標(biāo)題: Titlebook: Crafting in the World; Materiality in the M Clare Burke,Suzanne M. Spencer-Wood Book 2019 Springer International Publishing AG, part of Spr [打印本頁(yè)] 作者: CK828 時(shí)間: 2025-3-21 19:50
書(shū)目名稱Crafting in the World影響因子(影響力)
書(shū)目名稱Crafting in the World影響因子(影響力)學(xué)科排名
書(shū)目名稱Crafting in the World網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Crafting in the World網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Crafting in the World被引頻次
書(shū)目名稱Crafting in the World被引頻次學(xué)科排名
書(shū)目名稱Crafting in the World年度引用
書(shū)目名稱Crafting in the World年度引用學(xué)科排名
書(shū)目名稱Crafting in the World讀者反饋
書(shū)目名稱Crafting in the World讀者反饋學(xué)科排名
作者: 自戀 時(shí)間: 2025-3-21 20:27 作者: 簡(jiǎn)略 時(shí)間: 2025-3-22 01:01
https://doi.org/10.1007/978-3-540-37639-2hem into cultural objects. This volume as a whole emphasises the phenomenological experience of crafting processes and their multiple fluid meanings in their?social contexts. Whilst crafting is a universal aspect of human existence, found across the globe and throughout most periods of history, the 作者: facilitate 時(shí)間: 2025-3-22 06:37 作者: 發(fā)源 時(shí)間: 2025-3-22 10:05 作者: Landlocked 時(shí)間: 2025-3-22 16:02
https://doi.org/10.1007/978-3-540-37639-2study is always based on the material culture of the past. It is understood that these objects have been created and crafted by people of the past, but the weight of this fact is not always recognized; the fact that no matter what phenomenon we might focus on, we are always studying the material exp作者: Landlocked 時(shí)間: 2025-3-22 19:53 作者: Fester 時(shí)間: 2025-3-23 00:51
https://doi.org/10.1007/978-3-540-37639-20?years of fieldwork in psychiatric occupational therapy with young men, (b) in several projects in vocational training and (c) from being born into a blacksmith’s family traditions and being an artisan myself. The model’s claim is that it has roots, and embeds us, in our humanization past. The pers作者: Circumscribe 時(shí)間: 2025-3-23 04:18
https://doi.org/10.1007/978-3-540-37639-2a complex form (ation) of relations. By referring to digital data obtained from the website as well as one extensive interview with a novice in the business, the author gives insights into what it means in practical terms to be part of the so-called Etsy community and the discursive universe built a作者: alabaster 時(shí)間: 2025-3-23 08:56 作者: vertebrate 時(shí)間: 2025-3-23 10:17 作者: 讓你明白 時(shí)間: 2025-3-23 16:53 作者: 抒情短詩(shī) 時(shí)間: 2025-3-23 18:01
https://doi.org/10.1007/978-3-540-37639-2f ethnographic field work?trips, including surveys and interviews of living potters, have been made to reconstruct the oral history of the area. Simultaneously, different written sources documenting the technological systems used by this population from 1820 (Graham 1823; Valenzuela 1950; Valdes X, 作者: 我不重要 時(shí)間: 2025-3-24 02:12 作者: 本土 時(shí)間: 2025-3-24 04:09
https://doi.org/10.1007/978-3-540-37639-2plored by the social sciences. This paper will focus on skilled work with domestic connotations and explore the potential for such actions to be progressive through their negotiation of nostalgia, taking influence especially from work by Bonnett (. (p. 208). Continuum, 2010) and Boym (. Basic Books,作者: lipoatrophy 時(shí)間: 2025-3-24 09:15
Data-Centric Systems and Applicationsmenological experiences and exploring the relationships between crafting and technology. This book argues for reviving the terminology of crafting for making things by hand, to distinguish crafting from technology, which is defined as the application of science in industrial mass production. The vol作者: Insensate 時(shí)間: 2025-3-24 11:59 作者: terazosin 時(shí)間: 2025-3-24 17:48
http://image.papertrans.cn/c/image/239270.jpg作者: Endoscope 時(shí)間: 2025-3-24 19:01
gnificances of crafting are explored from a great variety of disciplinary perspectives, including anthropology, archaeology, sociology, education, psychology, women’s studies, and ethnic studies. ..This book pr978-3-319-65088-3作者: interlude 時(shí)間: 2025-3-25 02:01 作者: hypnogram 時(shí)間: 2025-3-25 06:54
https://doi.org/10.1007/978-3-540-37639-2emake their world. This perspective is influenced by a range of technological, social and archaeological perspectives from individuals such as Adamson (., Berg, Oxford, 2007; 2010), Dobres (. 34:103–114, 2010), Gosselain (Technology, Darvill T (ed) ., Oxford University Press, Oxford, pp 243–260, 201作者: Consensus 時(shí)間: 2025-3-25 10:34 作者: 慷慨不好 時(shí)間: 2025-3-25 14:25 作者: PUT 時(shí)間: 2025-3-25 16:11
https://doi.org/10.1007/978-3-540-37639-2e applied to a field which is familiar to the author, that of Islamic archaeology. A case example of the author’s research in the Vega of Granada (southeast Spain) will be brought to the fore. This part of the paper will show how the theoretical discussion developed above can contribute to solve one作者: dissent 時(shí)間: 2025-3-25 20:34 作者: set598 時(shí)間: 2025-3-26 02:00 作者: exorbitant 時(shí)間: 2025-3-26 07:46
https://doi.org/10.1007/978-3-540-37639-2ity of Michigan, Museum of Anthropology, 1992; Gosselain, O. .?. 7(3):187–217, 2000, amongst others), such changes demand explanations different from merely economic arguments because other pottery communities in the area?– such as Pilén or Quinchamalí?– have continued using indigenous pottery-makin作者: Basal-Ganglia 時(shí)間: 2025-3-26 09:29
