標(biāo)題: Titlebook: Constructing Monsters in Shakespeare‘s Drama and Early Modern Culture; Mark Thornton Burnett Book 2002 Palgrave Macmillan, a division of M [打印本頁] 作者: 手套 時間: 2025-3-21 16:48
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作者: Ordeal 時間: 2025-3-21 22:01 作者: NATAL 時間: 2025-3-22 03:14
,‘The strangest men that ever Nature made’: Manufacturing ‘Monsters’ in , at work here, the first elevating Marlovian drama above the meaner business of contemporary ‘clownage’, the second paralleling a distinction between the action of the stage and the higher rhetoric of the playwright’s ‘tent of war’. Both, however, harbour a more pressing function — the imperative to作者: 得罪 時間: 2025-3-22 05:36
,‘Monsters’ and ‘Molas’: Body Politics in ,ge is the evocation of three ‘extraordinary’ productions — a partly consumed infant, a ‘monster’ (the so-called ‘leech’) and what was described in the period as a ‘mola’, an essentially shapeless composition of flesh that frequently appeared before a ‘natural’ term was completed. This is, then, a bi作者: forbid 時間: 2025-3-22 09:13 作者: impaction 時間: 2025-3-22 15:08 作者: impaction 時間: 2025-3-22 17:46 作者: cutlery 時間: 2025-3-22 22:59 作者: Subjugate 時間: 2025-3-23 04:56 作者: 遠(yuǎn)足 時間: 2025-3-23 08:10
978-1-349-42294-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2002作者: AWE 時間: 2025-3-23 13:25
Constructing Monsters in Shakespeare‘s Drama and Early Modern Culture978-1-4039-1935-9Series ISSN 2634-5919 Series E-ISSN 2634-5927 作者: 藥物 時間: 2025-3-23 17:42
Early Modern Literature in Historyhttp://image.papertrans.cn/c/image/236037.jpg作者: 弄皺 時間: 2025-3-23 21:37 作者: radiograph 時間: 2025-3-23 23:42
Problemstellung und Zielsetzung,ction — Haggis’ enthusiasm for a particular fairground attraction. Complains Bristle: ‘You … met the man with the monsters, and I could not get you from him.’. The reference is not elaborated on, but this chapter posits ‘the man with the monsters’ — the entrepreneur behind what might be usefully und作者: MEN 時間: 2025-3-24 06:05 作者: Grandstand 時間: 2025-3-24 07:22 作者: needle 時間: 2025-3-24 14:21
Das Traktionsverhalten des Grundfahrzeugs,ies that receives attention. An Italian has access to a region of the sub-Saharan continent, which itself is under Turkish control. Adding to the uncertainty is the vagueness surrounding ‘a(chǎn) Whole Countrey’, a fourth geographical entity which lacks a precise anchorage. Overshadowing territorial conju作者: 食物 時間: 2025-3-24 18:19
Das Eigenschwingungsverhalten des Fahrzeugs,ly, colonialist readings of Shakespeare’s drama have had a dominant impact over the last two decades. Opinion has maintained that . investigates a politically oppressive system in which Prospero is figured as an imperial overlord and in which Caliban, whose linguistic conversion, slavery and territo作者: TAG 時間: 2025-3-24 22:01 作者: 滔滔不絕地講 時間: 2025-3-24 23:25
https://doi.org/10.1007/978-3-322-88483-1to have the play published. While a folio containing . was planned, however, Jonson was forced in 1631 to abandon the project. This hinged partly on the disastrous contribution of John Beale, a ‘Lewd Printer’, who refused to ‘perfect’ his work to Jonson’s satisfaction and who was happy for sheets of作者: 謊言 時間: 2025-3-25 06:14
Introduction,calf’ (an ‘a(chǎn)bortive birth’ and a ‘shapeless substance produced in the uterus’) and an artichoke respectively.’ The enlisting of both human and vegetable categories works to suggest the classificatory inadequacy of each. Merlin, like Caliban, fits into no easy arrangement.作者: 調(diào)味品 時間: 2025-3-25 11:22 作者: 無目標(biāo) 時間: 2025-3-25 11:47 作者: adduction 時間: 2025-3-25 19:18
2634-5919 agination. Burnett traces the metaphorical significance of ‘monstrous‘ forms across a range of early modern exhibition spaces - fairground displays, ‘cabinets of curiosity‘ and court entertainments - to contend that the ‘monster‘ finds its most intriguing manifestation in the investments and practic作者: 固執(zhí)點(diǎn)好 時間: 2025-3-25 23:58
Book 2002 Burnett traces the metaphorical significance of ‘monstrous‘ forms across a range of early modern exhibition spaces - fairground displays, ‘cabinets of curiosity‘ and court entertainments - to contend that the ‘monster‘ finds its most intriguing manifestation in the investments and practices of cont作者: occurrence 時間: 2025-3-26 00:22
