標題: Titlebook: Contemporary Gothic Drama; Attraction, Consumma Kelly Jones,Benjamin Poore,Robert Dean Book 2018 The Editor(s) (if applicable) and The Auth [打印本頁] 作者: ACE313 時間: 2025-3-21 19:12
書目名稱Contemporary Gothic Drama影響因子(影響力)
書目名稱Contemporary Gothic Drama影響因子(影響力)學科排名
書目名稱Contemporary Gothic Drama網(wǎng)絡公開度
書目名稱Contemporary Gothic Drama網(wǎng)絡公開度學科排名
書目名稱Contemporary Gothic Drama被引頻次
書目名稱Contemporary Gothic Drama被引頻次學科排名
書目名稱Contemporary Gothic Drama年度引用
書目名稱Contemporary Gothic Drama年度引用學科排名
書目名稱Contemporary Gothic Drama讀者反饋
書目名稱Contemporary Gothic Drama讀者反饋學科排名
作者: ABOUT 時間: 2025-3-21 22:56
Book 2018Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.?作者: critic 時間: 2025-3-22 02:37
Introduction,es and aesthetics of the Gothic as a tool, not simply to explore past horrors or exotic monsters that lie beyond our borders, but with which to playfully uncover our own unrelentingly abject relationship with the very soil that we walk upon.作者: Cardioplegia 時間: 2025-3-22 07:36 作者: 防御 時間: 2025-3-22 12:39
Death, Decay and Domesticity: The Corpse as Pivotal Stage Presence in Howard Barker’s gery, and details his specific, subversive engagement with them. It contextualises the analysis by drawing on Kristeva’s writing on the abject (1987), Botting’s writing on the Gothic (1996) and Lingis’ writing on eroticism, and the impact of sex and death on the perception of time (2000).作者: 進取心 時間: 2025-3-22 14:30 作者: 進取心 時間: 2025-3-22 20:30 作者: BROOK 時間: 2025-3-22 23:21
Writing the Ghost—An Interview with Playwright Michael PunterIrving. At CAPA, his courses include .. In this interview with Benjamin Poore, Michael discusses his early influences, the relationship between theatre and ghosts, theatre for and about young people, and the challenges and paradoxes of staging the supernatural and the Gothic.作者: 行為 時間: 2025-3-23 01:32
2634-6214 e interdisciplinary appeal by covering theatre, adaptation, This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and l作者: STERN 時間: 2025-3-23 06:05
Model Theory and Universal Algebra,this Ripper tourism. Its central concern is with the Ripper tours, which it considers as street theatre. The essay looks at the narrative and performance modes guides draw on to negotiate their highly contentious subject matter, and considers the tours’ complex relation to the Gothic.作者: 工作 時間: 2025-3-23 12:38
ULF Pulsations in the Magnetosphere., .) and those it gave rise to (i.e. ., .). The material considered connects the Enfield Poltergeist with the theatricality of nineteenth-century séances and tropes of Gothic literature. This work also intercedes with concepts such as Freud’s ‘Double’, Winnicott’s ‘transitional object’, Goffman’s ‘frames’ and Schechner’s ‘dark play’.作者: plasma 時間: 2025-3-23 17:17 作者: 災禍 時間: 2025-3-23 20:31
Ultrasonic Tissue Characterization production in Edinburgh catacombs, and Burn the Curtain’s ., a night-time performance in woodland, exploit the potential of space, proximity and obscurity; both adaptations thereby structure a relationship to Carter’s writing that is exciting, unsettling and potentially liberating.作者: dowagers-hump 時間: 2025-3-23 22:36
,Uprooting and Surviving — An Overview,t the employment of Gothic aesthetics in forms of theatrical performances can offer empowering and sometimes unsettling ways to liberate both adults and young people from conventional audience behaviours.作者: OTHER 時間: 2025-3-24 02:42 作者: 按時間順序 時間: 2025-3-24 08:20
Model Theory and Universal Algebra,nct from its original experience. The plethora of objects left at Cross Bones—ribbons with inscriptions, photographs, beads, flowers, tin cans, popular cultural artefacts—testify to the reincorporation of discarded/useless items into symbols of feminism and historical recovery.作者: neutral-posture 時間: 2025-3-24 12:33
A. D. M. Walker,R. A. Greenwaldarticularly in the form of No?l Coward’s classic comedy . (1941). Therefore, the chapter argues, attempts by contemporary playwrights to write séance scenes and create spirit medium characters are haunted by the theatrical past, as much as by the past of their own narrative worlds.作者: neutrophils 時間: 2025-3-24 17:21 作者: 無動于衷 時間: 2025-3-24 20:13
