標(biāo)題: Titlebook: Computer Assisted Music and Dramatics; Possibilities and Ch Ambuja Salgaonkar,Makarand Velankar Conference proceedings 2023 Springer Nature [打印本頁] 作者: 中間時(shí)期 時(shí)間: 2025-3-21 16:50
書目名稱Computer Assisted Music and Dramatics影響因子(影響力)
書目名稱Computer Assisted Music and Dramatics影響因子(影響力)學(xué)科排名
書目名稱Computer Assisted Music and Dramatics網(wǎng)絡(luò)公開度
書目名稱Computer Assisted Music and Dramatics網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Computer Assisted Music and Dramatics被引頻次
書目名稱Computer Assisted Music and Dramatics被引頻次學(xué)科排名
書目名稱Computer Assisted Music and Dramatics年度引用
書目名稱Computer Assisted Music and Dramatics年度引用學(xué)科排名
書目名稱Computer Assisted Music and Dramatics讀者反饋
書目名稱Computer Assisted Music and Dramatics讀者反饋學(xué)科排名
作者: 天空 時(shí)間: 2025-3-22 00:00 作者: 不透氣 時(shí)間: 2025-3-22 02:13 作者: 谷類 時(shí)間: 2025-3-22 05:10 作者: Exuberance 時(shí)間: 2025-3-22 09:43 作者: 想象 時(shí)間: 2025-3-22 14:55 作者: 想象 時(shí)間: 2025-3-22 19:19 作者: 細(xì)查 時(shí)間: 2025-3-22 22:40
Neurologische Untersuchungstechnik,classification, playlist generation, performance evaluation and music information retrieval. Music data available in various digital forms, such as metadata, notations, audio files, online comments and tags and lyrics, is used as an input to the music analyser system. Various approaches are used on 作者: 艱苦地移動(dòng) 時(shí)間: 2025-3-23 03:55 作者: CRANK 時(shí)間: 2025-3-23 06:22
,Prüfung des geistigen Besitzstandes,mphasis at a specific time, orchestration, melodic or rhythmic structures, and variations in different musical parameters. Identifying the prosody of a given specification from a collection of audio clips is a problem that could be attempted by employing machine learning. This paper presents state-o作者: 哺乳動(dòng)物 時(shí)間: 2025-3-23 13:37
Neurologische Untersuchungstechnik,racted from the Aalap, Taan, and Bandish of each of the ragas have been employed to train the model. The input to the system is a set of n-grams extracted from the phrases found in a musical piece. A music segmentation method has been proposed. Instead of audio signals, their notations are analyzed.作者: extinguish 時(shí)間: 2025-3-23 16:25 作者: 討人喜歡 時(shí)間: 2025-3-23 18:34 作者: 精美食品 時(shí)間: 2025-3-24 01:40 作者: ectropion 時(shí)間: 2025-3-24 02:57 作者: arabesque 時(shí)間: 2025-3-24 09:09 作者: 很是迷惑 時(shí)間: 2025-3-24 14:16
https://doi.org/10.1007/978-3-642-99658-0f 22 shrutis? How much deviation from the set is acceptable? What are the basic axioms of this system? Which is the right way to compute the shrutis? The inquiries like these have persisted for decades. Some of the questions, why sa-pa bhaava (consonances with every 5th note) is so important, why sa作者: Lumbar-Stenosis 時(shí)間: 2025-3-24 14:51
Chirurgische Unfallkrankheiten,neers, and the aesthetic desires of studios. The overall tendency of electronic engineers to pursue fidelity is countered by the aesthetic and commercial desires of music consumers and producers. In response to market pressures, music producers overwhelmingly reject the concept of “Hi-Fi” as an aest作者: Jejune 時(shí)間: 2025-3-24 19:26 作者: jettison 時(shí)間: 2025-3-25 02:08
Computer Assisted Music and Dramatics978-981-99-0887-5Series ISSN 2194-5357 Series E-ISSN 2194-5365 作者: CRAFT 時(shí)間: 2025-3-25 06:45 作者: superfluous 時(shí)間: 2025-3-25 11:14 作者: 礦石 時(shí)間: 2025-3-25 13:25
Software Assisted Analysis of Music: An Approach to Understanding Rāga-siated in performance. The rāga is the fundamental concept underlying the music of the Indian subcontinent. While there is no authoritative or canonical version for any particular rāga, there is a broad convergence of ideas on what constitute its salient features and musical pedagogy stresses that th作者: buoyant 時(shí)間: 2025-3-25 16:46 作者: 聲明 時(shí)間: 2025-3-25 22:44
Role of Prosody in Music Meaningvital role in conveying the meaning of a musical piece, i.e., generally an emotion, along with the meaning of the verbal part if present. It is difficult to formulate the meaning in music as it has several dimensions. Also, the cultural background of the listener has a profound impact on it. Cultura作者: 突襲 時(shí)間: 2025-3-26 01:58
Estimation of Prosody in Music: A Case Study of Geet Ramayanamphasis at a specific time, orchestration, melodic or rhythmic structures, and variations in different musical parameters. Identifying the prosody of a given specification from a collection of audio clips is a problem that could be attempted by employing machine learning. This paper presents state-o作者: Interlocking 時(shí)間: 2025-3-26 07:16 作者: 出價(jià) 時(shí)間: 2025-3-26 11:58 作者: Genome 時(shí)間: 2025-3-26 13:47
