標(biāo)題: Titlebook: Contagion and the Shakespearean Stage; Darryl Chalk,Mary Floyd-Wilson Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Disea [打印本頁(yè)] 作者: 新石器時(shí)代 時(shí)間: 2025-3-21 20:09
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作者: 破譯密碼 時(shí)間: 2025-3-21 20:31
Contagion and the Shakespearean Stage978-3-030-14428-9Series ISSN 2634-6435 Series E-ISSN 2634-6443 作者: GENRE 時(shí)間: 2025-3-22 00:41 作者: 勉勵(lì) 時(shí)間: 2025-3-22 07:04
https://doi.org/10.1007/978-3-030-14428-9Disease; Early Modern; Emotion; Theatre; Passions; Audience; Shakespeare; Performing Shakespeare; Contagion; 作者: CHURL 時(shí)間: 2025-3-22 12:04
978-3-030-14430-2The Editor(s) (if applicable) and The Author(s) 2019作者: Coronary-Spasm 時(shí)間: 2025-3-22 16:31
https://doi.org/10.1007/978-3-662-24798-3at early modern writers devoted constant attention to the possibility of contagious transmission, the notion that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions, and they of作者: Coronary-Spasm 時(shí)間: 2025-3-22 18:54 作者: 惰性女人 時(shí)間: 2025-3-22 23:18
,Erd?l und seine Verarbeitungsprodukte,ify them, it becomes a potent signifier of the agency they possess to voice their views, and ultimately, to infect the body politic. This chapter shows how the crowd’s repulsive smells are mirrored in the material conditions of the playhouse’s smoky atmosphere. All the smells in the playhouse—dung, 作者: 用不完 時(shí)間: 2025-3-23 03:24 作者: 媽媽不開心 時(shí)間: 2025-3-23 08:45
https://doi.org/10.1007/978-3-662-24804-1 important facet of hospitality and the extreme suspicion and jealousy expressed regarding kissing in contemporary texts, particularly dramas, and identifying key cultural beliefs linking kissing and spirituality through the medium of breath. In particular, she examines the way in which William Shak作者: entitle 時(shí)間: 2025-3-23 13:07
https://doi.org/10.1007/978-3-662-24804-1re’s . and Middleton and Rowley’s .. Drawing on Judith Butler’s analysis of the relationships among kinship theory, the traffic in women, and fantasies of homogenous national identity, Weissbourd ultimately argues that both . and . do not only represent class- and race-transgressive alliances as poi作者: 高興一回 時(shí)間: 2025-3-23 16:55 作者: Pathogen 時(shí)間: 2025-3-23 19:44 作者: Mendacious 時(shí)間: 2025-3-24 01:29
,Erd?l und seine Verarbeitungsprodukte,of infectious disease most familiar to modern readers and highlights a premodern discourse of illness that presumes likeness or sympathy between infecting agent and infected body. Turning to this premodern discourse illuminates the language of contagion in ., a play that uses comparatively little la作者: 傾聽 時(shí)間: 2025-3-24 05:15
https://doi.org/10.1007/978-3-662-24805-8of the meme is applied to the 1607 Midlands uprisings, situating memes related to the distribution of food and associated political agency as a type of ideological contagion. The opening scene of . demonstrates how the plebeians’ more equitable food distribution meme is countered by memes of state c作者: CAB 時(shí)間: 2025-3-24 09:52
Helmut B?rkircher,Peter J. Lehmeiernflates the character’s literary, cultural, and critical iconicity with the play’s own status as a primary agent of Shakespearean storytelling. The parallels between contagion and the spread of information in the play, he argues, mimic those inherent to the business of theatre itself, suggesting tha作者: 淺灘 時(shí)間: 2025-3-24 12:39
https://doi.org/10.1007/978-3-662-24808-9ally constitutive ideas in the plague-ridden environment of Renaissance England. Locating this pairing at the intersection of material and spiritual senses of causality, Estabillo finds that explanations of atheism often echo the language of contagion. The religious imagination of the period describ作者: obeisance 時(shí)間: 2025-3-24 18:35