Problemstellung und Zielsetzung, a contemporary fascination with those people and properties that stood outside existing taxonomies and systems of knowledge, this figure represented the most clearly defined entrance point to the ‘monstrous’ experience.作者: 歡騰 時間: 2025-3-26 06:39 作者: OPINE 時間: 2025-3-26 08:28
,Mapping ‘Monsters’, a contemporary fascination with those people and properties that stood outside existing taxonomies and systems of knowledge, this figure represented the most clearly defined entrance point to the ‘monstrous’ experience.作者: Dna262 時間: 2025-3-26 14:59
,‘Monsters’ and ‘Molas’: Body Politics in ,hat equates physical appearance with behavioural traits. The non-normative shape of the ‘mola’ is directly linked to its sub-aquatic responsiveness, while the distorted frame, fiery look and scampering mobility of the ‘monster’ are read as evidence of its aural destructiveness and annihilatory tendencies.作者: TOXIN 時間: 2025-3-26 20:25
Book 2002f curiosity‘ and court entertainments - to contend that the ‘monster‘ finds its most intriguing manifestation in the investments and practices of contemporary theatre. The study‘s new readings of Shakespeare, Marlowe and Jonson make a powerful case for the drama‘s contribution to debates about the ‘extraordinary body‘.作者: 分發(fā) 時間: 2025-3-27 00:48
Rüdiger Haupt,Jochem Hoitz,Hans Kremercalf’ (an ‘a(chǎn)bortive birth’ and a ‘shapeless substance produced in the uterus’) and an artichoke respectively.’ The enlisting of both human and vegetable categories works to suggest the classificatory inadequacy of each. Merlin, like Caliban, fits into no easy arrangement.作者: 脊椎動物 時間: 2025-3-27 01:26
Versuchsergebnisse und Auswertung, ‘monster’ or the ‘man with the monsters’ (III.1.11–12); in short, an anticipated execution of Trinculo’s fairground fantasy, the exhibition of Caliban, is frustratingly absent from the play’s theatrical proceedings..作者: 要求比…更好 時間: 2025-3-27 07:54
Wolfgang Kr?nert,Karl-Heinz Herzogcarnival barker. Similarly, the ‘tent of war’, to which interested parties will be guided, draws energy from the ‘monster’-booth of the contemporary fairground; in the same way that the fairground ‘monster’ unsettles and amazes, so too will . here prefigured as the source of an ‘a(chǎn)stounding’ linguistic experience, be judged extraordinary.作者: 財主 時間: 2025-3-27 10:15
,‘The strangest men that ever Nature made’: Manufacturing ‘Monsters’ in ,carnival barker. Similarly, the ‘tent of war’, to which interested parties will be guided, draws energy from the ‘monster’-booth of the contemporary fairground; in the same way that the fairground ‘monster’ unsettles and amazes, so too will . here prefigured as the source of an ‘a(chǎn)stounding’ linguistic experience, be judged extraordinary.作者: Jubilation 時間: 2025-3-27 14:58
Das Traktionsverhalten des Grundfahrzeugs,ing a history of deliverance and conquest to extol the winning virtues of a ‘monstrous’ attraction.’ In fact, in its representation of the ‘extraordinary body’ of the ‘serpent’, the report stands as a quasi-colonial narrative, a drama in which militaristic stratagems and annihilatory appetites loom 作者: GULLY 時間: 2025-3-27 18:41 作者: Malcontent 時間: 2025-3-28 00:23
https://doi.org/10.1007/978-3-322-88483-1e readers, Richard Jones, the printer of . (1587–88), states:.The suggestion that the play functioned as a type of ‘monster’ to be viewed by the multitude carries in its wake a class-sensitive criticism, even a hint of the ethics of ‘decency’ that were, eventually, to bring about the disappearance o作者: rheumatology 時間: 2025-3-28 03:52 作者: 文字 時間: 2025-3-28 08:52 作者: acheon 時間: 2025-3-28 14:10
,‘Were I in England now’: Localizing ‘Monsters’ in ,eare’s apparent debt to the pamphlets of the Virginia Company, one of which details the experiences of Sir Thomas Gates and his men who, shipwrecked, were forced to winter on Bermuda.. More recent assessments of the play, however, have pointed to the limitations of such an interpretive template. The作者: OTHER 時間: 2025-3-28 18:08
Epilogue,e readers, Richard Jones, the printer of . (1587–88), states:.The suggestion that the play functioned as a type of ‘monster’ to be viewed by the multitude carries in its wake a class-sensitive criticism, even a hint of the ethics of ‘decency’ that were, eventually, to bring about the disappearance o作者: 金盤是高原 時間: 2025-3-28 22:22
