標(biāo)題: Titlebook: Contemporary Latin American Cinema; Resisting Neoliberal Claudia Sandberg,Carolina Rocha Book 2018 The Editor(s) (if applicable) and The Au [打印本頁] 作者: 開脫 時(shí)間: 2025-3-21 18:03
書目名稱Contemporary Latin American Cinema影響因子(影響力)
書目名稱Contemporary Latin American Cinema影響因子(影響力)學(xué)科排名
書目名稱Contemporary Latin American Cinema網(wǎng)絡(luò)公開度
書目名稱Contemporary Latin American Cinema網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Contemporary Latin American Cinema被引頻次
書目名稱Contemporary Latin American Cinema被引頻次學(xué)科排名
書目名稱Contemporary Latin American Cinema年度引用
書目名稱Contemporary Latin American Cinema年度引用學(xué)科排名
書目名稱Contemporary Latin American Cinema讀者反饋
書目名稱Contemporary Latin American Cinema讀者反饋學(xué)科排名
作者: defeatist 時(shí)間: 2025-3-21 23:32
978-3-030-08347-2The Editor(s) (if applicable) and The Author(s) 2018作者: 廚房里面 時(shí)間: 2025-3-22 00:56 作者: visual-cortex 時(shí)間: 2025-3-22 05:05 作者: Gorilla 時(shí)間: 2025-3-22 09:37 作者: Surgeon 時(shí)間: 2025-3-22 15:08
https://doi.org/10.1007/BFb0100180 contemporary Mexican and Brazilian cinemas. By focusing on . (Jameson), the combined analysis of . (2012) and . (2015) sheds new light on a broad contemporary transformation in Mexican and Brazilian filmmaking towards a focus on the middle class. This study complements previous analyses that emphas作者: Surgeon 時(shí)間: 2025-3-22 19:02 作者: 空氣傳播 時(shí)間: 2025-3-22 22:13
uniqueness in finite dimensions,hat caters exclusively to the economic elites, following the logic of economic optimization and foregoing any attempt at a cinematic project rooted in national culture. The author analyzes Alonso Ruizpalacios’ . (2014) as an interesting case study illustrating the difficulties of trying to resist ne作者: 不理會(huì) 時(shí)間: 2025-3-23 02:13 作者: locus-ceruleus 時(shí)間: 2025-3-23 05:52
I. Fiebrig,S. E. Harding,S. S. Davis of film production. Accused of being both reactionary and a piece of left-wing propaganda, the film motivated an unprecedented public debate about the experience of neoliberalism in Chile and its relation to film production. This chapter explores this national reception, considering the film’s cond作者: CAGE 時(shí)間: 2025-3-23 09:59 作者: 重畫只能放棄 時(shí)間: 2025-3-23 17:29
Michelle Norris,Nicole Gurran,Glen Bramleyit examines theatrical digitalization as the latest form to expand market share of US films, but also as a potential expansion of Argentinian film culture; and third, it evaluates state measures to mitigate foreign dominance and protect national cinema spaces. To this effect, the authors look at the作者: 錢財(cái) 時(shí)間: 2025-3-23 21:33 作者: 蜿蜒而流 時(shí)間: 2025-3-24 01:41 作者: 利用 時(shí)間: 2025-3-24 04:19
Urban Planning and the Housing Markete films of the young Argentine director concern?themes of social marginality and neoliberal critique?in a rural setting. Utilizing documentary and fictional modes, open narrative structures and enticing visuals, they draw pictures of a community in crisis. Consumer culture has begun shaping the desi作者: prosperity 時(shí)間: 2025-3-24 06:57 作者: 有花 時(shí)間: 2025-3-24 13:51 作者: 愉快嗎 時(shí)間: 2025-3-24 16:36 作者: 植物茂盛 時(shí)間: 2025-3-24 21:10 作者: JOT 時(shí)間: 2025-3-25 01:22
Uniqueness of the Injective III1 Factord the ever-expanding funding scape offer opportunities to get film projects off the ground. Filmmakers use the subversive potential of genres to capture specifically Latin American experiences and sensibilities, critiquing?neoliberal ideology, its middle-class conventions and moral regimes.作者: Modify 時(shí)間: 2025-3-25 05:22 作者: 容易生皺紋 時(shí)間: 2025-3-25 10:22 作者: 羽飾 時(shí)間: 2025-3-25 11:53 作者: 賠償 時(shí)間: 2025-3-25 18:55 作者: heirloom 時(shí)間: 2025-3-25 22:11
Larraín’s ,: A Tale of Neoliberalism an ambiguous and complex relationship with neoliberalism, which highlights the contradictory nature of the Chilean field of film production as it has been increasingly professionalized and internationalized under the logics of late capitalism.作者: 我沒有命令 時(shí)間: 2025-3-26 03:40
Social Cinema in Neoliberal Times: The Macabre Baroque in the Films of Pablo Larraín landscapes, and by imitating genres rooted in the commercial culture industry. It is with respect to Larraín’s films’ self-positioning as both social critique and aesthetic rupture that we may refer to them as comprising a macabre baroque cinema.作者: 極小量 時(shí)間: 2025-3-26 06:10
Maximiliano Schonfeld’s Films of the Volga Germans in Entre Ríos: About the Neoliberal Devil in Argees. With reference to the shorts . (2006), . (2006) and the feature film . (2012), the author argues that Schonfeld’s filmmaking is an act of resistance to the loss of community-based living and working structures in rural environments.作者: 發(fā)生 時(shí)間: 2025-3-26 11:13 作者: auxiliary 時(shí)間: 2025-3-26 12:54 作者: 一致性 時(shí)間: 2025-3-26 20:19 作者: 評(píng)論性 時(shí)間: 2025-3-26 21:43
