標(biāo)題: Titlebook: Contemporary American Crime Fiction; Hans Bertens,Theo D’haen Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Limited 200 [打印本頁(yè)] 作者: 指責(zé) 時(shí)間: 2025-3-21 18:16
書目名稱Contemporary American Crime Fiction影響因子(影響力)
書目名稱Contemporary American Crime Fiction影響因子(影響力)學(xué)科排名
書目名稱Contemporary American Crime Fiction網(wǎng)絡(luò)公開度
書目名稱Contemporary American Crime Fiction網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Contemporary American Crime Fiction被引頻次
書目名稱Contemporary American Crime Fiction被引頻次學(xué)科排名
書目名稱Contemporary American Crime Fiction年度引用
書目名稱Contemporary American Crime Fiction年度引用學(xué)科排名
書目名稱Contemporary American Crime Fiction讀者反饋
書目名稱Contemporary American Crime Fiction讀者反饋學(xué)科排名
作者: BANAL 時(shí)間: 2025-3-21 21:24 作者: Foregery 時(shí)間: 2025-3-22 04:27 作者: MIRE 時(shí)間: 2025-3-22 06:34 作者: ASTER 時(shí)間: 2025-3-22 10:28
https://doi.org/10.1007/978-3-663-00177-5nt past with the present. While the other chapters will examine truly contemporary crime writing, that is, crime writing of the 1990s, these first two chapters will make a modest attempt to chart the passage from the great renaissance of crime writing of the 1970s and 1980s to where we are now. The 作者: 直覺好 時(shí)間: 2025-3-22 16:12
https://doi.org/10.1007/978-3-663-00212-3, Joe Gores (1931), Robert B. Parker (1932), Donald Westlake (1933), Stuart Kaminsky (1934), Joseph Wambaugh (1937), and Lawrence Block (1938), continued to produce good and at times award-winning work throughout the 1990s. In this chapter we will pay particular attention to the work of Parker, Kami作者: 直覺好 時(shí)間: 2025-3-22 19:38 作者: 變形 時(shí)間: 2025-3-22 23:12
Betriebliche Kreislaufwirtschaft,ce the early 1980s — witness the fact that excellent PI writers keep on emerging — crime fiction in which the female protagonist works within, rather than outside, the perimeters of institutional law enforcement has for female crime writers become a viable alternative to the PI novel. That instituti作者: DENT 時(shí)間: 2025-3-23 04:38
https://doi.org/10.1007/978-3-663-01195-8cBain’s immensely popular 87th Precinct series (1956 to the present day) to James Lee Burke’s, James Ellroy’s, and Michael Connelly’s highly acclaimed novels of the 1980s and 1990s. Of these last three, it is undoubtedly Ellroy who has taken this particular genre furthest in the direction of social 作者: condone 時(shí)間: 2025-3-23 06:57 作者: HAWK 時(shí)間: 2025-3-23 10:48
https://doi.org/10.1007/978-3-663-01281-8 point, moribund genre of the classic English mystery novel. . is not exceptional, and neither is its police protagonist, Adam Dalgliesh. That is to say, he . rather exceptional — tall, dark, moody, a published poet — but not compared to most Golden Age detectives created by the women writers who in作者: 油氈 時(shí)間: 2025-3-23 16:34
Rocco Carzo Jr.,John N. YanouzasOf course, earlier decades too knew this particular subgenre. In the UK, for instance, during the 1970s Peter Lovesey ran a series set in the late 1800s. In the 1990s he returned to this period with as his detective the then future King Edward VII, affectionally nicknamed ‘Bertie’. Also during the 1作者: 適宜 時(shí)間: 2025-3-23 21:52 作者: jovial 時(shí)間: 2025-3-23 22:56 作者: 要求比…更好 時(shí)間: 2025-3-24 05:55
Ingemund H?gg,Jan Johanson,Dick Ramstr?mgreat deal of searching, I have yet to find a crime novel written by a woman of color’ (Reddy 1988, 16). Although later researchers have shown her to be mistaken (see Soitos 1996), it is not until the 1990s that African American women have had an impact on the crime writing scene. This is not much o作者: 獨(dú)行者 時(shí)間: 2025-3-24 08:10 作者: Cholecystokinin 時(shí)間: 2025-3-24 11:52 作者: ILEUM 時(shí)間: 2025-3-24 15:48 作者: 淡紫色花 時(shí)間: 2025-3-24 21:28
