標(biāo)題: Titlebook: Creating ArtScience Collaboration; Bringing Value to Or Claudia Schnugg Book 2019 The Editor(s) (if applicable) and The Author(s), under ex [打印本頁] 作者: 中間時(shí)期 時(shí)間: 2025-3-21 19:10
書目名稱Creating ArtScience Collaboration影響因子(影響力)
作者: 表狀態(tài) 時(shí)間: 2025-3-21 22:55 作者: 小口啜飲 時(shí)間: 2025-3-22 03:11 作者: VERT 時(shí)間: 2025-3-22 04:40
Social Networksntists can establish new connections for artists, and it is interesting for organizations (corporations and laboratories) to explore artscience collaborations for creating new intra-organizational connections or potential projects with new organizational partners.作者: Monocle 時(shí)間: 2025-3-22 08:47 作者: 變形 時(shí)間: 2025-3-22 14:58 作者: 變形 時(shí)間: 2025-3-22 20:19 作者: 放逐某人 時(shí)間: 2025-3-22 22:17
Web Component Development with Zope 3eurship, organizations, and scientific and technological fields (Barrett et al. 2014). Therefore, the modern world is in high demand for creativity, arguing for any methods that enhance creativity as useful.作者: 支柱 時(shí)間: 2025-3-23 03:07 作者: 不真 時(shí)間: 2025-3-23 08:40
Creativityeurship, organizations, and scientific and technological fields (Barrett et al. 2014). Therefore, the modern world is in high demand for creativity, arguing for any methods that enhance creativity as useful.作者: anarchist 時(shí)間: 2025-3-23 10:45
Building up the Basics: An Introduction to ArtScience Collaboration,ith daily processes of perception. Artists do not see their roles anymore in the depiction of religious motives, but want to contribute to the exploration of nature or even outplay it with their work. Based in this new self-understanding of art and a process of societal change, a curious scene can b作者: 離開可分裂 時(shí)間: 2025-3-23 16:38
Interdisciplinary Collaborationtion is a well-defined relationship between two or more parties (organizations or individuals) that is mutually beneficial. The involved parties co-develop structures and strategies, are committed to a common goal, share responsibility, have mutual authority and accountability for success, and thus 作者: Common-Migraine 時(shí)間: 2025-3-23 21:04 作者: 聲音刺耳 時(shí)間: 2025-3-23 22:24
Spaces In-Between: Liminalityrestrictions or where they can talk freely about unique ideas. The formats of artscience collaboration often are not bound to organizational structures; these projects are neither part of routines nor are they standard projects. They break formal structures and open up spaces for learning and idea d作者: THE 時(shí)間: 2025-3-24 03:37
Social Networks artscience collaboration can create: within the own field, related fields, and between the disciplines. For example, artist Anna Dumitriu, who experienced residencies in many scientific institutions, referred to her scientific network as valuable for her scientific partners. On the other hand, scie作者: 真 時(shí)間: 2025-3-24 09:27 作者: Omnipotent 時(shí)間: 2025-3-24 12:20 作者: 組成 時(shí)間: 2025-3-24 17:58
Communicationences of changed communication: communication in the sense of outreach or communication of contents from one group to another group of people has been a major argument for artscience collaboration for a long time. Already in the 1980s an inclusion of art in the communication of science and scientifi作者: Obstruction 時(shí)間: 2025-3-24 19:08
Creativitying them validates projects by locating them in a fruitful, future-oriented environment. The scholarly discourse on organizational creativity has defined creativity as the first stage of an innovation process and therefore substantial to it (Oldham and Cummings 1996; Woodman et al. 1993). This direc作者: 充足 時(shí)間: 2025-3-25 01:29
Exploring the Value-Added: Or Why to Give ArtScience Collaboration a Chance in Organizationsational change or creative endeavors. Some outcomes like artworks or artscience projects are creative output, but the creative process did not develop on demand; it grew organically. The most interesting and sustainable effects of artscience collaboration are those that are not obvious to an outside作者: 玉米 時(shí)間: 2025-3-25 05:24
Bring ArtScience Collaborations to Lifeartist Sougwen Chung mentions in our interview about her experience with many different programs. She has been artist-in-residence for artscience projects in corporations, R&D facilities of corporations, scientific organizations, media art settings, and museums. Her experience not only reflects the 作者: 太空 時(shí)間: 2025-3-25 08:06 作者: conscribe 時(shí)間: 2025-3-25 15:32 作者: 尖叫 時(shí)間: 2025-3-25 17:17 作者: 相容 時(shí)間: 2025-3-25 23:37 作者: 注視 時(shí)間: 2025-3-26 02:50
Zope and the Component Architecture context helps to see new aspects and how one specific act or thing is interconnected within technological, social, or cultural settings. Basically, interdisciplinary collaboration helps to provide a rich picture about complex issues, as knowledge from different discipline helps to understand them (作者: floodgate 時(shí)間: 2025-3-26 06:03 作者: 先鋒派 時(shí)間: 2025-3-26 08:55
Zope and the Component Architecture artscience collaboration can create: within the own field, related fields, and between the disciplines. For example, artist Anna Dumitriu, who experienced residencies in many scientific institutions, referred to her scientific network as valuable for her scientific partners. On the other hand, scie作者: 草本植物 時(shí)間: 2025-3-26 15:44 作者: IST 時(shí)間: 2025-3-26 17:49
