標題: Titlebook: Constructing Transgressive Sexuality in Screenwriting; The Feiticeiro/a as LJ Theo Book 2017 The Editor(s) (if applicable) and The Author( [打印本頁] 作者: Maculate 時間: 2025-3-21 17:14
書目名稱Constructing Transgressive Sexuality in Screenwriting影響因子(影響力)
書目名稱Constructing Transgressive Sexuality in Screenwriting影響因子(影響力)學科排名
書目名稱Constructing Transgressive Sexuality in Screenwriting網(wǎng)絡(luò)公開度
書目名稱Constructing Transgressive Sexuality in Screenwriting網(wǎng)絡(luò)公開度學科排名
書目名稱Constructing Transgressive Sexuality in Screenwriting被引頻次
書目名稱Constructing Transgressive Sexuality in Screenwriting被引頻次學科排名
書目名稱Constructing Transgressive Sexuality in Screenwriting年度引用
書目名稱Constructing Transgressive Sexuality in Screenwriting年度引用學科排名
書目名稱Constructing Transgressive Sexuality in Screenwriting讀者反饋
書目名稱Constructing Transgressive Sexuality in Screenwriting讀者反饋學科排名
作者: ANTH 時間: 2025-3-21 21:39 作者: Nomogram 時間: 2025-3-22 02:14 作者: frozen-shoulder 時間: 2025-3-22 05:17 作者: 精密 時間: 2025-3-22 09:07 作者: 光滑 時間: 2025-3-22 16:13
https://doi.org/10.1007/978-3-319-65043-2screenwriting; character construction; sexuality; perversion; fetish; film; Feiticeiro/a作者: 光滑 時間: 2025-3-22 18:40
978-3-319-87934-5The Editor(s) (if applicable) and The Author(s) 2017作者: 過份好問 時間: 2025-3-23 01:04 作者: Irrepressible 時間: 2025-3-23 05:11
http://image.papertrans.cn/c/image/236019.jpg作者: FILLY 時間: 2025-3-23 09:22
Gegenstand und Zielsetzung dieser Schrift,lt of an over-valuation of image at the expense of psychologically complex and challenging subjectivity. A hook for exploring the nature of this phenomenon lies in the notion of ‘involving and disturbing’, with a focus on how films might represent it and how audiences might perceive it, and with att作者: AROMA 時間: 2025-3-23 13:38 作者: 合適 時間: 2025-3-23 17:49 作者: 注意 時間: 2025-3-23 18:44
Umsetzung der Integrierten Kommunikationf conceiving a constitution of ‘pervert’ filmic characters, since certain strains of existential thinking have a meta-theoretical pliancy that is useful for reflecting the non-binary character of complex people beyond simple identity categories, across a range of types and styles of filmic products.作者: 飲料 時間: 2025-3-23 23:45 作者: 棲息地 時間: 2025-3-24 05:19
Analyse konkreter Absicherungsprobleme,se suggest that people are ineffably different from others and that people will behave according to type in a predictable, even inevitable way. This chapter explores the World Health Organization’s . (.), which merely re-inscribes essentialist and determinist tendencies by means of processes akin to作者: 我不明白 時間: 2025-3-24 10:03
Unternehmensweites Datenmanagementy of individuals and diversity of groups. Instead, they . heteronormative sexual behaviour, which is unhelpful as a foundation for the . character. This chapter explores an alternative epistemic construct, as becomes available in the notion of a focalising character, which reflects a ‘semic’ constru作者: figurine 時間: 2025-3-24 12:46 作者: anarchist 時間: 2025-3-24 18:27
https://doi.org/10.1007/978-3-322-86941-8ationships between self, other and discursive constructions of society, a clearer indication should be made about what kinds of behaviours or actions he/she should engage in. This chapter explores how psychiatric diagnostic criteria fail to provide assistance, despite professing to authoritatively m作者: Intact 時間: 2025-3-24 21:57
https://doi.org/10.1007/978-3-322-86941-8 of complexity of action. This is possible if action itself is seen as an expression of relationality rather than as activity-as-substance. Looking at people in this way enables the behaviour of . characters to be seen as activities that are more than the actions of combinations of sexed bodies in p作者: 按時間順序 時間: 2025-3-25 02:38
Lothar Streitferdt,Andreas Pfnürdoes not prescribe a ‘type’ of ‘pervert’ character, but instead delineates an epistemic framing for a . character. This chapter explores an etymologically based semiotic approach to character construction that accounts for a Derridean view that language is constituted by binary reciprocal delimitati作者: botany 時間: 2025-3-25 06:13
Towards an Episteme for the ,: Realism in Character Constructionisteme for characterological ‘perversion’. The chapter explores this as a non-foundationalist framing that transcends problematic Cartesian distinctions, concrete object materiality and woolly broad-stroke statements of a disembodied discursive constitution of social and personal experience.作者: 臨時抱佛腳 時間: 2025-3-25 07:46
Gegenstand und Zielsetzung dieser Schrift, design function, aimed to construct characters in visual terms yet through words rather than pictures. In addressing certain epistemic limitations to writing character complexity, an alternative epistemic framing for ‘perverse’ characters is considered in terms of characterological ‘is-ness’, philosophical constitution and behaviours and actions.作者: 適宜 時間: 2025-3-25 12:15 作者: 植物學 時間: 2025-3-25 17:35 作者: predict 時間: 2025-3-25 23:36 作者: defibrillator 時間: 2025-3-26 02:20
