標(biāo)題: Titlebook: Consumerism, Waste, and Re-Use in Twentieth-Century Fiction; Legacies of the Avan Rachele Dini Book 2016 The Editor(s) (if applicable) and [打印本頁] 作者: 密度 時(shí)間: 2025-3-21 19:48
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作者: 畢業(yè)典禮 時(shí)間: 2025-3-21 21:34 作者: 沙草紙 時(shí)間: 2025-3-22 04:07 作者: 彎曲的人 時(shí)間: 2025-3-22 05:59
https://doi.org/10.1007/978-3-658-07820-1 Jonathan Miles’ . (2013), and Tom McCarthy’s . (2014). Each of these texts highlights the difficulty of conceiving a radical discourse through waste in a landscape that is suffused with it and in a culture that is all too willing to put even the radical to commercial use.作者: SKIFF 時(shí)間: 2025-3-22 11:31
Book 2016ound up with an enduring faith in the radical potential of waste. The first study to focus specifically on waste in the twentieth-century imagination, this is a valuable contribution to the expanding field of waste studies..作者: LIEN 時(shí)間: 2025-3-22 14:20 作者: LIEN 時(shí)間: 2025-3-22 19:01 作者: 革新 時(shí)間: 2025-3-22 23:18 作者: organism 時(shí)間: 2025-3-23 04:18 作者: Pepsin 時(shí)間: 2025-3-23 09:22
Schlussbetrachtung und Ausblicklished between the mid-nineteenth and late twentieth century, including texts by Ellis Sharp, David Foster Wallace, Marguerite Duras, James Joyce, Mary Norton, Elisabeth Beresford, EL Doctorow, Charles Dickens, Ivan Klíma, and Primo Levi.作者: Conduit 時(shí)間: 2025-3-23 11:43 作者: 橫條 時(shí)間: 2025-3-23 17:36
Gerhard Banner,Stephan Grohs,Renate Reiteris dependent on audience “satisfaction,” Ballard’s dystopian depictions of the post-war economic boom, and Gaddis’ comedic interpretation of the finance market as trading in rubbish extend the novel form in new ways.作者: 解凍 時(shí)間: 2025-3-23 18:25 作者: Acclaim 時(shí)間: 2025-3-24 00:06 作者: 美色花錢 時(shí)間: 2025-3-24 03:27
Waste in Donald Barthelme, J.G. Ballard, and William Gaddis,is dependent on audience “satisfaction,” Ballard’s dystopian depictions of the post-war economic boom, and Gaddis’ comedic interpretation of the finance market as trading in rubbish extend the novel form in new ways.作者: 商業(yè)上 時(shí)間: 2025-3-24 07:42
Consumerism, Waste, and Re-Use in Twentieth-Century FictionLegacies of the Avan作者: ASSET 時(shí)間: 2025-3-24 12:18 作者: Aerate 時(shí)間: 2025-3-24 15:13
ook shows that the legacy of the historical avant-garde is bound up with an enduring faith in the radical potential of waste. The first study to focus specifically on waste in the twentieth-century imagination, this is a valuable contribution to the expanding field of waste studies..978-1-349-95496-4978-1-137-58165-5作者: AXIOM 時(shí)間: 2025-3-24 19:41
Introduction,owing novelists a means to counter modernity’s love of the new. This approach relies on a dual understanding of waste as both “matter out of time” and an “unfinished process” ever capable of being reversed, and recognition that such categorisations are often extended to human beings, too. While the 作者: aristocracy 時(shí)間: 2025-3-25 00:32 作者: arabesque 時(shí)間: 2025-3-25 04:39 作者: 飛鏢 時(shí)間: 2025-3-25 08:45
Waste in Donald Barthelme, J.G. Ballard, and William Gaddis,974), and . (1975); and William Gaddis’ . (1975). Each of these novels makes use of waste to question the cultural toll of consumerism, and the methods they use radically alter the scope of the novel form. The role of waste in these texts is profoundly indebted to Surrealism, while the writers thems作者: 親密 時(shí)間: 2025-3-25 14:01 作者: neuron 時(shí)間: 2025-3-25 16:08
Conclusion,that reflects the all pervasiveness of neoliberalism and the ineffability of global warming. Following a discussion of waste’s role in a select number of postmillennial texts—including by Don DeLillo, Jennifer Egan, and Michel Faber—Dini provides three in-depth sections on Thomas Pynchon’s . (2013),作者: 波動(dòng) 時(shí)間: 2025-3-25 21:37 作者: MILK 時(shí)間: 2025-3-26 03:26 作者: 滋養(yǎng) 時(shí)間: 2025-3-26 07:14 作者: fetter 時(shí)間: 2025-3-26 10:28
978-1-349-95496-4The Editor(s) (if applicable) and The Author(s) 2016作者: 傳授知識(shí) 時(shí)間: 2025-3-26 13:13
Schlussbetrachtung und Ausblickowing novelists a means to counter modernity’s love of the new. This approach relies on a dual understanding of waste as both “matter out of time” and an “unfinished process” ever capable of being reversed, and recognition that such categorisations are often extended to human beings, too. While the 作者: 裂口 時(shí)間: 2025-3-26 17:10 作者: 令人苦惱 時(shí)間: 2025-3-26 23:20
https://doi.org/10.1007/978-3-658-07294-0rrealism. I read these as counters to the culture of rationalised production and consumerism that spread throughout Western Europe after World War Two. In Beckett’s novels the world of commodities is replaced by a world of unusable, perished goods, in which time, divested of the need to work or cons作者: Anecdote 時(shí)間: 2025-3-27 04:08
Gerhard Banner,Stephan Grohs,Renate Reiter974), and . (1975); and William Gaddis’ . (1975). Each of these novels makes use of waste to question the cultural toll of consumerism, and the methods they use radically alter the scope of the novel form. The role of waste in these texts is profoundly indebted to Surrealism, while the writers thems作者: 祖?zhèn)髫?cái)產(chǎn) 時(shí)間: 2025-3-27 06:09 作者: 影響 時(shí)間: 2025-3-27 09:37 作者: absolve 時(shí)間: 2025-3-27 16:54
entiative and comparative processes; gain manipulation of motor output; multilevel control over most visceral functions; and the active manipulation of a spectrum of states of consciousness from deep coma to maximal vigilance. This panoramic range of activities suggests that the reticular core serve作者: Antecedent 時(shí)間: 2025-3-27 19:26 作者: Isthmus 時(shí)間: 2025-3-27 23:31
,Grundtatbest?nde der Verkehrswirtschaft,erteilt. Diese r?umliche Verteilung, das ist die in jedem Punkte der Wirtschaftsfl?che anders strukturierte r?umliche Konfiguration von Menschen und Gütern, ist eine natürliche Gegebenheit, welche . nur insoweit zul??t, als es gelingt, eine . von Personen oder Gütern zu bewirken. Doch handelt es sic作者: flaunt 時(shí)間: 2025-3-28 02:39 作者: 發(fā)芽 時(shí)間: 2025-3-28 06:29