Zope and the Component Architectureng for the realms, to build up an understanding, create knowledge, and develop certainty in processes or classification of the sensory input. Thus, although it doesn’t seem obvious at first sight, aesthetics is linking these three areas as a central perspective: primarily, art is associated with aes作者: 無聊點(diǎn)好 時(shí)間: 2025-3-27 00:51
https://doi.org/10.1007/978-3-540-76448-9ences of changed communication: communication in the sense of outreach or communication of contents from one group to another group of people has been a major argument for artscience collaboration for a long time. Already in the 1980s an inclusion of art in the communication of science and scientifi作者: 使高興 時(shí)間: 2025-3-27 04:17 作者: 盡責(zé) 時(shí)間: 2025-3-27 05:24 作者: Corral 時(shí)間: 2025-3-27 10:42
https://doi.org/10.1007/978-3-540-76448-9artist Sougwen Chung mentions in our interview about her experience with many different programs. She has been artist-in-residence for artscience projects in corporations, R&D facilities of corporations, scientific organizations, media art settings, and museums. Her experience not only reflects the 作者: 敲竹杠 時(shí)間: 2025-3-27 16:25
https://doi.org/10.1007/978-3-540-76448-9 program that is well-embedded in an organization, and motivated individuals, there are still additional conditions to think of that can lead to misunderstanding or possible pitfalls. Second, the exchange has been argued as valuable because of the interdisciplinary exchange and process between artis作者: BADGE 時(shí)間: 2025-3-27 19:11
Web Component Development with Zope 3t universities like the MIT Media Lab, SymbioticA at the University of Western Australia, or the Art|Sci Center at UCLA became role models for newly established centers and departments at universities. The Leonardo group is growing, and Leonardo events and talk series spread after the 50th anniversa作者: vanquish 時(shí)間: 2025-3-27 22:40 作者: 枯萎將要 時(shí)間: 2025-3-28 05:35
Palgrave Studies in Business, Arts and Humanitieshttp://image.papertrans.cn/c/image/239341.jpg作者: Fecundity 時(shí)間: 2025-3-28 07:57 作者: 流行 時(shí)間: 2025-3-28 11:21 作者: Calculus 時(shí)間: 2025-3-28 18:05
Creating ArtScience Collaboration978-3-030-04549-4Series ISSN 2662-1266 Series E-ISSN 2662-1274 作者: Intractable 時(shí)間: 2025-3-28 21:30
Web Component Development with Zope 3 sketching point of view by investigating geometry and ways of seeing with the goal to create the illusion of depth in paintings. This is the environment where crossing borders between disciplines to create advancement in different fields is rediscovered—and the fruitful environment where the often-作者: 辯論的終結(jié) 時(shí)間: 2025-3-29 02:22 作者: Amorous 時(shí)間: 2025-3-29 05:35
Web Component Development with Zope 3n (Van Gennep 1909; Turner 1966). Such space is not always constructed and signified by physical room, but by social practice. Liminal spaces are rather cognitive and experiential phases to break out from the “normal” spaces of routine life.作者: Libido 時(shí)間: 2025-3-29 08:50
Web Component Development with Zope 3ious understanding of situations, and engagement with this situation triggers a sensemaking process to analyze the experience. This process enriches the previous understanding or even leads it to shift.作者: Generic-Drug 時(shí)間: 2025-3-29 13:04
Zope and the Component Architecturees the knowledge they develop and how they communicate it. The same is true for every other profession and cultural group. Lately, also organization studies discovered aesthetics as an important perspective on organizing work, organizational workflow, or organizations themselves. Organizational aest作者: Notify 時(shí)間: 2025-3-29 17:12
https://doi.org/10.1007/978-3-540-76448-9 report an increase in their communication skills through developing new conversational techniques to talk to a broader public and different stakeholder groups and learn to create a visual framework for presenting their idea and use nonverbal expressions.作者: KIN 時(shí)間: 2025-3-29 23:33
Web Component Development with Zope 3ial contributions. This cannot be planned or forced but enabled by taking one step at a time and by surprising experiences. Understanding the process of artscience collaboration and its entanglement with its environment is a first step to see the essential contribution of experiences and interdiscip作者: 惰性女人 時(shí)間: 2025-3-30 00:40 作者: Ferritin 時(shí)間: 2025-3-30 06:42
Web Component Development with Zope 3nt; in addition, many smaller individual grant opportunities are developing right now and artscience festivals, galleries, museums, and exhibitions are rapidly growing and spreading, like Ars Electronica and Science Gallery, two institutions that start initiatives around the world. The opportunities作者: 澄清 時(shí)間: 2025-3-30 08:50
2662-1266 ill be shown how to take an innovative approach to creativity in their organization or research, and the ways in which art-science collaborations can mutually benefit artists, scientists and companies alike..978-3-030-04549-4Series ISSN 2662-1266 Series E-ISSN 2662-1274 作者: 變形詞 時(shí)間: 2025-3-30 15:29
Book 2019s and practitioners interested in the potential of art-science collaboration, the reader will be shown how to take an innovative approach to creativity in their organization or research, and the ways in which art-science collaborations can mutually benefit artists, scientists and companies alike..
