派博傳思國(guó)際中心

標(biāo)題: Titlebook: Creative Selves / Creative Cultures; Critical Autoethnogr Stacy Holman Jones,Marc Pruyn Book 2018 The Editor(s) (if applicable) and The Aut [打印本頁(yè)]

作者: Glitch    時(shí)間: 2025-3-21 19:13
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書目名稱Creative Selves / Creative Cultures讀者反饋學(xué)科排名





作者: Grating    時(shí)間: 2025-3-21 22:54
Troubling Autoethnography: Critical, Creative, and Deconstructive Approaches to Writingproached as a troubling textual space where writer(s) and reader(s) meet and touch, momentarily, or are repelled, where affect moves and the material things and events of the world bump up against each other in unpredictable ways. The chapter samples six specific experiments in writing risky, relati
作者: 摸索    時(shí)間: 2025-3-22 01:40

作者: 榮幸    時(shí)間: 2025-3-22 04:52

作者: Nucleate    時(shí)間: 2025-3-22 09:06
Writing Sensation: Critical Autoethnography in Posthumanismvarious posthuman(ist)and new materialist approaches. With a focus on writing sensation, Dickinson weaves human and nonhuman frameworks throughout her own experience of object awareness, circulation, and material/sensorial phenomena. By writing about objects within her own life, she suggests the pos
作者: 植物學(xué)    時(shí)間: 2025-3-22 13:04
Mind and Matter: (Re)membering, Performing, and Beingcumentation of these moments. She writes them down on sticky notes, and she uses these mobile memory reminders to keep her grounded and rooted in the present by reconsidering the past. Not only does she revisit important revelations in her life, but she is reminded of the ways her experiences are in
作者: 植物學(xué)    時(shí)間: 2025-3-22 18:35
Mother-Poems: Using the Confessional as Critique in Autoethnographic Poetryfalse binary between private and public conceptions of relationships. The use of confessional poetry as autoethnography provides a method for researcher poets to critique taken-for-granted social structures that disempower and present fully embodied ways of being. I discuss how writing mother-poems
作者: 形狀    時(shí)間: 2025-3-22 22:36

作者: rectocele    時(shí)間: 2025-3-23 03:34

作者: Palliation    時(shí)間: 2025-3-23 09:21

作者: 火海    時(shí)間: 2025-3-23 09:42
Shrug Off the Old Lies: Writing Decoloniality in and Through Critical Autoethnograhy with Helene Cixhe right trail!” (1991, 40) urges Hélène? Cixous. This chapter takes up Cixous’ refusal to oblige and reproduce the colonial system in writing in an attempt to un/re/entangle autoethnographic writing practices in and around the colonial moment in which we find ourselves. In this paper I take poetic
作者: CT-angiography    時(shí)間: 2025-3-23 14:52

作者: 浪費(fèi)時(shí)間    時(shí)間: 2025-3-23 19:07

作者: wreathe    時(shí)間: 2025-3-24 02:02

作者: fidelity    時(shí)間: 2025-3-24 05:15

作者: lethal    時(shí)間: 2025-3-24 07:38
,Final Remarks — Review and Outlook,srael’s physical and psychic borders that interrogate the region’s divergent and conflicting narratives: the joint Palestinian-Israeli film Route 181: Fragments of a Journey in Palestine–Israel (Sivan?& Khleifi, .), the films of Elia Suleiman, and the roving adventures along Israel’s border of Israe
作者: 慷慨不好    時(shí)間: 2025-3-24 11:12
2947-8324 archers and scholars working in the fields of education, communication studies, sociology and cultural anthropology, and the performing arts.978-3-319-83759-8978-3-319-47527-1Series ISSN 2947-8324 Series E-ISSN 2947-8332
作者: 良心    時(shí)間: 2025-3-24 15:06

作者: 冰河期    時(shí)間: 2025-3-24 22:31
Six Sirens and a Broken Oudsrael’s physical and psychic borders that interrogate the region’s divergent and conflicting narratives: the joint Palestinian-Israeli film Route 181: Fragments of a Journey in Palestine–Israel (Sivan?& Khleifi, .), the films of Elia Suleiman, and the roving adventures along Israel’s border of Israe
作者: Allure    時(shí)間: 2025-3-25 01:36

作者: 悠然    時(shí)間: 2025-3-25 06:04

作者: habitat    時(shí)間: 2025-3-25 07:30

作者: 里程碑    時(shí)間: 2025-3-25 15:17

作者: 托運(yùn)    時(shí)間: 2025-3-25 18:12

作者: Immunoglobulin    時(shí)間: 2025-3-25 21:32

作者: 機(jī)制    時(shí)間: 2025-3-26 01:45
Vujica Yevjevich,Thomas G. Sandersrformance/performative writing, and the pedagogical functions that critical autoethnography might serve in the academy and beyond. The primary argument and ethos that informs this overview is the idea that critical autoethnography is a particularly . approach for understanding and transforming the l
作者: 證實(shí)    時(shí)間: 2025-3-26 07:32

作者: PATHY    時(shí)間: 2025-3-26 10:48
Nato Science Partnership Subseries: 2fessional lives and as members of the various communities we inhabit. We do this autoethnographically via various critical analytical lenses in an attempt to self-reflect in a way that helps us to connect more deeply with our university students as we investigate the interconnected and power- and me
作者: Crater    時(shí)間: 2025-3-26 16:26

