標(biāo)題: Titlebook: Contemporary British Theatre; Breaking New Ground Vicky Angelaki (Lecturer in Drama) Book 2013 Palgrave Macmillan, a division of Macmillan [打印本頁(yè)] 作者: sustained 時(shí)間: 2025-3-21 16:18
書(shū)目名稱(chēng)Contemporary British Theatre影響因子(影響力)
書(shū)目名稱(chēng)Contemporary British Theatre影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Contemporary British Theatre網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Contemporary British Theatre網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Contemporary British Theatre被引頻次
書(shū)目名稱(chēng)Contemporary British Theatre被引頻次學(xué)科排名
書(shū)目名稱(chēng)Contemporary British Theatre年度引用
書(shū)目名稱(chēng)Contemporary British Theatre年度引用學(xué)科排名
書(shū)目名稱(chēng)Contemporary British Theatre讀者反饋
書(shū)目名稱(chēng)Contemporary British Theatre讀者反饋學(xué)科排名
作者: Angiogenesis 時(shí)間: 2025-3-21 23:56 作者: 歡樂(lè)東方 時(shí)間: 2025-3-22 00:32 作者: 口訣 時(shí)間: 2025-3-22 08:36
Untersuchung der Reproduzierbarkeit, Compostela in Galicia. The Man (as he is designated in the text) suffers from severe memory loss and the play revolves around the mystery of his identity. The quotation above is taken from a conversation with Anna — the Man’s contact from the British Consulate — as he recalls his feelings at the ve作者: 面包屑 時(shí)間: 2025-3-22 11:38
Untersuchung der Reproduzierbarkeit,served: ‘[t]hese are challenging times. Now more than ever we need places where reflection, question and visceral experience can elevate the daily and the private and remind us of our humanity and universality’.. She added: ‘[t]he fearlessness and skill of our playwrights, [… along] with our complex作者: 具體 時(shí)間: 2025-3-22 15:56 作者: 具體 時(shí)間: 2025-3-22 17:55 作者: Gum-Disease 時(shí)間: 2025-3-22 23:13
https://doi.org/10.1007/978-3-663-07488-5 of black and Asian dramatists and theatre practitioners in contemporary British culture.. Drawing on Bourdieu’s sociological theory, Godiwala creates a strong locus for diasporic/interstitial writers and artists as the best qualified to tackle the heterogeneity of contemporary British culture. In t作者: esculent 時(shí)間: 2025-3-23 03:54 作者: instate 時(shí)間: 2025-3-23 07:39
Alfred H. Henning,Karl Krekeler,Josef Eilersse to the now-infamous killing of James Bulger; a link that he claims not to have been aware of until years after these plays were written. Looking back, he proposes that the killing in 1993 had a massive impact upon the national psyche, similar to the affective shift which occurred with the death o作者: Progesterone 時(shí)間: 2025-3-23 12:12
Book 2013This edited collection brings together a team of internationally prominent academics and delivers cutting-edge discourse on the strongly emerging tradition of experimentation in contemporary British theatre - redefining what the dramatic stands for today. Each chapter of the collection focuses on influential contemporary plays and playwrights.作者: 沒(méi)有準(zhǔn)備 時(shí)間: 2025-3-23 17:19 作者: 撤退 時(shí)間: 2025-3-23 19:19
978-1-349-43628-6Palgrave Macmillan, a division of Macmillan Publishers Limited 2013作者: 吞噬 時(shí)間: 2025-3-23 22:20
Vermeidung gro?er innerer Abh?ngigkeitenThe British theatre’s first decade of the twenty-first century began and ended with the death of the author.作者: 男學(xué)院 時(shí)間: 2025-3-24 03:00
Exit the Author,The British theatre’s first decade of the twenty-first century began and ended with the death of the author.作者: 喚醒 時(shí)間: 2025-3-24 09:15 作者: 好忠告人 時(shí)間: 2025-3-24 14:34 作者: 大洪水 時(shí)間: 2025-3-24 18:05
,‘And I was struck still by time’: Contemporary British Theatre and the Metaphysical Imagination, Compostela in Galicia. The Man (as he is designated in the text) suffers from severe memory loss and the play revolves around the mystery of his identity. The quotation above is taken from a conversation with Anna — the Man’s contact from the British Consulate — as he recalls his feelings at the very moment of regaining consciousness.作者: annexation 時(shí)間: 2025-3-24 20:06 作者: 門(mén)窗的側(cè)柱 時(shí)間: 2025-3-25 01:52 作者: 可商量 時(shí)間: 2025-3-25 05:34 作者: HERE 時(shí)間: 2025-3-25 10:09
Politics for the Middle Classes: Contemporary Audiences and the Violence of Now,served: ‘[t]hese are challenging times. Now more than ever we need places where reflection, question and visceral experience can elevate the daily and the private and remind us of our humanity and universality’.. She added: ‘[t]he fearlessness and skill of our playwrights, [… along] with our complex作者: Bmd955 時(shí)間: 2025-3-25 12:18
