標題: Titlebook: Consumption and Consumer Society ; The Craft Consumer a Colin Campbell Book 2021 The Editor(s) (if applicable) and The Author(s), under exc [打印本頁] 作者: 果園 時間: 2025-3-21 19:07
書目名稱Consumption and Consumer Society 影響因子(影響力)
書目名稱Consumption and Consumer Society 影響因子(影響力)學科排名
書目名稱Consumption and Consumer Society 網(wǎng)絡公開度
書目名稱Consumption and Consumer Society 網(wǎng)絡公開度學科排名
書目名稱Consumption and Consumer Society 被引頻次
書目名稱Consumption and Consumer Society 被引頻次學科排名
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書目名稱Consumption and Consumer Society 年度引用學科排名
書目名稱Consumption and Consumer Society 讀者反饋
書目名稱Consumption and Consumer Society 讀者反饋學科排名
作者: Foreshadow 時間: 2025-3-21 20:14 作者: Insulin 時間: 2025-3-22 01:29
,Abschlie?ende Betrachtungen und Fazit,to be people with both wealth and cultural capital, Kopytoff’s suggestion that progressive commodification might prompt a ‘decommodifying reaction’ is taken as a starting point for some speculations concerning the reasons for the recent rise of craft consumption.作者: 身體萌芽 時間: 2025-3-22 07:15 作者: 音樂會 時間: 2025-3-22 10:20
The Craft Consumer: Culture, Craft and Consumption in a Postmodern Society,to be people with both wealth and cultural capital, Kopytoff’s suggestion that progressive commodification might prompt a ‘decommodifying reaction’ is taken as a starting point for some speculations concerning the reasons for the recent rise of craft consumption.作者: NEG 時間: 2025-3-22 15:24 作者: NEG 時間: 2025-3-22 18:09 作者: 類似思想 時間: 2025-3-22 22:16 作者: ethereal 時間: 2025-3-23 03:25 作者: CRUDE 時間: 2025-3-23 06:28
https://doi.org/10.1007/978-3-658-23395-2 it becomes possible to see that only one of these—the novel’—can account for the crucial desire for the new that is characteristic of modern consumerism, with Bohemians as the crucial social group responsible for its continuing introduction.作者: GONG 時間: 2025-3-23 11:32 作者: 種類 時間: 2025-3-23 15:18 作者: 顧客 時間: 2025-3-23 20:37
,Abschlie?ende Betrachtungen und Fazit,an activity through which individuals ‘discover’ who they ‘really are’, the intensity of the associated emotion providing a crucial guarantee that they are indeed ‘alive’. In this way it is suggested that a fundamentally idealist and emanationist ontology has become the underlying paradigm for the modern consumerist view of the world.作者: Scintigraphy 時間: 2025-3-23 23:43
What is Microsoft Dynamics 365/AX?,lished needs are turned into wants. What the experience of living under lockdown has helped to reveal is the extent to which people discovered that they could quite happily live without things that they previously thought they needed, whilst at the same time discovering that they had needs that previously had been largely unmet.作者: 愛社交 時間: 2025-3-24 04:51 作者: Digest 時間: 2025-3-24 07:48
,Conspicuous Confusion? A Critique of Veblen’s Theory of Conspicuous Consumption,n of each of these strands reveals major difficulties that prevent the construction of an operational definition of conspicuous consumption and hence the extraction of a workable theory from Veblen’s discussion.作者: 切掉 時間: 2025-3-24 13:40 作者: DEBT 時間: 2025-3-24 18:41
I Shop Therefore I Know That I Am: The Metaphysical Basis of Modern Consumerism,an activity through which individuals ‘discover’ who they ‘really are’, the intensity of the associated emotion providing a crucial guarantee that they are indeed ‘alive’. In this way it is suggested that a fundamentally idealist and emanationist ontology has become the underlying paradigm for the modern consumerist view of the world.作者: Maximizer 時間: 2025-3-24 19:44
A Matter of Necessity: Reflections on Need and Want in a Time of Lockdown,lished needs are turned into wants. What the experience of living under lockdown has helped to reveal is the extent to which people discovered that they could quite happily live without things that they previously thought they needed, whilst at the same time discovering that they had needs that previously had been largely unmet.作者: Ceremony 時間: 2025-3-25 02:55 作者: LINES 時間: 2025-3-25 06:01 作者: 猛烈責罵 時間: 2025-3-25 08:45 作者: commune 時間: 2025-3-25 12:43 作者: 凝乳 時間: 2025-3-25 18:44 作者: Reservation 時間: 2025-3-25 23:01
Introduction,that occurred in the late 1980s and early 1990s. This was a time when a number of scholars, from several different disciplines, turned their attention to this essentially new field of study—something that in my case was largely a by-product of a concern with cultural change.作者: synovial-joint 時間: 2025-3-26 00:58
The Desire for the New: Its Nature and Social Location as Presented in Theories of Fashion and Modeditional explanation for this desire as exemplified in the theories of Simmel and Veblen. The work of these two men is often conflated to constitute a Simmel-Veblen model which assumes that ideas of what is fashionable ‘trickle down’ from superior to inferior classes in society while consumption act作者: Needlework 時間: 2025-3-26 05:18
Consuming Goods and the Good of Consuming,rehensible motives as greed, pride or envy. These theories are largely unsubstantiated and fail to address the distinctive features of modern consumption, such as the apparent insatiability of wants and the preference for the novel over the familiar. A more plausible view of consumerism regards it a作者: Glossy 時間: 2025-3-26 10:25
