標(biāo)題: Titlebook: Contemporary Fiction and the Ethics of Modern Culture; Jeffrey Karnicky Book 2007 Jeffrey Karnicky 2007 culture.fiction.novel [打印本頁(yè)] 作者: purulent 時(shí)間: 2025-3-21 19:07
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作者: 煤渣 時(shí)間: 2025-3-21 21:26 作者: NEG 時(shí)間: 2025-3-22 03:30 作者: Gesture 時(shí)間: 2025-3-22 06:55
Environmental and Landscape Quality,, the seventeen-year-old tennis prodigy who is the focus of one of the novel’s main plot threads. The endnote is given as an excerpt from a journal article—a footnote to note 24 gives this citation as the source of the article: “From Comstock, Posner, and Duquette, ‘The Laughing Pathologists: Exempl作者: stroke 時(shí)間: 2025-3-22 10:21
Gilberto Poggioli,Matteo Rottolies that “to write is to make oneself the echo of what cannot cease speaking—and since it cannot, in order to become its echo I have, in a way, to silence it” (. 27). Mark Renton, a character in Welsh’s ., says, “Sometimes ah think that people become junkies just because they subconsciously crave a w作者: Ablation 時(shí)間: 2025-3-22 14:36
Ultrasound-Guided Liver Surgery reading works in the classroom. I can easily tell my students that an ethical reading is one in which a reader carefully considers how to respond to the otherness of a text, but, for most students, such a formulation is just going to be so many words. I can also lecture my students and minutely map作者: Ablation 時(shí)間: 2025-3-22 20:18
Ultrasound-guided Musculoskeletal ProceduresThe sentence “I woke up to find Gregor Samsa in my sink” (Daitch 9) actualizes three readers: Susan Daitch, from whose story “Killer Whales” the sentence comes (it is the first sentence of the story); the nameless narrator of the story who refers to the cockroach in her sink as Gregor Samsa; and me, as I encounter the sentence on the page.作者: 合適 時(shí)間: 2025-3-23 00:30
,Between Reading and Writing: Susan Daitch, David Markson, and “Bartleby”,The sentence “I woke up to find Gregor Samsa in my sink” (Daitch 9) actualizes three readers: Susan Daitch, from whose story “Killer Whales” the sentence comes (it is the first sentence of the story); the nameless narrator of the story who refers to the cockroach in her sink as Gregor Samsa; and me, as I encounter the sentence on the page.作者: Myosin 時(shí)間: 2025-3-23 02:27 作者: 異常 時(shí)間: 2025-3-23 09:13 作者: 入會(huì) 時(shí)間: 2025-3-23 12:35 作者: CRACY 時(shí)間: 2025-3-23 15:47 作者: Compass 時(shí)間: 2025-3-23 19:27 作者: LOPE 時(shí)間: 2025-3-23 23:10 作者: 杠桿 時(shí)間: 2025-3-24 04:23 作者: 遺產(chǎn) 時(shí)間: 2025-3-24 08:36
,Silence Junkies: Irvine Welsh’s Novel Subjectivities,es that “to write is to make oneself the echo of what cannot cease speaking—and since it cannot, in order to become its echo I have, in a way, to silence it” (. 27). Mark Renton, a character in Welsh’s ., says, “Sometimes ah think that people become junkies just because they subconsciously crave a w作者: 兵團(tuán) 時(shí)間: 2025-3-24 11:30
Conclusion: The Demand of Bartleby, reading works in the classroom. I can easily tell my students that an ethical reading is one in which a reader carefully considers how to respond to the otherness of a text, but, for most students, such a formulation is just going to be so many words. I can also lecture my students and minutely map作者: 致詞 時(shí)間: 2025-3-24 15:15
https://doi.org/10.1007/978-88-470-2742-8nability of the traffic to not progress toward its destination; it mirrors the impossibility of not building the highway that the traffic cannot help but drive on. Ressler’s “fascinated disgust” describes a double-edged desire—to quit and to go on, to stop and to progress—that possesses both Powers’s characters and his narrative voice.作者: municipality 時(shí)間: 2025-3-24 19:41 作者: 鑲嵌細(xì)工 時(shí)間: 2025-3-25 02:38 作者: 上釉彩 時(shí)間: 2025-3-25 06:17 作者: parasite 時(shí)間: 2025-3-25 08:51
Gilberto Poggioli,Matteo Rottolifuck all tae us” (87). Both Blanchot’s writer and Welsh’s junky strive for an all-encompassing silence, a complete shutdown of any and all forms of exteriority. Yet, if one reads Blanchot and Welsh through the murmur of Deleuze, it is precisely this desire to cut off the world that leads to a means of engagement with the world’s otherness.作者: CUMB 時(shí)間: 2025-3-25 13:06
