標(biāo)題: Titlebook: Computers in Art, Design and Animation; John Lansdown,Rae A. Earnshaw (Head of Computer Gr Book 1989 Springer-Verlag New York Inc. 1989 Co [打印本頁] 作者: 遮陽傘 時間: 2025-3-21 16:20
書目名稱Computers in Art, Design and Animation影響因子(影響力)
書目名稱Computers in Art, Design and Animation影響因子(影響力)學(xué)科排名
書目名稱Computers in Art, Design and Animation網(wǎng)絡(luò)公開度
書目名稱Computers in Art, Design and Animation網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Computers in Art, Design and Animation被引頻次
書目名稱Computers in Art, Design and Animation被引頻次學(xué)科排名
書目名稱Computers in Art, Design and Animation年度引用
書目名稱Computers in Art, Design and Animation年度引用學(xué)科排名
書目名稱Computers in Art, Design and Animation讀者反饋
書目名稱Computers in Art, Design and Animation讀者反饋學(xué)科排名
作者: Occipital-Lobe 時間: 2025-3-21 22:41
ssibilities as devices for the visualisation of complex. and largely ab- stract phenomena has begun to be more fully appreciated. Some workers stress the need to be able to model photographic reality in order to assist in this task. They look to better algorithms and more resolution to achieve this end. Other978-1-4612-8868-8978-1-4612-4538-4作者: 安慰 時間: 2025-3-22 02:33
Generative Techniques in Graphical Computer Art: Some Possibilities and Practices作者: 大罵 時間: 2025-3-22 05:18
John Lansdown,Rae A. Earnshaw (Head of Computer Gr作者: 在前面 時間: 2025-3-22 12:40
Book 1989mely the Displays Group and the Computer Arts Society. Both these groups are now more than 20 years old and during the whole of this time have held regular, separate meetings. In recent years, however, the two groups have held a joint annual meeting at which presentations of mutual interest have bee作者: Immunotherapy 時間: 2025-3-22 14:26
The Visualisation of Structural Complexity: Some Thoughts on the 21st Anniversary of the Displays Gr revolution and has painfully absorbed the changes entailed in habits of work and thought. At the micro level, the Displays Group has seen and influenced the life cycles of at least three main display technologies: refresh, storage and raster. What can we learn from this experience and what do the next 21 years hold?作者: Immunotherapy 時間: 2025-3-22 19:29
Tessellation and Image Generation by Electronic Kaleidoscope and Colour Table Modification of Video microcomputer was used to produce kaleidoscopes and images bordered with repeated subimages. These were displayed on a monitor with a number of colour table modifications. Screen photographs in black and white and in colour provided the basis for tesselations using repeated prints.作者: adj憂郁的 時間: 2025-3-23 00:32 作者: deriver 時間: 2025-3-23 04:12
https://doi.org/10.1057/978-1-349-95238-0s, forms and images. When an art style is taken up and used by a large number of artists there will be felt a marked influence in the culture they live in—for example, baroque art in Europe. As a result of this, original work by artists will widely influence the design of artefacts.作者: Organization 時間: 2025-3-23 08:22 作者: Hippocampus 時間: 2025-3-23 12:18 作者: Femish 時間: 2025-3-23 17:19 作者: fiscal 時間: 2025-3-23 19:46
https://doi.org/10.1057/978-1-349-95238-0fortunately been lost. The duals (or reciprocals) of these 13 . polyhedra were not codified until 1865, by Catalan. The enumeration of the uniform convex polyhedra (including prisms and antiprisms) was not completed until the work of Kepler (1864).作者: photopsia 時間: 2025-3-23 23:38
Oct-Tree Encoding and Fractal Rendering of Polyhedrafortunately been lost. The duals (or reciprocals) of these 13 . polyhedra were not codified until 1865, by Catalan. The enumeration of the uniform convex polyhedra (including prisms and antiprisms) was not completed until the work of Kepler (1864).作者: commensurate 時間: 2025-3-24 04:21
ociety, namely the Displays Group and the Computer Arts Society. Both these groups are now more than 20 years old and during the whole of this time have held regular, separate meetings. In recent years, however, the two groups have held a joint annual meeting at which presentations of mutual interes作者: maintenance 時間: 2025-3-24 08:40
Hosting Virtual Domain and Users, revolution and has painfully absorbed the changes entailed in habits of work and thought. At the micro level, the Displays Group has seen and influenced the life cycles of at least three main display technologies: refresh, storage and raster. What can we learn from this experience and what do the next 21 years hold?作者: separate 時間: 2025-3-24 12:50
https://doi.org/10.1057/978-1-349-95238-0microcomputer was used to produce kaleidoscopes and images bordered with repeated subimages. These were displayed on a monitor with a number of colour table modifications. Screen photographs in black and white and in colour provided the basis for tesselations using repeated prints.作者: Fecal-Impaction 時間: 2025-3-24 16:18 作者: 濕潤 時間: 2025-3-24 20:30
Form Synth: The Rule-based Evolution of Complex Forms from Geometric Primitivess, forms and images. When an art style is taken up and used by a large number of artists there will be felt a marked influence in the culture they live in—for example, baroque art in Europe. As a result of this, original work by artists will widely influence the design of artefacts.作者: growth-factor 時間: 2025-3-25 02:04 作者: liposuction 時間: 2025-3-25 06:19
Realism and Computer-Integrated Manufacturence, low-cost computer systems are already on the market. It is now possible for end-users to produce sophisticated images that even two years ago could have been made only by a team of highly trained specialists with access to major computer power. In this paper I predict that one consequence of th作者: 無關(guān)緊要 時間: 2025-3-25 09:00
