標(biāo)題: Titlebook: Contemporary Photography as Collaboration; Mathilde Bertrand,Karine Chambefort-Kay Book 2024 The Editor(s) (if applicable) and The Author( [打印本頁] 作者: 休耕地 時間: 2025-3-21 17:34
書目名稱Contemporary Photography as Collaboration影響因子(影響力)
書目名稱Contemporary Photography as Collaboration影響因子(影響力)學(xué)科排名
書目名稱Contemporary Photography as Collaboration網(wǎng)絡(luò)公開度
書目名稱Contemporary Photography as Collaboration網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Contemporary Photography as Collaboration被引頻次
書目名稱Contemporary Photography as Collaboration被引頻次學(xué)科排名
書目名稱Contemporary Photography as Collaboration年度引用
書目名稱Contemporary Photography as Collaboration年度引用學(xué)科排名
書目名稱Contemporary Photography as Collaboration讀者反饋
書目名稱Contemporary Photography as Collaboration讀者反饋學(xué)科排名
作者: 帶傷害 時間: 2025-3-21 22:19 作者: 擔(dān)憂 時間: 2025-3-22 03:22 作者: forbid 時間: 2025-3-22 06:15
Photographic Representations of Urban Communities in Postwar Britain and the Emergence of Collaborat short case studies to examine the changing nature of photography and the role and agency of local communities in the creation and circulation of images of their environments. The first of these examines how photography by artist Nigel Henderson after the Second World War informed key architectural 作者: 防御 時間: 2025-3-22 11:08
Reflective Portfolio: Photographing with the Earsaken in Marseille with a non-profit organisation which used to help young immigrants under 18 who came on their own from Morocco and Algeria. At that time, I felt that my images failed to describe the situation of these boys. They were making photographs by themselves and I was interested in what th作者: Euphonious 時間: 2025-3-22 16:56
Commercially Unavailable: Distribution as an Activist Tactic is to foreground work from artist-activist Mark Neville who chooses to employ the larger format, carefully printed photo-book, as an appropriate form for his sustained commitment to strategic, targeted distribution. Neville’s work has, over the last twenty years, engaged with the experience of chan作者: Euphonious 時間: 2025-3-22 17:17 作者: CHECK 時間: 2025-3-23 00:12 作者: FID 時間: 2025-3-23 04:02 作者: 描繪 時間: 2025-3-23 08:48 作者: GREG 時間: 2025-3-23 12:20 作者: 放縱 時間: 2025-3-23 14:17
/“Qu’on est loin des Amériques”: A Collaboration Between Photographers and Geographersaphers, photographers, and local residents, leading to the production of an illustrated Atlas de la Manche and a series of workshops and an exhibition entitled “Qu’on est loin des Amériques”. As actors immersed in different ‘iconographic systems’ (Mendibil 2008), participants faced issues of image p作者: 袖章 時間: 2025-3-23 21:17 作者: 責(zé)怪 時間: 2025-3-23 23:46 作者: 惡心 時間: 2025-3-24 05:03 作者: 古老 時間: 2025-3-24 09:51
Reflective Portfolio: Invisible Lives, Universal Dreamst was during that first project that I felt it was ethically appropriate to have an exchange and an invitation for participation and it was also an opportunity to start to develop feelings and a methodology that have guided me and permeated my way of working through collaboration since.作者: 運氣 時間: 2025-3-24 12:38
Reflective Portfolio: “Scattered Memories of a Distorted Future”an be found in all of my photo series, but in the project entitled “Scattered Memories of a Distorted Future,” started in May 2021 and still ongoing, collaboration has not been just to advance my project but has formed the core concept of the work.作者: Fallibility 時間: 2025-3-24 18:21 作者: Harridan 時間: 2025-3-24 19:25 作者: Seizure 時間: 2025-3-25 02:39
Verhaltensbiologie: Inhalte und Geschichtet was during that first project that I felt it was ethically appropriate to have an exchange and an invitation for participation and it was also an opportunity to start to develop feelings and a methodology that have guided me and permeated my way of working through collaboration since.作者: anagen 時間: 2025-3-25 06:04
Verhaltensbiologie: Inhalte und Geschichtean be found in all of my photo series, but in the project entitled “Scattered Memories of a Distorted Future,” started in May 2021 and still ongoing, collaboration has not been just to advance my project but has formed the core concept of the work.作者: aspersion 時間: 2025-3-25 10:54 作者: 不開心 時間: 2025-3-25 14:19
Polynome und Polynomgleichungen,s in the 1970s and 1980s in which community photography played an important role. The chapter argues that photography has served multiple functions in debates about urbanism in postwar Britain, which largely mirrors wider shifts in debates about participation in urban policy and planning.作者: 發(fā)誓放棄 時間: 2025-3-25 17:47 作者: recession 時間: 2025-3-25 23:52
Photographic Representations of Urban Communities in Postwar Britain and the Emergence of Collaborats in the 1970s and 1980s in which community photography played an important role. The chapter argues that photography has served multiple functions in debates about urbanism in postwar Britain, which largely mirrors wider shifts in debates about participation in urban policy and planning.作者: Intruder 時間: 2025-3-26 02:50 作者: Pituitary-Gland 時間: 2025-3-26 05:52
