標(biāo)題: Titlebook: Coward the Dramatist; Morals and Manners Roger Kojecky Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license t [打印本頁] 作者: 方面 時(shí)間: 2025-3-21 19:29
書目名稱Coward the Dramatist影響因子(影響力)
書目名稱Coward the Dramatist影響因子(影響力)學(xué)科排名
書目名稱Coward the Dramatist網(wǎng)絡(luò)公開度
書目名稱Coward the Dramatist網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Coward the Dramatist被引頻次
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書目名稱Coward the Dramatist年度引用
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書目名稱Coward the Dramatist讀者反饋
書目名稱Coward the Dramatist讀者反饋學(xué)科排名
作者: 沙草紙 時(shí)間: 2025-3-21 20:39
The Entertainer,at convention, and in his large-scale dramas of British and colonial life celebrates the crises and achievements that defined a nation. At the same time he has some room in several later plays for the American experience. His career shows a development, effecting a transition from Edwardian theatre to that of Osborne and Pinter.作者: outer-ear 時(shí)間: 2025-3-22 04:07
Claes H. de Vreese,Holli A. Semetko rather than male infidelity as material for a triangular comedy in which Julia and Jane’s friendship, rivalry and jealousy are entertainingly depicted. Coward is by now a master of dialogue and dramatic situation.作者: fiction 時(shí)間: 2025-3-22 05:50
Operationalisierung der zentralen Variablenovide the theme; a play that presents a picture of Britain in 1950. ., a last full-length comedy of manners mingles a wistful ripeness with a change of partners formally similar to .. . disappoints the promise of its art hoax idea. (129).作者: vitrectomy 時(shí)間: 2025-3-22 11:34 作者: 懲罰 時(shí)間: 2025-3-22 16:25 作者: 懲罰 時(shí)間: 2025-3-22 18:43
Operationalisierung der zentralen Variablenich was, is an episodic celebration of British history since the Boer War, uncritical and patriotic. Coward chose . and had a huge success with it, but left for one of his foreign tours with uneasy twinges about his decision.作者: MIME 時(shí)間: 2025-3-23 01:05
Operationalisierung der zentralen Variablenat convention, and in his large-scale dramas of British and colonial life celebrates the crises and achievements that defined a nation. At the same time he has some room in several later plays for the American experience. His career shows a development, effecting a transition from Edwardian theatre to that of Osborne and Pinter.作者: arsenal 時(shí)間: 2025-3-23 01:49 作者: 傻瓜 時(shí)間: 2025-3-23 08:19
Post-war Drama and Fiction,ovide the theme; a play that presents a picture of Britain in 1950. ., a last full-length comedy of manners mingles a wistful ripeness with a change of partners formally similar to .. . disappoints the promise of its art hoax idea. (129).作者: Indicative 時(shí)間: 2025-3-23 13:03
Book 2024camps. The book considers both the ‘pleasant’ and ‘unpleasant’ plays (to use the Shavian terms), and the episodic patriotic plays. It Includes Coward’s ambivalent approach to the ‘theatre of war’ in the 20th century. (123).作者: 冒失 時(shí)間: 2025-3-23 16:08
Operationalisierung der zentralen Variablenes love, placing it within a framework of marriage, yet seasoning it with astringency, emphasising ephemerality while retaining a language of undying fidelity. There are Freudian depths in .. It probes sexual intimacy and the response to disillusion is the defiance and laughter of great comedy.作者: Obligatory 時(shí)間: 2025-3-23 19:51
Operationalisierung der zentralen Variablen with Strindbergian undertones. Below a surface of routine verbal exchange powerful feelings smoulder and erupt, beginning with non-verbal and symbolic expression and ending in violence. ., a group of nine one-act plays, was written for Coward and Gertrude Lawrence to show off the variety and virtuosity of their talent.作者: 周年紀(jì)念日 時(shí)間: 2025-3-24 00:47
