標題: Titlebook: Creative Autonomy, Copyright and Popular Music in Nigeria; Mary W. Gani Book 2020 The Editor(s) (if applicable) and The Author(s), under e [打印本頁] 作者: 我沒有辱罵 時間: 2025-3-21 17:49
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書目名稱Creative Autonomy, Copyright and Popular Music in Nigeria影響因子(影響力)學(xué)科排名
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書目名稱Creative Autonomy, Copyright and Popular Music in Nigeria被引頻次
書目名稱Creative Autonomy, Copyright and Popular Music in Nigeria被引頻次學(xué)科排名
書目名稱Creative Autonomy, Copyright and Popular Music in Nigeria年度引用
書目名稱Creative Autonomy, Copyright and Popular Music in Nigeria年度引用學(xué)科排名
書目名稱Creative Autonomy, Copyright and Popular Music in Nigeria讀者反饋
書目名稱Creative Autonomy, Copyright and Popular Music in Nigeria讀者反饋學(xué)科排名
作者: 晚來的提名 時間: 2025-3-21 22:31 作者: 逢迎春日 時間: 2025-3-22 01:26
The Unique Structure of the Nigerian Popular Music Industry,es the hallmarks of the traditional structure of the popular music industry, visible in executive and creative roles in the Nigerian music industry, as this delineation of roles provides an important background for the empirical analysis which chapter four undertakes. This chapter also identifies th作者: 最有利 時間: 2025-3-22 07:10 作者: Neuropeptides 時間: 2025-3-22 08:50
Justifying Creative Autonomy within Copyright Discourse,ept of creative autonomy latent within such arguments. Within deontological theories, she identifies that Locke, Kant and Hegel all refer to the autonomous nature of appropriation, speech and self-determination respectively. Furthermore, the intersections between human rights and intellectual proper作者: 哪有黃油 時間: 2025-3-22 13:57 作者: 哪有黃油 時間: 2025-3-22 18:01 作者: 疼死我了 時間: 2025-3-23 00:41 作者: Comprise 時間: 2025-3-23 04:36
Strategic Policy and Legislative Recommendations for the Preservation of Creative Autonomy,, Gani emphasises the importance of copyright education for performing authors, and suggests practical actions performing authors can take in public relations campaigns, negotiating recording contracts, and observing certain protocols at recording studios and live events. In view of the problems ana作者: 彩色 時間: 2025-3-23 07:56
Summary and Conclusions, music industry and highlight the central role of the performing author. The chapter reiterates the statistics observed in the Nigerian popular music industry, which show the precarious position of creative autonomy for performing authors. It briefly highlights copyright, business practices and cont作者: 乞丐 時間: 2025-3-23 11:11
e highlights the performing author as the central figure around whose role the arguments in the book are made, and establishes the cultural and economic disadvantages associated with obstructing their creative autonomy. The economic necessity for the study, the use of international sources, and the 作者: 母豬 時間: 2025-3-23 17:31 作者: 重疊 時間: 2025-3-23 21:20
Technical and Cost Comparisons,es the hallmarks of the traditional structure of the popular music industry, visible in executive and creative roles in the Nigerian music industry, as this delineation of roles provides an important background for the empirical analysis which chapter four undertakes. This chapter also identifies th作者: flaunt 時間: 2025-3-23 22:32 作者: Left-Atrium 時間: 2025-3-24 04:37
Erich Hau,Jens Langenbrinck,Wolfgang Palzept of creative autonomy latent within such arguments. Within deontological theories, she identifies that Locke, Kant and Hegel all refer to the autonomous nature of appropriation, speech and self-determination respectively. Furthermore, the intersections between human rights and intellectual proper作者: 進入 時間: 2025-3-24 09:07 作者: prostatitis 時間: 2025-3-24 13:33 作者: jabber 時間: 2025-3-24 17:37 作者: 漸變 時間: 2025-3-24 19:24 作者: Endearing 時間: 2025-3-25 02:06 作者: TOM 時間: 2025-3-25 07:09
