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標(biāo)題: Titlebook: Confronting Visuality in Multi-Ethnic Women’s Writing; Angela Laflen Book 2014 Angela Laflen 2014 culture.fiction.history of literature.Tr [打印本頁]

作者: Recovery    時(shí)間: 2025-3-21 18:28
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作者: 不能平靜    時(shí)間: 2025-3-22 00:11
(Re)Visualizing History in Toni Morrison’s rature for its role in this process of erasure, suggesting that though “the major and championed characteristics of our national literature” are “responses to a dark, abiding, signing Africanist presence” (5), “in matters of race, silence and evasion have historically ruled literary discourse” (9).
作者: 牽連    時(shí)間: 2025-3-22 02:26
Transforming Culture and Consciousness in Bobbie Ann Mason’s ng mall… they’re looking at deliverance from a hard way of life” (“Bobbie Ann Mason’s Border States”). Though Mason does not judge her characters, or readers, for being attracted to popular and consumer culture, she does seek to help them develop a critical perspective with which to evaluate the pos
作者: maroon    時(shí)間: 2025-3-22 04:34

作者: 排名真古怪    時(shí)間: 2025-3-22 11:45
The Politics of Vanishingor the other writers included in . because, as a writer of mixed German American and Ojibwe descent,. Erdrich offers a perspective that reflects her experiences with both cultures. She has described herself as “on the edge” (. 111), and David Stirrup asserts that “written from this place, Erdrich’s
作者: galley    時(shí)間: 2025-3-22 14:39

作者: galley    時(shí)間: 2025-3-22 18:42
Conclusion Confronting Visuality in the Digital Ageodels of spectatorship that did not take into account differences between women based on race and sexuality. As bell hooks asked incredulously in 1992, “Are we really to imagine that feminist theorists writing only about the image of white women, who subsume this specific historical subject under th
作者: Prologue    時(shí)間: 2025-3-22 21:29

作者: 形容詞詞尾    時(shí)間: 2025-3-23 01:44

作者: 不來    時(shí)間: 2025-3-23 07:06
Ioana Goganau MD,Armin Blesch PhDs intensive engagement with visuality, however, women’s very real social and political gains have been met with a “postfeminist sensibility” in the media that draws on feminist ideas and rhetoric but frequently puts these to the service of decidedly antifeminist aims and representations (Gill 247)..
作者: 膽汁    時(shí)間: 2025-3-23 10:31
https://doi.org/10.1007/978-3-030-35687-3rature for its role in this process of erasure, suggesting that though “the major and championed characteristics of our national literature” are “responses to a dark, abiding, signing Africanist presence” (5), “in matters of race, silence and evasion have historically ruled literary discourse” (9).
作者: 幸福愉悅感    時(shí)間: 2025-3-23 16:16
Topic: aMMP-8 Oral Fluid PoC Test,ng mall… they’re looking at deliverance from a hard way of life” (“Bobbie Ann Mason’s Border States”). Though Mason does not judge her characters, or readers, for being attracted to popular and consumer culture, she does seek to help them develop a critical perspective with which to evaluate the pos
作者: Abnormal    時(shí)間: 2025-3-23 19:09

作者: Indolent    時(shí)間: 2025-3-24 02:15

作者: GLUT    時(shí)間: 2025-3-24 03:42
Hanna Heikenw?lder,Susanne Rothfocus on American women’s graphic narratives.. This chapter focuses on ., arguing that Bechdel expands the range of women’s writing about visuality significantly by focusing attention on how we frame events and come to see them through the material artifacts of family, and on how issues of sexuality
作者: 撕裂皮肉    時(shí)間: 2025-3-24 08:22

作者: 全部逛商店    時(shí)間: 2025-3-24 10:43

作者: 使痛苦    時(shí)間: 2025-3-24 17:55
(Re)Visualizing History in Toni Morrison’s from her desire to “bear witness to the plight of African Americans” (Bouson 2), a plight that Morrison has described as “grotesque” (Jones and Vinson 181) and in graphic description as “my people are being devoured” (Morrison, “Language Must Not Sweat” 121). There is a tension also between Morrison
作者: 有幫助    時(shí)間: 2025-3-24 20:45
Transforming Culture and Consciousness in Bobbie Ann Mason’s lity was markedly different from Morrison’s. While Morrison’s decision to “peck away at the condemning gaze” grew out of her observations about the ideological work images performed in communicating racism and sexism, Mason was prompted to explore the contemporary impact of popular media because she
作者: Allodynia    時(shí)間: 2025-3-24 23:45
There Were Signs and I Missed Themusness throughout her writing. However, because Atwood’s vision of contemporary society is bleaker than the other writers’, the sense of danger associated with issues of visuality is exponentially greater in her work as is the sense of urgency she associates with writing. Indeed in a recent intervie
作者: IST    時(shí)間: 2025-3-25 07:19
The Politics of Vanishing estimate might support 2 billion modest lifestyles, will see our population jump to 7 billion in just two years” (“Dartmouth”). In her 2009 Dartmouth commencement address, she put it bluntly: “We’re in a nosedive unless we can change as a species.” Erdrich’s writing attests to her belief that chang
作者: 重力    時(shí)間: 2025-3-25 09:58

