標(biāo)題: Titlebook: Contemporary British Queer Performance; Stephen Greer Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 festiv [打印本頁] 作者: 調(diào)停 時間: 2025-3-21 16:15
書目名稱Contemporary British Queer Performance影響因子(影響力)
書目名稱Contemporary British Queer Performance影響因子(影響力)學(xué)科排名
書目名稱Contemporary British Queer Performance網(wǎng)絡(luò)公開度
書目名稱Contemporary British Queer Performance網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Contemporary British Queer Performance被引頻次
書目名稱Contemporary British Queer Performance被引頻次學(xué)科排名
書目名稱Contemporary British Queer Performance年度引用
書目名稱Contemporary British Queer Performance年度引用學(xué)科排名
書目名稱Contemporary British Queer Performance讀者反饋
書目名稱Contemporary British Queer Performance讀者反饋學(xué)科排名
作者: 閑逛 時間: 2025-3-21 23:54 作者: 不安 時間: 2025-3-22 00:41
Community and Nation: Staging Queer Histories chapter turns to locate contemporary traces of those concerns within traditions of autobiography, documentary and history-making. In particular, this discussion examines the relationship between queer performance and the discourses of community and nation — and the relationship of growing, increasi作者: blithe 時間: 2025-3-22 05:41 作者: delusion 時間: 2025-3-22 12:13
Pride and Shame: Developments in the Performance of Queer Protestes’ the site of political action, more recent performative activism has turned to examine an increasingly commercialised public square, and the kind of queer community which might be possible there. Though this chapter describes a shift from a primary focus on identifiable issues (such as the age of作者: chondromalacia 時間: 2025-3-22 16:21 作者: chondromalacia 時間: 2025-3-22 19:55
Networked Identitiestrends of practice which are emerging, and the kinds of thinking which they appear to suggest. What follows is an attempt to suggest where queer performance practice and its study may move next: offering an overview of the fertile connections between this project’s primary case studies, before outli作者: Vulnerary 時間: 2025-3-22 21:44 作者: 受人支配 時間: 2025-3-23 03:23 作者: 暗指 時間: 2025-3-23 05:44 作者: 完整 時間: 2025-3-23 09:54 作者: 姑姑在炫耀 時間: 2025-3-23 14:16
Performance Interventionshttp://image.papertrans.cn/c/image/236387.jpg作者: 中止 時間: 2025-3-23 18:23 作者: 壁畫 時間: 2025-3-23 22:48
https://doi.org/10.1007/978-3-663-07480-9y-inflected critiques of identity, visibility and representation within the relatively short history of a self-identifying British gay theatrical practice. More specifically, this chapter’s focus on Gay Sweatshop Theatre Company — the UK’s first gay theatre company — seeks to consider how the concer作者: Vulvodynia 時間: 2025-3-24 03:45
Ludwig Acker,Hermann Josef Schmitz chapter turns to locate contemporary traces of those concerns within traditions of autobiography, documentary and history-making. In particular, this discussion examines the relationship between queer performance and the discourses of community and nation — and the relationship of growing, increasi作者: eczema 時間: 2025-3-24 08:38 作者: Contracture 時間: 2025-3-24 12:36 作者: Cupidity 時間: 2025-3-24 16:30
Einleitung und Aufgabenstellung,ollection of essays on queer theatre since the mid 1980s — arts festivals present as the domain through which that relationship has been most publicly mediated. The following discussion, then, considers how the organisation and development of queer arts festivals — seen first in the 1990s and prolif作者: 熱心 時間: 2025-3-24 19:17 作者: 1分開 時間: 2025-3-24 23:52 作者: Myocyte 時間: 2025-3-25 07:00
,Gegenüberstellung der Ergebnisse,ble terms of reference for identity — and a suspicion of the kinds of regulation described by dominant cultural discourses — on what terms might queer practitioners and audiences come together in and through performance? What kinds of identity are possible or desirable in queer performance, and on what logics of representation do they depend?作者: 手術(shù)刀 時間: 2025-3-25 09:15
Theorising Queer Performanceble terms of reference for identity — and a suspicion of the kinds of regulation described by dominant cultural discourses — on what terms might queer practitioners and audiences come together in and through performance? What kinds of identity are possible or desirable in queer performance, and on what logics of representation do they depend?作者: Estrogen 時間: 2025-3-25 14:48 作者: Acupressure 時間: 2025-3-25 16:28 作者: Dysarthria 時間: 2025-3-25 22:12
Legitimately Queer: Identity Claims in Theatre-In-Educationobic and transphobic bullying within the British education system. That body of work has been made possible in large part by reforms to education and related social policy in the period following the late 1990s, and the rise of issue groups (such as gay rights group Stonewall) who have recognised th作者: 致敬 時間: 2025-3-26 01:52 作者: 思考 時間: 2025-3-26 06:14
Staging Difference: The Rise of Queer Arts Festivalsr, then, might resonate with Sedgwick’s reading of queer performance as that which ‘spins the term outward along dimensions that can’t be subsumed under gender and sexuality at all’ (Sedgwick, 1994, pp. 8–9).作者: 歪曲道理 時間: 2025-3-26 08:34 作者: Parameter 時間: 2025-3-26 14:38
https://doi.org/10.1007/978-3-663-07480-9ation to representational claims on lesbian and gay existence. Part of that emphasis is a reflection of the Gay Sweatshop’s own preoccupations during its earliest years of practice, in turn a reflection of contemporaneous political demands that lesbian and gay subjects speak for and as themselves.. 作者: Anhydrous 時間: 2025-3-26 20:24
Ludwig Acker,Hermann Josef Schmitzengagement with autobiographical practice also signals a return to the dialectic of ‘telling and knowing’ raised in Chapter 1, and consciousness of where the desire to tell one’s own story may be understood as a response to specific cultural contexts and political ambitions, as a strategy of empower作者: 手榴彈 時間: 2025-3-26 23:06 作者: fiscal 時間: 2025-3-27 03:17
https://doi.org/10.1007/978-3-663-07482-3n order to starve them of their strength, or imagined the possible reiteration of sexuality beyond those dominant terms (Butler, 2000, p. 177). While previous chapters have acknowledged the political ambitions of queer performance practice, it has primarily approached that work through the lens of t作者: 臨時抱佛腳 時間: 2025-3-27 08:46
Einleitung und Aufgabenstellung,r, then, might resonate with Sedgwick’s reading of queer performance as that which ‘spins the term outward along dimensions that can’t be subsumed under gender and sexuality at all’ (Sedgwick, 1994, pp. 8–9).作者: spinal-stenosis 時間: 2025-3-27 13:13 作者: 頭盔 時間: 2025-3-27 14:59 作者: 詞根詞綴法 時間: 2025-3-27 20:42 作者: adequate-intake 時間: 2025-3-27 23:23 作者: 可觸知 時間: 2025-3-28 05:52
Book 2015le them to withstand natural hazards.Creative Cities: supporting cultural industries and attracting talented individuals .Knowledge Cities: creating, renewing and spreading knowledge and innovation .Safe Cities: ensuring that citizens are better protected against criminal actions.Healthy Cities: mak作者: Entreaty 時間: 2025-3-28 06:54 作者: Liability 時間: 2025-3-28 12:31
GUENZE V. GUEGAMIANommunication, and this need, given thetremendous growth of the Internet, is likely to continue growing.Elliptic curve cryptosystems represent the state of the art for suchsystems. ..Elliptic Curves and Their Applications to Cryptography.: An..Introduction. provides a comprehensive and self-contained作者: Prosaic 時間: 2025-3-28 17:32