Introduction,nturies in the numerous pamphlets and broadsheets detailing the heinous deeds of murderers, robbers, and highwaymen. In the eighteenth century, Daniel Defoe, next to his many other writings, not only turned out numerous ‘true crime’ stories; he also turned them into literature, for instance . (1721)作者: Grating 時(shí)間: 2025-3-25 02:48
The Old Guard in the mid-1990s: Muller, Grafton, and Paretsky,nt past with the present. While the other chapters will examine truly contemporary crime writing, that is, crime writing of the 1990s, these first two chapters will make a modest attempt to chart the passage from the great renaissance of crime writing of the 1970s and 1980s to where we are now. The 作者: 不連貫 時(shí)間: 2025-3-25 04:07 作者: BOOM 時(shí)間: 2025-3-25 08:28
The Personal and the Regional: New Forms of Authenticity in Female Crime Writing,t out of sight. The detective’s personality and personal qualities of course constitute a factor of some significance. A reservoir of arcane and somewhat dubious knowledge may matter, as S.S. van Dine’s Philo Vance and other overeducated gentleman-sleuths have repeatedly demonstrated, or the tenacit作者: exercise 時(shí)間: 2025-3-25 11:44 作者: 聾子 時(shí)間: 2025-3-25 16:05
,Los Angeles Police Department: Ellroy’s and Connelly’s Police Procedurals,cBain’s immensely popular 87th Precinct series (1956 to the present day) to James Lee Burke’s, James Ellroy’s, and Michael Connelly’s highly acclaimed novels of the 1980s and 1990s. Of these last three, it is undoubtedly Ellroy who has taken this particular genre furthest in the direction of social 作者: 無禮回復(fù) 時(shí)間: 2025-3-25 21:12
Private Investigation in the 1990s,he ‘King’ Presley. . (1987), in which Cole made his debut, won an Anthony for Best Paperback Original and a Macavity for Best First Novel, and was nominated for Edgar and Shamus Awards. . (1993) was nominated for an Edgar. . (1996) won, and . (1997) was cited for, a Shamus Award. In many ways Robert作者: 大酒杯 時(shí)間: 2025-3-26 01:35 作者: 散布 時(shí)間: 2025-3-26 08:23 作者: 宣傳 時(shí)間: 2025-3-26 10:46 作者: 珍奇 時(shí)間: 2025-3-26 16:14
,‘Other’ Detectives: the Emergence of Ethnic Crime Writing,al, and economic change or upheaval. In the case of the detective this is very clear. The genre originated in early and mid-nineteenth-century France and England, closely upon the creation of the first modern and professional police services. This development itself marked the middle-classes’s deter作者: eulogize 時(shí)間: 2025-3-26 17:16 作者: 嚴(yán)峻考驗(yàn) 時(shí)間: 2025-3-26 21:05
The Persistence of Gender: the Private Investigators of S.J. Rozan,ot mean that women writers have completely given up on male investigators, witness the work of Martha Grimes and Elizabeth George. However, Grimes and George work in a subgenre in which the female-created male investigator has a long and impressive tradition, and on which they consciously draw. One 作者: 突襲 時(shí)間: 2025-3-27 04:14 作者: 埋葬 時(shí)間: 2025-3-27 06:54
https://doi.org/10.1007/978-3-663-00212-3eption, at least from the 1930s on, to this strange neglect of the private side of the detective’s life is the love that leads to marriage. Dorothy Sayers’s Lord Peter Wimsey, Margery Allingham’s Albert Campion, Ngaio Marsh’s Roderick Alleyn, Nicholas Blake’s Nigel Strangeways and a good many others作者: atopic 時(shí)間: 2025-3-27 10:46 作者: TOXIC 時(shí)間: 2025-3-27 17:05
The Old Guard in the mid-1990s: Muller, Grafton, and Paretsky,it seems a good bet to go with writers of an undisputed status, writers who by both readers and by their crime writing colleagues are seen as absolutely major figures, and as having made seminal contributions to the genre.作者: Banister 時(shí)間: 2025-3-27 21:06