Operationalisierung der zentralen Variablene and mistress. The American Verner in . sees that his choice between two women, his wife and a new acquaintance, is a choice between two outlooks, the one tough, single-minded, self-centred, the other more ready to dream, more poetic and more human.作者: 遷移 時(shí)間: 2025-3-24 05:56 作者: CURL 時(shí)間: 2025-3-24 07:35 作者: cunning 時(shí)間: 2025-3-24 13:24 作者: 膝蓋 時(shí)間: 2025-3-24 18:28
2634-5811 erms), and the episodic patriotic plays. It Includes Coward’s ambivalent approach to the ‘theatre of war’ in the 20th century. (123).978-3-031-52286-4978-3-031-52284-0Series ISSN 2634-5811 Series E-ISSN 2634-582X 作者: 訓(xùn)誡 時(shí)間: 2025-3-24 19:16 作者: 供過于求 時(shí)間: 2025-3-25 01:49 作者: 憤憤不平 時(shí)間: 2025-3-25 06:16
Marian Adolf,Merja Mahrt,Markus Rhomberg Ibsen-Shaw theatre of ideas with plays on themes of sexual morality. His dialogue was more colloquial than that of his predecessors. The plays embody awareness of social-political developments reflected in other writers, such as the war issue in the late 1930s, and the sunset of empire after the wa作者: Anecdote 時(shí)間: 2025-3-25 11:20 作者: Lacunar-Stroke 時(shí)間: 2025-3-25 13:52 作者: Insubordinate 時(shí)間: 2025-3-25 18:42 作者: 上漲 時(shí)間: 2025-3-25 22:38 作者: conjunctivitis 時(shí)間: 2025-3-26 03:03
Operationalisierung der zentralen Variablencess. It resembles black comedy or the theatre of the absurd, subverting conventional morality with popular Freudianism, scientific determinism and a principle of loyalty only to the inner circle—a significant experiment with disturbing implications. ., a musical play with the French Yvonne Printemp作者: 簡(jiǎn)潔 時(shí)間: 2025-3-26 07:34 作者: 謊言 時(shí)間: 2025-3-26 12:30 作者: NEXUS 時(shí)間: 2025-3-26 16:24 作者: 中古 時(shí)間: 2025-3-26 18:33 作者: CHASM 時(shí)間: 2025-3-26 21:58 作者: Devastate 時(shí)間: 2025-3-27 01:53 作者: 遠(yuǎn)足 時(shí)間: 2025-3-27 08:35
Bernard Shaw and His Contemporarieshttp://image.papertrans.cn/c/image/239221.jpg作者: cyanosis 時(shí)間: 2025-3-27 12:40 作者: cardiopulmonary 時(shí)間: 2025-3-27 17:19
Marian Adolf,Merja Mahrt,Markus Rhomberg Ibsen-Shaw theatre of ideas with plays on themes of sexual morality. His dialogue was more colloquial than that of his predecessors. The plays embody awareness of social-political developments reflected in other writers, such as the war issue in the late 1930s, and the sunset of empire after the war.作者: Vsd168 時(shí)間: 2025-3-27 17:54 作者: ASTER 時(shí)間: 2025-3-27 22:07 作者: 疲憊的老馬 時(shí)間: 2025-3-28 05:29 作者: visual-cortex 時(shí)間: 2025-3-28 09:11
Morals and Manners,and—most glaringly evident in her succession of young lovers. Yet the avant-garde subject gets a fairly conventional moral scrutiny in a last-act?emotional climax?which resembles .; but though the air is cleared the ‘moral landscape remains ruinous.’ . is a well-made play that transforms Pinero’s Pa作者: affinity 時(shí)間: 2025-3-28 10:42
Comedies of Realism and Romance, the mainspring of this great comedy. Princess Nadya moves during the course of . from Parisian free love and dope to queenship, suppressing a revolution .. . is a comedy of sexual intrigue and reversal embodying the ‘modern’ 1920s permissiveness. Censored in London it enjoyed uneven success abroad.作者: 滑稽 時(shí)間: 2025-3-28 17:07
The Theatre of War,l about the First World War and more pacifist than Sheriff’s ., has an interesting flashback (or flash forward) construction, but was not staged. . which was, is an episodic celebration of British history since the Boer War, uncritical and patriotic. Coward chose . and had a huge success with it, bu作者: flammable 時(shí)間: 2025-3-28 20:47 作者: Ambiguous 時(shí)間: 2025-3-29 02:04 作者: 傻 時(shí)間: 2025-3-29 03:59
Last Plays,d more universal. ., about an elderly famous writer blackmailed for his callousness towards a homosexual friend of his youth, raises questions about whether Coward is thinking of Maugham or himself, and whether he was influenced by Sartre’s .. Death is courageously confronted in . where a publisher
