標(biāo)題: Titlebook: Cosmopolitanism and Transatlantic Circles in Music and Literature; Ryan R. Weber Book 2018 The Editor(s) (if applicable) and The Author(s) [打印本頁(yè)] 作者: 外表 時(shí)間: 2025-3-21 16:41
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作者: ARENA 時(shí)間: 2025-3-21 22:16 作者: 開花期女 時(shí)間: 2025-3-22 00:37
Book 2018e burgeoning “universal” ambitions around 1900 to the darker racialized discourse of the 1920s, this study offers a critical analysis of both the idea and practice of cosmopolitanism in order to expose its common foundations as well as the limits of its application..作者: progestogen 時(shí)間: 2025-3-22 05:21
Einleitung: Professionalisierung,r argues for the significance of negotiation over nostalgia, stylistic mixture over division, and disciplinary fusion over separation—all of which flourished within the transatlantic circles of cosmopolitanism.作者: Cardiac-Output 時(shí)間: 2025-3-22 10:20
2946-5133 920s, this study offers a critical analysis of both the idea and practice of cosmopolitanism in order to expose its common foundations as well as the limits of its application..978-3-030-13200-2978-3-030-01860-3Series ISSN 2946-5133 Series E-ISSN 2946-5141 作者: FECK 時(shí)間: 2025-3-22 14:25 作者: FECK 時(shí)間: 2025-3-22 17:14
Schlussbemerkung: kritisches Vor-Denken, also demonstrates how techniques such as chromatic juxtapositioning and tetrachordal transformation, which were developed as musical analogues for literary practices, became common strategies for cosmopolitanizing national sources in his late songs and last choral works, ., Op. 74.作者: 殖民地 時(shí)間: 2025-3-22 22:41
Introduction: Traversing Time, Place, and Space,foundation for understanding how Nordic themes became a common nexus for shaping a transatlantic dialogue between artists who viewed the interaction of nationalism and cosmopolitanism not merely as a problem to be solved but also as a creative tension to be exploited.作者: vector 時(shí)間: 2025-3-23 02:16 作者: 行業(yè) 時(shí)間: 2025-3-23 08:15 作者: sterilization 時(shí)間: 2025-3-23 11:45
Book 2018composers, including Edvard Grieg, Edward MacDowell, and Percy Grainger, and the writers with whom they shared cosmopolitan affinities, including Arne Garborg, Hamlin Garland, Madison Grant, and Lathrop Stoddard.? Each overlapping case study surveys the diachronic transmission of cosmopolitanism as 作者: 無表情 時(shí)間: 2025-3-23 17:26 作者: MAUVE 時(shí)間: 2025-3-23 21:04 作者: Jejune 時(shí)間: 2025-3-23 22:46 作者: conservative 時(shí)間: 2025-3-24 03:36 作者: 前奏曲 時(shí)間: 2025-3-24 08:07 作者: 或者發(fā)神韻 時(shí)間: 2025-3-24 12:05 作者: defibrillator 時(shí)間: 2025-3-24 18:13
The Grainger Paradox: Manufacturing Hybridity, Circulating Exclusivity,ultural attachment in the twentieth century. Collectively, this chapter establishes that the forces of nationalism and cosmopolitanism are compatible not simply because of their similar embrace of universality but also because of their analogous limitations and powers of exclusivity.作者: Demonstrate 時(shí)間: 2025-3-24 20:40 作者: 阻擋 時(shí)間: 2025-3-25 00:18 作者: COMA 時(shí)間: 2025-3-25 04:47
Schlussbemerkung: kritisches Vor-Denken,tion with Nordic sagas. Consequently, by tracing their procedures for combining various elements past and present, local and international, this chapter uncovers how both composers developed similar attitudes toward modernism, which were important factors in shaping their conceptualization of the temporal dimension of cosmopolitanism.作者: ethnology 時(shí)間: 2025-3-25 10:33
https://doi.org/10.1007/978-3-030-01860-3cosmopolitanism; transatlantic literature; music and literature; musicology; nationalism; medical humanit作者: Feature 時(shí)間: 2025-3-25 12:34 作者: interference 時(shí)間: 2025-3-25 17:57
Ryan R. WeberIntersects with a wide range of fields including literary studies, musicology, medical humanities, political science, and cultural studies.Argues that cosmopolitanism and nationalism are not disparate作者: Exterior 時(shí)間: 2025-3-25 23:36
Palgrave Studies in Music and Literaturehttp://image.papertrans.cn/c/image/238952.jpg作者: Bereavement 時(shí)間: 2025-3-26 03:08