Rephrasing the ,: A New Episteme for Perverse Characters, design function, aimed to construct characters in visual terms yet through words rather than pictures. In addressing certain epistemic limitations to writing character complexity, an alternative epistemic framing for ‘perverse’ characters is considered in terms of characterological ‘is-ness’, philosophical constitution and behaviours and actions.作者: exacerbate 時間: 2025-3-26 05:15 作者: IRS 時間: 2025-3-26 11:20
The , and the Categorical ‘Fetishist’: Sexuality Prescribed Through Psychiatric Classifications ‘fetishistic transvestism’ and ‘transvestic fetishism’, which contain certain problematic vestigial tails of Freudian categories that make the psychiatric definitions of ‘fetishism’ unsuitable as a foundation for the . character.作者: Charlatan 時間: 2025-3-26 13:05
The Internally Coherent ,: A Structure not a Substanceer explores the philosophical nature of this structure as it relates to the thematic elements of a narrative whilst engaging in believable activities in a material world. The chapter then suggests an approach to structure based in a phenomenological notion of the replacement of ‘substance’ with ‘form’/‘structure’ as the foundation of meaning.作者: 約會 時間: 2025-3-26 18:49
neue betriebswirtschaftliche forschung (nbf)evise the constitution and role of the individual subject (and therefore of filmic characters as facsimiles of real people) as he/she relates to the material world as a physical entity, and as he/she manipulates the discourses to which he/she is subject.作者: inscribe 時間: 2025-3-26 23:40
Umsetzung der Integrierten Kommunikationruction. This requires a deeper understanding of the semiotic notion of ‘semes’ as the foundation for character construction. To this end, this chapter explores how sexual ‘perversion’ as reflected in notion of the ‘.’ might serve as a foundation for a new episteme for ‘perverse’ characters, as the . as ‘sorcerer/sorceress’.作者: Frisky 時間: 2025-3-27 03:52
Unternehmenstheater in der Praxisence is suggested as a foundation for the structure of . characters in terms of the philosophical distinction between ‘being’ and ‘a(chǎn)ppearance’, on the basis of which decisions might be made as to which elements of the character’s constitution should be made apparent and which should either remain invisible or intentionally be obfuscated.作者: Foreshadow 時間: 2025-3-27 06:46
https://doi.org/10.1007/978-3-322-86941-8 episteme for the .. It also approaches how the diagnostic criteria codify ‘perverse’ activity in determinist terms, thereby insidiously refusing an epistemic construct of action into which is built an acknowledgement of the behaviours of the . as a complex subjectivity.作者: Predigest 時間: 2025-3-27 12:43
https://doi.org/10.1007/978-3-322-86941-8hapter explores the notion of the . character in terms of an internal coherency, taking account of interactions and activities (as exhibited through their material form), ‘naturalness’, linearity of course of action and embodied notions of meaning-creation.作者: 財產(chǎn) 時間: 2025-3-27 14:04 作者: 阻塞 時間: 2025-3-27 18:32 作者: Aggrandize 時間: 2025-3-28 01:45 作者: 錯 時間: 2025-3-28 05:20
Writing ‘Perverse’ Behaviour for the ,: Revisioning the , Diagnostic Criteria episteme for the .. It also approaches how the diagnostic criteria codify ‘perverse’ activity in determinist terms, thereby insidiously refusing an epistemic construct of action into which is built an acknowledgement of the behaviours of the . as a complex subjectivity.作者: V切開 時間: 2025-3-28 09:01 作者: conference 時間: 2025-3-28 10:32
Book 2017hers such as Foucault and Lacan, who represent language not primarily as describing the world but as constructing it. The result is an original and interdisciplinary volume that is brought to coherence through a queer, post-humanist lens. ??.作者: emission 時間: 2025-3-28 14:51 作者: projectile 時間: 2025-3-28 19:50 作者: Pulmonary-Veins 時間: 2025-3-29 00:41 作者: 厭食癥 時間: 2025-3-29 05:22 作者: Herpetologist 時間: 2025-3-29 11:03 作者: 甜食 時間: 2025-3-29 14:19 作者: 基因組 時間: 2025-3-29 19:35
Anthropologically Present ‘Perverts’: Re-instating the , as the ,f conceiving a constitution of ‘pervert’ filmic characters, since certain strains of existential thinking have a meta-theoretical pliancy that is useful for reflecting the non-binary character of complex people beyond simple identity categories, across a range of types and styles of filmic products.作者: 拾落穗 時間: 2025-3-29 20:49 作者: 地殼 時間: 2025-3-29 23:56
The , and the Categorical ‘Fetishist’: Sexuality Prescribed Through Psychiatric Classificationsse suggest that people are ineffably different from others and that people will behave according to type in a predictable, even inevitable way. This chapter explores the World Health Organization’s . (.), which merely re-inscribes essentialist and determinist tendencies by means of processes akin to作者: Interregnum 時間: 2025-3-30 07:44 作者: arbovirus 時間: 2025-3-30 11:16
The , as a Materially Identifiable Character: Subjectively Conceived Filmic Participantse internally coherent, a relation of intertwined co-existence between characters and audiences should be built into the framing in ways that provide functional epistemic signposts for mechanisms to translate characters’ intrinsic complexity to these audiences. This chapter approaches this by account
