標(biāo)題: Titlebook: Contemporary Representations of Forced Migration in Europe; Beyond Regime and Re Fiona Barclay,Beatrice Ivey Book 2024 The Editor(s) (if ap [打印本頁(yè)] 作者: Opulent 時(shí)間: 2025-3-21 18:22
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作者: 泥瓦匠 時(shí)間: 2025-3-22 00:13
Channelling and Challenging the ‘imperative to tell’: Reflections on Negotiating Representations of uring 2017–18. This chapter is narrated from the position of Artist-Researcher and puts Salverson’s questions in conversation with Thompson’s critique of the ‘imperative to tell’ (.. London: Palgrave Macmillan, 2011, 56) and Jeffers’ theoretical work on ‘bureaucratic performance’ and the emergence o作者: 緩解 時(shí)間: 2025-3-22 03:38
‘To live well is to story well’: Co-writing and Polyphonic Writing with Denmark’s Asylum Community examination together is Behrouz Boochani and Omid Tofighian’s suggestion that stories are integral for ‘living life well’ (.. Sydney: Picador, 2018, 375), here used to reflect on writing across both space and the ‘complex set of historical, cultural, legal and ethical relations [between] citizens o作者: 胰臟 時(shí)間: 2025-3-22 04:53
Life in Detention: Journey and Bordern in Scotland. Migrating people systematically face various forms of imprisonment, whether it be the isolation of being detained, the exploitation of enforced destitution (not being able to access work or education), or the fear of deportation. Third, I explore other internal forms of bordering via 作者: BINGE 時(shí)間: 2025-3-22 11:00
‘She is the meteor and I, her space’: Co-Becoming and Biopolitical Trauma in Chris Abani’s man rights claims—which necessarily posit the individual in a position of vulnerability vis-à-vis the state—instead exposing the contradictions inherent within the system which creates that disjunction between migrants and their humanity in the first place. By showing how Abigail ‘becomes’ through o作者: NEX 時(shí)間: 2025-3-22 16:21
Beyond Objectifying the Humane: Memory in Media and Political Genress in debates. It is argued that the parameters of the specific genres involved, the television documentary and the parliamentary debate, help explain the objectifying of representation, but that, because genres are never fixed and closed, they also allow moments of escape from generic characteristic作者: NEX 時(shí)間: 2025-3-22 18:19 作者: Carcinogenesis 時(shí)間: 2025-3-22 22:57
Remapping the Borderlands of Britain: The Calais ‘Jungle’ and the Enduring Legacy of Imperial Frontist century has witnessed the resurgence of colonial narratives about cross-boundary subversion illustrated by pervasive representations of migrants attempting to cross British borders, which contributes to the perception of migrants as a threat to Western security and integrity. During the recent Br作者: choroid 時(shí)間: 2025-3-23 05:21 作者: 消瘦 時(shí)間: 2025-3-23 07:03 作者: BIAS 時(shí)間: 2025-3-23 12:13
Vivid reasoning on the basis of rules,uring 2017–18. This chapter is narrated from the position of Artist-Researcher and puts Salverson’s questions in conversation with Thompson’s critique of the ‘imperative to tell’ (.. London: Palgrave Macmillan, 2011, 56) and Jeffers’ theoretical work on ‘bureaucratic performance’ and the emergence o作者: 改進(jìn) 時(shí)間: 2025-3-23 14:59
https://doi.org/10.1007/3-540-57604-5 examination together is Behrouz Boochani and Omid Tofighian’s suggestion that stories are integral for ‘living life well’ (.. Sydney: Picador, 2018, 375), here used to reflect on writing across both space and the ‘complex set of historical, cultural, legal and ethical relations [between] citizens o作者: obnoxious 時(shí)間: 2025-3-23 19:11
Representative target machines,n in Scotland. Migrating people systematically face various forms of imprisonment, whether it be the isolation of being detained, the exploitation of enforced destitution (not being able to access work or education), or the fear of deportation. Third, I explore other internal forms of bordering via 作者: lactic 時(shí)間: 2025-3-24 00:54 作者: Root494 時(shí)間: 2025-3-24 03:37
https://doi.org/10.1007/3-540-57738-6s in debates. It is argued that the parameters of the specific genres involved, the television documentary and the parliamentary debate, help explain the objectifying of representation, but that, because genres are never fixed and closed, they also allow moments of escape from generic characteristic作者: 輕打 時(shí)間: 2025-3-24 09:11
Representative target machines, in which multiculturalism and ecological diversity can thrive. The chapter examines how this urgent issue is imaginatively addressed by contemporary visual artist Rainer Opolka and in literary texts by Hassan Blasim, Sarah Hall, László Krasnahorkai, and Roland Schimmelpfennig.作者: –LOUS 時(shí)間: 2025-3-24 12:35
