標(biāo)題: Titlebook: Contemporary Indian Dance; New Creative Choreog Ketu H. Katrak Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 201 [打印本頁] 作者: 恐怖 時(shí)間: 2025-3-21 17:29
書目名稱Contemporary Indian Dance影響因子(影響力)
書目名稱Contemporary Indian Dance影響因子(影響力)學(xué)科排名
書目名稱Contemporary Indian Dance網(wǎng)絡(luò)公開度
書目名稱Contemporary Indian Dance網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Contemporary Indian Dance被引頻次
書目名稱Contemporary Indian Dance被引頻次學(xué)科排名
書目名稱Contemporary Indian Dance年度引用
書目名稱Contemporary Indian Dance年度引用學(xué)科排名
書目名稱Contemporary Indian Dance讀者反饋
書目名稱Contemporary Indian Dance讀者反饋學(xué)科排名
作者: 原諒 時(shí)間: 2025-3-21 21:40
Contemporary Indian Dance978-0-230-32180-9Series ISSN 2947-4949 Series E-ISSN 2947-4957 作者: Collar 時(shí)間: 2025-3-22 01:31
2947-4949 e. Myriad movement vocabularies intersect the dancers‘ creative landscape, while?cutting-edge creative choreography parodies gender and cultural stereotypes, and represents social issues.978-1-137-47240-3978-0-230-32180-9Series ISSN 2947-4949 Series E-ISSN 2947-4957 作者: Vertebra 時(shí)間: 2025-3-22 05:00 作者: 平淡而無味 時(shí)間: 2025-3-22 12:08
https://doi.org/10.1057/9780230321809Indian dance; international performance; bibliography; dance; dancing; gender; India; stage; Tradition作者: 咯咯笑 時(shí)間: 2025-3-22 14:19
978-1-137-47240-3Palgrave Macmillan, a division of Macmillan Publishers Limited 2011作者: 咯咯笑 時(shí)間: 2025-3-22 19:06 作者: SIT 時(shí)間: 2025-3-22 23:51
International Criminal Justice Seriesnd underscores the need for the kind of “context-sensitive” analysis that he recommends. The presence of British colonizers and Indian nationalists provide a similar set of contexts within which the place and position of Indian classical dance should be viewed. Doing so highlights a key paradox: soc作者: amorphous 時(shí)間: 2025-3-23 04:43
Universal Service in WTO and EU laweers in following this style in their nearly four-decade long careers. Today, Deboo’s name is synonymous with Contemporary Indian Dance, “a dance theatre style of his own which successfully assimilates Indian and Western techniques.”. However, for a long time after the start of his career in 1960, A作者: ambivalence 時(shí)間: 2025-3-23 08:46 作者: Merited 時(shí)間: 2025-3-23 10:16 作者: EXCEL 時(shí)間: 2025-3-23 15:51 作者: 頭腦冷靜 時(shí)間: 2025-3-23 19:17 作者: Substance-Abuse 時(shí)間: 2025-3-24 00:33 作者: 加強(qiáng)防衛(wèi) 時(shí)間: 2025-3-24 04:09 作者: Scleroderma 時(shí)間: 2025-3-24 07:05
Universal Service in WTO and EU lawrn dance in India.” In 2007, the government of India honored him with the country’s prestigious Padma Shri (a high honor for artists) that acknowledged him as a pioneer of Contemporary Indian Dance. This award marked “a milestone,” Astad remarks with characteristic humility, not because of the prest作者: Emasculate 時(shí)間: 2025-3-24 14:08
Universal Service in WTO and EU lawchoreography of Ahmedabad-based Mallika Sarabhai’s dance, and theatre work aiming for social change presented in urban Ahmedabad, and in rural areas addressing issues of gender health and equality. Bharatanatyam is also the foundation for the contemporary work of Delhi-based Navtej Singh Johar and M作者: Lacunar-Stroke 時(shí)間: 2025-3-24 16:30 作者: Basal-Ganglia 時(shí)間: 2025-3-24 20:34
https://doi.org/10.1007/978-94-6300-040-6ntegration, or marginalization of former ex-colonized peoples, including artists into Britain follows a different trajectory in the twentieth century. In British society, acutely class-conscious in the 1950s (somewhat different from the United States), working-class populations that entered the coun作者: ARCHE 時(shí)間: 2025-3-25 01:38 作者: BUMP 時(shí)間: 2025-3-25 05:09 作者: TAG 時(shí)間: 2025-3-25 09:04
Beyond Tradition: Contemporary Choreography by Masters of Traditional Indian Dance and Emerging Innchoreography of Ahmedabad-based Mallika Sarabhai’s dance, and theatre work aiming for social change presented in urban Ahmedabad, and in rural areas addressing issues of gender health and equality. Bharatanatyam is also the foundation for the contemporary work of Delhi-based Navtej Singh Johar and M作者: Gene408 時(shí)間: 2025-3-25 12:13 作者: Incisor 時(shí)間: 2025-3-25 16:50