ield ofphotography: this includes a reinvention of the position of the photographer –in turns facilitator or project leader– of curating and exhibition models, of archiving methodologies, of photographic educat978-3-031-41446-6978-3-031-41444-2作者: 甜食 時間: 2025-3-26 09:00
Introduction: Changing the Paradigm of Photographic Creation and Circulation,the assumption of a recent transformation of photography. By drawing on the notion that photography is not only a visual art but also a social practice, the authors of this book collectively debunk the standard story of photography as the work of a single operator, author or hero. Not only do they r作者: Medicare 時間: 2025-3-26 16:16
A Photography of Becoming: Re-imaging the Promise of Participatory Photographyecoming accounts for the fluid and contrary forms of photography that emerge from participatory projects. It frames participatory photography’s potential as lying in its capacity to enable and accommodate plural ways of seeing and to nurture a critical, dialogical engagement with difference. A photo作者: Expiration 時間: 2025-3-26 19:11
, and ,: On Community Photobooks and Positive Self-Expressionups and with adults), this chapter proposes instead to apply sociologist Erving Goffman’s theories of positive self-expression to the photographic output. These theories provide a better understanding of the difference between insider and outsider photography. Finally, de-emphasising aesthetic consi作者: Guaff豪情痛飲 時間: 2025-3-26 23:33
Commercially Unavailable: Distribution as an Activist Tacticand . (2022). The latter was made in Ukraine, to plead for international prevention before, and as, a major conflict escalated into an invasion and war where fossil fuel and nationalism play a central role (Fig. 6.1).作者: Abrade 時間: 2025-3-27 02:13
The Dominance of Monographic Exhibitions in French Photographic Institutions: Data, Criticisms and I? This chapter shows that it is not exactly the case: if their form is still certainly questionable, monographic exhibitions are nonetheless politicized, but according to different logics. The Jeu de Paume, for example, uses them to challenge the male canon in photographic history and to protect and作者: electrolyte 時間: 2025-3-27 05:46 作者: V洗浴 時間: 2025-3-27 10:35 作者: garrulous 時間: 2025-3-27 14:31
/“Qu’on est loin des Amériques”: A Collaboration Between Photographers and Geographersext. It then aims to situate the experiences and careers of the photographers who are members of the Tulipe Mobile collective, and the importance given to the ‘restitution of images’ and the dialogue with the subjects of their images. The chapter then examines one of the products resulting from the 作者: SNEER 時間: 2025-3-27 19:15 作者: 壯麗的去 時間: 2025-3-27 23:17
Polynome und Polynomgleichungen,the assumption of a recent transformation of photography. By drawing on the notion that photography is not only a visual art but also a social practice, the authors of this book collectively debunk the standard story of photography as the work of a single operator, author or hero. Not only do they r作者: IVORY 時間: 2025-3-28 03:11 作者: admission 時間: 2025-3-28 07:38
https://doi.org/10.1007/3-540-29823-1ups and with adults), this chapter proposes instead to apply sociologist Erving Goffman’s theories of positive self-expression to the photographic output. These theories provide a better understanding of the difference between insider and outsider photography. Finally, de-emphasising aesthetic consi作者: critique 時間: 2025-3-28 11:56 作者: 喊叫 時間: 2025-3-28 16:55
Erhard Cramer,Johanna Ne?lehová? This chapter shows that it is not exactly the case: if their form is still certainly questionable, monographic exhibitions are nonetheless politicized, but according to different logics. The Jeu de Paume, for example, uses them to challenge the male canon in photographic history and to protect and作者: 約會 時間: 2025-3-28 21:02 作者: 泄露 時間: 2025-3-29 00:59
Verhaltensbiologie: Inhalte und Geschichtet protest, feminism, images of childhood, international freedom struggles, and the politics of representation. This chapter discusses how an active archival approach might engage with the complex and sometimes contested interpretation of these collective practices. What curatorial issues might they 作者: Postmenopause 時間: 2025-3-29 03:54 作者: LIEN 時間: 2025-3-29 08:48 作者: interrupt 時間: 2025-3-29 12:14 作者: Assemble 時間: 2025-3-29 17:59 作者: Choreography 時間: 2025-3-29 21:36
978-3-031-41446-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 先驅(qū) 時間: 2025-3-30 01:17
Mathilde Bertrand,Karine Chambefort-KayExplores photographic practices which actively engage in the politics of collaboration.Addresses the political, counter-cultural dimension of collaborative projects.Offers to explore a spectrum of pho作者: Employee 時間: 2025-3-30 07:31
http://image.papertrans.cn/c/image/236654.jpg作者: Champion 時間: 2025-3-30 08:40
Polynome und Polynomgleichungen,te an attention to the dynamics and politics of collaborative work. The rise and ubiquitous development of digital photography has certainly allowed photographers to conceive of new ways to engage with the medium, to create and to share with others. At the same time, funding streams now require proj作者: 尊敬 時間: 2025-3-30 13:39
