標(biāo)題: Titlebook: Contemporary Poetry and Postmodernism; Dialogue and Estrang Ian Gregson Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Li [打印本頁] 作者: counterfeit 時(shí)間: 2025-3-21 16:28
書目名稱Contemporary Poetry and Postmodernism影響因子(影響力)
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作者: Herd-Immunity 時(shí)間: 2025-3-21 22:01
Edwin Morgan’s Metamorphosesin the second section, of comic confusion caused by their terrible din (“the clerks write Three Pounds Starling in the savings-books”) and in the third section of anxiety at their possible disappearance, then relief at their continued presence (“They lift up the eyes, they lighten the heart”). “Glas作者: 付出 時(shí)間: 2025-3-22 03:53
A Various Art: Veronica Forrest-Thomson and Denise Rileyoncern was to cast off what he felt as the dead weight of English tradition and to invent for poetry a native American idiom, especially in matters of rhythm. To some extent it is unsurprising, then, that Eric Mottram raised hackles when he promoted this kind of poetry when he was editor of . from 1作者: Ledger 時(shí)間: 2025-3-22 06:45 作者: 健談 時(shí)間: 2025-3-22 12:08 作者: defile 時(shí)間: 2025-3-22 15:50 作者: defile 時(shí)間: 2025-3-22 21:03 作者: Osmosis 時(shí)間: 2025-3-23 00:29
https://doi.org/10.1007/3-540-30045-7tmodernist techniques and preoccupations. What I want to maintain in this concluding chapter is that the collision between postmodernism and realism in contemporary British poetry has produced instabilities so extensive that it is no longer possible to discern what the dominant mode of contemporary 作者: 刀鋒 時(shí)間: 2025-3-23 05:04
hat have had to make their way outside it. Mainstream poets like Paul Muldoon, James Fenton and Carol Ann Duffy multiply voices and so draw on resources from the novel - Bakhtin‘s concept of the dialogic is therefore used to explain their techniques. By contrast, Shklovsky‘s concept of ‘estrangement作者: Perennial長期的 時(shí)間: 2025-3-23 06:40
https://doi.org/10.1007/3-540-30035-Xee senior poets Roy Fisher, Christopher Middleton and, to a lesser extent Edwin Morgan who are discussed in the second section. However, I also wish to celebrate the exciting achievements of the mainstream and to redefine the nature of those achievements in what seem to me the most appropriate terms.作者: 亞當(dāng)心理陰影 時(shí)間: 2025-3-23 11:30
Applications of Valuation Theory,ooks outwards at the complex variousness of society which is reflected in the multiplicity of languages it uses. Consequently, one of the most prominent features of his work is its self-conscious exploration of heteroglossia. Nancy Glazener’s account of Bakhtin’s concept is helpful here:作者: interlude 時(shí)間: 2025-3-23 16:49
Von Fall zu Fall - Pflege im Rechtl kind: he is famous for having been largely ignored. Until Oxford University Press published his . when he was fifty, he had been published only by small presses, most of them now defunct — Migrant Press, Tarasque Press, Northern House, Fulcrum Press.作者: 美學(xué) 時(shí)間: 2025-3-23 18:25 作者: 持續(xù) 時(shí)間: 2025-3-24 00:06 作者: Delude 時(shí)間: 2025-3-24 04:35
Music of the Generous Eye: The Poetry of Roy Fisherl kind: he is famous for having been largely ignored. Until Oxford University Press published his . when he was fifty, he had been published only by small presses, most of them now defunct — Migrant Press, Tarasque Press, Northern House, Fulcrum Press.作者: 憂傷 時(shí)間: 2025-3-24 09:06
,Kodex für professionelles Verhalten,us cruelty, excrement — suggest that what is being evoked is well beyond the literary pale, the articulation of the inarticulate, a naturalistic exploration of a low life normally unheeded by those who read poetry, the authentic voice of the eponymous psychopath.作者: 小淡水魚 時(shí)間: 2025-3-24 12:46 作者: Arbitrary 時(shí)間: 2025-3-24 17:30
https://doi.org/10.1007/3-540-30045-7landscape and American idioms into his poetry. Even before this move his view of poetry was at odds with the English mainstream — in an interview in . in 1964 he complained that “the experiences which most English poets seem to be writing about don’t seem to be experiences which matter very much, even to them.”作者: 個(gè)人長篇演說 時(shí)間: 2025-3-24 22:54 作者: Psychogenic 時(shí)間: 2025-3-25 02:21
, the book concludes by suggesting that - partly because of the influence of surrealism in women poets like Selima Hill and Jo Shapcott - the mainstream has recently been infiltrated by modernist and postmodernist estrangement effects.978-0-333-65566-5978-0-230-37914-5作者: 柏樹 時(shí)間: 2025-3-25 03:41
Applications of Valuation Theory,dea of a mix of the earthly and the heavenly, which are also combined, by implication, in the sexual act which is the central event of the poem. The idea of birth which follows from this act in this way acquires epiphanic associations, especially in the pun on “Dropped” which relates the Above to the Below and leads to the closing metaphor:作者: 調(diào)整 時(shí)間: 2025-3-25 10:57 作者: Obverse 時(shí)間: 2025-3-25 11:38
Carol Ann Duffy: Monologue as Dialogueus cruelty, excrement — suggest that what is being evoked is well beyond the literary pale, the articulation of the inarticulate, a naturalistic exploration of a low life normally unheeded by those who read poetry, the authentic voice of the eponymous psychopath.作者: scoliosis 時(shí)間: 2025-3-25 16:51