Language Games and Literary Constraints: Playing with Tragedy in the Theatre of Caryl Churchill andosed of a montage of straight-from-life declarations or political speeches (such as David Hare’s ., examining the privatization of railways in the United Kingdom, or ., focusing on Tony Blair’s decision to follow the United States of America in the war in Iraq), which certainly ranks as one of the m作者: 放牧 時(shí)間: 2025-3-25 19:32
Racial Violence, Witnessing and Emancipated Spectatorship in , and ,,violence in contemporary Britain. As is well known, Norton-Taylor’s piece, one of the Tricycle Theatre’s tribunal plays, was written and produced in the wake of the racist murder of Stephen Lawrence in Eltham (south-east London) in April 1993 and the ensuing Macpherson Inquiry set up in March 1998. 作者: 新娘 時(shí)間: 2025-3-25 23:28
,Old Wine in a New Bottle or Vice Versa? Winsome Pinnock’s Interstitial Poetics, of black and Asian dramatists and theatre practitioners in contemporary British culture.. Drawing on Bourdieu’s sociological theory, Godiwala creates a strong locus for diasporic/interstitial writers and artists as the best qualified to tackle the heterogeneity of contemporary British culture. In t作者: cartilage 時(shí)間: 2025-3-26 00:40
,Acting In/Action: Staging Human Rights in debbie tucker green’s Royal Court Plays,ritish (woman) playwrights of the early twenty-first century. Her first two plays were produced within weeks of each other at the Soho Theatre (. (2003)) and Hampstead Theatre (. (2003)), and subsequent productions have been shown in the Royal Shakespeare Company (RSC) New Works Festival in Stratfor作者: 向外才掩飾 時(shí)間: 2025-3-26 07:48 作者: defray 時(shí)間: 2025-3-26 09:30 作者: MELON 時(shí)間: 2025-3-26 16:42
https://doi.org/10.1007/978-3-663-07488-5acism and a peculiar ‘tokenization’ of the black artist.. It is precisely the role of the diasporic/interstitial subject to fill in what exist as lacunae in the indigenous British subject’s ‘doxic field’..作者: 狼群 時(shí)間: 2025-3-26 18:07
Introduction,d light on. Certainly, more key figures in contemporary playwriting, theatremaking and cultural management have come to the foreground in defence of theatre — and the arts more broadly — as well as of the need for the plurality of performance in the more recent period, and rightly so.作者: 泄露 時(shí)間: 2025-3-26 21:49 作者: 知識(shí) 時(shí)間: 2025-3-27 03:32
https://doi.org/10.1007/978-3-663-07487-8ajor attempts at redynamizing political theatre. Plays based on language games, of Wittgensteinian inspiration, such as those initiated by Tom Stoppard in ., and continued by the playfully tragic plays of Caryl Churchill or Martin Crimp, are particularly stimulating and inventive.作者: CRANK 時(shí)間: 2025-3-27 08:51 作者: 自由職業(yè)者 時(shí)間: 2025-3-27 11:23
Alfred H. Henning,Karl Krekeler,Josef Eilersf Princess Diana, four years later. He asserts that Bulger’s murder became a focus both for private grief and public guilt about the greed and self-interest which characterized the final years of the Conservative government in the late 1980s and early 1990s. For Ravenhill, the murder resulted in an urge to write, and to find new forms. He states:作者: grovel 時(shí)間: 2025-3-27 14:37 作者: Trypsin 時(shí)間: 2025-3-27 20:32 作者: 預(yù)感 時(shí)間: 2025-3-28 01:53 作者: MAOIS 時(shí)間: 2025-3-28 04:26 作者: CT-angiography 時(shí)間: 2025-3-28 09:02 作者: sed-rate 時(shí)間: 2025-3-28 10:30 作者: 清澈 時(shí)間: 2025-3-28 18:18
tural initiatives and debates on the subject. For this association, the author conducted, within 4?months, a small ethnographic research to analyse the relationship between the covered market, the neighbourhood and the new dynamics of gentrification and touristification, present in recent years in t作者: 消耗 時(shí)間: 2025-3-28 19:00
Stamatina Th. Rassia des Lerneffekts zu sein scheinen. Die Wahl des Mediums scheint den Lerneffekt nicht zu beeinflussen. Darüber hinaus wird ein stabiler positiver Zusammenhang zwischen dem Erstellen der handschriftlichen Vorlesungsnotizen und der Leistungskraft der Teilnehmenden festgestellt, der au?erdem auf eine la作者: 使習(xí)慣于 時(shí)間: 2025-3-29 02:45
Book 2024s work on Quine) and perceptual realism. This collection includes contributions by a distinguished group of philosophers on Weir’s philosophy, as well as a memoir and a new essay on the philosophy of mathematics by Weir himself..作者: 全國(guó)性 時(shí)間: 2025-3-29 03:10 作者: 是他笨 時(shí)間: 2025-3-29 09:23
Radiation Sources: Benefits and Risks,e radionuclides have significantly grown, and countless advances in nuclear science and technology have helped further developments in medicine, industry, agriculture, education, and scientific research.作者: 不適 時(shí)間: 2025-3-29 12:30
