標(biāo)題: Titlebook: Contemporary British Theatre; Theodore Shank Book 1996 Palgrave Macmillan, a division of Macmillan Publishers Limited 1996 avant-garde.Bri [打印本頁] 作者: dentin 時(shí)間: 2025-3-21 16:44
書目名稱Contemporary British Theatre影響因子(影響力)
書目名稱Contemporary British Theatre影響因子(影響力)學(xué)科排名
書目名稱Contemporary British Theatre網(wǎng)絡(luò)公開度
書目名稱Contemporary British Theatre網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Contemporary British Theatre被引頻次
書目名稱Contemporary British Theatre被引頻次學(xué)科排名
書目名稱Contemporary British Theatre年度引用
書目名稱Contemporary British Theatre年度引用學(xué)科排名
書目名稱Contemporary British Theatre讀者反饋
書目名稱Contemporary British Theatre讀者反饋學(xué)科排名
作者: lactic 時(shí)間: 2025-3-21 23:38
,Durchführung der Untersuchungen,as unleashed tensions in contemporary British society. Each passing decade since the 1950s has witnessed varying negotiations, as the ‘natives’ have sought to adjust to the presence of ‘foreigners’ in their midst, and the latter have sought to possess their adopted country as a new home-land.作者: 返老還童 時(shí)間: 2025-3-22 04:22 作者: Exposure 時(shí)間: 2025-3-22 04:58 作者: Myelin 時(shí)間: 2025-3-22 08:43 作者: Trabeculoplasty 時(shí)間: 2025-3-22 13:41 作者: Trabeculoplasty 時(shí)間: 2025-3-22 21:01 作者: glisten 時(shí)間: 2025-3-22 21:31 作者: 情感 時(shí)間: 2025-3-23 03:54 作者: Rustproof 時(shí)間: 2025-3-23 07:19 作者: 臆斷 時(shí)間: 2025-3-23 13:23
The Welsh National Theatre: The Avant-Garde in the Diasporausic: the artists grouped around the Cunningham Company, Cage, Rauschenberg, Johns and Cunningham himself. A cluster of movement- and text-based groups currently work in the space marked out by Moving Being, though perhaps not directly under their influence.作者: upstart 時(shí)間: 2025-3-23 17:39
The Playwriting Profession: Setting Out and the Journey of British playwrights, the opportunities available and a few selected case histories will suggest how some playwrights became playwrights and how they survive in a profession of severely limited opportunities.作者: 孤僻 時(shí)間: 2025-3-23 19:20 作者: Constitution 時(shí)間: 2025-3-24 01:11
Recent Tendencies in Design’s as if the general public has at last acknowledged what the industry itself always knew to be true: the important theatre of any epoch depends upon important designers, and Britain is lucky to have more than a few whose influence can be felt both on home ground and abroad.作者: hardheaded 時(shí)間: 2025-3-24 05:36
LIFTing the Theatre: The London International Festival of Theatreence, critical antagonism and public prejudice to establish a biennial meeting of unlike minds. In doing so, it has helped to move the markers of British theatre away from its traditional textual patriotism towards an acceptance of different ways of doing and seeing.作者: avulsion 時(shí)間: 2025-3-24 09:47 作者: 賞心悅目 時(shí)間: 2025-3-24 12:05
devised to express the tensions and pressures of our time. For the paperback edition a new preface has been written, including several updating pieces from individual contributors.978-0-312-17224-4978-1-349-25091-2作者: 喊叫 時(shí)間: 2025-3-24 17:51
,Einführung und Problemstellung,’s as if the general public has at last acknowledged what the industry itself always knew to be true: the important theatre of any epoch depends upon important designers, and Britain is lucky to have more than a few whose influence can be felt both on home ground and abroad.作者: 歌曲 時(shí)間: 2025-3-24 19:32 作者: 單色 時(shí)間: 2025-3-25 02:23
Wilhelm Patterson,Reinhard D?ppence, critical antagonism and public prejudice to establish a biennial meeting of unlike minds. In doing so, it has helped to move the markers of British theatre away from its traditional textual patriotism towards an acceptance of different ways of doing and seeing.作者: jaundiced 時(shí)間: 2025-3-25 03:33 作者: 虛構(gòu)的東西 時(shí)間: 2025-3-25 11:26
Book 1996ltiethnic and multinational. The contributors - artists, scholars and critics - offer insights into the unique forms of theatre performance devised to express the tensions and pressures of our time. For the paperback edition a new preface has been written, including several updating pieces from individual contributors.作者: dagger 時(shí)間: 2025-3-25 13:42
https://doi.org/10.1007/978-1-349-25091-2avant-garde; Britain; design; drama; festival; individual; media; music; performance; play; Scotland; theatre; t作者: 顯赫的人 時(shí)間: 2025-3-25 15:59
978-0-312-17224-4Palgrave Macmillan, a division of Macmillan Publishers Limited 1996作者: CAB 時(shí)間: 2025-3-25 22:32 作者: 前面 時(shí)間: 2025-3-26 01:44
https://doi.org/10.1007/978-3-663-07491-5nalysed by Aristotle and preserved in the student notes on his lectures which we call the .. But her downfall was more than a banal conceit. It was the high point of a process that had been accelerating throughout the decade. In 1980s Britain a number of different developments combined to make possi作者: 公共汽車 時(shí)間: 2025-3-26 07:48
,Verzeichnis der verwendeten Abkürzungen,and Anglo-Catholic in religion’ (my emphasis). But British playwrights who abhor Eliot’s attitude have also turned to ancient Greece. Perhaps these playwrights were inspired by the forays of two renowned English directors — John Barton’s ten-play . in 1980 and Peter Hall’s . in 1981 (in a version by作者: Allodynia 時(shí)間: 2025-3-26 09:11 作者: indigenous 時(shí)間: 2025-3-26 14:41 作者: Jacket 時(shí)間: 2025-3-26 20:51
