作者: 正式通知 時(shí)間: 2025-3-22 00:02
Linguistic Issues in Facial Animationsystems did not take into account the link between these two features. We will look at the rules that control these relations (. and .) as well as the coordination of these various modes of expressions. Given an utterance, we consider how the messages (what is . information in the given context) tra作者: Infraction 時(shí)間: 2025-3-22 01:09
Facial Animation by Spatial Mappingained from the video, and this acquired motion is spatially mapped to conform to a synthetic actor’s face. The mapping takes into account differences in proportions between the two faces. Animation is then generated by deforming the texture and geometry of the synthetic face around the control point作者: 過(guò)份 時(shí)間: 2025-3-22 06:18
A Transformation Method for Modeling and Animation of the Human Face from Photographsnsformed to a facial model that is consistent with photographs of an individual face. Facial expression is modified by transformation of the obtained facial model. By using the displacements of selected control points, the transformation determines the displacements of the remaining points by linear作者: maintenance 時(shí)間: 2025-3-22 09:03
Techniques for Realistic Facial Modeling and Animationirst, an adaptive meshing method, is able to create nonuniform facial meshes from high resolution data acquired by scanning a subject with a laser range sensor. Starting with a nonuniform mesh, the second method constructs a realistic model of the subject’s face and head. The face model includes syn作者: Callus 時(shí)間: 2025-3-22 13:49 作者: Callus 時(shí)間: 2025-3-22 20:52
Creating Realistic Three-Dimensional Human Shape Characters for Computer-Generated Filmsnvestigate various methods for creating three-dimensional human shapes based on our experiences. The traditional approach consists in constructing the shapes from real human characters or plaster models. In the first part, we survey several methods that we have already used in the past: 3D reconstru作者: 相符 時(shí)間: 2025-3-22 23:30
Design of Realistic Gaits for the Purpose of Animationchers have used dynamic analysis in order to allow easier control of the motion. However, only simple animation sequences have been designed for human models using dynamic analysis. The main reason is that using dynamics produces a model of great mathematical complexity. This paper presents a method作者: stressors 時(shí)間: 2025-3-23 03:30 作者: 抗生素 時(shí)間: 2025-3-23 07:45 作者: 細(xì)胞膜 時(shí)間: 2025-3-23 11:55 作者: Thrombolysis 時(shí)間: 2025-3-23 14:39 作者: 眼界 時(shí)間: 2025-3-23 19:45 作者: 斷斷續(xù)續(xù) 時(shí)間: 2025-3-23 22:53
Dynamic Scenes Management for Animation with Ray-Tracing RenderingVOXAR (VOXel ARchitecture) project which initial purpose was to build a real time parallel machine to compute image synthesis by the ray-tracing method. We describe the space repartition on the hardware topology by rolling up the space around the processor network. We explain the data connexity need作者: characteristic 時(shí)間: 2025-3-24 04:12 作者: 引起 時(shí)間: 2025-3-24 07:00 作者: 失望昨天 時(shí)間: 2025-3-24 11:21
Energy-ordered list of resonances,chemes should be viewed as parameterizations. The development of facial animation should be viewed as two independent activities; the development of “universal” control parameterizations and interfaces, and the development of optimal techniques to implement facial animation based on these parameteri作者: 障礙物 時(shí)間: 2025-3-24 15:20
Energy-ordered list of resonances,systems did not take into account the link between these two features. We will look at the rules that control these relations (. and .) as well as the coordination of these various modes of expressions. Given an utterance, we consider how the messages (what is . information in the given context) tra作者: 無(wú)情 時(shí)間: 2025-3-24 21:18
Energy-ordered list of resonances,ained from the video, and this acquired motion is spatially mapped to conform to a synthetic actor’s face. The mapping takes into account differences in proportions between the two faces. Animation is then generated by deforming the texture and geometry of the synthetic face around the control point作者: Callus 時(shí)間: 2025-3-25 01:16 作者: anniversary 時(shí)間: 2025-3-25 04:56
Energy-ordered list of resonances,irst, an adaptive meshing method, is able to create nonuniform facial meshes from high resolution data acquired by scanning a subject with a laser range sensor. Starting with a nonuniform mesh, the second method constructs a realistic model of the subject’s face and head. The face model includes syn作者: ethnology 時(shí)間: 2025-3-25 09:48
Energy-ordered list of resonances,some typical motions with emotions are utilized. Based on the frequency analysis, the data are then classified into two groups, the basic factor and the additional factor. The former factor corresponds to a basic motion like “walking”, whereas the latter means a descriptive part of the basic motion 作者: 思考才皺眉 時(shí)間: 2025-3-25 14:15 作者: 認(rèn)為 時(shí)間: 2025-3-25 16:24 作者: 平庸的人或物 時(shí)間: 2025-3-25 20:00
