標(biāo)題: Titlebook: Cosmetic Surgery Narratives; A Cross-Cultural Ana Debra Gimlin Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 201 [打印本頁(yè)] 作者: Definite 時(shí)間: 2025-3-21 17:59
書(shū)目名稱Cosmetic Surgery Narratives影響因子(影響力)
書(shū)目名稱Cosmetic Surgery Narratives影響因子(影響力)學(xué)科排名
書(shū)目名稱Cosmetic Surgery Narratives網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Cosmetic Surgery Narratives網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Cosmetic Surgery Narratives被引頻次
書(shū)目名稱Cosmetic Surgery Narratives被引頻次學(xué)科排名
書(shū)目名稱Cosmetic Surgery Narratives年度引用
書(shū)目名稱Cosmetic Surgery Narratives年度引用學(xué)科排名
書(shū)目名稱Cosmetic Surgery Narratives讀者反饋
書(shū)目名稱Cosmetic Surgery Narratives讀者反饋學(xué)科排名
作者: anachronistic 時(shí)間: 2025-3-21 20:18 作者: BROTH 時(shí)間: 2025-3-22 03:15
No Villainous Mother—The Life of Eva Larkinme time, the field of plastic surgery cannot be explained solely as a product of its medical context. As Haiken (1997: 18) notes, cosmetic surgery is a ‘cultural practice’ as well as a medical one; its analysis should therefore consider the ‘cultural, as well as medical’ setting.作者: 秘方藥 時(shí)間: 2025-3-22 05:32
Introduction,cise classes and gym workouts. I hear giggles as the students seem to become more aware of their classmates’ responses — some look around the room to see how their own answers compare. Still, usually more than half of them raise their hand.作者: Foreshadow 時(shí)間: 2025-3-22 10:51 作者: 移植 時(shí)間: 2025-3-22 15:21 作者: 移植 時(shí)間: 2025-3-22 18:28 作者: GUEER 時(shí)間: 2025-3-22 22:56
No Villainous Mother—The Life of Eva Larkinrs and Farrah Fawcett,. who are characterized as having ‘gone too far’ in their pursuit of beauty and/or eternal youthfulness, and those like the so-called ‘cat lady’, Jocelyn Wildenstein, who have gained celebrity status due largely to their ‘extreme’ cosmetic modification.作者: 潰爛 時(shí)間: 2025-3-23 04:03
Robert Lowell: Trapped in Charlotte’s Webhoice, have become more commonplace. And in rather fewer instances, entirely new accounts which extol the beauty of the obviously modified, ‘unnatural’ body (such as those described briefly in Chapter 5) have emerged.作者: myriad 時(shí)間: 2025-3-23 06:57
Robert Lowell: Trapped in Charlotte’s Webketplace of employment or heterosexual romance. Such meanings are in turn reworked by women in their own accounting, at the same time that those accounts are constrained by culturally specific narratives and institutional structures. Where the general and specific are incompatible — as is more often作者: inchoate 時(shí)間: 2025-3-23 11:14 作者: obligation 時(shí)間: 2025-3-23 17:49
,The Symbolic Boundaries of Surgical ‘Otherness’,rs and Farrah Fawcett,. who are characterized as having ‘gone too far’ in their pursuit of beauty and/or eternal youthfulness, and those like the so-called ‘cat lady’, Jocelyn Wildenstein, who have gained celebrity status due largely to their ‘extreme’ cosmetic modification.作者: 障礙物 時(shí)間: 2025-3-23 18:48
US Repertoires in a Changing Surgical Landscape,hoice, have become more commonplace. And in rather fewer instances, entirely new accounts which extol the beauty of the obviously modified, ‘unnatural’ body (such as those described briefly in Chapter 5) have emerged.作者: 責(zé)問(wèn) 時(shí)間: 2025-3-24 00:39
Conclusions,ketplace of employment or heterosexual romance. Such meanings are in turn reworked by women in their own accounting, at the same time that those accounts are constrained by culturally specific narratives and institutional structures. Where the general and specific are incompatible — as is more often作者: Innocence 時(shí)間: 2025-3-24 04:31
Introduction, so, mostly young and almost exclusively female students to answer some questions about what they would be willing to do to be more beautiful. I begin by asking about practices that are pretty mundane: ‘Would you wear make-up?’ ‘Would you colour your hair?’ ‘Would you remove the hair from your under作者: 巡回 時(shí)間: 2025-3-24 07:15
