標題: Titlebook: Contracts, Patronage and Mediation; The Articulation of Tuulikki Pietil? Book 2015 Tuulikki Pietil? 2015 development.industry.media.mediat [打印本頁] 作者: Inoculare 時間: 2025-3-21 16:48
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書目名稱Contracts, Patronage and Mediation讀者反饋學科排名
作者: Substitution 時間: 2025-3-21 23:13 作者: 不如屎殼郎 時間: 2025-3-22 01:04 作者: 倔強不能 時間: 2025-3-22 07:40
Asthma, COPD, Partnerschaft und Sexualit?tsposable income. Other global factors, such as competing entertainment products (DVDs, digital games, mobile phones) and illegitimate copying and sharing of music,. are commonly identified by the industry insiders, as well, as reasons for the declining sales in South Africa since 2008.作者: paltry 時間: 2025-3-22 12:23
Introduction,logical innovations, legal agreements and the logic of capitalist enterprise — especially the changing market strategies of the few multinational companies.. My aim is to show how local politico-economic and sociocultural factors shape the industry, amid global factors.作者: Friction 時間: 2025-3-22 14:47
The South African Recording Industry,he international and local labels, the chapter discusses the historically varying role and value of international and domestic music in the market and the industry participants’ discussions concerning the issue.作者: Friction 時間: 2025-3-22 18:06
Recent Industry Developments,sposable income. Other global factors, such as competing entertainment products (DVDs, digital games, mobile phones) and illegitimate copying and sharing of music,. are commonly identified by the industry insiders, as well, as reasons for the declining sales in South Africa since 2008.作者: Cabg318 時間: 2025-3-23 01:18 作者: 赦免 時間: 2025-3-23 04:47 作者: gentle 時間: 2025-3-23 06:51
Normativer Rahmen, Ziele und Organisationeny are often expressed by one and the same person. This chapter aims to make sense of this apparent paradox by examining these and other statements in the context of the past and present recording industry relations in South Africa.作者: micturition 時間: 2025-3-23 11:28 作者: 小卷發(fā) 時間: 2025-3-23 16:38
Negotiating Value in the Music Chain,lic value at work in each stage — from consideration of the music to be produced to its consumption. It is the symbolic value that materializes as a piece of music’s success and, consequently, as its economic value — and yet the former cannot be reduced to the latter.作者: aesthetician 時間: 2025-3-23 18:38 作者: Latency 時間: 2025-3-24 00:59
Contracts, Patronage and Mediation978-1-137-56232-6Series ISSN 2634-6613 Series E-ISSN 2634-6621 作者: Confidential 時間: 2025-3-24 05:36
Book 2015This book studies the long-term developments in the South African recording industry and adds to the existing literature an understanding of the prevalence of informal negotiations over rights, rewards and power in the recording industry. It argues that patronage features often infiltrate the contractual relationships in the industry.作者: 小平面 時間: 2025-3-24 10:32 作者: 向外供接觸 時間: 2025-3-24 11:31 作者: Endemic 時間: 2025-3-24 15:45 作者: EVEN 時間: 2025-3-24 22:58 作者: AMBI 時間: 2025-3-25 01:52 作者: 容易懂得 時間: 2025-3-25 03:54
Normativer Rahmen, Ziele und Organisationens, distribution networks, radio stations and programs, live music events and even wholesalers and retailers tend to focus on certain genres and audiences. This chapter explores the terms applied by the recording industry people for describing and discussing the segmented market. As with the other ma作者: 得體 時間: 2025-3-25 11:15
https://doi.org/10.1007/978-3-540-71033-2dominate the record distribution sector and the independent labels used their distribution services. When distributed by majors, small labels are, however, typically concerned about their products’ visibility because they believe the sales representatives foreground the majors’ own products. In addi作者: 拋射物 時間: 2025-3-25 13:10 作者: 內(nèi)部 時間: 2025-3-25 15:56
Normativer Rahmen, Ziele und Organisationenc industry is all about relationships’, while the other asserts that ‘the music industry is all about ownership’, wherefore one has to ‘be independent’ or ‘go independent’ and ‘corporatize his or her skills’. The latter statement refers to the ownership of musical works and is often accompanied by e作者: Innocence 時間: 2025-3-25 22:54