Energy-ordered list of resonances,to emphasis all three aspects of human motion synthesis, namely data capture from natural movements, motion editing and finally display, in real time as well as in slow motion high quality form. Much emphasis is put on the interaction task, i.e. the display dialogue where the movements can be edited作者: Anthem 時(shí)間: 2025-3-26 03:40 作者: ingrate 時(shí)間: 2025-3-26 05:07 作者: GLOSS 時(shí)間: 2025-3-26 10:48
far the most frequent one, has left most of them hopeless. The second one really affects a small amount of creative people..This paper proposes an in between solution, namely a simultaneously inberactive and programmable system offering not only all the synthesis standard techniques but also the pow作者: Rejuvenate 時(shí)間: 2025-3-26 15:04 作者: hieroglyphic 時(shí)間: 2025-3-26 18:04
VOXAR (VOXel ARchitecture) project which initial purpose was to build a real time parallel machine to compute image synthesis by the ray-tracing method. We describe the space repartition on the hardware topology by rolling up the space around the processor network. We explain the data connexity need作者: frugal 時(shí)間: 2025-3-26 23:23 作者: Ophthalmoscope 時(shí)間: 2025-3-27 03:19
MacBounce: A Dynamics-Based Modeler for Character AnimationThis paper describes MacBounce, an interactive system which uses dynamics for modeling and character animation. It covers the dynamics formulation used, and the user interface for creating and controlling simulations. The use of the system for the creation of a short film called “The Audition” is also discussed.作者: Herbivorous 時(shí)間: 2025-3-27 07:11
http://image.papertrans.cn/c/image/233473.jpg作者: membrane 時(shí)間: 2025-3-27 12:27 作者: Osmosis 時(shí)間: 2025-3-27 15:50 作者: Complement 時(shí)間: 2025-3-27 18:16 作者: Hiatus 時(shí)間: 2025-3-27 23:22 作者: 同步左右 時(shí)間: 2025-3-28 02:56 作者: antenna 時(shí)間: 2025-3-28 08:30 作者: Overstate 時(shí)間: 2025-3-28 12:53 作者: 過(guò)份 時(shí)間: 2025-3-28 17:19 作者: 控訴 時(shí)間: 2025-3-28 20:54
Linguistic Issues in Facial Animationoup of muscles as well as the propagation of the muscles’ movement. Our first step will be to enumerate and to differentiate facial movements linked to emotions as opposed to those linked to conversation. Then, we will examine what the rules are that drive them and how their different functions interact.作者: 解開 時(shí)間: 2025-3-29 00:27 作者: GLIB 時(shí)間: 2025-3-29 05:11
Design of Realistic Gaits for the Purpose of Animationn of the legs. The motion control is based on inverse Lagrangian dynamics. The issue of ground reaction forces is addressed and solved using a reformulation of the Lagrangian algorithm. Finally, issues such as torque profiles and motion specification are discussed, together with possible extensions of the method to other types of motion.作者: Cubicle 時(shí)間: 2025-3-29 08:46
Forest: An Interacting Tree Model for Visualizing Forest Formation Processes by Algorithmic Computernts on it in terms of the less rain falls and the lower temperatures which slow down the speed of forest growth. The results of visualization by algorithmically animating a few hundred years of forest growing processes by our model validate the model against the data obtained at an experimental observation site in Pasoh of peninsular Malaysia.作者: 花束 時(shí)間: 2025-3-29 13:41 作者: ellagic-acid 時(shí)間: 2025-3-29 16:05 作者: 不持續(xù)就爆 時(shí)間: 2025-3-29 22:11 作者: Pelago 時(shí)間: 2025-3-30 03:11
Energy-ordered list of resonances,like “brisk” or “fast”. Then, apart from the analysed emprical motion, more complex human motions with emotions are generated by interpolation and/or extrapolation of these factors in the frequency-phase domain. The sequences of the short animations obtained will illustrate the power of the method.作者: 嬰兒 時(shí)間: 2025-3-30 05:05 作者: 異教徒 時(shí)間: 2025-3-30 09:42 作者: restrain 時(shí)間: 2025-3-30 13:28
Energy-ordered list of resonances,as well as in slow motion high quality form. Much emphasis is put on the interaction task, i.e. the display dialogue where the movements can be edited in a form where angular paths are given by 2nd degree parabolics.作者: 思考而得 時(shí)間: 2025-3-30 19:13 作者: 親密 時(shí)間: 2025-3-30 23:35 作者: Intruder 時(shí)間: 2025-3-31 01:37
Facial Animation by Spatial Mappingin proportions between the two faces. Animation is then generated by deforming the texture and geometry of the synthetic face around the control points. This technique was used in “The Audition” to animate a talking dog.作者: 易碎 時(shí)間: 2025-3-31 05:53
Planning Human Movement Through Computer Animationas well as in slow motion high quality form. Much emphasis is put on the interaction task, i.e. the display dialogue where the movements can be edited in a form where angular paths are given by 2nd degree parabolics.作者: Exposition 時(shí)間: 2025-3-31 13:05 作者: Graphite 時(shí)間: 2025-3-31 14:18
Tools for Artistsbetween solution, namely a simultaneously inberactive and programmable system offering not only all the synthesis standard techniques but also the power of a programming language: the latter easily obtained, needs a perfect control of the former in order to modify them as well as to make up new ones.