Gerald Tomas,Christoph W. Ueberhuberst century has witnessed the resurgence of colonial narratives about cross-boundary subversion illustrated by pervasive representations of migrants attempting to cross British borders, which contributes to the perception of migrants as a threat to Western security and integrity. During the recent Br作者: anus928 時(shí)間: 2025-3-24 18:42 作者: 參考書目 時(shí)間: 2025-3-24 20:22 作者: TOXIN 時(shí)間: 2025-3-25 00:30
Vivid reasoning on the basis of rules,es that are expressed in European societies—the tendency towards empathetic humanitarian welcome, or refuge; and the hostile environment created by authorities within and around Europe’s borders, or regime—and examines how these have been expressed in artistic and cultural production. Acknowledging 作者: 效果 時(shí)間: 2025-3-25 05:23 作者: saturated-fat 時(shí)間: 2025-3-25 11:11 作者: 神經(jīng) 時(shí)間: 2025-3-25 13:05
https://doi.org/10.1007/3-540-57604-5ter reflects on two co-writing processes with Denmark’s asylum community. They share the contextual framework of Trampoline House, a refugee justice community in Copenhagen, being invited to contribute to the 2022 Documenta 15 festival held in Kassel, Germany. Firstly, collaborator Jean Claude Mango作者: 肉體 時(shí)間: 2025-3-25 19:02 作者: chlorosis 時(shí)間: 2025-3-25 23:29 作者: 口味 時(shí)間: 2025-3-26 02:03 作者: inhumane 時(shí)間: 2025-3-26 07:20 作者: 走路左晃右晃 時(shí)間: 2025-3-26 10:14 作者: MONY 時(shí)間: 2025-3-26 15:45 作者: 減震 時(shí)間: 2025-3-26 19:15
Representative target machines,ersity, and human migration. By employing an ecocritical approach I will show how fluid the biopolitically charged wolf metaphor is and how contemporary artists have tried to liberate this historically blighted image from its traditional demonisation and use for dehumanisation in order to underscore作者: 我不重要 時(shí)間: 2025-3-26 22:47
Gerald Tomas,Christoph W. Ueberhuber crisis” which has given renewed visibility to liminal spaces while reviving colonial representations of subversive otherness. Marked by violent geographies of exclusion that are notably expressed through animalising metaphors, the Calais “Jungle” appears as a space of exception that conjures up the作者: Organonitrile 時(shí)間: 2025-3-27 02:30
https://doi.org/10.1007/978-3-031-47831-4Forced Migration; Europe; Refugees; Detention; Visual Culture; Media作者: machination 時(shí)間: 2025-3-27 09:02
978-3-031-47833-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: PATHY 時(shí)間: 2025-3-27 10:28
Contemporary Representations of Forced Migration in Europe978-3-031-47831-4Series ISSN 2524-8820 Series E-ISSN 2524-8839 作者: HAVOC 時(shí)間: 2025-3-27 17:23 作者: 鞠躬 時(shí)間: 2025-3-27 17:49 作者: surrogate 時(shí)間: 2025-3-28 01:05
Distributed memory IDeC methods, in George Drivas’s .; colonial mimicry with a twist in Mohau Modisakeng’s .; a self-conscious re-packaging of refugees’ stories in Candice Breitz’s .; and, finally, an unmarked artefact, which completely collapses the very possibility of narrative in Christoph Büchel’s ..作者: defenses 時(shí)間: 2025-3-28 03:24 作者: probate 時(shí)間: 2025-3-28 10:12
Unsettled: Narrative Strategies in Exhibitions About the ‘Refugee Crisis’ in George Drivas’s .; colonial mimicry with a twist in Mohau Modisakeng’s .; a self-conscious re-packaging of refugees’ stories in Candice Breitz’s .; and, finally, an unmarked artefact, which completely collapses the very possibility of narrative in Christoph Büchel’s ..作者: 打算 時(shí)間: 2025-3-28 11:05 作者: occurrence 時(shí)間: 2025-3-28 18:29 作者: GRACE 時(shí)間: 2025-3-28 21:28 作者: 幻影 時(shí)間: 2025-3-29 00:45 作者: POLYP 時(shí)間: 2025-3-29 03:38 作者: 展覽 時(shí)間: 2025-3-29 10:03
Introduction,the hierarchies that maintain and promote inequality and silence those with lived experience of migration and detention, it considers the potential strategies that might address these structural issues and explores the role of art in challenging and subverting existing assumptions.作者: radiograph 時(shí)間: 2025-3-29 12:10
Archaeologies of Nonentity in Aki Kaurism?ki’s s remapping, I offer a new interpretation of Aki Kaurism?ki’s .. By honouring the economically superfluous and socially rootless, his film evokes a familiar but seldom appreciated form of habitation, that of denizen, encompassing the alterity of the refugee and the alienation of the citizen.作者: Pituitary-Gland 時(shí)間: 2025-3-29 19:31
Introduction,es that are expressed in European societies—the tendency towards empathetic humanitarian welcome, or refuge; and the hostile environment created by authorities within and around Europe’s borders, or regime—and examines how these have been expressed in artistic and cultural production. Acknowledging
