標(biāo)題: Titlebook: Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road; Shigeo Aoki,Yoko Taniguchi,Fumiyoshi Kirino Book 2021 The [打印本頁(yè)] 作者: Jurisdiction 時(shí)間: 2025-3-21 16:10
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書(shū)目名稱(chēng)Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road被引頻次
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書(shū)目名稱(chēng)Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road讀者反饋
書(shū)目名稱(chēng)Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road讀者反饋學(xué)科排名
作者: 奇怪 時(shí)間: 2025-3-21 21:00
On Painting Materials, Techniques, and the Conservation of Wall Paintings Across Eurasia,dance of information through its materials, which may be both local and distant in origin. In the study of wall painting techniques, it is essential to take account of many aspects, such as the relationship between paint layers and supporting layers; layering techniques and optical effects; the natu作者: 山崩 時(shí)間: 2025-3-22 00:54
Deterioration and Conservation of Cappadocian Wall Paintings,ctive landscape is a product of volcanic activity, which resulted in the formation of tuff rock strata that were gradually eroded into dramatic peaks. The tuff is easily hollowed out, and for this reason the region has long been a place of rock-cut settlements. Carving techniques remained unchanged 作者: Camouflage 時(shí)間: 2025-3-22 06:53 作者: dearth 時(shí)間: 2025-3-22 08:50
At the Western Edge of the Silk Road: Challenges of Conserving a Unique Nabataean Wall Painting in rock. A rock-cut interior in Siq al-Barid, a suburb of Petra, preserves the only . wall painting with figurative subject matter, dating to the first century AD. Given our limited knowledge of Petra’s Nabataean art and culture, the importance of this unique survival cannot be underestimated. From 200作者: flex336 時(shí)間: 2025-3-22 16:24
pXRF and FTIR Spectrometry Applied to the Study of Azurite and Smalt in Romanian Medieval Wall Paine pigments and the identification of their degradation products. The equipment used for this purpose included a portable X-ray fluorescence system (pXRF) and a Fourier transform infrared spectrometer (FTIR). The pXRF analyses were performed . in order to determine the pigments’ elemental composition作者: flex336 時(shí)間: 2025-3-22 18:36 作者: 陳腐思想 時(shí)間: 2025-3-23 01:04
Painting Materials and Techniques of the Ajanta Wall Paintings, late fifth and sixth centuries A.D. The caves were decorated with polychromed sculpture and wall paintings, both on the interior and exterior. Although general technical investigations of the wall paintings were made as early as the 1930s, more in-depth studies have been produced in recent years. T作者: 蛛絲 時(shí)間: 2025-3-23 05:23 作者: 尾巴 時(shí)間: 2025-3-23 06:25 作者: agenda 時(shí)間: 2025-3-23 11:48
Conservation of Detached Wall Paintings from the Bamiyan, Foladi and Mes Aynak Sites, fragments of excavated Buddhist wall paintings from the Bamiyan and Foladi caves, and the Mes Aynak archaeological site in Afghanistan. The restoration of 42 fragments from the Bamiyan and Foladi caves was carried out from 2007 to 2009 [., .]. Painted in . techniques on plasters made of earth and s作者: 文件夾 時(shí)間: 2025-3-23 15:51
Deterioration and Conservation of Wall Paintings in Uzbekistan,deserts. Watered by the lengthy inland river systems of the Amu Darya, the Syr Darya (the Oxus and Jaxartes of antiquity) and the Zarafshan, all fed by the melt from mountain snows and glaciers, its croplands, orchards and pastures nurtured the development of important centres of civilization. The n作者: 嬉耍 時(shí)間: 2025-3-23 20:49 作者: 粗魯性質(zhì) 時(shí)間: 2025-3-24 01:06 作者: 友好關(guān)系 時(shí)間: 2025-3-24 05:42
Analysis and Diagnosis of the Buddhist Wall Paintings in the Josadang Shrine, Buseoksa Temple, Korey. It is of critical research importance, as it preserves the earliest Buddhist wall painting in Korea. Investigations of the mural identified notable physical damages, such as cracks, peeling and exfoliation of the paint layers, as well as excessively glossy residues and stains left by previous fix作者: 深淵 時(shí)間: 2025-3-24 07:34 作者: BRACE 時(shí)間: 2025-3-24 12:14 作者: 緯線 時(shí)間: 2025-3-24 16:53 作者: cocoon 時(shí)間: 2025-3-24 19:54 作者: Onerous 時(shí)間: 2025-3-25 01:53
Effects of Ultraviolet Radiation on the Eye,ed by other considerations. Consequently, many current models of practice are failing to address key concerns. A radical rethinking of priorities is urgently required. Proactive models of conservation that broaden concepts of context and reemphasise its importance offer ways to address our problems before they reach crisis levels.作者: epidermis 時(shí)間: 2025-3-25 05:11 作者: 多產(chǎn)子 時(shí)間: 2025-3-25 09:43