The Personal and the Regional: New Forms of Authenticity in Female Crime Writing,eption, at least from the 1930s on, to this strange neglect of the private side of the detective’s life is the love that leads to marriage. Dorothy Sayers’s Lord Peter Wimsey, Margery Allingham’s Albert Campion, Ngaio Marsh’s Roderick Alleyn, Nicholas Blake’s Nigel Strangeways and a good many others作者: HALL 時(shí)間: 2025-3-27 22:54 作者: 注意到 時(shí)間: 2025-3-28 05:51
2947-8340 ilding on a discussion of the immediate predecessors, Bertens and D‘haen focus on the work of popular and award-winning authors of the last fifteen years. Particular attention is given to writers who have reworked established conventions and explored new directions, especially women and those from e作者: 不朽中國(guó) 時(shí)間: 2025-3-28 06:35 作者: addict 時(shí)間: 2025-3-28 13:10 作者: 協(xié)議 時(shí)間: 2025-3-28 16:04
https://doi.org/10.1007/978-3-663-01281-8see now, however, James’s mysteries developed into complex meditations on deception, guilt, and retribution — occasionally at the expense of their mystery element — while Dalgliesh became more enigmatic and reminded us less and less of his Golden Age precursors.作者: STALL 時(shí)間: 2025-3-28 22:19 作者: 指耕作 時(shí)間: 2025-3-28 23:35
Ein experimentelles Unternehmungsspielg. A number of them, like Chris Wiltz’s Neal Rafferty, who debuted in 1981, are still around, but there are few recent additions. For my purposes in this concluding chapter, the most interesting of these newcomers is S.J. Rozan’s prosaically named Bill Smith.作者: 側(cè)面左右 時(shí)間: 2025-3-29 03:55
,Los Angeles Police Department: Ellroy’s and Connelly’s Police Procedurals, genre by his innovative, and socially explosive, treatment of the police procedural, Connelly basically regrounds the same genre in the classical private eye tradition, and he does so largely by ‘shadowing’ Ellroy’s work.作者: 冷峻 時(shí)間: 2025-3-29 07:56
,The ‘English Tradition’ in Contemporary American Crime Fiction,see now, however, James’s mysteries developed into complex meditations on deception, guilt, and retribution — occasionally at the expense of their mystery element — while Dalgliesh became more enigmatic and reminded us less and less of his Golden Age precursors.作者: Ophthalmoscope 時(shí)間: 2025-3-29 12:10 作者: Lacunar-Stroke 時(shí)間: 2025-3-29 18:51 作者: WAX 時(shí)間: 2025-3-29 20:49 作者: Overdose 時(shí)間: 2025-3-30 00:38
2947-8340 ars. Particular attention is given to writers who have reworked established conventions and explored new directions, especially women and those from ethnic minorities.978-0-333-68465-8978-0-230-50831-6Series ISSN 2947-8340 Series E-ISSN 2947-8359 作者: Pastry 時(shí)間: 2025-3-30 05:42 作者: 低三下四之人 時(shí)間: 2025-3-30 08:37
Was kann der politische Dialog leisten?, Crais comes closest to being the Chandler of the 1990s, a Chandler already modified by Robert B. Parker, with Elvis Cole in the role of a Marlowe who has been prepared for the late twentieth century by Parker’s Spenser.作者: LATHE 時(shí)間: 2025-3-30 16:25 作者: Emmenagogue 時(shí)間: 2025-3-30 19:32
Betriebliche Kreislaufwirtschaft,law enforcers that we will look at in this chapter are members of an urban police force. But the third one is a National Park ranger, while in a later chapter we will discuss Patricia Cornwell’s Kay Scarpetta, who as a medical examiner is continuously involved with law enforcement.作者: 輕而薄 時(shí)間: 2025-3-30 20:48 作者: 過于光澤 時(shí)間: 2025-3-31 02:07 作者: affect 時(shí)間: 2025-3-31 08:47 作者: hauteur 時(shí)間: 2025-3-31 12:04
Introduction,. In the nineteenth century, crime fuels the plot of some of the best known works of Honoré de Balzac, Edward Bulwer-Lytton, Charles Dickens, and the great Russian writers, first and foremost Fyodor Dostoevsky.