Composing Music by Machine Using Particle Swarm Optimization tabla for the purpose. The strokes, known as bōls, are used to create random positions of particles, which are taken as compositions. The velocity of the particle is determined using a custom-made formula. The evolution of the movement of particles is guided through the PSO process driven by a fitn作者: Guileless 時(shí)間: 2025-3-26 20:48 作者: Indurate 時(shí)間: 2025-3-26 21:23 作者: Leisureliness 時(shí)間: 2025-3-27 03:49 作者: 平庸的人或物 時(shí)間: 2025-3-27 08:44
Computation of 22 Shrutis: A Fibonacci Sequence-Based Approachf 22 shrutis? How much deviation from the set is acceptable? What are the basic axioms of this system? Which is the right way to compute the shrutis? The inquiries like these have persisted for decades. Some of the questions, why sa-pa bhaava (consonances with every 5th note) is so important, why sa作者: Creditee 時(shí)間: 2025-3-27 10:32 作者: Infirm 時(shí)間: 2025-3-27 13:57
Computational Indian Musicology: Challenges and New Horizonsauthors in this book. It discusses about the motivation behind such research and various computational approaches taken up by them to address diverse issues. The author feels that this is the right time to develop a taxonomy for computational musicology suitable for Indian music. At the end, the art作者: 把…比做 時(shí)間: 2025-3-27 20:11 作者: CHURL 時(shí)間: 2025-3-27 22:04
Conference proceedings 2023evolved out of presentations and deliberations at an international workshop entitled?.Computer Assisted Music and Dramatics: Possibilities and Challenges?.organized by University of Mumbai in honour of Professor Hari Sahasrabuddhe, a renowned educator and a pioneering computational musicologist (CM)作者: Cerumen 時(shí)間: 2025-3-28 04:11
2194-5357 Indian classical music, dance, drama, and folk music.Is comb.This book is intended for researchers interested in using computational methods and tools to engage with music,?dance and theatre. The chapters have evolved out of presentations and deliberations at an international workshop entitled?.Comp作者: 治愈 時(shí)間: 2025-3-28 09:26 作者: GENUS 時(shí)間: 2025-3-28 13:12 作者: 周興旺 時(shí)間: 2025-3-28 18:10 作者: Diastole 時(shí)間: 2025-3-28 21:16
Computational Indian Musicology: Challenges and New Horizonsissues. The author feels that this is the right time to develop a taxonomy for computational musicology suitable for Indian music. At the end, the article discusses the possible challenges for computational researchers and indicates the possible future agenda for computational Indian musicology.作者: Suggestions 時(shí)間: 2025-3-28 23:33 作者: 新星 時(shí)間: 2025-3-29 03:19 作者: 后退 時(shí)間: 2025-3-29 08:57 作者: 對(duì)手 時(shí)間: 2025-3-29 14:29 作者: 倒轉(zhuǎn) 時(shí)間: 2025-3-29 15:38 作者: monopoly 時(shí)間: 2025-3-29 23:15 作者: Functional 時(shí)間: 2025-3-30 02:56 作者: 不妥協(xié) 時(shí)間: 2025-3-30 06:13 作者: 場(chǎng)所 時(shí)間: 2025-3-30 10:37
Signal Processing in Music Production: The Death of High Fidelity and the Art of Spoilageproaches are used. They may vary from the utilisation of traditional technologies (e.g., vacuum tubes, transformers), through computer emulation of classic analogue hardware, right up to cutting edge software which modifies audio signals in ways which could not have been imagined half a century ago.作者: AUGUR 時(shí)間: 2025-3-30 13:51 作者: Respond 時(shí)間: 2025-3-30 16:49
Eingehende psychiatrische Anamnese, uncover possible aesthetic and stylistic reasons behind his use of this particular technique. In the process, some of the traditional terminology used to describe the timbre of the singing voice will be examined and made more concrete by establishing its underlying psychoacoustic basis. Finally, th作者: 充足 時(shí)間: 2025-3-30 21:52 作者: chapel 時(shí)間: 2025-3-31 04:05
https://doi.org/10.1007/978-3-662-43030-9 prosody to communicate the intended abstract meaning of music has been explored. Tempo, instrumentation and melody, have been proposed as the key prosodic features. A few pointers for the experimentation have been suggested.作者: Genetics 時(shí)間: 2025-3-31 07:10
,Prüfung des geistigen Besitzstandes,melody and generate mood-based classification. The mood of the song can be partially captured using tempo. The tempo of a sad song is observed to be slower than that of a song of fear. An attempt has been made to identify a set of prosodic features to figure out a mood of a given song based upon its