作者: Ascribe    時(shí)間: 2025-3-25 14:46
Queering Spectatorship in Alison Bechdel’s unction with visual technologies and practices, one of the most important developments in contemporary American women’s writing has been the coming-of-age of graphic narratives that depict visual relations in entirely new ways.. Graphic narratives in fact foreground issues of representation and gend
作者: seroma    時(shí)間: 2025-3-25 17:55

作者: 主動(dòng)脈    時(shí)間: 2025-3-25 22:28

作者: nocturia    時(shí)間: 2025-3-26 03:19

作者: 較早    時(shí)間: 2025-3-26 04:31

作者: 的事物    時(shí)間: 2025-3-26 10:47

作者: 擔(dān)心    時(shí)間: 2025-3-26 13:11
Overview: Considering new perspectives on writers such as Toni Morrison, Margaret Atwood, and Louise Erdrich, Confronting Visuality in Multi-ethnic Women‘s Writing traces a cross-cultural tradition in which contemporary female writers situate images of women within larger contexts of visuality.978-1-349-48977-0978-1-137-41304-8
作者: invade    時(shí)間: 2025-3-26 16:47

作者: 燒烤    時(shí)間: 2025-3-26 22:05
Ioana Goganau MD,Armin Blesch PhDectifying structures in mainstream media. The works considered here were published between 1970 and 2010, a period during which visual representations of women came under intense critical scrutiny, and as a result, representational practices evolved, though not in ways that early feminists would hav
作者: 極小量    時(shí)間: 2025-3-27 01:26

作者: thalamus    時(shí)間: 2025-3-27 08:44
Topic: aMMP-8 Oral Fluid PoC Test,lity was markedly different from Morrison’s. While Morrison’s decision to “peck away at the condemning gaze” grew out of her observations about the ideological work images performed in communicating racism and sexism, Mason was prompted to explore the contemporary impact of popular media because she
作者: Priapism    時(shí)間: 2025-3-27 11:29
https://doi.org/10.1007/978-3-030-49476-6usness throughout her writing. However, because Atwood’s vision of contemporary society is bleaker than the other writers’, the sense of danger associated with issues of visuality is exponentially greater in her work as is the sense of urgency she associates with writing. Indeed in a recent intervie
作者: 認(rèn)識(shí)    時(shí)間: 2025-3-27 15:11

作者: 捏造    時(shí)間: 2025-3-27 21:06

作者: 甜瓜    時(shí)間: 2025-3-28 01:50
Hanna Heikenw?lder,Susanne Rothunction with visual technologies and practices, one of the most important developments in contemporary American women’s writing has been the coming-of-age of graphic narratives that depict visual relations in entirely new ways.. Graphic narratives in fact foreground issues of representation and gend
作者: 赦免    時(shí)間: 2025-3-28 02:37
A Recurrence Plot-Based Distance Measure,dia literacy. In order to be the type of literate person who can effectively engage contemporary media, the writers indicate that viewers must be able to connect what is depicted in the media to larger ideologies about race, gender, and sexuality. But perhaps even more important, viewers must be abl
作者: 油膏    時(shí)間: 2025-3-28 07:42

作者: 信條    時(shí)間: 2025-3-28 12:44

作者: Abbreviate    時(shí)間: 2025-3-28 16:04
Alexander S. Belenkyt who goes for surgery with a low or normal pulmonary artery pressure and comes back from the operating theatre (if he is lucky) with a pulmonary artery pressure approaching or exceeding systemic and a normal,left atrial and pulmonary venous pressure (Somerville, et al., 1974).
作者: MILL    時(shí)間: 2025-3-28 19:47

作者: Benign    時(shí)間: 2025-3-29 01:55
,Einflüsse auf die Bestandsh?he, Gemeinkosten in der Buchhaltung erfa?t und die fakturierten Rechnungen abgezogen. Die Entwicklung der unfertigen Erzeugnisse in der Werkstatt wird nicht ermittelt. Auch nicht der Zugang an Fertigerzeugnissen.
作者: 新鮮    時(shí)間: 2025-3-29 04:16

作者: Aggrandize    時(shí)間: 2025-3-29 09:49





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