Dancing in the Diaspora Part II: Britain,ntegration, or marginalization of former ex-colonized peoples, including artists into Britain follows a different trajectory in the twentieth century. In British society, acutely class-conscious in the 1950s (somewhat different from the United States), working-class populations that entered the coun作者: notion 時(shí)間: 2025-3-25 23:00
Introduction,icance of the Indian context, both philosophical and psychic in analyzing Indian dance. She investigates further “the concept of movement in space and time … an enquiry into the part played by the body and the sense in Indian speculative thought and how this gives rise to a cohesive and integrated v作者: VALID 時(shí)間: 2025-3-26 01:52 作者: HERTZ 時(shí)間: 2025-3-26 07:23
Abstract Dance with Rasa: Pioneers Astad Deboo and Shobana Jeyasingh,eers in following this style in their nearly four-decade long careers. Today, Deboo’s name is synonymous with Contemporary Indian Dance, “a dance theatre style of his own which successfully assimilates Indian and Western techniques.”. However, for a long time after the start of his career in 1960, A作者: 拾落穗 時(shí)間: 2025-3-26 12:05 作者: Gossamer 時(shí)間: 2025-3-26 15:45
Hybrid Artists and Transnational Collaborations: Chennai, Toronto, Kuala Lumpur,) take transnational collaborations to a different level. They have co-choreographed dance works since the late 1990s, with Krishnan also using his directing talent in the overall staging, creating visual and aural affects in the presentation. While both trained in bharatanatyam which remains a deep作者: instulate 時(shí)間: 2025-3-26 16:54 作者: CERE 時(shí)間: 2025-3-27 00:33
Dancing in the Diaspora Part II: Britain,al North even as the genre continues to evolve within India. As discussed in the previous chapter, diasporic North American artists take Contemporary Indian Dance into bold thematic explorations of socio-political issues, gender and sexuality, as well as expanding the form in multidisciplinary and p作者: 嘮叨 時(shí)間: 2025-3-27 02:21 作者: 帶子 時(shí)間: 2025-3-27 06:10 作者: BOAST 時(shí)間: 2025-3-27 10:57
Clara Burbano Herrera,Yves Haeckgraphy of second-generation artists of Indian, part-Indian, South Asian, and other ethnicities living in North America, whose creative works have been path-breaking, even at times, paradigm-shifting in Contemporary Indian Dance.作者: CIS 時(shí)間: 2025-3-27 14:52
,Becoming a Good Teacher – Who Cares?,ing remains a major issue in India where Government of India grants are limited and highly politicized. Corporate funding with or without strings attached has become necessary for artistic survival in many parts of the world.作者: Tailor 時(shí)間: 2025-3-27 20:08 作者: 尖叫 時(shí)間: 2025-3-28 01:06
Introduction,litics, economics, and history.”. Together, these observations resonate with my personal journey that has led, through my own bodily learning of ., and my later attempts to conceptualize and theorize that bodily knowledge to this book on Contemporary Indian Dance.作者: Asperity 時(shí)間: 2025-3-28 06:09 作者: verdict 時(shí)間: 2025-3-28 07:43
Conclusion: Ways of Looking Ahead,ing remains a major issue in India where Government of India grants are limited and highly politicized. Corporate funding with or without strings attached has become necessary for artistic survival in many parts of the world.作者: 人類 時(shí)間: 2025-3-28 13:07
Book 2020entral analytical and normative threads, foregrounding the focal notion of thresholds of sense. The second chapter explores the nature of contexts, situations, and backgrounds of meaning-making following the lead of John Dewey, Ben-Ami Scharfstein, and Gernot B?hme. Chapter three examines the comple作者: 易于出錯(cuò) 時(shí)間: 2025-3-28 16:56
,Experiences of Change – Challenges, Processes and Patterns of Action,ove to be life-design tasks. In retrospect, changes triggered by a more intrinsic impulse receive more positive evaluations than externally induced changes. However, both follow a procedural pattern with four phases: orientation, solution, stabilization and practice. Within each of these phases, dri作者: 表被動 時(shí)間: 2025-3-28 22:43
Introduction,Dundee Formation has been explored. A total of 245 brachiopod specimens were collected from a fossiliferous horizon of the Dundee Formation exposed at Whitehouse Quarry and identified to the generic level. Brachiopod genera identified were Strophodonta, Rhipidomella, Rhynchotrema, Atrypa, and Mucros
