標題: Titlebook: Counter-Modernism in Current Critical Theory; Geoffrey Thurley Book 1983 Geoffrey Thurley 1983 Dante Alighieri.drama.essay.Interpretation. [打印本頁] 作者: Forestall 時間: 2025-3-21 19:19
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作者: Measured 時間: 2025-3-21 21:19
https://doi.org/10.1007/978-3-322-95387-2ures so as to identify its literariness was early seen as the goal of a formalist criticism. Stylistics in particular claimed to eliminate those impressionistic or subjective elements supposed to vitiate mainstream criticism, and therefore to obviate the value-judgement altogether. Now it appears th作者: glans-penis 時間: 2025-3-22 02:58 作者: 柔軟 時間: 2025-3-22 05:44 作者: absorbed 時間: 2025-3-22 11:52
hies, ideologies (to use the loaded Marxist term). There is no need for this set of assumptions and visions to be clearly articulated: in fact, one must suspect the critic who is able to do so. Critical praxis is far too complex and subtle to allow of very clear articulation: it is really the mind o作者: 惡名聲 時間: 2025-3-22 15:34
text and phenomena outside it, either in other literature or in general discourse or in ‘reality’. Whether such constatations become real interpretations depends upon their capacity to explain what is felt to be the assertion — the meaning of the work.作者: 惡名聲 時間: 2025-3-22 18:28 作者: 石墨 時間: 2025-3-22 22:25
rld’s action to its own inaction; (b) the attempt of a critical power-group to take over the realm of cultural discourse from the artists traditionally honoured in it; (c) the attempts of this bourgeois intelligentsia to fend off a real Marxism by rendering all discourse ineffectual, and thereby per作者: AWL 時間: 2025-3-23 02:56
ngs and truths, but of pseudo-statements, which amount to a kind of linguistic play. Lastly, there is the soft-core, or historicist version of . theory, that modern texts in particular (dating from the middle of the nineteenth or the end of the eighteenth century) differ from earlier literature in b作者: Glaci冰 時間: 2025-3-23 06:40 作者: 清醒 時間: 2025-3-23 12:21 作者: Fretful 時間: 2025-3-23 14:30
Meaning,ain itself upon a system of values which are supposed to be ‘universal’ but are, in fact, designed to meet its own aims. I shall come to this matter in due course. All I want to stress here is that the question of beauty as ultimate aesthetic criterion, and of the emergence of a characteristically v作者: 戰(zhàn)勝 時間: 2025-3-23 20:34 作者: 放大 時間: 2025-3-24 02:14 作者: FOLLY 時間: 2025-3-24 03:27 作者: 有惡意 時間: 2025-3-24 10:29 作者: Halfhearted 時間: 2025-3-24 12:35
Neo-Marxism and De-Construction,rld’s action to its own inaction; (b) the attempt of a critical power-group to take over the realm of cultural discourse from the artists traditionally honoured in it; (c) the attempts of this bourgeois intelligentsia to fend off a real Marxism by rendering all discourse ineffectual, and thereby per作者: Ingest 時間: 2025-3-24 16:33
A Literature for a Criticism without Contents,ngs and truths, but of pseudo-statements, which amount to a kind of linguistic play. Lastly, there is the soft-core, or historicist version of . theory, that modern texts in particular (dating from the middle of the nineteenth or the end of the eighteenth century) differ from earlier literature in b作者: 高腳酒杯 時間: 2025-3-24 20:54 作者: 侵略主義 時間: 2025-3-25 00:06 作者: 前奏曲 時間: 2025-3-25 06:19
Stylistics and Structural Poetics,erary criticism. There have been many riders and qualifications to, and outright dissensions from, such an approach. But the wealth and prestige of those schools acknowledging the primacy of the facts of the text, the words on the page, are so great they still dominate critical procedure. So various作者: 彩色的蠟筆 時間: 2025-3-25 11:34 作者: 巨頭 時間: 2025-3-25 14:16 作者: Relinquish 時間: 2025-3-25 16:41 作者: 極深 時間: 2025-3-25 21:08
