標題: Titlebook: Contemporary Dance Choreography and Spectatorship; Embodied Emotion Lucía Piquero álvarez Book 2024 The Editor(s) (if applicable) and The A [打印本頁] 作者: 分類 時間: 2025-3-21 18:05
書目名稱Contemporary Dance Choreography and Spectatorship影響因子(影響力)
書目名稱Contemporary Dance Choreography and Spectatorship影響因子(影響力)學科排名
書目名稱Contemporary Dance Choreography and Spectatorship網(wǎng)絡公開度
書目名稱Contemporary Dance Choreography and Spectatorship網(wǎng)絡公開度學科排名
書目名稱Contemporary Dance Choreography and Spectatorship被引頻次
書目名稱Contemporary Dance Choreography and Spectatorship被引頻次學科排名
書目名稱Contemporary Dance Choreography and Spectatorship年度引用
書目名稱Contemporary Dance Choreography and Spectatorship年度引用學科排名
書目名稱Contemporary Dance Choreography and Spectatorship讀者反饋
書目名稱Contemporary Dance Choreography and Spectatorship讀者反饋學科排名
作者: 整頓 時間: 2025-3-21 23:46 作者: Crater 時間: 2025-3-22 00:56
ts in an embodied affective cognitive experience. This experience includes the background of the spectator as well as the context of work, choreographer, performer(s) and other creative agents.978-3-031-44964-2978-3-031-44962-8作者: bile648 時間: 2025-3-22 06:51 作者: 要塞 時間: 2025-3-22 11:03
aphers and audience members.Argues for dance itself being a This book offers an approach which unites choreographic and spectatorial perspectives, and argues for dance itself—its materials, its structures—as a medium of emotional communication. Contemporary dance often seems to contend with issues o作者: 流出 時間: 2025-3-22 14:16
https://doi.org/10.1007/978-3-8348-9372-7ion, the shared rhythm of all the perceptual properties analysed, and the powerful poignancy that emerges through the work. The chapter discusses notions of embodied cognition, enactive perception, the social construction of perception, and embodied concepts, and presents a summarised view of embodiment, enaction, and emotion.作者: 流出 時間: 2025-3-22 19:08 作者: 鄙視 時間: 2025-3-22 21:49 作者: nepotism 時間: 2025-3-23 03:31 作者: defuse 時間: 2025-3-23 06:17 作者: Solace 時間: 2025-3-23 11:38
,Case Study 2: The Poignant Tensions of Crystal Pite’s , (2009): Embodiment, Enaction, and Emotion,ion, the shared rhythm of all the perceptual properties analysed, and the powerful poignancy that emerges through the work. The chapter discusses notions of embodied cognition, enactive perception, the social construction of perception, and embodied concepts, and presents a summarised view of embodiment, enaction, and emotion.作者: Heretical 時間: 2025-3-23 16:53
Case Study 3: The Despair of , (2016): Choreographer, Analyst, Audience, Dancer,ulness of my three-fold relationship with the work through examining instances in which I searched for an effect as a choreographer, which I only perceived as audience member—through trial and error, and which underlying structure I understood only as analyst.作者: 高度表 時間: 2025-3-23 19:28 作者: goodwill 時間: 2025-3-24 01:57 作者: 共同給與 時間: 2025-3-24 05:41
The Analysis Model,alysed in depth. The particular properties, movement qualities, sound-movement relationships, and spatial-rhythm, are selected because they emerged as relevant in the analysis of the three case studies and in the reviews studied; however, the book does not defend them as the only possible properties relevant towards emotional import.作者: jarring 時間: 2025-3-24 07:04
,Case Study 1: Melancholy Spirals in Russell Maliphant’s , (2009): Emergence, Expressiveness, and Emussed to be part of the perceptual properties of the work. The chapter discusses emergence and expressiveness and proposes the understanding of emotional import as the most adequate for discussion within the experience of emotion in dance.作者: capsaicin 時間: 2025-3-24 10:47