https://doi.org/10.1007/978-3-663-07494-6have produced some of the most significant work seen on British stages during the past twenty-five years. Their particular form of performance, which challenges the role of text in production in order to explore the potential of theatrical imagery, is unique in context with most of British theatre w作者: 饒舌的人 時(shí)間: 2025-3-26 22:56
https://doi.org/10.1007/978-3-663-07495-3w dance. My chosen range across these practices stems neither from their having merged into one (they haven’t) nor from some desire that this should be the case, but rather from the presence here in the UK, as elsewhere, of a significant zone in which these disciplines meet. Whilst any level of cros作者: GLIDE 時(shí)間: 2025-3-27 02:35
https://doi.org/10.1007/978-3-663-07495-3y went to the theatre in London to keep ‘. . with what is .’ (Prowse). Until recently this could have been dismissed as bravado; certainly not an accurate reflection of the state of British Theatre, as London had always been, indisputably, the centre of British Theatre. Anyone wishing to sample a wh作者: GONG 時(shí)間: 2025-3-27 08:33
Wilhelm Patterson,Reinhard D?pp it was given wide distribution overseas. It marked an interesting reversal in the Welsh situation by ostensively defining a Welsh National Theatre made up of experimental groups. One cluster of groups, deriving from the Cardiff Laboratory Theatre (now The Centre for Performance Research), developed作者: 詼諧 時(shí)間: 2025-3-27 11:56 作者: 無思維能力 時(shí)間: 2025-3-27 14:31
https://doi.org/10.1007/978-3-663-07497-7 country as a whole: and of the factors which must not be overlooked in this context is the part played by the electronic mass-media in shaping the consciousness and the life-style of the people in the British isles. More than most other European countries perhaps, the British are an indoor people, 作者: 加劇 時(shí)間: 2025-3-27 18:43
Beschreibung der Versuchsanlagen, Theatre or Upstairs at the Royal Court or in Edinburgh at the Traverse Theatre — and if they do good work and develop a reputation, they are promoted to the main house at the Royal Court Theatre. If that goes well, the natural impetus, he says, is either toward writing for television or moving on t作者: Tracheotomy 時(shí)間: 2025-3-28 01:00
Beschreibung der Versuchsanlagen, the Oxbridge educated director means that actors and directors no longer share their training in common and actors have become alienated by directors whose heads are crammed with intellectual concepts but who have little understanding of the process of acting. Directors are also criticised for prod作者: atopic 時(shí)間: 2025-3-28 02:32 作者: 錯(cuò) 時(shí)間: 2025-3-28 10:01 作者: 流眼淚 時(shí)間: 2025-3-28 12:48 作者: 過剩 時(shí)間: 2025-3-28 16:09
http://image.papertrans.cn/c/image/236389.jpg作者: Accrue 時(shí)間: 2025-3-28 22:40
Sated, Starved or Satisfied: The Languages of Theatre in Britain Todayrticularly with the miners, were familiar from the 1970s, extraordinary sagas with a long class-history. But a side-effect was to demonstrate the mobility of new lightweight TV cameras, needing much smaller crews. When the print-unions were broken in the Wapping dispute of 1986, the way was open for作者: circumvent 時(shí)間: 2025-3-29 00:14 作者: HALO 時(shí)間: 2025-3-29 05:09
Diverse Assembly: Some Trends in Recent Performance an engaged artist (writing text and directing with Forced Entertainment Theatre Co-Operative since its foundation in 1984), and as a regular commentator on the field, I want to give a sense of what for me are some of the key concerns and common notions addressed by artists in recent years.作者: Bravado 時(shí)間: 2025-3-29 10:13 作者: jumble 時(shí)間: 2025-3-29 13:37 作者: 壟斷 時(shí)間: 2025-3-29 19:03 作者: 擴(kuò)大 時(shí)間: 2025-3-29 23:21 作者: 輪流 時(shí)間: 2025-3-30 03:07 作者: 積云 時(shí)間: 2025-3-30 06:56
https://doi.org/10.1007/978-3-663-07495-3recognition. Very occasionally a company like the Royal Exchange in Manchester or the Glasgow Citizens’ would forge a distinctive style which set it apart from the amorphous mass of ‘provincial’ theatres.作者: commensurate 時(shí)間: 2025-3-30 10:03 作者: Painstaking 時(shí)間: 2025-3-30 14:30 作者: 聾子 時(shí)間: 2025-3-30 19:54
Sated, Starved or Satisfied: The Languages of Theatre in Britain Todaynalysed by Aristotle and preserved in the student notes on his lectures which we call the .. But her downfall was more than a banal conceit. It was the high point of a process that had been accelerating throughout the decade. In 1980s Britain a number of different developments combined to make possi作者: 躲債 時(shí)間: 2025-3-31 00:13
Digging the Greeks: New Versions of Old Classicsand Anglo-Catholic in religion’ (my emphasis). But British playwrights who abhor Eliot’s attitude have also turned to ancient Greece. Perhaps these playwrights were inspired by the forays of two renowned English directors — John Barton’s ten-play . in 1980 and Peter Hall’s . in 1981 (in a version by作者: 盡責(zé) 時(shí)間: 2025-3-31 02:17
Cultural Transformationsce the 1950s. A product of the need for cheap labour by British industries engaged in post-War re-construction, migrations from the former British colonies of the Caribbean, Eastern Africa and the Indian sub-continent have fundamentally changed the image of many British cities and towns. Inevitably,