The Visualisation of Structural Complexity: Some Thoughts on the 21st Anniversary of the Displays Grthe Displays Group has spanned a revolutionary period in technological development. At the macro level, society seems to have accepted the information revolution and has painfully absorbed the changes entailed in habits of work and thought. At the micro level, the Displays Group has seen and influen作者: 豪華 時間: 2025-3-25 12:33 作者: Fortify 時間: 2025-3-25 18:21 作者: deactivate 時間: 2025-3-25 21:37 作者: modifier 時間: 2025-3-26 01:28
Tessellation and Image Generation by Electronic Kaleidoscope and Colour Table Modification of Video er scientist specializing in image processing and computer graphics, D.R.K. Brownrigg. A graphics processor coupled to a video camera and driven by a microcomputer was used to produce kaleidoscopes and images bordered with repeated subimages. These were displayed on a monitor with a number of colour作者: Rejuvenate 時間: 2025-3-26 04:28 作者: 失誤 時間: 2025-3-26 08:29
A Theory of Computer-Aided Design: A Possible Approachundation that is lacking in more ad hoc working. It has a unifying effect to guide practitioners through the long dark nights of misunderstanding and doubt. Above all, a good theory suggests practical techniques and developments that might not otherwise have been devised. Computeraided design (CAD) 作者: GRAIN 時間: 2025-3-26 16:38 作者: incarcerate 時間: 2025-3-26 18:51
Superquadric-based Symbolic Graphics for Designquadrics and employs the inferencing power of Prolog, which we believe would allow simple image description and manipulation. Two small test programs which implement the ideas support the claim that such an approach offers cognitive acceptability and computational feasibility.作者: Inflammation 時間: 2025-3-26 22:19 作者: constitute 時間: 2025-3-27 02:02 作者: 直覺好 時間: 2025-3-27 06:03 作者: 人充滿活力 時間: 2025-3-27 13:24
Configuring qmail: Advanced Options,nce, low-cost computer systems are already on the market. It is now possible for end-users to produce sophisticated images that even two years ago could have been made only by a team of highly trained specialists with access to major computer power. In this paper I predict that one consequence of th作者: Horizon 時間: 2025-3-27 16:32
Hosting Virtual Domain and Users,the Displays Group has spanned a revolutionary period in technological development. At the macro level, society seems to have accepted the information revolution and has painfully absorbed the changes entailed in habits of work and thought. At the micro level, the Displays Group has seen and influen作者: 螢火蟲 時間: 2025-3-27 20:34
https://doi.org/10.1057/978-1-349-95238-0g of artistic problems. Only the use of paintbox and similar software, which seeks to emulate traditional media, seems a promising outlet for the artist; how can computers contribute to a totally new medium for artists?作者: Bravura 時間: 2025-3-27 22:19
https://doi.org/10.1057/978-1-349-95238-0k started action painting. These methods in art historical terms are called art styles. Often several artists will share a particular art style. For example, Malevich, Tatlin and Rodchenko all worked in a Russian constructivist style. This means they all used a similar method for inventing new shape作者: GLUE 時間: 2025-3-28 04:28 作者: 行乞 時間: 2025-3-28 07:40
https://doi.org/10.1057/978-1-349-95238-0er scientist specializing in image processing and computer graphics, D.R.K. Brownrigg. A graphics processor coupled to a video camera and driven by a microcomputer was used to produce kaleidoscopes and images bordered with repeated subimages. These were displayed on a monitor with a number of colour作者: DAFT 時間: 2025-3-28 11:01 作者: 前奏曲 時間: 2025-3-28 16:11 作者: 容易做 時間: 2025-3-28 20:04
https://doi.org/10.1007/978-981-287-946-2es. Further, we are less concerned with the application of computer graphics in constructing detailed models of design objects than with the inference operations that determine what the design object should actually be. In current CAD systems this kind of inference is still expected to reside in the作者: CRUC 時間: 2025-3-29 02:09
https://doi.org/10.1007/978-981-287-946-2quadrics and employs the inferencing power of Prolog, which we believe would allow simple image description and manipulation. Two small test programs which implement the ideas support the claim that such an approach offers cognitive acceptability and computational feasibility.作者: 熱心助人 時間: 2025-3-29 05:18 作者: misshapen 時間: 2025-3-29 07:28 作者: 眉毛 時間: 2025-3-29 13:44 作者: GUILE 時間: 2025-3-29 18:01
https://doi.org/10.1007/978-1-4612-4538-4Computer Art; animation; complexity; computer; computer animation; computer graphics; rendering; simulation作者: Dictation 時間: 2025-3-29 21:03 作者: 迷住 時間: 2025-3-30 02:18
http://image.papertrans.cn/c/image/234660.jpg作者: 幸福愉悅感 時間: 2025-3-30 05:56 作者: microscopic 時間: 2025-3-30 10:36 作者: 使熄滅 時間: 2025-3-30 15:49
https://doi.org/10.1007/978-981-287-946-2The subject of this report is the development of a .. It is based on a presentation of the toolkit concept to the faculty of the Technical University, Delft, for the purpose of obtaining comments and suggestions for its further development.作者: 親密 時間: 2025-3-30 17:30
https://doi.org/10.1007/978-981-287-946-2Traditionally, designers communicate their ideas to other designers, architects, engineers and clients through drawings and models. Both these methods are reasonable compromises to having to build a prototype but are severely limiting and inflexible.作者: Mendacious 時間: 2025-3-30 23:33
In the Mind’s EyeI have often been astonished to find that almost all books on philosophy and even most modern books on geometry are totally without pictures. Philosophy is supposed to be the study of thought and I had always believed that most people thought in pictures.