https://doi.org/10.1007/978-3-540-37639-2 but also to build skills like leadership and consensus building to increase their economic and political leverage. In this paper I will elaborate on the premises, processes, and futures of this tactical proposal.作者: 截?cái)?nbsp; 時(shí)間: 2025-3-26 13:15
Data-Centric Systems and Applications understanding of these shared aspects forward. The first theme is individual and collective social agency and choices in crafting, including changing cha?nes opératoires, within contexts of communities of practice, cultural subgroups, economies, and sociopolitical organizations. Collective social a作者: AGONY 時(shí)間: 2025-3-26 20:37
Made to Remake the World: The Bronze Age Tool and the ‘Idea of Craft’emake their world. This perspective is influenced by a range of technological, social and archaeological perspectives from individuals such as Adamson (., Berg, Oxford, 2007; 2010), Dobres (. 34:103–114, 2010), Gosselain (Technology, Darvill T (ed) ., Oxford University Press, Oxford, pp 243–260, 201作者: ANN 時(shí)間: 2025-3-26 22:39
Looking Over the Shoulder of the Bronze Age Metalsmith: Recognising the Crafter in Archaeological Argth through leverage. In the course of being used, these tools develop wear that can be associated with different metalsmithing tasks. Due to this, metalsmithing tools are an important resource for understanding Bronze Age smiths and their work..In the Later Bronze Age, British smiths designed and u作者: 流動(dòng)性 時(shí)間: 2025-3-27 04:19
Grasping at Threads: A Discussion on Archaeology and Craftial culture as being a creation, then the artefact, or a structure, becomes not only . but also contains the idea of the form, the choices that were made, and the ideas about the function in the mind’s eye, as well as the social relations and interaction of the craftsmen all culminating in the gesta作者: 頌揚(yáng)本人 時(shí)間: 2025-3-27 08:25 作者: impaction 時(shí)間: 2025-3-27 09:33
Beauty and Grace in Making Artifacts: An Anthropological Gaze Upon Crafting in the World young men was about five hundred, and only five of them could not be motivated to make an artifact. Diversity within the total group of young men was composed by class, regional, religious, ethnic and national loyalties..In my discussion?I use conceptual ideas from a range?of anthropologists, such 作者: Neolithic 時(shí)間: 2025-3-27 14:43
Hold Infinity in the Palm of Your Hand: Learning the World Through Place-Based Craftcs, commerce, fashion, sustainability, etc., we literally touch all of these as our hands engage in crafts. In the immediacy of creative practice, we find a metaphor for our humanity: we are born to effect change.作者: KIN 時(shí)間: 2025-3-27 18:13 作者: moratorium 時(shí)間: 2025-3-28 00:51 作者: 運(yùn)動(dòng)性 時(shí)間: 2025-3-28 03:21 作者: cathartic 時(shí)間: 2025-3-28 09:39 作者: BANAL 時(shí)間: 2025-3-28 12:05 作者: Vsd168 時(shí)間: 2025-3-28 15:14
https://doi.org/10.1007/978-3-540-37639-2round it. Pointing to antagonisms by way of which Etsy emphasizes its alternative-economic character, this paper offers actor-centered perspectives and shows how discursively produced ideal worlds are appropriated in everyday life.作者: 鎮(zhèn)痛劑 時(shí)間: 2025-3-28 20:18 作者: 跳脫衣舞的人 時(shí)間: 2025-3-28 23:57 作者: 花爭(zhēng)吵 時(shí)間: 2025-3-29 06:13
https://doi.org/10.1007/978-3-540-37639-2 activity. Summarising the perspective of this book and the contributions within it, this chapter highlights the key aspects of crafting addressed by the case studies within this book and advocates for interdisciplinary discourse and interpretative models for investigating and understanding craft activity.作者: Nutrient 時(shí)間: 2025-3-29 09:51 作者: 使成核 時(shí)間: 2025-3-29 12:00
https://doi.org/10.1007/978-3-540-37639-2is enacted using the case studies of embroidery skills used for the renegotiation of gender. As such, the use of skills, their connotations and embodiment, will be the objects of our focus to argue that acts of transformation are a force by which this nostalgia can be negotiated in order to be moulded to fit with current needs and desires.作者: 類型 時(shí)間: 2025-3-29 18:55 作者: 開(kāi)頭 時(shí)間: 2025-3-29 22:49
Crafts and Living History: Old Sturbridge Villagehe museum’s extensive collection of nineteenth-century New England material culture.?Like any living thing, OSV continues to change and evolve, but historic crafts have always been a core part of its identity and a major attraction for visitors.作者: ADAGE 時(shí)間: 2025-3-30 03:46 作者: defendant 時(shí)間: 2025-3-30 06:25
Mapping Etsy: Reflections on (Spatial) Relations in an E-Commerce for Handmade Thingsround it. Pointing to antagonisms by way of which Etsy emphasizes its alternative-economic character, this paper offers actor-centered perspectives and shows how discursively produced ideal worlds are appropriated in everyday life.作者: interrogate 時(shí)間: 2025-3-30 09:26
Introduction,hem into cultural objects. This volume as a whole emphasises the phenomenological experience of crafting processes and their multiple fluid meanings in their?social contexts. Whilst crafting is a universal aspect of human existence, found across the globe and throughout most periods of history, the 作者: META 時(shí)間: 2025-3-30 13:06