Wolf Nagl Wagner and faced with increasing pressure at home to advocate only for the national domain, literature became a useful catalyst for producing a broader appeal and contesting hegemonic forces of exclusion sustained by artists and audiences alike. Therefore, this introductory section takes a revolvin作者: 保守黨 時(shí)間: 2025-3-26 06:52
Wolf Naglt the height of Norway’s fight for independence, Grieg drew inspiration from the Danish poet Otto Benzon (1856–1927) to compose his last published songs, Opp. 69 and 70. These creative partnerships expose a persistent source of tension in Grieg’s . career: how could the composer appeal to the masses作者: 駕駛 時(shí)間: 2025-3-26 11:58
Schlussbemerkung: kritisches Vor-Denken,g’s songs, Opp. 69 and 70. This chapter argues that the composer’s decision was not as puzzling as it has been portrayed. On the contrary, by situating these works within the context of the cosmopolitan conditions outlined in Chap. ., their significance comes into better focus. This chapter thereby 作者: 代替 時(shí)間: 2025-3-26 15:02 作者: Pruritus 時(shí)間: 2025-3-26 17:21 作者: 船員 時(shí)間: 2025-3-26 23:45 作者: indemnify 時(shí)間: 2025-3-27 03:49
Schlussbemerkung: kritisches Vor-Denken,e ways in which Grainger deviated from the ideas and practices of his colleagues when he later came to understand hybridity as a danger to his self-proclaimed “Nordic race.” A central factor in this transformation was his encounter with the literature of American eugenicists, especially the writings作者: BIDE 時(shí)間: 2025-3-27 09:22
Situationsorientierter Einsatz,ase studies and contemporary issues of race and belonging. Reflecting on the perpetual expansion and contraction of identities amidst the often-conflicting imperatives of artists, this chapter also displays how cosmopolitanism’s disparate powers coexist because they are born of the same source: the 作者: MURAL 時(shí)間: 2025-3-27 11:35
Cosmopolitanism and Transatlantic Circles in Music and Literature978-3-030-01860-3Series ISSN 2946-5133 Series E-ISSN 2946-5141 作者: 致詞 時(shí)間: 2025-3-27 14:35
Introduction: Traversing Time, Place, and Space, Wagner and faced with increasing pressure at home to advocate only for the national domain, literature became a useful catalyst for producing a broader appeal and contesting hegemonic forces of exclusion sustained by artists and audiences alike. Therefore, this introductory section takes a revolvin作者: conception 時(shí)間: 2025-3-27 21:41 作者: BROW 時(shí)間: 2025-3-28 00:56 作者: Anonymous 時(shí)間: 2025-3-28 02:33
Cosmopolitan Practices: Grieg, Grainger, and the Search for a Musical Analogue,ognizing these functions during a period when few others would. Their similar processes of blurring boundaries—stylistically, ideologically, and socially—became the foundation for a significant bond that shaped Granger’s career well into the twentieth century. By paying special attention to the expl作者: 替代品 時(shí)間: 2025-3-28 08:52
Cosmopolitan Ideas: Grieg, MacDowell, and a Tale of , constructing a broader cosmopolitan identity. As their correspondence candidly acknowledges, this struggle did not occur in isolation. Each composer fostered a multilayered worldview based upon the values concurrently advanced by their literary colleagues, including Hamlin Garland and Arne Garborg.作者: ovation 時(shí)間: 2025-3-28 12:51 作者: 你正派 時(shí)間: 2025-3-28 14:37
The Grainger Paradox: Manufacturing Hybridity, Circulating Exclusivity,e ways in which Grainger deviated from the ideas and practices of his colleagues when he later came to understand hybridity as a danger to his self-proclaimed “Nordic race.” A central factor in this transformation was his encounter with the literature of American eugenicists, especially the writings作者: Intercept 時(shí)間: 2025-3-28 21:48
Conclusion,ase studies and contemporary issues of race and belonging. Reflecting on the perpetual expansion and contraction of identities amidst the often-conflicting imperatives of artists, this chapter also displays how cosmopolitanism’s disparate powers coexist because they are born of the same source: the 作者: 性上癮 時(shí)間: 2025-3-28 23:52
al an einer der verschiedenen Formen. Der derzeitige Kenntnisstand zur Entstehung, Diagnostik und Therapie hat sich erheblich vertieft. Mit der vorliegenden Schrift legt die Deutsche Gesellschaft für Psychiatrie, Psychotherapie und Nervenheilkunde (DGPPN) 25 Jahre nach einem "Rahmenplan zur Versorgu
