標(biāo)題: Titlebook: Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs; Beyond Red, Green an Xiaoyan Zhang,Martin Const [打印本頁(yè)] 作者: gloomy 時(shí)間: 2025-3-21 18:10
書(shū)目名稱Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs影響因子(影響力)
書(shū)目名稱Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs影響因子(影響力)學(xué)科排名
書(shū)目名稱Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs被引頻次
書(shū)目名稱Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs被引頻次學(xué)科排名
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書(shū)目名稱Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs讀者反饋
書(shū)目名稱Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs讀者反饋學(xué)科排名
作者: Obstreperous 時(shí)間: 2025-3-21 21:08 作者: harbinger 時(shí)間: 2025-3-22 02:20
Introduction to the Properties of Materialsrelationships within a natural scene governed by the atmospheric perspective effect, yet also exaggerates upon them. In our approach, the depth-aware lightness and saturation contrast revealed in landscape paintings guides the mapping of contrasts in photographs. This contrast mapping is formulated 作者: output 時(shí)間: 2025-3-22 07:01
Ronald A. Mayville,Thomas J. Warren that in the example portrait painting. The experimental results demonstrate the effectiveness of the proposed method. A user study shows that the proposed pose-based composition improvement is preferred more than the rule-based methods.作者: subacute 時(shí)間: 2025-3-22 12:07 作者: Guaff豪情痛飲 時(shí)間: 2025-3-22 13:30
raphs are converging, and it therefore seems an opportune time to study the comparisons between them. In this context, the book includes cutting-edge work examining how some of the aesthetic attributes of a painting can be transferred to a photograph using the latest computational approaches.978-981-10-9906-9978-981-10-3561-6作者: Guaff豪情痛飲 時(shí)間: 2025-3-22 20:04
Atmospheric Perspective Effect Transfer for Landscape Photographsrelationships within a natural scene governed by the atmospheric perspective effect, yet also exaggerates upon them. In our approach, the depth-aware lightness and saturation contrast revealed in landscape paintings guides the mapping of contrasts in photographs. This contrast mapping is formulated 作者: 退出可食用 時(shí)間: 2025-3-22 21:14 作者: Default 時(shí)間: 2025-3-23 01:25 作者: audiologist 時(shí)間: 2025-3-23 07:12
https://doi.org/10.1007/978-981-10-3561-6Atmospheric Perspective Effect Transfer; Colour Attributes Paintings; Computational Aesthetics; Geometr作者: Urea508 時(shí)間: 2025-3-23 12:30
978-981-10-9906-9Springer Nature Singapore Pte Ltd. 2018作者: Promotion 時(shí)間: 2025-3-23 14:40 作者: 厭食癥 時(shí)間: 2025-3-23 19:15 作者: 有危險(xiǎn) 時(shí)間: 2025-3-23 23:30 作者: obscurity 時(shí)間: 2025-3-24 03:18 作者: Manifest 時(shí)間: 2025-3-24 07:00
Fundamentals of Failure Analysishe middle. 3D geometry is defined as simplified planes, such as foreground, middle ground and background and is particularly important in enhancing the depth of a landscape painting. These geometries function as structural scaffolding around which the painter builds their contrasts. The composition 作者: BIAS 時(shí)間: 2025-3-24 14:10 作者: 史前 時(shí)間: 2025-3-24 15:10
Introduction to the Properties of Materialsand less distinct. The exaggeration of this effect by artists in 2D images increases the illusion of depth, thereby making the image more appealing. This chapter addresses the enhancement of the atmospheric perspective effect in landscape photographs, by the manipulation of depth-aware lightness and作者: Antarctic 時(shí)間: 2025-3-24 20:30
Mechanical Properties of Bulk Solderssthetic examples: to improve the visual appeal and focus of attention of the photographs. The example portrait painting is selected based on a comparison of the existing contrast properties of the painting and those of the photograph. The contrast organisation in the selected example painting is tra作者: 兩種語(yǔ)言 時(shí)間: 2025-3-25 00:40 作者: Overthrow 時(shí)間: 2025-3-25 06:05 作者: Myelin 時(shí)間: 2025-3-25 09:16 作者: Entreaty 時(shí)間: 2025-3-25 13:08 作者: Urgency 時(shí)間: 2025-3-25 18:42
The Portrait and Landscape Genresome genres being more important than others. These genres, in descending order of importance, were: history painting (which were large multifigure compositions addressing significant topics), portrait, genre, landscape and still life. This book examines two of those genres: the landscape and the por作者: Conscientious 時(shí)間: 2025-3-25 21:09 作者: bronchodilator 時(shí)間: 2025-3-26 00:53
The Geometric Attributes of Paintingshe middle. 3D geometry is defined as simplified planes, such as foreground, middle ground and background and is particularly important in enhancing the depth of a landscape painting. These geometries function as structural scaffolding around which the painter builds their contrasts. The composition 作者: KEGEL 時(shí)間: 2025-3-26 07:17 作者: 土坯 時(shí)間: 2025-3-26 08:29