Eckehard Schnieder,Lars Schniederures can be found both in the small labels and the bigger ones, including the majors. The record companies’ and labels’ representatives usually maintain that when making a contract, they always ask the artist to consult a lawyer before signing it. Not all artists are in a position to or have the fin作者: 藐視 時間: 2025-3-26 00:58 作者: 減弱不好 時間: 2025-3-26 05:55
Pop Music, Culture and Identityhttp://image.papertrans.cn/c/image/237124.jpg作者: 止痛藥 時間: 2025-3-26 11:41 作者: sundowning 時間: 2025-3-26 15:22
Introduction, and structuring of the industry. The recording industry is often posed as a global entity whose developments are governed by the hard facts of technological innovations, legal agreements and the logic of capitalist enterprise — especially the changing market strategies of the few multinational comp作者: 成績上升 時間: 2025-3-26 18:48
The South African Recording Industry, early presence and intertwinement of international and local labels and hefty competition between the local operators in particular. In addition to the international and local labels, the chapter discusses the historically varying role and value of international and domestic music in the market and作者: 哪有黃油 時間: 2025-3-26 22:18
Recent Industry Developments,l music repertoire. The recession that was felt in several corners of the world also affected the South African music market, through a decrease in disposable income. Other global factors, such as competing entertainment products (DVDs, digital games, mobile phones) and illegitimate copying and shar作者: 精致 時間: 2025-3-27 02:59
A Segmented Music Market and Attempts to Capture It,s, distribution networks, radio stations and programs, live music events and even wholesalers and retailers tend to focus on certain genres and audiences. This chapter explores the terms applied by the recording industry people for describing and discussing the segmented market. As with the other ma作者: GUISE 時間: 2025-3-27 06:49
The Wholesaling and Retailing of Music,dominate the record distribution sector and the independent labels used their distribution services. When distributed by majors, small labels are, however, typically concerned about their products’ visibility because they believe the sales representatives foreground the majors’ own products. In addi作者: frozen-shoulder 時間: 2025-3-27 11:36
Negotiating Value in the Music Chain,hese issues is to examine the recording industry as a value chain, where each stage of production adds to the final value, materialized as the price of the product. This approach to value does not, however, appear adequate in the case of many products and music especially. There are aspects of symbo作者: Nomogram 時間: 2025-3-27 14:10 作者: 一個姐姐 時間: 2025-3-27 18:28
Continuities in Patronage Arrangements,ures can be found both in the small labels and the bigger ones, including the majors. The record companies’ and labels’ representatives usually maintain that when making a contract, they always ask the artist to consult a lawyer before signing it. Not all artists are in a position to or have the fin作者: Euphonious 時間: 2025-3-28 00:51 作者: 協(xié)奏曲 時間: 2025-3-28 02:28
A Segmented Music Market and Attempts to Capture It,population groups in the purchasing power levels, musical taste, music format use, as well as their geographical locations and access to and means of transportation. In addition to the ways of depicting the market, this chapter probes the record companies’ strategies for reaching out to the differen作者: LAIR 時間: 2025-3-28 08:52 作者: ANN 時間: 2025-3-28 13:30
Continuities in Patronage Arrangements,t lawyer Mark Rosin explained that some of the new artists do consult him but in the case where the contract is being negotiated after the recording is done, the artist is in a weak bargaining position and often so anxious to get the record released that she or he is inclined to accept a contract wi作者: FOVEA 時間: 2025-3-28 18:15 作者: Eviction 時間: 2025-3-28 20:32 作者: 顯示 時間: 2025-3-29 00:59
Eckehard Schnieder,Lars Schniedert lawyer Mark Rosin explained that some of the new artists do consult him but in the case where the contract is being negotiated after the recording is done, the artist is in a weak bargaining position and often so anxious to get the record released that she or he is inclined to accept a contract wi