作者: 排出    時(shí)間: 2025-3-26 20:38

作者: Mri485    時(shí)間: 2025-3-26 23:48

作者: 表否定    時(shí)間: 2025-3-27 01:29
Architektur eines Shell-Baukastens,false binary between private and public conceptions of relationships. The use of confessional poetry as autoethnography provides a method for researcher poets to critique taken-for-granted social structures that disempower and present fully embodied ways of being. I discuss how writing mother-poems
作者: staging    時(shí)間: 2025-3-27 09:21

作者: 小畫像    時(shí)間: 2025-3-27 11:30

作者: 和平主義    時(shí)間: 2025-3-27 14:01

作者: defile    時(shí)間: 2025-3-27 20:01
Wachstum bei gegebener Sparquote,he right trail!” (1991, 40) urges Hélène? Cixous. This chapter takes up Cixous’ refusal to oblige and reproduce the colonial system in writing in an attempt to un/re/entangle autoethnographic writing practices in and around the colonial moment in which we find ourselves. In this paper I take poetic
作者: Incise    時(shí)間: 2025-3-28 01:20

作者: 加入    時(shí)間: 2025-3-28 04:33
Carl-Jochen Winter,Joachim Nitschetween composers, scores and the realisation of contemporary notated musical works. The specific focus of the chapter is the author’s practice-based research toward realising Helmut Lachenmann’s . (.. 2008) for voice and piano. . is a piece that exploits the body of the singer and the attention of t
作者: 態(tài)學(xué)    時(shí)間: 2025-3-28 09:06

作者: 貪婪地吃    時(shí)間: 2025-3-28 13:14
2947-8324 ography creates for research texts.Demonstrates the importanThis book addresses and demonstrates the importance of critical approaches to autoethnography, particularly the commitment that such approaches make to theorizing the personal and to creating work that embodies a social justice ethos. Arts-
作者: 隼鷹    時(shí)間: 2025-3-28 15:36
New Concepts for Water Supply Systemsthings and events of the world bump up against each other in unpredictable ways. The chapter samples six specific experiments in writing risky, relational, provisional subjectivities, and attuning to affective and material modalities.
作者: Introvert    時(shí)間: 2025-3-28 22:18

作者: 施魔法    時(shí)間: 2025-3-29 01:17
https://doi.org/10.1007/978-3-642-61473-6ography validates this historical trauma. This chapter considers the autoethnographic writing of the ex-incarcerated and her own experience of emancipation as Pasifika girl as a means of exploring the complexities of generational oppression and the possibilities of finding freedom through writing.
作者: 錫箔紙    時(shí)間: 2025-3-29 03:42
Architektur eines Shell-Baukastens,ns and binaries rather than resolving them to show how the use of personal family intimacies is a way of constructing empowering family narratives that question taken-for-granted cultural discourse surrounding women’s work, mothering, and relationships.
作者: 減至最低    時(shí)間: 2025-3-29 07:59

作者: 車床    時(shí)間: 2025-3-29 14:34
Mother-Poems: Using the Confessional as Critique in Autoethnographic Poetryns and binaries rather than resolving them to show how the use of personal family intimacies is a way of constructing empowering family narratives that question taken-for-granted cultural discourse surrounding women’s work, mothering, and relationships.
作者: 夸張    時(shí)間: 2025-3-29 16:28
Shrug Off the Old Lies: Writing Decoloniality in and Through Critical Autoethnograhy with Helene Cixug off the old lies’ and explore and experience what critical autoethnographic writing as decoloniality will do. Cixous’ insistence that writing be dangerous, affective and material all at once holds much hope for a critical, ethical, response-able yet resistant and decolonial autoethnography.
作者: SPASM    時(shí)間: 2025-3-29 22:11

作者: 破譯    時(shí)間: 2025-3-30 01:32
Carl-Jochen Winter,Joachim Nitsch autoethnographic writing draws upon embodied practice, score analysis, existing literature and the composer’s own scholarly writings, seeking to make sense of the musical within the frame of the subjective.
作者: onlooker    時(shí)間: 2025-3-30 06:33
Potential und M?glichkeiten von Wasserstoffwhen becoming the conscious autoethnographer, and seeks to encourage the conversation that conscious autoethnography has in personal practice to create meaningful outcomes and its potential for further development and growth.
作者: Femish    時(shí)間: 2025-3-30 09:27

作者: 詼諧    時(shí)間: 2025-3-30 12:43

作者: Intractable    時(shí)間: 2025-3-30 17:21
Creating Memories: A Cartography of Musical Learningwhen becoming the conscious autoethnographer, and seeks to encourage the conversation that conscious autoethnography has in personal practice to create meaningful outcomes and its potential for further development and growth.
作者: 發(fā)酵    時(shí)間: 2025-3-30 22:15
Book 2018o theorizing the personal and to creating work that embodies a social justice ethos. Arts-based and practice-led approaches to this work allow the explanatory power of critical theory to be linked with creative, aesthetically engaging, and personal examples of the ideas at work. By making use of per
作者: Conflagration    時(shí)間: 2025-3-31 02:59
Troubling Autoethnography: Critical, Creative, and Deconstructive Approaches to Writingthings and events of the world bump up against each other in unpredictable ways. The chapter samples six specific experiments in writing risky, relational, provisional subjectivities, and attuning to affective and material modalities.




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