Rethinking Our Models of Wall Painting Conservation: Are We Doing the Right Thing?,ed by other considerations. Consequently, many current models of practice are failing to address key concerns. A radical rethinking of priorities is urgently required. Proactive models of conservation that broaden concepts of context and reemphasise its importance offer ways to address our problems before they reach crisis levels.作者: 險(xiǎn)代理人 時(shí)間: 2025-3-25 12:45 作者: 滔滔不絕地講 時(shí)間: 2025-3-25 19:44
Wall Painting Materials and Techniques of the Mogao Grottoes,eing the caves, has succeeded in establishing the main pigments and organic colorants used in the creation of the paintings, and has developed a set of analytical approaches and techniques for better understanding their technology. As an example, this paper examines in detail the wall painting technology of Cave 98.作者: 意見(jiàn)一致 時(shí)間: 2025-3-25 20:51 作者: Flirtatious 時(shí)間: 2025-3-26 00:26
Microstructure of Fine-Grain Ceramicsed more and better multi-disciplinary studies. Nevertheless, establishing a full understanding of wall paintings is difficult, as this may require travelling great distances to view them in rock cut-caves, temples and churches. In situ conservation is also extremely difficult, especially if sites ar作者: Picks-Disease 時(shí)間: 2025-3-26 06:15 作者: 山崩 時(shí)間: 2025-3-26 10:49 作者: MUTE 時(shí)間: 2025-3-26 13:45
Realization of Fine-Grain Ceramicsd examples of which were identified at the church of Sucevi?a Monastery from Suceava. Calcium oxalate is the most frequently found alteration product identified in the pictorial layer with azurite, as well as in smalt pigment layers. In many cases the smalt pigment was not well-preserved, showing pr作者: SEVER 時(shí)間: 2025-3-26 19:47
J. E. Hillard,J. B. Cohen,W. M. Paulsonterials and technical approaches used in extensive gold leaf decoration. The survey by 3D scanning revealed (1) the quality of the original construction which is different from that of the later extended structure, and (2) the unique devices used by medieval painters to compensate for viewing the mu作者: Lipoprotein 時(shí)間: 2025-3-26 23:35
Deindividuation: Loss of Uniqueness finer plaster, a white ground was applied, either of lime or kaolin. The main identified pigments include red and yellow ochre, orpiment, red lead, green earth, and ultramarine blue. The earth pigments were locally available, including green earth, which is celadonite. Natural ultramarine blue (lap作者: 預(yù)兆好 時(shí)間: 2025-3-27 03:15 作者: monogamy 時(shí)間: 2025-3-27 05:22
Individuation: The Pursuit of Difference, the creation of the paintings is distinguished by other complex technologies, including the skilful use of earthen materials; and the sophisticated application of multiple colour layers and finishing techniques.作者: 知道 時(shí)間: 2025-3-27 10:08
Deindividuation: Loss of Uniqueness All the fragments have returned to Afghanistan by 2016. The Mes Aynak archaeological site is an ancient Buddhist city that prospered from the third to the seventh centuries [.]. The Tokyo National?University of the Arts restored a fragment of wall painting from the site, which was unearthed in a re作者: Prostaglandins 時(shí)間: 2025-3-27 16:25
Performance as Uniqueness-Motivated Behaviorese unique samples of ancient material culture and art, but also to study the working methods of ancient artists and craftsmen, and the composition of their original materials, This will help to determine the unique features that characterize artistic development in antiquity in the territory of Uzb作者: Pcos971 時(shí)間: 2025-3-27 20:14
Literary Precedents for Uniquenesstions, in the course of which some new discoveries were made. Both the inorganic and organic substances in fragment samples collected from several caves dating from the fifth to the seventh century were analyzed. Morphological studies were performed by optical microscope (OM), cross-section microsco作者: 殺死 時(shí)間: 2025-3-28 00:25
https://doi.org/10.1007/978-1-4684-3794-2 period. The structure of the wall paintings was therefore determined by carrying out ground penetrating radar (GPR). At least two earth-based layers are present. Ultrasonic testing revealed that the wall paintings generally have good physical properties. However, ultrasonic velocities were very low作者: 鬼魂 時(shí)間: 2025-3-28 05:32
Current Topics in Mental Healthtones were maintained in a conservation facility. The objectives of the conservation programme were threefold: (a) to record the condition of the wall paintings; (b) to stabilize the weakened plaster; (c) to treat the problem of biodeterioration. In the case of the Kitora tumulus, the existence of w作者: Nebulous 時(shí)間: 2025-3-28 09:37