,Conspicuous Confusion? A Critique of Veblen’s Theory of Conspicuous Consumption,eory’ has never been tested. It is suggested that the reason for this lies in the difficulty of determining the criterion that defines the phenomenon, a difficulty that derives from Veblen’s failure to integrate two contrasting conceptual formulations. These are, first, an interpretive or subjective作者: obsolete 時間: 2025-3-26 13:40 作者: chlorosis 時間: 2025-3-26 20:17
Shopping, Pleasure and the Sex War,to mean any activity which involves the treatment of products as potential objects of acquisition through purchase, especially by means of visits to retail outlets.). The data concerned were obtained through group interviews with both men and women between the ages of 25 and 45 and drawn from socio-作者: 桉樹 時間: 2025-3-26 21:59
Consumption and the Rhetorics of Need and Want, and want (desire). These rhetorics relate to contrasting models of human action with associated ideologies. The need rhetoric has its origin in a Puritan-inspired utilitarian philosophy of comfort and satisfaction, whilst the want or desire rhetoric has its origin in a Romantic-inspired philosophy 作者: overture 時間: 2025-3-27 02:13
I Shop Therefore I Know That I Am: The Metaphysical Basis of Modern Consumerism,?’ Whilst one may imagine, at first glance, that such an apparently mundane activity could not possibly be connected with metaphysical issues, there is an obvious link with the question of identity. However, whilst postmodern thought suggests that consumer behaviour involves a search for identity, w作者: Vasoconstrictor 時間: 2025-3-27 07:27
The Craft Consumer: Culture, Craft and Consumption in a Postmodern Society,n additional image of the consumer to set alongside those of ‘the dupe’, ‘the rational hero’ and the ‘postmodern identity seeker’. The term ‘craft’ is used to refer to consumption activity in which the ‘product’ concerned is essentially ‘both made and designed by the same person’ and to which the co作者: Soliloquy 時間: 2025-3-27 11:56 作者: 軍火 時間: 2025-3-27 16:11
A Matter of Necessity: Reflections on Need and Want in a Time of Lockdown, basic human needs and thus the distinction between these and ‘false needs’ or wants. It is argued that there are two main approaches to the determination of need, one that focuses on the extent to which a person’s standard of living falls below the social norm and one in which the determination of 作者: MITE 時間: 2025-3-27 20:33 作者: 補角 時間: 2025-3-28 01:45
https://doi.org/10.1007/978-3-658-23395-2ditional explanation for this desire as exemplified in the theories of Simmel and Veblen. The work of these two men is often conflated to constitute a Simmel-Veblen model which assumes that ideas of what is fashionable ‘trickle down’ from superior to inferior classes in society while consumption act作者: seroma 時間: 2025-3-28 05:55
https://doi.org/10.1007/978-3-658-23395-2rehensible motives as greed, pride or envy. These theories are largely unsubstantiated and fail to address the distinctive features of modern consumption, such as the apparent insatiability of wants and the preference for the novel over the familiar. A more plausible view of consumerism regards it a作者: 輕信 時間: 2025-3-28 09:44
https://doi.org/10.1007/978-3-658-23545-1eory’ has never been tested. It is suggested that the reason for this lies in the difficulty of determining the criterion that defines the phenomenon, a difficulty that derives from Veblen’s failure to integrate two contrasting conceptual formulations. These are, first, an interpretive or subjective作者: diabetes 時間: 2025-3-28 11:47 作者: Myocarditis 時間: 2025-3-28 16:47
Modellbeschreibung und Implementierung,to mean any activity which involves the treatment of products as potential objects of acquisition through purchase, especially by means of visits to retail outlets.). The data concerned were obtained through group interviews with both men and women between the ages of 25 and 45 and drawn from socio-作者: Hla461 時間: 2025-3-28 19:16
,Untersuchung von Abdr?ngverhalten, and want (desire). These rhetorics relate to contrasting models of human action with associated ideologies. The need rhetoric has its origin in a Puritan-inspired utilitarian philosophy of comfort and satisfaction, whilst the want or desire rhetoric has its origin in a Romantic-inspired philosophy 作者: 物質 時間: 2025-3-28 23:21 作者: Abbreviate 時間: 2025-3-29 03:21
,Abschlie?ende Betrachtungen und Fazit,n additional image of the consumer to set alongside those of ‘the dupe’, ‘the rational hero’ and the ‘postmodern identity seeker’. The term ‘craft’ is used to refer to consumption activity in which the ‘product’ concerned is essentially ‘both made and designed by the same person’ and to which the co作者: WITH 時間: 2025-3-29 10:14 作者: 窗簾等 時間: 2025-3-29 12:14 作者: Binge-Drinking 時間: 2025-3-29 17:51
Introduction,that occurred in the late 1980s and early 1990s. This was a time when a number of scholars, from several different disciplines, turned their attention to this essentially new field of study—something that in my case was largely a by-product of a concern with cultural change.
