標(biāo)題: Titlebook: Contemporary Fictions of Multiculturalism; Diversity and the Mi Michael Perfect Book 2014 Palgrave Macmillan, a division of Macmillan Publi [打印本頁] 作者: 郊區(qū) 時(shí)間: 2025-3-21 19:23
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書目名稱Contemporary Fictions of Multiculturalism讀者反饋學(xué)科排名
作者: byline 時(shí)間: 2025-3-21 22:04
De aanpak van subunguinale clavi,an be little doubt that the interpretive frames in which I have explored them will become increasingly strained rather than increasingly fitting. It is hoped, however, that in attempting to find ways in which to move beyond reading them as ‘representative’ writers, this work will enable future critical reconfigurations of their oeuvres.作者: 色情 時(shí)間: 2025-3-22 04:23 作者: Adjourn 時(shí)間: 2025-3-22 08:34
Introduction Backgrounds: Facts and Fictions of Multicultural London,ritish film director Danny Boyle, the spectacle was entitled ‘Isles of Wonder’ and explicitly sought to celebrate British history and culture. While many had expressed doubts over the ceremony’s ability to match the one that had been held in Beijing four years previously (London spent less than half作者: 系列 時(shí)間: 2025-3-22 11:19
Multiculturalism and the Work of Hanif Kureishi,. Indeed, Kureishi’s work has focused almost exclusively on the contemporary moment — to date all of his writing has been set in the late twentieth or early twenty-first century — and almost exclusively on London; the 2013 filmscript ., set in Paris, and 2014 novel ., set in rural Somerset, are Kure作者: sigmoid-colon 時(shí)間: 2025-3-22 13:39 作者: sigmoid-colon 時(shí)間: 2025-3-22 18:17 作者: subacute 時(shí)間: 2025-3-22 21:37 作者: 殖民地 時(shí)間: 2025-3-23 02:35
,Mis-marketing Multiculturalism? Gautam Malkani’s , (2006),t century. Having been well received at the 2005 Frankfurt Book Fair, it was the subject of a fierce bidding war with, apparently, at least five publishing houses fighting over it; Fourth Estate finally secured the rights after parting with a six-figure advance (. magazine reported that the advance 作者: 易發(fā)怒 時(shí)間: 2025-3-23 06:27 作者: Foment 時(shí)間: 2025-3-23 12:11 作者: TRAWL 時(shí)間: 2025-3-23 16:56
,Coda: The Prophet’s Graveyard,the most significant contribution to fiction about multiculturalism in London of the last 25 years — as ‘representative’ have been reductive rather than enabling, and attempted to find new ways in which to read their work and its importance for multiculturalism. As I have shown, Kureishi and Levy ha作者: 鬼魂 時(shí)間: 2025-3-23 20:20
3 Neurofysiologie van de lage urinewegening some whose politics could accurately be described as nationalistic.. Indeed, the fact that such a large-scale celebration of Britain and Britishness could antagonise those most invested in the idea of national identity was itself celebrated, and seemed to many to gesture towards the possibility 作者: 小教堂 時(shí)間: 2025-3-23 23:27
J.L.H.R. Bosch,B.L.H. Bemelmanstatus, and this has led to a failure to recognise the multiplicity of his writing and to engage fully with its complexities. Moreover, while it is fair to say that until very recently Kureishi’s work was obsessed with London, and while Kureishi has often written about the city’s multicultural charac作者: deadlock 時(shí)間: 2025-3-24 03:28
4 De start: een goed begin is het halve werkis also a frequent title on book-club reading lists. While some critical attention was paid to Levy’s work before the publication of ., so phenomenally popular was her fourth novel that critical interest in her early work has increased significantly over the last decade. In 2010 Levy cemented her pl作者: averse 時(shí)間: 2025-3-24 09:12 作者: Habituate 時(shí)間: 2025-3-24 12:40
Gidia Jacobs,Nicole Muller,Esther ten Brinkcted high-profile voices such as Germaine Greer’s and Salman Rushdie’s to the debates surrounding the novel, and the British media seized upon this as a means to make, yet again, the tired association with the infamous ‘Rushdie affair’.作者: 舉止粗野的人 時(shí)間: 2025-3-24 15:29
Gidia Jacobs,Nicole Muller,Esther ten Brink.. After all, like Smith and Ali, Malkani was young, Oxbridge-educated, and his novel — like theirs — promised its readers (indeed, by its very title) an insight into the lives of an ethnic minority community in twenty-first-century multicultural London. Moreover, the community into which it purport作者: jarring 時(shí)間: 2025-3-24 20:04
Gidia Jacobs,Nicole Muller,Esther ten Brinkreen adaptation of the novel and made offers accordingly; BBC Films eventually acquired the rights and an adaptation may yet surface. In contrast, while . was critically acclaimed and was long-listed for the George Orwell Book Prize 2010, as of February 2014 it has sold just two thousand copies in t作者: glisten 時(shí)間: 2025-3-25 01:40 作者: 高興去去 時(shí)間: 2025-3-25 07:08 作者: 智力高 時(shí)間: 2025-3-25 09:09