Cosmetic Surgery in Two Healthcare Contexts,icantly higher prevalence of aesthetic operations in the US (ISAPS, 2010). Davis (1995) has argued that the organization of healthcare in any country both determines who has access to cosmetic surgery and shapes the discourses employed in expressing the practice’s controversial elements. Based on Da作者: Presbyopia 時(shí)間: 2025-3-24 12:33
Accounts of Embodiment and Their Cultural Repertoires,ing point existing feminist discussions of the practice, tracing alternative interpretations of cosmetic surgery (i.e., as a reflection of structured gender inequalities or a potential resource for female agency and empowerment) in the literature from the late 1980s to the present, drawing out key i作者: canonical 時(shí)間: 2025-3-24 15:49 作者: monologue 時(shí)間: 2025-3-24 19:57 作者: 微生物 時(shí)間: 2025-3-25 00:25 作者: collagenase 時(shí)間: 2025-3-25 04:07
Conclusions,y. To that end, I have examined British and American consumers’ narratives of the practice, with particular attention to what those narratives tell us about the contemporary status of cosmetic surgery and ‘local’ ideas about its appropriate and inappropriate uses. I have shown that while British and作者: sphincter 時(shí)間: 2025-3-25 08:15 作者: 即席演說(shuō) 時(shí)間: 2025-3-25 12:52
http://image.papertrans.cn/c/image/238865.jpg作者: Pantry 時(shí)間: 2025-3-25 15:53 作者: Blood-Vessels 時(shí)間: 2025-3-25 23:20
https://doi.org/10.1057/9781137284785cosmetic surgery; health; surgery; women作者: 商品 時(shí)間: 2025-3-26 01:56
978-1-349-36804-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2012作者: 震驚 時(shí)間: 2025-3-26 05:47 作者: 極力證明 時(shí)間: 2025-3-26 10:18
No Villainous Mother—The Life of Eva Larkinicantly higher prevalence of aesthetic operations in the US (ISAPS, 2010). Davis (1995) has argued that the organization of healthcare in any country both determines who has access to cosmetic surgery and shapes the discourses employed in expressing the practice’s controversial elements. Based on Da作者: 事與愿違 時(shí)間: 2025-3-26 16:38
Theodore Pelagidis,Michael Mitsopoulosing point existing feminist discussions of the practice, tracing alternative interpretations of cosmetic surgery (i.e., as a reflection of structured gender inequalities or a potential resource for female agency and empowerment) in the literature from the late 1980s to the present, drawing out key i作者: 翻動(dòng) 時(shí)間: 2025-3-26 18:22 作者: outrage 時(shí)間: 2025-3-27 00:26
No Villainous Mother—The Life of Eva Larkinctices. This chapter will focus on another point of convergence in the two groups’ narratives — namely, the figure of the ‘surgery junkie’ (Pitts-Taylor, 2007) or, as I am calling her, the ‘surgical other’. I use the term to refer to an individual and, most commonly, a woman, whose relationship with作者: 暫時(shí)過(guò)來(lái) 時(shí)間: 2025-3-27 02:01
Robert Lowell: Trapped in Charlotte’s Webe collected at two points in time — 1995–1997 and 2007. The chapter draws on interview material presented in earlier sections of the book, using that material to different ends and emphasizing different points. Overall, my data speak not simply to the greater presence of cosmetic surgery in American作者: 容易懂得 時(shí)間: 2025-3-27 08:41 作者: florid 時(shí)間: 2025-3-27 11:46 作者: adumbrate 時(shí)間: 2025-3-27 14:03
Book 1985 of an Executive Board whose members were Prof. J. Jaz (representative of UNESCO), Prof. B. Pullman (Vice- President of IUPAB) and Prof. V. Vasilescu (President of the Romanian Biophysical Society). The Meeting was attended by more than 250 specialists including 150 Romanian participants and others 作者: 陪審團(tuán) 時(shí)間: 2025-3-27 20:58 作者: 使殘廢 時(shí)間: 2025-3-28 00:54
https://doi.org/10.1007/978-3-030-88234-1COVID-19 and higher education; global health crises; online education; education in the global south; em作者: 裂縫 時(shí)間: 2025-3-28 05:23