Atmospheric Perspective Effect Transfer for Landscape Photographsand less distinct. The exaggeration of this effect by artists in 2D images increases the illusion of depth, thereby making the image more appealing. This chapter addresses the enhancement of the atmospheric perspective effect in landscape photographs, by the manipulation of depth-aware lightness and作者: 得體 時(shí)間: 2025-3-26 15:52 作者: 使入迷 時(shí)間: 2025-3-26 19:38
Composition Improvement for Portrait Photographsorithm to improve the composition of portrait photographs based on an example portrait painting. From a study of portrait painting, it can be shown that the placement of the face and the figure in portrait paintings is pose-related. Based on this observation, our algorithm improves the composition o作者: 釋放 時(shí)間: 2025-3-26 22:46 作者: Commission 時(shí)間: 2025-3-27 03:24 作者: 粗魯性質(zhì) 時(shí)間: 2025-3-27 07:37
Interactive Local Hue Contrast Manipulationtrast adjustment. Such an adjustment would work upon the maximum, minimum and mean values of the lightness and/or saturation. The third value in the colour triumvirate is hue, but existing image improvement approaches rarely manipulate this value for the reason of its importance to the semantic read作者: Nebulizer 時(shí)間: 2025-3-27 11:03
Global Colour Style Transfer a painting to a photograph. The principle behind our method is to transfer the inherent structures of the contrast properties. This differentiates our method from a simple colour transfer, using which the hues of an image may be shifted, and in doing so damages the semantic properties of the photograph.作者: 我要沮喪 時(shí)間: 2025-3-27 16:01 作者: Rodent 時(shí)間: 2025-3-27 19:01
Introduction to the Properties of Materials a painting to a photograph. The principle behind our method is to transfer the inherent structures of the contrast properties. This differentiates our method from a simple colour transfer, using which the hues of an image may be shifted, and in doing so damages the semantic properties of the photograph.作者: Morsel 時(shí)間: 2025-3-28 01:03 作者: ornithology 時(shí)間: 2025-3-28 05:48 作者: 牢騷 時(shí)間: 2025-3-28 09:51 作者: MOTTO 時(shí)間: 2025-3-28 13:18
The Geometric Attributes of Paintingse principles. A photographer’s vignette is simple: a darkening of the edges and corners, and perhaps also a lightening of the centre. In contrast, a painter’s vignette is complex and involves interplay between the 2D and 3D geometries of the painting.作者: Urgency 時(shí)間: 2025-3-28 15:10 作者: accessory 時(shí)間: 2025-3-28 22:13 作者: harrow 時(shí)間: 2025-3-28 23:24
Book 2018gths and limitations of both. Particular aesthetic practices are examined such as the vista, foreground to background organisation and the depth planes. These are analysed using a range of computational approaches and clear observations are made. New generations of image-capture devices such as Goog作者: vocation 時(shí)間: 2025-3-29 04:23
hares many tips and insights into next-generation image imprThis book examines paintings using a computational and quantitative approach. Specifically, it compares paintings to photographs, addressing the strengths and limitations of both. Particular aesthetic practices are examined such as the vist作者: 含水層 時(shí)間: 2025-3-29 10:59 作者: 燕麥 時(shí)間: 2025-3-29 13:47
Computational Models of Colour Contrastll existing models would probably be better regarded as application tools rather than as descriptions of basic visual function. Colour contrast is broadly understood as being one of two things: a relationship between two things (i.e. simple contrast) or the variance of a property within a single thing (i.e. complex contrast).作者: 禍害隱伏 時(shí)間: 2025-3-29 16:42
Introduction to Life Predictions, this impact is achieved largely through accentuating the illusion of depth that they convey. For portraits, the face and the figure are of prime importance. This chapter introduces the histories of these genres and examines them for their functional differences.作者: 值得 時(shí)間: 2025-3-29 22:35
https://doi.org/10.1007/978-1-349-81634-7re artists or an artist at different times in their career. We describe two case studies of such an analysis, and the results agree with observations. We also include a user study that supports the validity of our proposed approach.作者: Expand 時(shí)間: 2025-3-30 01:33
The Portrait and Landscape Genress, this impact is achieved largely through accentuating the illusion of depth that they convey. For portraits, the face and the figure are of prime importance. This chapter introduces the histories of these genres and examines them for their functional differences.
