aspects of narrative in your exercises. If you mixed all your pieces of writing together, would they make a story? Or does a short story need something else, and if so what is it?
作者: enormous    時間: 2025-3-22 04:06
W. Bleifeld,C. Nienaber,M. Schlüter’ out of which daydreams can be called up in security. The other part, the part that needs to communicate, to reach an audience, knows that it is necessary to come out of that darkly private place, to present one’s writing in public, to gauge the responses of a listening group.
作者: overbearing    時間: 2025-3-22 06:10

作者: 向前變橢圓    時間: 2025-3-22 12:06
Peter Henne,Walter Klar,Karl-Heinz Witturfind that many new writers’ stories and poems seem to occur in a spatial and social vacuum: the writer launches straight into an account of action, ideas, thoughts, feelings, without giving any clear sense of where all this is taking place. The result is that the reader feels lost — because the writ
作者: 令人不快    時間: 2025-3-22 16:47
Peter Henne,Walter Klar,Karl-Heinz Witturlf biting into the lemon. The lemon became real for you; your imagination tricked your body into believing it would have to cope with a mouthful of pure citrus. That is one of the things that writing does: it entices the reader into an ‘unreal’ world, a world ‘really’ only composed of funny marks on
作者: 令人不快    時間: 2025-3-22 20:27
Database Technology for Expert Systems,p to himself there?’ In our everyday lives we learn about people in many ways: the way they eat, their clothes, their scent, their movements, the way they hold themselves. But speech is one of the most revealing aspects of a person. We listen to the tone of their voice. Does it rankle and jar or do
作者: buoyant    時間: 2025-3-23 01:01
Wissensbasierte Software-Entwicklung,at omit one or more of these to create a new effect or emphasis. You have worked on all these aspects of narrative in your exercises. If you mixed all your pieces of writing together, would they make a story? Or does a short story need something else, and if so what is it?
作者: musicologist    時間: 2025-3-23 01:36
Feodora Herrmann,Günter Hornungear for the rhythms of speech. But what if you have more than one writing voice? (You have.) What if there are several voices inside you, all waiting to be heard? (There are.) If you think about your own personality, you will recognise that even your conscious self is composed of different facets. W
作者: carotid-bruit    時間: 2025-3-23 08:04

作者: 現(xiàn)實    時間: 2025-3-23 09:42

作者: ovation    時間: 2025-3-23 14:54
W. Bleifeld,C. Nienaber,M. SchlüterSo far we have concentrated on taking control of feelings of humour or fright so you can represent them in a way which will evoke strong feelings in your readers. Now we need to explore how to sustain the states of mind you call up.
作者: 植物茂盛    時間: 2025-3-23 20:45

作者: PHON    時間: 2025-3-23 22:17
,Probleme der Forschung in der P?diatrie, thoughts about love and play can easily be seen as a way of thinking about writing, too. We give ourselves completely to it, we play to lose, we lose ourselves, we use ourselves and our time in our ardour to write, we ache sometimes when some other duty prevents us from performing this primary duty to ourselves:
作者: Connotation    時間: 2025-3-24 05:10

作者: 內(nèi)閣    時間: 2025-3-24 06:58
Hold the Tension, Hold the Energy,So far we have concentrated on taking control of feelings of humour or fright so you can represent them in a way which will evoke strong feelings in your readers. Now we need to explore how to sustain the states of mind you call up.
作者: 涂掉    時間: 2025-3-24 12:42
Writing Poetry, is the writing form that is nearest to music, and nearest to dance. Lyric poems were originally sung to the lyre by Sappho and her young women on Lesbos, and it was on the shores of Lesbos that the lyre of Orpheus was washed up after Orpheus himself had been ripped to pieces by the Bacchae, the wild women who followed Dionysus, God of Wine.
作者: 連鎖    時間: 2025-3-24 18:06

作者: 商業(yè)上    時間: 2025-3-24 21:09
Writing for Yourself Alone,We use writing for many things, not just for publication or to communicate with a wider public. Sometimes we write to make a problem clearer in our minds, to work out what we should do. Sometimes we write in order to save ourselves, to shore up some solid written thing in what might seem to be an ocean of chaos.
作者: chemoprevention    時間: 2025-3-24 23:59
Making a Short Story,at omit one or more of these to create a new effect or emphasis. You have worked on all these aspects of narrative in your exercises. If you mixed all your pieces of writing together, would they make a story? Or does a short story need something else, and if so what is it?
作者: 豎琴    時間: 2025-3-25 05:17
Reaching an Audience,’ out of which daydreams can be called up in security. The other part, the part that needs to communicate, to reach an audience, knows that it is necessary to come out of that darkly private place, to present one’s writing in public, to gauge the responses of a listening group.
作者: Communicate    時間: 2025-3-25 09:04
Textbook 1998Latest editionhe author‘s own experience as a poet and a leader of writing workshops, the book is full of practical tips and ideas for improving writing skills, as well as examples from both published and unpublished work and advice on getting published. The new edition of this successful book includes three completely new chapters.
作者: 調(diào)味品    時間: 2025-3-25 12:38