Lucía Piquero álvarezEstablishes an interdisciplinary dialogue between dance analysis and philosophy.Offers a unique view which links the experiences of choreographers and audience members.Argues for dance itself being a 作者: DEAF 時間: 2025-3-24 18:48 作者: Ophthalmologist 時間: 2025-3-24 19:57 作者: inventory 時間: 2025-3-25 02:48 作者: reperfusion 時間: 2025-3-25 05:40 作者: ASSET 時間: 2025-3-25 08:55 作者: MAOIS 時間: 2025-3-25 14:57 作者: 平躺 時間: 2025-3-25 18:44 作者: MOTTO 時間: 2025-3-25 23:03 作者: Basilar-Artery 時間: 2025-3-26 02:29 作者: GUILE 時間: 2025-3-26 06:58
Introduction,ork for the project. Understandings of emotion and dance in common discourse within dance practice are discussed, together with terms such as emotion and mood. All these are found to be inadequate to describe the experiences of emotion in contemporary theatre dance. The chapter further discusses the作者: 敬禮 時間: 2025-3-26 09:40 作者: 樂器演奏者 時間: 2025-3-26 16:33
,Case Study 1: Melancholy Spirals in Russell Maliphant’s , (2009): Emergence, Expressiveness, and Empect of a work of dance, and how there is no need to access narrative in full in order to perceive a sense of emotion. This work is characterised as melancholy, poignant, and offering up examples of sadness and vulnerability, emotional import which is correlated to the perceptual properties of the w作者: 精致 時間: 2025-3-26 18:59
,Case Study 2: The Poignant Tensions of Crystal Pite’s , (2009): Embodiment, Enaction, and Emotion, import can still be correlated with the perceptual properties of the work. A link is proposed between the idea of tension, the physical sense of tension, the shared rhythm of all the perceptual properties analysed, and the powerful poignancy that emerges through the work. The chapter discusses noti作者: RADE 時間: 2025-3-27 00:12
Case Study 3: The Despair of , (2016): Choreographer, Analyst, Audience, Dancer, the choreographer’s power, and to analyse the link between the choreographer’s and the spectator’s experience. This chapter also exemplifies the usefulness of my three-fold relationship with the work through examining instances in which I searched for an effect as a choreographer, which I only perc作者: Constrain 時間: 2025-3-27 02:41
Conclusion,ween perceptual properties, on one side, and the reviewers’ and my own experience on the other. This relationship, however, is not one of entailment where reactions can be predicted or some form of glossary can be produced. My experiences emerged from the perception of properties, but are not reduci作者: 主動 時間: 2025-3-27 06:17
Evaluation and Management of Cervical Radiculopathy in Athletes,s own nuances regarding proper patient selection and timing of return to play. This chapter covers the diagnosis, conservative management, operative management, and return to play decisions for cervical radiculopathy in athletes.作者: 可卡 時間: 2025-3-27 12:24 作者: Genetics 時間: 2025-3-27 14:53
László Pakówellige, also weichere Strahlen erzeugt werden. — Die h?rteren Strahlen besitzen ein viel st?rkeres Durchdringungsverm?gen als die weichen, und man benutzt sie um die in der Tiefe liegenden Organe, wie z. B. die Wirbels?ule oder den Magen mit Kontrastmitteln darzustellen.作者: 環(huán)形 時間: 2025-3-27 19:29 作者: 巧思 時間: 2025-3-27 22:27
Renata ?ochowska,Grzegorz Karońpological properties of the subset of binary data of the introduced topological data model. The given example from internal medicine also contains variable selection..The computations are carried out in a SAS environment. The programs can be requested by the authors.作者: Generalize 時間: 2025-3-28 04:12
Radiation Therapy of Benign Diseases978-3-031-35517-2Series ISSN 0942-5373 Series E-ISSN 2197-4187 作者: 誰在削木頭 時間: 2025-3-28 08:49
Takashi NegishiThis book requires no prerequisite knowledge of economic theory or micro-economics.This book guides readers the frontier of the theory.This book explains and digests economic theory in an easy, unders