Intentions/Intensions,ism has been bombarded in recent years, its essential spirit remains with us, and probably always will.. The feeling that the reasons why a poem is so-and-so and such-and-such must reside, we agree with Coleridge, inside the poem, not outside it in history or biography: we are so far right in refusi作者: 媒介 時間: 2025-3-26 03:19 作者: 率直 時間: 2025-3-26 08:17 作者: 逢迎春日 時間: 2025-3-26 11:08 作者: 攝取 時間: 2025-3-26 15:08
Neo-Marxism and De-Construction,he symbolist poets and Henri Bergson. Like the decadent idealists who trailed along in the wake of Schopenhauer at about the same time as symbolism arose, de-constructionism leaves the world unapproached: the world and its concerns must wait while the logomaniac de-constructionist goes through his m作者: 易碎 時間: 2025-3-26 18:59 作者: mydriatic 時間: 2025-3-26 21:39 作者: gorgeous 時間: 2025-3-27 01:43 作者: 態(tài)學(xué) 時間: 2025-3-27 06:05 作者: 集中營 時間: 2025-3-27 12:23 作者: 有雜色 時間: 2025-3-27 13:52 作者: amenity 時間: 2025-3-27 18:13
The Problem of Art-Languages,gree of exactitude, we can also explicate the symbols of ordinary language. We can always use sense-data to elucidate the symbols of any rational discourse. Without some such elucidation, indeed, these symbols are likely to be condemned as meaningless. We can ‘say what we mean’ without just repeating our words.作者: forestry 時間: 2025-3-27 22:59 作者: 廣口瓶 時間: 2025-3-28 05:22 作者: 陰郁 時間: 2025-3-28 09:25
Was ist R?ntgenstrahlung — wie entsteht sie?iptive criticism remains blind, opaque to its own workings. A proper criticism must take into account the structure of critical propositions in their relation to the artefacts they describe. Only by providing such an account can description transcend itself. For the propositions of criticism are emp作者: ingenue 時間: 2025-3-28 12:35
Was ist los mit dem Treibhaus Erde. Yet there seems to be no way of effecting a successful analysis. We speak of the ‘symbols’ of art-works or literary texts, but there is something odd in so speaking. For we cannot strictly say what they symbolise in the way that we can explicate (up to a point, anyway) the symbols of mathematics. 作者: 入會 時間: 2025-3-28 16:31 作者: 人工制品 時間: 2025-3-28 20:19 作者: Exposition 時間: 2025-3-28 23:39
https://doi.org/10.1007/978-3-322-95387-2tate a judgement, in the way that an analysis of a bicycle’s qualities produces certain judgements. To many critics, this will be a welcome conclusion, seeming to confirm a hostility to the use of value-judgements in criticism, and thereby to support the case of an ‘objective’ value-free criticism. 作者: 防水 時間: 2025-3-29 06:07
stern society over the past two hundred years or so. Tolstoy, to my knowledge, was the first critic who sensed in the increasing emphasis on beauty as ultimate criterion in aesthetics a significantly modern development. In ., Tolstoy specifically relates the rise of aesthetics (the ‘science’ of beau作者: RENIN 時間: 2025-3-29 08:28 作者: Spina-Bifida 時間: 2025-3-29 12:06
xt for what it is. This assumes, among other things, that the text . But this need not commit the empiricist to a pure textualism, as in fact Abrams and Hirsch tend to imply. Pure textualism is a scansion-theory that refuses to acknowledge the problem of interpretation. In fact many apparently textu作者: 鈍劍 時間: 2025-3-29 17:52 作者: Hemiplegia 時間: 2025-3-29 21:42
he basis of the symbolic itself, discredit representation, undermine the authority of the sign and render final and irrevocable the severance of . from .. Now this is plainly, on the surface at least, more radical than anything attempted by Lévi-Strauss, and indeed contrary to the spirit of Lévi-Str作者: 獎牌 時間: 2025-3-30 00:26
he symbolist poets and Henri Bergson. Like the decadent idealists who trailed along in the wake of Schopenhauer at about the same time as symbolism arose, de-constructionism leaves the world unapproached: the world and its concerns must wait while the logomaniac de-constructionist goes through his m作者: 終止 時間: 2025-3-30 04:09
