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標題: Titlebook: Consuming Cultural Hegemony; Bollywood in Banglad Harisur Rahman Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive [打印本頁]

作者: Embolism    時間: 2025-3-21 19:18
書目名稱Consuming Cultural Hegemony影響因子(影響力)




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書目名稱Consuming Cultural Hegemony被引頻次




書目名稱Consuming Cultural Hegemony被引頻次學(xué)科排名




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書目名稱Consuming Cultural Hegemony讀者反饋學(xué)科排名





作者: 不真    時間: 2025-3-21 22:13
From Partition to Hegemony: Bangladesh and Bangladeshi Films in the South Asian Context, in Dhaka were not seen as problematic or hegemonic. Soon after partition, India’s films in Pakistan began to be treated as foreign films and taxes were imposed on them. Following the Indo-Pakistan war of 1965, the Pakistani government imposed a ban on Indian films. With the creation of Bangladesh, the ban was re-imposed, and it continues today.
作者: 廣大    時間: 2025-3-22 01:18

作者: Freeze    時間: 2025-3-22 08:22

作者: Benign    時間: 2025-3-22 10:21
Book 2020 sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics.?.? ? ? ? ? ? ? ? ?.
作者: Anguish    時間: 2025-3-22 16:32

作者: Anguish    時間: 2025-3-22 17:17
umption and India’s regional hegemonic power and its relatio.This book examines the circulation and viewership of Bollywood films and filmi modernity in Bangladesh. The writer poses a number of fundamental questions: what it means to be a Bangladeshi in South Asia, what it means to be a Bangladeshi
作者: GENUS    時間: 2025-3-22 23:15
https://doi.org/10.1007/978-3-658-11609-5 in Dhaka were not seen as problematic or hegemonic. Soon after partition, India’s films in Pakistan began to be treated as foreign films and taxes were imposed on them. Following the Indo-Pakistan war of 1965, the Pakistani government imposed a ban on Indian films. With the creation of Bangladesh, the ban was re-imposed, and it continues today.
作者: PTCA635    時間: 2025-3-23 03:42
Warum Mehr Armut in Deutschland?d power. The representation of Bangladeshi history in Indian films and the circulation of Indian films via theatrical means sometimes collide with Bangladeshi nationalist discourses and the economic interests of various groups.
作者: separate    時間: 2025-3-23 08:10
ny. The book draws on relevant literature from anthropology, sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics.?.? ? ? ? ? ? ? ? ?.978-3-030-31709-6978-3-030-31707-2
作者: stress-test    時間: 2025-3-23 13:30

作者: Odyssey    時間: 2025-3-23 16:31

作者: 同步左右    時間: 2025-3-23 19:50

作者: Dysarthria    時間: 2025-3-23 23:40

作者: 桉樹    時間: 2025-3-24 03:24
,Culture of Copying and Copying of Culture: Media “Piracy” in Bangladesh,al meanings are different in different socioeconomic contexts. The commercial and unauthorized photocopying of books is relatively rare in the Western world, but in Bangladesh, it is ubiquitous and is an entrenched cultural practice.
作者: CROAK    時間: 2025-3-24 06:45
Belonging to Class: Hindi Film and the Formation of Middle-Class Audience in Bangladesh,theorized within a general framework of semiotics” (2011, p. 299). Spectatorship was used as a theoretical concept to consider how film viewers are constituted, positioned and fixed by the textual aspects of films. In earlier studies, audiences had been assumed to constitute a homogenous category an
作者: frenzy    時間: 2025-3-24 14:39

作者: Expressly    時間: 2025-3-24 15:37

作者: Deceit    時間: 2025-3-24 20:27

作者: pessimism    時間: 2025-3-24 23:49

作者: GUISE    時間: 2025-3-25 07:23

作者: fastness    時間: 2025-3-25 07:32
Strategisches Kompetenz-Managementr to the production and representation of ethnographic knowledge. As I have done this research in my own social and cultural setting, this research has been immensely influenced and shaped by my own experience, memory and understanding of film and media. My ethnographic self has been a valuable reso
作者: 完成    時間: 2025-3-25 15:40
What Have Eggs Got to Do with Inequality?l entities such as media infrastructures; it also encompasses images or visuals. At the same time, by materiality, I do not mean that entities such as media determine human culture; instead, both are constitutive and interactive with each other within socioeconomic and political spaces.
作者: gentle    時間: 2025-3-25 18:29