Little Monsters: Gothic Children and Contemporary Theatrical Performancet the employment of Gothic aesthetics in forms of theatrical performances can offer empowering and sometimes unsettling ways to liberate both adults and young people from conventional audience behaviours.作者: echnic 時間: 2025-3-24 23:46 作者: Archipelago 時間: 2025-3-25 05:56 作者: Spinal-Fusion 時間: 2025-3-25 11:07 作者: 流利圓滑 時間: 2025-3-25 11:53
‘I Hate This Job’: Guiding Ripper Tours in the East Endthis Ripper tourism. Its central concern is with the Ripper tours, which it considers as street theatre. The essay looks at the narrative and performance modes guides draw on to negotiate their highly contentious subject matter, and considers the tours’ complex relation to the Gothic.作者: 妨礙議事 時間: 2025-3-25 18:47 作者: 量被毀壞 時間: 2025-3-25 20:14
International Astronomical Union Symposiaes and aesthetics of the Gothic as a tool, not simply to explore past horrors or exotic monsters that lie beyond our borders, but with which to playfully uncover our own unrelentingly abject relationship with the very soil that we walk upon.作者: 把手 時間: 2025-3-26 03:07
https://doi.org/10.1007/978-94-009-7211-7ssive passion, as portal to the expression and experience of a politically disruptive temporality. Starting from what may be the first overt British theatrical identification of the Gothic, Shakespeare’s ., it moves to considerations of plays by Whiting, Rudkin, Barnes, Barker, Butterworth, Ridley, King, Eccleshare and McDowall.作者: 要控制 時間: 2025-3-26 08:23
Richard M. West (General Secretary)gery, and details his specific, subversive engagement with them. It contextualises the analysis by drawing on Kristeva’s writing on the abject (1987), Botting’s writing on the Gothic (1996) and Lingis’ writing on eroticism, and the impact of sex and death on the perception of time (2000).作者: 要控制 時間: 2025-3-26 10:45
Urbanization and Environmental Qualityplayfully exposing a postmodern preoccupation with fractured narrative as well as providing the audience with a renewed sense of power in the theatrical moment, whereby their engagement with and fear of the telling and enacting of ‘little’ stories’ becomes the focus of the play’s Gothic engagement.作者: 命令變成大炮 時間: 2025-3-26 14:43
https://doi.org/10.1007/978-94-009-8075-4n murder, the occupants of a fictional Paris opera house). Drawing from musical theatre, popular culture, and fan studies, this chapter argues that there is a direct correlation between the content and presentation of . and the type of fan response it tends to evoke.作者: 運動性 時間: 2025-3-26 18:40
Noise Sources, Radiation and MitigationIrving. At CAPA, his courses include .. In this interview with Benjamin Poore, Michael discusses his early influences, the relationship between theatre and ghosts, theatre for and about young people, and the challenges and paradoxes of staging the supernatural and the Gothic.作者: exhibit 時間: 2025-3-27 00:28
Introduction, theatre culture. With reference to a series of plays that engage with ideas of national identity, such as the recent stagings of DC Moore’s . (2017) and Mike Bartlett’s . (2017), this essay argues that there is a timeliness to a study of how contemporary theatre has come to use the properties, them作者: 廣大 時間: 2025-3-27 05:11 作者: oblique 時間: 2025-3-27 07:16
Death, Decay and Domesticity: The Corpse as Pivotal Stage Presence in Howard Barker’s alyses the three themes of paternity, sexuality and taboo in relation to the corpse as central stage object in the play text and in production by The Wrestling School company. The chapter places Barker’s work in relation to a long tradition of these, and other prominent Gothic themes and related ima作者: Grandstand 時間: 2025-3-27 11:51 作者: Mutter 時間: 2025-3-27 16:40 作者: 很是迷惑 時間: 2025-3-27 21:03 作者: 泄露 時間: 2025-3-28 02:01
Uncanny Audio: The Place and Use of Sound in Gothic Performanceout theatre history, pioneering developments in audio technology have found an affinity with the uncanny. The audiences of Greek plays, Renaissance drama, nineteenth-century stage illusions and melodrama or the Théatre du Grand-Guignol had their moods manipulated by efficacious sound effects and mus作者: ostrish 時間: 2025-3-28 03:25