作者: Geyser    時間: 2025-3-25 18:19
https://doi.org/10.1007/978-1-349-14679-6creative writing; edition; energy; experience; knowledge; love; poet; poetry; space; writing
作者: 案發(fā)地點    時間: 2025-3-25 23:52

作者: 密切關(guān)系    時間: 2025-3-26 03:27

作者: 頌揚本人    時間: 2025-3-26 04:50

作者: Notorious    時間: 2025-3-26 09:10

作者: sparse    時間: 2025-3-26 16:05
The Space We Inhabit,er hasn’t bothered to say where they are. It is frustrating, confusing and severely diminishes the pleasure the writing could bring. But if the place is ., living and breathing . what happens, then the writing achieves another dimension: it becomes more real.
作者: corporate    時間: 2025-3-26 18:13
Bringing your Descriptions to Life, a page, and through those marks makes the reader consider something which may form no part of normal life. It throws words like . and . into question, continually challenges and subverts the things we take for granted, the things we think we know.
作者: sparse    時間: 2025-3-27 00:31
Textbook 1998Latest editionhe author‘s own experience as a poet and a leader of writing workshops, the book is full of practical tips and ideas for improving writing skills, as well as examples from both published and unpublished work and advice on getting published. The new edition of this successful book includes three comp
作者: 鞠躬    時間: 2025-3-27 01:51
Database Technology for Expert Systems,ground or which social group they identify with. A dialect, too, where syntax and grammar work differently to ‘standard’ English, the sort taught in our educational institutions, shows that someone has consciously or unconsciously chosen not to abandon the speech patterns of their region for the blander cadences of BBC English.
作者: interpose    時間: 2025-3-27 07:27

作者: BALE    時間: 2025-3-27 11:16
Based on the author‘s own experience as a poet and a leader of writing workshops, the book is full of practical tips and ideas for improving writing skills, as well as examples from both published and unpublished work and advice on getting published. The new edition of this successful book includes
作者: Amenable    時間: 2025-3-27 17:15
W. Bleifeld,C. Nienaber,M. Schlütere novels that have moved me most (Tillie Olsen’s ., F M. Mayor’s ., Alice Walker’s .) leave me with the impression that a miracle has happened — a ‘How could it be done? Oh! She has done it.’ I am surprised whenever a good novel comes to be written because I understand the odds it was written against.
作者: Heretical    時間: 2025-3-27 20:56

作者: Mutter    時間: 2025-3-27 23:39

作者: LAPSE    時間: 2025-3-28 05:22

作者: Ostrich    時間: 2025-3-28 06:59

作者: Latency    時間: 2025-3-28 14:23

作者: Lasting    時間: 2025-3-28 16:02
The Space We Inhabit,find that many new writers’ stories and poems seem to occur in a spatial and social vacuum: the writer launches straight into an account of action, ideas, thoughts, feelings, without giving any clear sense of where all this is taking place. The result is that the reader feels lost — because the writ
作者: 配置    時間: 2025-3-28 19:43
Bringing your Descriptions to Life,lf biting into the lemon. The lemon became real for you; your imagination tricked your body into believing it would have to cope with a mouthful of pure citrus. That is one of the things that writing does: it entices the reader into an ‘unreal’ world, a world ‘really’ only composed of funny marks on
作者: 平庸的人或物    時間: 2025-3-29 02:59
Making your Characters Speak,p to himself there?’ In our everyday lives we learn about people in many ways: the way they eat, their clothes, their scent, their movements, the way they hold themselves. But speech is one of the most revealing aspects of a person. We listen to the tone of their voice. Does it rankle and jar or do
作者: Cumulus    時間: 2025-3-29 04:39
Making a Short Story,at omit one or more of these to create a new effect or emphasis. You have worked on all these aspects of narrative in your exercises. If you mixed all your pieces of writing together, would they make a story? Or does a short story need something else, and if so what is it?
作者: 環(huán)形    時間: 2025-3-29 11:05

作者: 沙發(fā)    時間: 2025-3-29 13:57

作者: Ligneous    時間: 2025-3-29 19:08





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