https://doi.org/10.1007/978-3-662-24809-6et. A phrase blending Joost van Loon’s concept of “epidemic space” and Jane Bennett’s thinking about human–nonhuman assemblages as sites of distributive agency, the epidemic assemblage denies a patient zero. As an assemblage of people, weather, politics, economy, infrastructure, etc., Verona thus de作者: VEIL 時(shí)間: 2025-3-24 20:44
Darryl Chalk,Mary Floyd-WilsonFirst book to consider how the discourse and concept of contagion in the period can provide a lens for understanding early modern theatrical performance, dramatic plots, and theatre-going.In addition 作者: 變化 時(shí)間: 2025-3-25 00:07 作者: Afflict 時(shí)間: 2025-3-25 03:29 作者: Lignans 時(shí)間: 2025-3-25 11:32
,Erd?l und seine Verarbeitungsprodukte, actor and audience, complicating the audience’s affective response to what would otherwise be a conventional shaming scene in which a character in male disguise is exposed as an unwed, pregnant young woman.作者: Antigen 時(shí)間: 2025-3-25 12:19
Bad Dancing and Contagious Embarrassment in actor and audience, complicating the audience’s affective response to what would otherwise be a conventional shaming scene in which a character in male disguise is exposed as an unwed, pregnant young woman.作者: 猛擊 時(shí)間: 2025-3-25 19:53
2634-6435 performance, dramatic plots, and theatre-going.In addition .This collection of essays considers what constituted contagion in the minds of early moderns in the absence of modern germ theory.?In a wide range of essays focused on early modern drama and the culture of theater, contributors explore how作者: 向宇宙 時(shí)間: 2025-3-25 22:02
,Erd?l und seine Verarbeitungsprodukte,s how the crowd’s repulsive smells are mirrored in the material conditions of the playhouse’s smoky atmosphere. All the smells in the playhouse—dung, sweat, perfume, smoke, and animal blood—contribute to an interpretation of the play’s classist understanding of olfactory contagion.作者: Infect 時(shí)間: 2025-3-26 03:03
https://doi.org/10.1007/978-3-662-24804-1s of homogenous national identity, Weissbourd ultimately argues that both . and . do not only represent class- and race-transgressive alliances as poisonous or infectious. Rather, by staging the female body as a site of contagion, both plays expose a deep-seated anxiety that all heterosexual relations pose the threat of contaminating mixture.作者: Albumin 時(shí)間: 2025-3-26 05:15
,Erd?l und seine Verarbeitungsprodukte,d face is attributed to various moral and physical ailments, ranging from shame and alcoholism to syphilis and even plague. Drawing upon theories of disgust, histories of infectious illness, and plague literature, Balizet contends that Bardolph’s execution exemplifies a royal victory over contagion through the political application of disgust.作者: Audiometry 時(shí)間: 2025-3-26 10:01 作者: 殺死 時(shí)間: 2025-3-26 14:33
“Search This Ulcer Soundly”: Sex as Contagion in , and s of homogenous national identity, Weissbourd ultimately argues that both . and . do not only represent class- and race-transgressive alliances as poisonous or infectious. Rather, by staging the female body as a site of contagion, both plays expose a deep-seated anxiety that all heterosexual relations pose the threat of contaminating mixture.作者: MOTIF 時(shí)間: 2025-3-26 19:01
“Amend Thy Face”: Contagion and Disgust in the d face is attributed to various moral and physical ailments, ranging from shame and alcoholism to syphilis and even plague. Drawing upon theories of disgust, histories of infectious illness, and plague literature, Balizet contends that Bardolph’s execution exemplifies a royal victory over contagion through the political application of disgust.作者: Hemiparesis 時(shí)間: 2025-3-26 22:17
https://doi.org/10.1007/978-3-662-24798-3ten did so in ways not limited to medical inquiry or the narrow study of a particular disease. In addition to outlining an approach to understanding pre-modern theories of contagion in relation to the efficacy of theatre in this period, he provides a guide to the interweaving concerns of the contributions to this collection.作者: Ingredient 時(shí)間: 2025-3-27 02:34