Estrangement and the Retro-Modernistsoets, more or less contemporary with Philip Larkin, have suffered from the way he — and the Movement poetic with which he was associated — dominated the British poetry world in the 50s and 60s and that it is time their achievement should be recognised.作者: atopic 時(shí)間: 2025-3-25 22:42
Christopher Middleton: Journeys Broken at the Thresholdlandscape and American idioms into his poetry. Even before this move his view of poetry was at odds with the English mainstream — in an interview in . in 1964 he complained that “the experiences which most English poets seem to be writing about don’t seem to be experiences which matter very much, even to them.”作者: dysphagia 時(shí)間: 2025-3-26 01:01
,Kodex für professionelles Verhalten, Paul Muldoon’s parodies of thrillers and detective stories. (However, its mingling of these genres with references to . — which produces a disorientation that evokes the shifting boundaries of innocence and guilt — is entirely Jenkins’ own.)作者: 牽索 時(shí)間: 2025-3-26 06:36 作者: llibretto 時(shí)間: 2025-3-26 08:36
“Grapevine, barge pole, whirlpool, chloride, concrete, bandage, station, story”: some versions of na Paul Muldoon’s parodies of thrillers and detective stories. (However, its mingling of these genres with references to . — which produces a disorientation that evokes the shifting boundaries of innocence and guilt — is entirely Jenkins’ own.)作者: 天空 時(shí)間: 2025-3-26 13:36
John Ashbery and British Postmodernismf the spirit of post-modernism”.. Some of the work of James Fenton and Paul Muldoon may be accurately referred to in this way but it is at best unhelpful and at worst simply wrong to apply it to the others — especially to the most copiously represented poets, Seamus Heaney, Tony Harrison and Douglas Dunn.作者: 冷峻 時(shí)間: 2025-3-26 17:54 作者: acolyte 時(shí)間: 2025-3-26 21:01 作者: CLOT 時(shí)間: 2025-3-27 04:40
https://doi.org/10.1057/9780230379145Narrative; novel; poem; poetry; postmodernism作者: stratum-corneum 時(shí)間: 2025-3-27 07:16 作者: STAT 時(shí)間: 2025-3-27 13:19 作者: 引起痛苦 時(shí)間: 2025-3-27 13:47 作者: ticlopidine 時(shí)間: 2025-3-27 19:36 作者: 浮雕 時(shí)間: 2025-3-28 01:45 作者: 多余 時(shí)間: 2025-3-28 04:54 作者: MILK 時(shí)間: 2025-3-28 09:35 作者: ALLAY 時(shí)間: 2025-3-28 12:15 作者: 野蠻 時(shí)間: 2025-3-28 18:30
,Kodex für professionelles Verhalten,e new mainstream poetry which they anthologised and which was, as they wrote, still developing. Most conspicuously, Paul Muldoon and James Fenton had written longish poems that playfully combined diverse narrative genres. Poems that tell stories have acquired an even greater centrality since the Pen作者: 喃喃而言 時(shí)間: 2025-3-28 20:40
Von Fall zu Fall - Pflege im Rechtth and the desire for novelty. This reinforces a tendency which too readily canonises some poets at the expense of others and then passes on, so that these others, no matter how substantial their achievement, are marginalised. The main contention of the second part of this book is that a number of p作者: Choreography 時(shí)間: 2025-3-29 01:52 作者: Flinch 時(shí)間: 2025-3-29 05:09 作者: Pudendal-Nerve 時(shí)間: 2025-3-29 09:37 作者: 易于出錯(cuò) 時(shí)間: 2025-3-29 13:39 作者: Climate 時(shí)間: 2025-3-29 18:55
Von Fall zu Fall - Pflege im Rechtoy it merely to gesticulate towards a number of various, and sometimes contradictory developments. The editor of ., John Osborne, has been an exception to this but, as I indicate in my chapter on Craig Raine, even Osborne’s use of the term is unconstructively broad in some respects.. Much more consp作者: 健談 時(shí)間: 2025-3-29 22:32
https://doi.org/10.1007/3-540-30045-7 There are a number of forces at work here but the most crucial is in the influence that postmodernism has exerted — not because it has swept all before it but precisely because of the stubborn and varied resistance it has encountered in Britain. At the end of my last chapter I pointed out the exten作者: 樹上結(jié)蜜糖 時(shí)間: 2025-3-30 01:50
,Kodex für professionelles Verhalten,itten that her father “seems to have no concept of ‘home’”. so that they moved around obsessively and in “seven and a half years I attended eleven English schools, with a New Zealand one at each end to make it thirteen” (R.B., 5). Moving back to New Zealand in 1947作者: 時(shí)代錯(cuò)誤 時(shí)間: 2025-3-30 07:12
Introductione been regarded, or are still regarded, as outside that pale. Part of its point is to draw attention to the neglect which has been suffered by the three senior poets Roy Fisher, Christopher Middleton and, to a lesser extent Edwin Morgan who are discussed in the second section. However, I also wish t作者: 畢業(yè)典禮 時(shí)間: 2025-3-30 10:43
“But Who Is Speaking”: “Novelisation” in the Poetry of Craig Raineed out that they had failed to take account of the extent to which Raine was in a postmodernist tradition stretching back to Wallace Stevens, the Joyce of ., international surrealists like Lorca, Dali and Breton, and including, more recently, figures like Philip Roth, Kurt Vonnegut, Angela Carter an作者: 英寸 時(shí)間: 2025-3-30 12:22 作者: Affiliation 時(shí)間: 2025-3-30 17:54
James Fenton: Expert at Cross-Fertilisationques, forms and varieties of language for the writing of social poetry. The variousness of his work is the product of a kind of self-effacement that looks outwards at the complex variousness of society which is reflected in the multiplicity of languages it uses. Consequently, one of the most promine作者: aquatic 時(shí)間: 2025-3-31 00:34