Multiculturalism and the Work of Hanif Kureishi,tatus, and this has led to a failure to recognise the multiplicity of his writing and to engage fully with its complexities. Moreover, while it is fair to say that until very recently Kureishi’s work was obsessed with London, and while Kureishi has often written about the city’s multicultural charac作者: 確定 時(shí)間: 2025-3-25 13:25
,‘Fold the paper and pass it on’: Andrea Levy’s London Fiction,is also a frequent title on book-club reading lists. While some critical attention was paid to Levy’s work before the publication of ., so phenomenally popular was her fourth novel that critical interest in her early work has increased significantly over the last decade. In 2010 Levy cemented her pl作者: abject 時(shí)間: 2025-3-25 19:44
,Multicultural London in Zadie Smith’s , (2000): A Celebration of Unpredictability and Uncertainty?,y very positive reviews and sold enormously well. It went on to win the Whitbread First Novel Award, the James Tait Black Memorial Prize, the Guardian First Book Award, the Commonwealth Writers’ Best First Book Prize, the WHSmith Book Award for New Talent and the Betty Trask Award; it was also long-作者: 事先無準(zhǔn)備 時(shí)間: 2025-3-25 20:08 作者: harbinger 時(shí)間: 2025-3-26 00:34
,Mis-marketing Multiculturalism? Gautam Malkani’s , (2006),.. After all, like Smith and Ali, Malkani was young, Oxbridge-educated, and his novel — like theirs — promised its readers (indeed, by its very title) an insight into the lives of an ethnic minority community in twenty-first-century multicultural London. Moreover, the community into which it purport作者: 苦惱 時(shí)間: 2025-3-26 06:32
,London as a Safe Haven? Asylum, Immigration and Missing Fingers in Chris Cleave’s , (2008) and Briareen adaptation of the novel and made offers accordingly; BBC Films eventually acquired the rights and an adaptation may yet surface. In contrast, while . was critically acclaimed and was long-listed for the George Orwell Book Prize 2010, as of February 2014 it has sold just two thousand copies in t作者: 使人煩燥 時(shí)間: 2025-3-26 09:24
,London as a ‘Brutal’, ‘Hutious’ City: Stephen Kelman’s , (2011),erary mainstream. Many reviewers were extremely positive about it, and — while a good number suggested that it was somewhat overhyped, and while almost all criticised one particular aspect of its narrative — few were unequivocally negative about Kelman’s debut. Moreover, in contrast to . did not cau作者: Additive 時(shí)間: 2025-3-26 15:35
ty in London. It contributes to key, ongoing debates in literary and cultural studies and, in particular, to debates over the status and relevance of multiculturalism today.978-1-349-45543-0978-1-137-30712-5作者: 籠子 時(shí)間: 2025-3-26 16:53 作者: IRATE 時(shí)間: 2025-3-26 22:45 作者: 無法治愈 時(shí)間: 2025-3-27 04:49
4 De start: een goed begin is het halve werk of the contemporary moment. While Levy’s first three novels were all well received by critics, her fourth — 2004’s . — saw her catapulted to the forefront of the British literary mainstream. The novel won the Orange Prize for Fiction (2004), the Whitbread Book of the Year (2004), the Commonwealth W作者: 包裹 時(shí)間: 2025-3-27 09:19 作者: 拱形面包 時(shí)間: 2025-3-27 10:10
Gidia Jacobs,Nicole Muller,Esther ten Brinkondon, Monica Ali’s debut . was one of the most controversial. Hardly the most obviously subversive British novel about multiculturalism to have been published since the millennium, its immense popularity within the literary mainstream went some way towards its being perceived as an iconic work and,作者: incarcerate 時(shí)間: 2025-3-27 16:55 作者: engender 時(shí)間: 2025-3-27 21:12 作者: 大量殺死 時(shí)間: 2025-3-27 22:02
Gidia Jacobs,Nicole Muller,Esther ten Brinkush pile’ (Aspden 2011, np) and, much like Malkani’s ., was the subject of a fierce bidding war between publishing houses; indeed, one which — as with . — eventually saw a handsome six-figure sum being paid to secure the rights to a debut novel. However, in contrast to the supposed commercial ‘failu作者: 拾落穗 時(shí)間: 2025-3-28 04:19
De aanpak van subunguinale clavi,the most significant contribution to fiction about multiculturalism in London of the last 25 years — as ‘representative’ have been reductive rather than enabling, and attempted to find new ways in which to read their work and its importance for multiculturalism. As I have shown, Kureishi and Levy ha作者: 搜尋 時(shí)間: 2025-3-28 08:01 作者: Prosaic 時(shí)間: 2025-3-28 13:39 作者: Foregery 時(shí)間: 2025-3-28 17:49 作者: Debate 時(shí)間: 2025-3-28 20:35 作者: 正面 時(shí)間: 2025-3-29 00:44 作者: Paleontology 時(shí)間: 2025-3-29 05:12