: Challenging the Neoliberal in Mexican Cinemay to explore women’s creative contributions. Consequently, Thornton analyzes how neoliberalism is an inescapable determinant in understanding . as a nodal point for the intersection of multiple interests.作者: GRATE 時(shí)間: 2025-3-27 03:14 作者: 受人支配 時(shí)間: 2025-3-27 06:25
emerging and eminent film scholars from a global context as .Contemporary Latin American Cinema. investigates the ways in which neoliberal measures of privatization, de-regularization and austerity introduced in Latin America during the 1990s have impacted film production and film narratives. The co作者: 宣傳 時(shí)間: 2025-3-27 12:47
uniqueness in finite dimensions, national culture. The author analyzes Alonso Ruizpalacios’ . (2014) as an interesting case study illustrating the difficulties of trying to resist neoliberalism after decades of living in a society and working inside a film industry strongly shaped by its ideology.作者: Pituitary-Gland 時(shí)間: 2025-3-27 14:37 作者: 古文字學(xué) 時(shí)間: 2025-3-27 19:31 作者: zonules 時(shí)間: 2025-3-27 22:39 作者: gangrene 時(shí)間: 2025-3-28 03:01
Progress in Colloid and Polymer Scienceng, a practice that allows multiple investors to support the development of an artistic project. By examining the political economy of raising funds in the United States for films set in Colombia and Ecuador, respectively, Rocha argues that these transnational projects resist the neoliberal commodification and disappearance of national cultures.作者: SUGAR 時(shí)間: 2025-3-28 07:21 作者: 精致 時(shí)間: 2025-3-28 10:45 作者: 本能 時(shí)間: 2025-3-28 14:56 作者: 現(xiàn)存 時(shí)間: 2025-3-28 21:50
New Geographies of Class in Mexican and Brazilian Cinemas: , and ize the aesthetic and affective dimensions of these films by applying Doreen Massey’s relational conceptualization of space to the films’ spatial explorations. Under this critical lens, the films belong to an emerging . (middle-class cinema) in Latin America where neoliberal social segregation translates into cinematographic distinctions.作者: Fulsome 時(shí)間: 2025-3-28 23:38
Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Commits—., .—in terms of their critical, commercial and funding success both within and beyond national borders. Crucially, it asks whether a deeper understanding of the role of the producer might reveal an alternative way of negotiating the evolving relationships, tensions and power dynamics between Latin American cinema and global markets.作者: Indolent 時(shí)間: 2025-3-29 06:46 作者: Adenocarcinoma 時(shí)間: 2025-3-29 10:15 作者: 引導(dǎo) 時(shí)間: 2025-3-29 13:50
Between Armed Conflict, Social Awareness and the Neoliberal Market: The Case of an instrument of social engagement and awareness. The chapter also draws attention to the use of audiovisual tools as pedagogical and communicative strategies to strengthen community networks amid armed conflict.作者: Landlocked 時(shí)間: 2025-3-29 18:46
Community Film in Southern Greater Buenos Aires: Emerging Voices and the Economy of Film as Resistanese collectives were formed as civil society organizations that gathered filmmakers, producing audiovisual projects in which horizontality and networks function as production strategies to fight?the monopolizing impact of neoliberalism on culture and communication.作者: 拱墻 時(shí)間: 2025-3-29 20:38
exhibition and consumption that shape and influence the Latin American filmscape. Through industry studies, reception analyses and close readings, thisbook establishes an informative and accessible text for scholars and students alike..978-3-030-08347-2978-3-319-77010-9作者: 生銹 時(shí)間: 2025-3-30 03:33 作者: Mechanics 時(shí)間: 2025-3-30 06:31 作者: 令人苦惱 時(shí)間: 2025-3-30 09:16
Contemporary Latin American Cinema and Resistance to Neoliberalism: Mapping the Field, of state-owned companies have on distribution and exhibition arrangements? How did narrative and aesthetic formats reflect these changes? In which way does contemporary Latin American cinema criticize but also benefit from neoliberal advancements? The author argues that there are loopholes within s作者: gerontocracy 時(shí)間: 2025-3-30 15:53
Southern Hegemonies and Metaphors of the Global South in ism and decolonization conflict with each other. Walter Mignolo’s . and Siba Grovogui’s . illustrate such conflict particularly well as it conflates in the geopolitical term Global South. Transnational films such as Icíar Bollaín’s 2010 fictional docudrama ./. often bespeak a plurality of overlaying