作者: 南極    時間: 2025-3-25 21:29

作者: FLASK    時間: 2025-3-26 00:48
https://doi.org/10.1007/978-3-658-11663-7theorized within a general framework of semiotics” (2011, p. 299). Spectatorship was used as a theoretical concept to consider how film viewers are constituted, positioned and fixed by the textual aspects of films. In earlier studies, audiences had been assumed to constitute a homogenous category an
作者: Exaggerate    時間: 2025-3-26 05:25

作者: Override    時間: 2025-3-26 09:55
https://doi.org/10.1007/978-3-658-11789-4delved into my own experience to show how my own film-watching habits were aligned with the urban middle-class environment. The enthusiasm for watching Hindi film over other films is not solely an individual’s personal or arbitrary choice; it is also linked with their social origin and cultural capi
作者: strain    時間: 2025-3-26 16:27
Ethnographic Fieldwork: The Self as an Informant and an Observer,r to the production and representation of ethnographic knowledge. As I have done this research in my own social and cultural setting, this research has been immensely influenced and shaped by my own experience, memory and understanding of film and media. My ethnographic self has been a valuable resource for my research.
作者: 向前變橢圓    時間: 2025-3-26 17:32

作者: myalgia    時間: 2025-3-26 21:41
The Cultural Economy of the CD/DVD Store and the Creation of Space,he flow and circulation of digital images in the market. The (re)production and circulation of CD/DVDs create social space and the materiality of media where various forms of social interaction and transaction take place and relations are formed.
作者: CLOT    時間: 2025-3-27 04:02

作者: 刻苦讀書    時間: 2025-3-27 07:39

作者: 凹處    時間: 2025-3-27 12:09
Harisur RahmanRepositions Bangladesh in the South Asian cultural scene and contributes new knowledge, perspectives, and understandings about cultural consumption and India’s regional hegemonic power and its relatio
作者: colloquial    時間: 2025-3-27 15:30

作者: Neuropeptides    時間: 2025-3-27 18:26
Peter Tsao-Adolphs,Gabriele BorgmannThis statement from an educated, young married woman in Dhaka could be read as nothing more than the enthusiasm of a film buff, but closer consideration evokes more profound questions.
作者: 矛盾心理    時間: 2025-3-28 00:40

作者: Glycogen    時間: 2025-3-28 03:37

作者: 手榴彈    時間: 2025-3-28 06:27

作者: 耐寒    時間: 2025-3-28 10:33
Strategisches Kompetenz-Managementr to the production and representation of ethnographic knowledge. As I have done this research in my own social and cultural setting, this research has been immensely influenced and shaped by my own experience, memory and understanding of film and media. My ethnographic self has been a valuable resource for my research.
作者: 射手座    時間: 2025-3-28 15:07
What Have Eggs Got to Do with Inequality?l entities such as media infrastructures; it also encompasses images or visuals. At the same time, by materiality, I do not mean that entities such as media determine human culture; instead, both are constitutive and interactive with each other within socioeconomic and political spaces.
作者: Torrid    時間: 2025-3-28 19:22

作者: Tempor    時間: 2025-3-28 23:14
https://doi.org/10.1007/978-3-658-11663-7al meanings are different in different socioeconomic contexts. The commercial and unauthorized photocopying of books is relatively rare in the Western world, but in Bangladesh, it is ubiquitous and is an entrenched cultural practice.
作者: MEN    時間: 2025-3-29 05:34
https://doi.org/10.1007/978-3-658-11789-4delved into my own experience to show how my own film-watching habits were aligned with the urban middle-class environment. The enthusiasm for watching Hindi film over other films is not solely an individual’s personal or arbitrary choice; it is also linked with their social origin and cultural capital.
作者: 正式通知    時間: 2025-3-29 08:28

作者: Precursor    時間: 2025-3-29 13:17
Chinmay Chakraborty,Mohammad R. KhosraviBei der Aufstellung des Jahresabschlusses hat der Kaufmann folgende Grunds?tze zu berücksichtigen:
作者: Germinate    時間: 2025-3-29 16:04

作者: multiply    時間: 2025-3-29 21:08





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