,Silence Junkies: Irvine Welsh’s Novel Subjectivities,fuck all tae us” (87). Both Blanchot’s writer and Welsh’s junky strive for an all-encompassing silence, a complete shutdown of any and all forms of exteriority. Yet, if one reads Blanchot and Welsh through the murmur of Deleuze, it is precisely this desire to cut off the world that leads to a means of engagement with the world’s otherness.作者: 燒瓶 時(shí)間: 2025-3-25 16:31
Contemporary Fiction and the Ethics of Modern Culture作者: clarify 時(shí)間: 2025-3-25 20:10 作者: 流浪者 時(shí)間: 2025-3-26 02:01
https://doi.org/10.1007/978-88-470-2742-8tual attention that is oblivious to the social, historical, and material conditions of literary production. In short, reading is no longer hip. Worse, mentions of such concepts as “response” and “ethics of reading” may throw up warning signs for many a reader fearful of a nostalgic return to such 19作者: Extort 時(shí)間: 2025-3-26 07:56 作者: CAPE 時(shí)間: 2025-3-26 11:22
Introduction: Assembling an Ethics of Reading,tual attention that is oblivious to the social, historical, and material conditions of literary production. In short, reading is no longer hip. Worse, mentions of such concepts as “response” and “ethics of reading” may throw up warning signs for many a reader fearful of a nostalgic return to such 19作者: TRAWL 時(shí)間: 2025-3-26 14:31
Kinds of Stasis in David Foster Wallace,cal note. Wallace’s novel takes great pains to establish these films as “real”: characters talk about and watch the films; plot and thematic summaries are discussed and argued; debates rage about the “meaning” of Incandenza’s films; various critical articles about the films are cited.作者: vasospasm 時(shí)間: 2025-3-26 18:41 作者: amnesia 時(shí)間: 2025-3-27 00:49
Evaluation of Strain Rate Effects on Transition Behaviour Applying the Master Curve Methodology,train rate effects on the reference temperature and the shift of master curve on temperature axis has been discussed showing capability of the method for the prediction of strain rate susceptibility of steel fracture behaviour作者: 減至最低 時(shí)間: 2025-3-27 01:18 作者: Bravado 時(shí)間: 2025-3-27 07:50
Japanese Encephalitis Virus: Molecular Biology to Pathology,he “overwintering” of virus between epidemics. JE is highly dynamic; therefore epidemic outbreaks happen quite frequently. One must utilize the surveillance strategies, available preventive and therapeutic approaches to stop the spread of the JE epidemic.作者: Hiatal-Hernia 時(shí)間: 2025-3-27 11:10
S G Ganesh,Tushar Sharmaes such as achieving net zero in SIDS. . is defined as a focused strategy on a challenging problem, using a multidimension multi-variable matrix, capable of delivering a strategy and an investment model identifying the required financial instruments.作者: auxiliary 時(shí)間: 2025-3-27 16:06
Gábor Klaniczay,éva Pócseng an; das . zwischen ihr und der Pia überspannt als spaltf?rmiger Raum die Furchen und Nischen des CNS. An der Sch?delbasis erweitert er sich zu gr??eren Hohlr?umen, wie der Cisterna cerebellomedullaris und chiasmatis. Am unteren Ende des Rückenmarks bildet er sich um zum Spinalsack, einem freien Liquorraum.作者: 仇恨 時(shí)間: 2025-3-27 18:45 作者: Anticonvulsants 時(shí)間: 2025-3-28 00:42
https://doi.org/10.1007/978-3-540-85642-9all structure of the Glasgow natural philosophy course that continued through Kelvin’s early professorship. Robison, it has been argued, defined a particularly Scottish approach to natural philosophy that influenced Meikleham and later Kelvin and Maxwell. The most direct path from Newton to Kelvin and Maxwell passed through Enlightenment Scotland.作者: TOXIN 時(shí)間: 2025-3-28 02:05 作者: follicular-unit 時(shí)間: 2025-3-28 08:10
Introduction,ugh to provide accurate location and motion information about the target in outdoor environments. In this chapter, we briefly introduce the device free tracking, which focus on the target instead of some devices being attached. We then explain why we choose passive tags to achieve our goal. We also