-,: Gothic Fan Cultures and Intertextual Othernesse of “Phans” to extend the production’s central theme of obsession beyond the auditorium walls and into their intertextual fan practices. That said, such responses stem from a narrative which is ultimately about fandom itself (where the Phantom’s obsession with Christine causes him to haunt, and eve作者: 大喘氣 時間: 2025-3-28 09:30
‘I Hate This Job’: Guiding Ripper Tours in the East Endcently experienced a rapid proliferation of thanatourism in the form of Ripper tours and a Ripper ‘museum’. This essay offers a survey and account of this Ripper tourism. Its central concern is with the Ripper tours, which it considers as street theatre. The essay looks at the narrative and performa作者: REIGN 時間: 2025-3-28 11:10
The Forgotten Dead: Performance, Memory and Sites of Mourning at Cross Bones Graveyardraveyard in Southwark, London, as a case study of contemporary Gothic performance. As a contemporary unofficial shrine, the graveyard is invested with symbolic and political nuances, which has been co-opted by campaigners (including writers such as John Constable, and the International Union of Sex 作者: CREST 時間: 2025-3-28 18:30
Playing in the Dark: Possession and Performanceold girl appeared to speak with the voice of a dead old man. It will explore the renderings of possession which this performance resonated with (i.e. ., .) and those it gave rise to (i.e. ., .). The material considered connects the Enfield Poltergeist with the theatricality of nineteenth-century séa作者: 折磨 時間: 2025-3-28 22:49
Staging the Séance: The Spirit Medium and the Gothic in Modern Theatreow this often involves allusions to the performance conditions and contexts of spiritualism’s nineteenth-century heyday. In the last few years, the depiction of the séance has begun to move away from Gothic narratives of encounters with an unnameable evil, and back towards the séance’s show-business作者: 繼而發(fā)生 時間: 2025-3-28 23:20
Writing the Ghost—An Interview with Playwright Michael Punter the Theatre Royal Bury St Edmunds in 2012. His ghost play for children, ., was produced by Pop-Up Theatre in 2002 and toured the UK thereafter. Michael is Director of Theatre Education for CAPA, The Global Education Network, based in London. His academic research has focused on the career of Henry 作者: 類人猿 時間: 2025-3-29 03:18 作者: Infant 時間: 2025-3-29 10:27 作者: florid 時間: 2025-3-29 13:05 作者: phytochemicals 時間: 2025-3-29 17:52 作者: 白楊魚 時間: 2025-3-29 23:16 作者: 聽寫 時間: 2025-3-30 02:43 作者: 抒情短詩 時間: 2025-3-30 06:07
Urbanization and Environmental Qualitye and to tap into a more unnerving depiction of violence and extremes of the theatrical grotesque. This chapter seeks to explore the discomforting effect of the ‘little stories’ within the play’s narrative from a postmodern perspective. In exploring the horror of these ‘little stories’, McDonagh is 作者: 慢慢啃 時間: 2025-3-30 08:32
Ultrasonic Tissue Characterizationons, Babbage shows that while Carter’s Gothic iconography has been effectively represented, theatre adaptations have struggled to sustain the fluidity of position that is equally important in her work. Referencing examples from eighteenth- and nineteenth-century drama, and the insistence of Burke an作者: 硬化 時間: 2025-3-30 12:31
,Uprooting and Surviving — An Overview,f children in the post-war British theatre as both objects and agents of horror, as well as how recent theatrical fare such as Jack Thorne’s adaptation of John Ajvide Lindqviste’s . (2013) and Nicholas Wright’s adaptation of Philip Pullman’s . (2003), perhaps inspired by a recent trend in Gothic fic作者: Atmosphere 時間: 2025-3-30 16:53 作者: 厭煩 時間: 2025-3-30 23:43 作者: Arthr- 時間: 2025-3-31 02:20 作者: EXTOL 時間: 2025-3-31 07:35
Model Theory and Universal Algebra,raveyard in Southwark, London, as a case study of contemporary Gothic performance. As a contemporary unofficial shrine, the graveyard is invested with symbolic and political nuances, which has been co-opted by campaigners (including writers such as John Constable, and the International Union of Sex 作者: gastritis 時間: 2025-3-31 12:54
ULF Pulsations in the Magnetosphereold girl appeared to speak with the voice of a dead old man. It will explore the renderings of possession which this performance resonated with (i.e. ., .) and those it gave rise to (i.e. ., .). The material considered connects the Enfield Poltergeist with the theatricality of nineteenth-century séa