https://doi.org/10.1007/978-1-4684-3794-2paintings were removed from the stone chamber and, after 12?years of conservation work, they were put on display in 2016. The paper also describes the state of damage to decorated tumuli caused by large-scale disasters such as the Great East Japan Earthquake of 2011 or the Kumamoto earthquakes of 20作者: MIR 時(shí)間: 2025-3-28 12:33 作者: 首創(chuàng)精神 時(shí)間: 2025-3-28 15:48 作者: SPASM 時(shí)間: 2025-3-28 20:41
Deterioration and Conservation of Cappadocian Wall Paintings,ge of problems, including rock erosion, rainwater infiltration through cracks and fissures, exfoliation and collapse of rock, and deterioration of wall paintings. Added to these natural problems are growing tourist numbers and inappropriate touristic developments. This paper describes efforts to add作者: Missile 時(shí)間: 2025-3-28 23:56
Materials and Techniques of Cappadocian Wall Paintings,can be related to four macro-phases into which we have divided painting practice in Cappadocia. In the overall development of painting up to the eleventh century, there was a general tendency to expand from simplified forms to more complex approaches, which is partly related to the development of mo作者: LOPE 時(shí)間: 2025-3-29 03:48
pXRF and FTIR Spectrometry Applied to the Study of Azurite and Smalt in Romanian Medieval Wall Paind examples of which were identified at the church of Sucevi?a Monastery from Suceava. Calcium oxalate is the most frequently found alteration product identified in the pictorial layer with azurite, as well as in smalt pigment layers. In many cases the smalt pigment was not well-preserved, showing pr作者: 泥瓦匠 時(shí)間: 2025-3-29 08:39
Technical Characteristics of Church Wall Paintings in the Balkans,terials and technical approaches used in extensive gold leaf decoration. The survey by 3D scanning revealed (1) the quality of the original construction which is different from that of the later extended structure, and (2) the unique devices used by medieval painters to compensate for viewing the mu作者: Allege 時(shí)間: 2025-3-29 15:19
Painting Materials and Techniques of the Ajanta Wall Paintings, finer plaster, a white ground was applied, either of lime or kaolin. The main identified pigments include red and yellow ochre, orpiment, red lead, green earth, and ultramarine blue. The earth pigments were locally available, including green earth, which is celadonite. Natural ultramarine blue (lap作者: Delude 時(shí)間: 2025-3-29 19:02
,Materials and Techniques of the Polychromy of the Giant Buddha Statues in Bāmiyān, have used for the original paint layers. Despite their enormous dimensions, the statues were repainted at least twice between their creation in the sixth or seventh century and 977, when the region converted to Islam. While the sequence of paint layers can be reconstructed for probably large parts 作者: Carcinoma 時(shí)間: 2025-3-29 22:39
Materials and Technologies of the Bamiyan Wall Paintings,, the creation of the paintings is distinguished by other complex technologies, including the skilful use of earthen materials; and the sophisticated application of multiple colour layers and finishing techniques.作者: 濕潤(rùn) 時(shí)間: 2025-3-30 00:11 作者: rectocele 時(shí)間: 2025-3-30 05:29 作者: Esophagitis 時(shí)間: 2025-3-30 11:16
The Wall Painting Techniques and Materials of Kizil Grottoes,tions, in the course of which some new discoveries were made. Both the inorganic and organic substances in fragment samples collected from several caves dating from the fifth to the seventh century were analyzed. Morphological studies were performed by optical microscope (OM), cross-section microsco作者: 欲望小妹 時(shí)間: 2025-3-30 15:48
Analysis and Diagnosis of the Buddhist Wall Paintings in the Josadang Shrine, Buseoksa Temple, Kore period. The structure of the wall paintings was therefore determined by carrying out ground penetrating radar (GPR). At least two earth-based layers are present. Ultrasonic testing revealed that the wall paintings generally have good physical properties. However, ultrasonic velocities were very low作者: 救護(hù)車(chē) 時(shí)間: 2025-3-30 17:01 作者: 束以馬具 時(shí)間: 2025-3-31 00:43 作者: Serenity 時(shí)間: 2025-3-31 03:04 作者: 面包屑 時(shí)間: 2025-3-31 08:02
Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road作者: 絕種 時(shí)間: 2025-3-31 10:00 作者: 模范 時(shí)間: 2025-3-31 16:55
Cultural Heritage Sciencehttp://image.papertrans.cn/c/image/235752.jpg作者: Interferons 時(shí)間: 2025-3-31 18:32
Effects of Ultraviolet Radiation on the Eye, their present condition and focusing on measures that slow deterioration. Understanding the condition and deterioration of wall paintings is both complex and challenging; their conservation treatment is equally difficult. Since resources are always limited, and the needs of our painted cultural her