,Erd?l und seine Verarbeitungsprodukte,in which all transgressions are triggered by touch. Focusing on the demonic agency given to infection, Johnston argues that the devil enables a synthesis of etiologies. The play follows a Frascatorian exogenous model of pathology but it does so within the bounds of an endogenous understanding rooted in the idea of galenic humours.作者: Jingoism 時(shí)間: 2025-3-27 06:01
https://doi.org/10.1007/978-3-662-24804-1espeare correlates kissing and contagion in ., ultimately arguing that Shakespeare shows how men’s breath, in the form of words, carries more danger than Cressida’s breath, in the form of kisses, due to the male characters’ continual misinterpretation of Cressida’s words, intentions, and actions.作者: 不能強(qiáng)迫我 時(shí)間: 2025-3-27 12:28
,Erd?l und seine Verarbeitungsprodukte,nguage of disease. Understanding how this premodern language of contagion operates in ., this essay resituates the play in its multicultural context, demonstrating how contagion might serve not simply as a source of anxiety but as a metaphor for the fraught operation of pity.作者: 外貌 時(shí)間: 2025-3-27 16:28 作者: AVID 時(shí)間: 2025-3-27 19:27
Helmut B?rkircher,Peter J. Lehmeiert in striving to ensure its subsistence, theater must constantly infect new “carriers.” With a brief look to the play’s afterlife within today’s increasingly digital literary landscape, the chapter claims that Shakespeare’s play essentially went viral before “going viral” rose to cultural prominence.作者: amorphous 時(shí)間: 2025-3-27 23:58
Book 2019 essays focused on early modern drama and the culture of theater, contributors explore how ideas of contagion not only inform representations of the senses (such as smell and touch) and emotions (such as disgust, pity, and shame) but also shape how people understood belief, narrative, and political 作者: Scleroderma 時(shí)間: 2025-3-28 04:13 作者: 藐視 時(shí)間: 2025-3-28 10:04
“Go Touch His Life”: Contagious Malice and the Power of Touch in in which all transgressions are triggered by touch. Focusing on the demonic agency given to infection, Johnston argues that the devil enables a synthesis of etiologies. The play follows a Frascatorian exogenous model of pathology but it does so within the bounds of an endogenous understanding rooted in the idea of galenic humours.作者: Genistein 時(shí)間: 2025-3-28 14:24 作者: Introduction 時(shí)間: 2025-3-28 17:24 作者: aesthetic 時(shí)間: 2025-3-28 19:40 作者: 慢慢流出 時(shí)間: 2025-3-29 02:39 作者: 永久 時(shí)間: 2025-3-29 03:18 作者: 使聲音降低 時(shí)間: 2025-3-29 10:03
https://doi.org/10.1007/978-3-662-24809-6sure. Embedded within the epidemic assemblage of Verona, Totaro advocates the rethinking of all spaces of contagion, literary and literal; spaces issuing death. They produce equally salubrious forms of change, including laughter.作者: 寡頭政治 時(shí)間: 2025-3-29 12:43 作者: 貴族 時(shí)間: 2025-3-29 18:34 作者: 驚呼 時(shí)間: 2025-3-29 22:35 作者: 致敬 時(shí)間: 2025-3-30 02:25
Introduction: Beyond the Plague,at early modern writers devoted constant attention to the possibility of contagious transmission, the notion that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions, and they of作者: 立即 時(shí)間: 2025-3-30 07:08
Comedy, the Senses, and Social Contagion in , and theater is a contagious disease, which infects the mind by means of the senses. . appropriates antitheatrical rhetoric of sensory contagion to demonstrate how theater, especially comedy, forges positive human connections.作者: membrane 時(shí)間: 2025-3-30 12:04 作者: 割讓 時(shí)間: 2025-3-30 16:04
“Go Touch His Life”: Contagious Malice and the Power of Touch in outlines how the play exhibits a complex model of infection in which pollution and disease are linked inextricably with moral corruption, with the devil serving as the pathogenic transmitter of both. The spread of evil follows a clear pattern of contagion, of infection, treatment, and eradication, 作者: Minutes 時(shí)間: 2025-3-30 18:25