Mary W. GaniProvides an in-depth overview of the Nigerian music industry and Nigerian copyright law.Establishes the case for creative autonomy as an intrinsic part of copyright theory and an essential tool for su作者: Thyroxine 時間: 2025-3-25 08:44
http://image.papertrans.cn/c/image/239482.jpg作者: Blanch 時間: 2025-3-25 12:54 作者: semble 時間: 2025-3-25 17:56 作者: 消耗 時間: 2025-3-25 21:35
Book 2020s thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters’ (performing authors‘) creative autonomy to be subverted in their contractual relationships with record labels. The book establishes the concept of creative autonomy for performing authors as a作者: 有害 時間: 2025-3-26 02:44 作者: 侵害 時間: 2025-3-26 06:26 作者: BROOK 時間: 2025-3-26 10:20
Technical and Cost Comparisons,rket, and it analyses the disputes that have plagued the legal regulation of Nigerian collecting societies. Finally, the chapter discusses the boom in the genre of Afro-Pop, also known as Afrobeats, and the international reach of the genre in the twenty-first century.作者: 無所不知 時間: 2025-3-26 16:28 作者: 來這真柔軟 時間: 2025-3-26 20:00
Technical and Cost Comparisons,hts are shown to be insufficient in protecting performing authors in the pre-fixation stage, and moral rights within copyright law as ill-timed to halt assaults on the creative autonomy of performing authors.作者: TEN 時間: 2025-3-27 00:14 作者: 是剝皮 時間: 2025-3-27 03:30 作者: garrulous 時間: 2025-3-27 08:59 作者: 言行自由 時間: 2025-3-27 10:35
,An Empirical Analysis of the Status of Performing Authors’ Creative Autonomy, as a control for the exercise. Using relatively simple mathematical and graphic methods of sorting and depicting data, the chapter shows the influence of copyright, contracts and business practices on performing authors’ creative autonomy.作者: 軍火 時間: 2025-3-27 16:24 作者: 赤字 時間: 2025-3-27 20:21
Strategic Policy and Legislative Recommendations for the Preservation of Creative Autonomy,orship of sound recordings in performing authors and reintroduce the copyright reversion clause. Finally, she asserts the importance of implementing national copyright goals based on Nigeria’s developmental realities.作者: NICHE 時間: 2025-3-27 22:01 作者: 細胞膜 時間: 2025-3-28 05:24
vision for the arrangement and production of their songs. The chapter also identifies the importance of independent music producers, and discusses the history and scope of collective copyright administration with regard to popular music.作者: 侵蝕 時間: 2025-3-28 08:20 作者: Freeze 時間: 2025-3-28 13:17
,Temperaturfelder beim Schwei?en,n recording contracts and trends in their formation that do not support the exercise of creative autonomy for performing authors. These include the practice of assignments, unfair bargaining terms, strategic avoidance of consideration in contract formation, controlled composition clauses and work-for-hire clauses.作者: Water-Brash 時間: 2025-3-28 17:38
,Eigenspannungen und Verzug beim Schwei?en,racts as avenues through which affronts to creative autonomy may occur, and re-emphasises the recommendations the book makes to alleviate these problems for Nigerian copyright law and the Nigerian popular music industry.作者: 繁榮地區(qū) 時間: 2025-3-28 19:34
,The Traditional Structure of the Popular Music Industry, and the Performing Author’s Role, vision for the arrangement and production of their songs. The chapter also identifies the importance of independent music producers, and discusses the history and scope of collective copyright administration with regard to popular music.作者: Ordeal 時間: 2025-3-28 23:30
Problems for Creative Autonomy in New Business Models, in the media from winners of shows like Idols and the X-Factor, the chapter shows the tussle for creative control that performing authors may experience. It also highlights multiple rights deals, also known as 360 rights deals, as an avenue through which the authorial autonomy of performing authors may be undermined or circumvented.
